Hạnh Thục Ca
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Hạnh Thục Ca
The ''Hạnh Thục ca'' (幸蜀歌, 1885 in "Song of Voyage to Thục") is the best known work of Nguyễn Thị Bích, a Vietnamese court lady. The poem describes her experiences in the 1885 flight of Hàm Nghi. It is written in vernacular chữ Nôm using lục bát verse.Patricia M. Pelley ''Postcolonial Vietnam: New Histories of the National Past'' 2002 - Page 268 "Among the novels most frequently discussed were Phạm Công – Cúc Hoa, Nhị độ mai, Lục súc tranh công, Truyện Thạch Sanh, Chử Đồng Tử, Trạng Quỳnh, Tống Trân Cúc Hoa, Phạm Tải – Ngọc Hoa, Truyện Trinh thử, and Hạnh Thục Ca. The more prominent participants in these discussions were Hằng Phương Hằng Phương (Điện Bàn, 9 September 1908 – 2 February 1983) was a Vietnamese intimist poet. She was born into an educated Confucian family and married writer Vũ Ngọc Phan. Her daughter is the painter Vũ Giáng Hương.Seminar on V ..., Văn Tân, Trương ...
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Nguyễn Thị Bích
Nguyễn Thị Bích(阮氏碧), also known as Nguyễn Nhược Thị Bích (阮若氏碧, An Phuớc District, Ninh Thuận, 1830–1909) was a Vietnamese poet. She was a literate lady at the Huế court whose experiences in the 1885 flight of Hàm Nghi are recorded in her best known work ''Hạnh Thục ca The ''Hạnh Thục ca'' (幸蜀歌, 1885 in "Song of Voyage to Thục") is the best known work of Nguyễn Thị Bích, a Vietnamese court lady. The poem describes her experiences in the 1885 flight of Hàm Nghi. It is written in vernacular ch� ...'', Song of Voyage to Thục.VIII. LE VIỆT NAM SOUS DOMINATION FRANCAISE (1885–1945) 2330* NGUYỄN Nhược Thị. Hạnh Thục ca (n) hant du voyage au pays de Thục Récit versifié par une dame lettrée du palais impérial," References External links Nguyễn Nhược Thị : Hạnh Thục ca online 19th-century Vietnamese poets 1830 births 1909 deaths 19th-century Vietnamese women writers 19th-century Viet ...
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Hàm Nghi
Emperor Hàm Nghi (, vi-hantu, lit. "entirely right", ar, هام نغي; 3 August 1872 – 4 January 1943), personal name Nguyễn Phúc Ưng Lịch, also Nguyễn Phúc Minh, was the eighth emperor of the Vietnamese Nguyễn dynasty. He reigned for only one year (1884–85). Biography On 4 July 1885, a nationwide insurrection against the French broke out under the leadership of the two regents Nguyễn Văn Tường and Tôn Thất Thuyết. The French stormed the palace and Tôn Thất Thuyết took Emperor Hàm Nghi and three empresses into hiding. Hàm Nghi went to the hills and jungles around Laos along with Tôn Thất Thuyết's force. While they waged guerrilla warfare against the French occupation forces, the French replaced Hàm Nghi with his brother, Đồng Khánh, who was enthroned as the Son of Heaven. In October 1888, after a series of setbacks, Hàm Nghi was hiding in an isolated house near the spring of the Nai river, with Tôn Thất Thiệp, the second s ...
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Chữ Nôm
Chữ Nôm (, ; ) is a logographic writing system formerly used to write the Vietnamese language. It uses Chinese characters (''Chữ Hán'') to represent Sino-Vietnamese vocabulary and some native Vietnamese words, with other words represented by new characters created using a variety of methods, including phono-semantic compounds. This composite script was therefore highly complex, and was accessible only to the small proportion of the Vietnamese population who had mastered written Chinese. Although formal writing in Vietnam was done in classical Chinese until the early 20th century (except for two brief interludes), chữ Nôm was widely used between the 15th and 19th centuries by the Vietnamese cultured elite for popular works in the vernacular, many in verse. One of the best-known pieces of Vietnamese literature, ''The Tale of Kiều'', was written in chữ Nôm by Nguyễn Du. The Vietnamese alphabet created by Portuguese Jesuit missionaries, with the earliest kno ...
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Lục Bát
Lục bát (, ) is a traditional Vietnamese verse form – historically first recorded in Chữ Nôm script. "Lục bát" is Sino-Vietnamese for "six eight", referring to the alternating lines of six and eight syllables. It will always begin with a six-syllable line and end with an eight-syllable one. A related measure is the Song thất lục bát. Unlike other verse forms which are traditionally enjoyed only by high-class Vietnamese, lục bát is traditionally composed and enjoyed by people of all classes, from the lowly peasants to the noble princes. It can be regarded as a living style of Vietnamese people. The rich treasure of Vietnamese folk poems (ca dao), which consists of hundred thousands of verses that reflect on life, morality, human relationships, and natural beauty, is almost entirely composed in lục bát form. The 3774 verses in "Đại Nam Quốc Sử Diễn Ca" (Epic Song of National History) composed by Vietnamese poet Lê Ngô Cát under the reign of Emperor ...
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Phạm Công – Cúc Hoa
''The Tale of Phạm Công and Cúc Hoa'' (范公菊花 ''Phạm Công – Cúc Hoa'') is an anonymous 18th Century Vietnamese language poem written in lục bát verse and vernacular chữ Nôm script. As with two similar poems, ''Phạm Tải – Ngọc Hoa ''The Story of Phạm Tải and Ngọc Hoa'' (''Phạm Tải – Ngọc Hoa'') is an anonymous 18th Century Vietnamese language epic poem of 934 verses. The poem belongs to the genre of vernacular nôm script verse poems which includes '' Phạ ...'' and '' Tống Trân and Cúc Hoa'', the title is made of the two names of a star-crossed couple, the boy Phạm Công and the girl Cúc Hoa.Crossroads - Volumes 15 à 16 - Page 21 Northern Illinois University. Center for Southeast Asian Studies - 2001 "Many of my Vietnamese acquaintances are quite familiar with the names Pham Cong, Cuc Hoa, and Tao-thi (characters in Pham Cong Cuc Hoa) and can give a general account of their personal characteristics and adventures despite h ...
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