Alex Turner

Alexander David Turner (born 6 January 1986) is an English musician. He is the lead vocalist and songwriter of the rock band Arctic Monkeys. Turner is known for his lyricism ranging from kitchen sink realism to surrealist wordplay, which has been praised by music critics. All but one of Turner's studio albums have topped the UK Albums Chart. He has won seven Brit Awards, an Ivor Novello Award, and a Mercury Prize among other accolades.

When Turner was 15, he and three friends formed Arctic Monkeys in 2002. Their debut album, ''Whatever People Say I Am, That's What I'm Not'' (2006), became the fastest-selling debut album in British history and, along with the band's fifth studio album ''AM'' (2013), appeared on ''Rolling Stone'''s 500 Greatest Albums of All Time and other lists. The band has experimented with desert rock, indie pop, R&B, and lounge music. He also co-founded The Last Shadow Puppets with Miles Kane in 2007, who have released two orchestral pop albums: ''The Age of the Understatement'' (2008) and ''Everything You've Come to Expect'' (2016).

Turner provided an acoustic soundtrack for the feature film ''Submarine'' (2010), which additionally served as his solo debut extended play (EP). He co-wrote and co-produced Alexandra Savior's debut album ''Belladonna of Sadness'' (2017).

Early life

Alexander David Turner was born in Sheffield on 6 January 1986, the only child of secondary school teachers Penny (''née'' Druce) and David Turner. He was raised in Sheffield's High Green suburb. He has said that his parents came from "very different backgrounds"; his mother, from Amersham, Buckinghamshire, taught German and was "fascinated by language". His father, a Sheffield native, taught music and physics. Turner's parents were both music fans and his earliest musical memories involve the Beatles and the Beach Boys. During car journeys, his mother played music by Led Zeppelin, David Bowie, and the Eagles. His father was a fan of jazz and swing music, particularly Frank Sinatra, and had played the saxophone, trumpet, and piano in big bands. Turner himself was taught some scales on the family keyboard by his father and took professional piano lessons until he was eight years old. Pet Sounds was a big favourite when he grew up, it being the record that got Turner interested in music in the first place.

From the age of five, Turner grew up alongside neighbour Matt Helders; they attended primary school, secondary school, and college together. At their primary school graduation ceremony, Turner and Helders joined some other friends in a mimed performance of Oasis"Helders played the role of Liam Gallagher while Turner pretended to play the bass guitar, using a tennis racket as his instrument. The two met Andy Nicholson in secondary school, and the three friends bonded over their shared enjoyment of hip-hop artists such as Dr. Dre, the Wu-Tang Clan, Outkast, and Roots Manuva. They spent their time playing basketball, skateboarding, riding BMXs, and "making crap hip-hop" beats using Turner's father's Cubase system. Turner and his friends became interested in rock music following the breakthrough of the Strokes in 2001. His father let him borrow a school guitar to learn a "couple of chords" when Turner was 15 and, for Christmas that year, his parents bought him an electric guitar.

Turner was educated at Stocksbridge High School from 1997 to 2002. His former teacher, Mark Coleman, characterised him as a "bright" and "popular" student who excelled at sports rather than music. His English and drama teacher, Simon Baker, remembered him as a clever pupil who was "quite reserved" and "a little bit different". He noted that Turner had an "incredibly laid-back" approach to his studies, which worried his mother and led to criticism from other teachers. While there were books at home, Turner did not read regularly and was too self-conscious to share his writing with others. Nonetheless, he enjoyed English lessons. Turner then attended Barnsley College from 2002 to 2004. Given the opportunity to "get away without doing maths", he largely opted out of the "substantial" subjects required for university entry. He studied for A-levels in music technology and media studies, as well as AS-levels in English, photography, and psychology.

Career

Arctic Monkeys

Early years and foundation

At the age of 15, Turner's weekends revolved around girls and drinking cider with his friends. Joe Carnall, a schoolfriend, has said Turner was "always the quiet one" in their social circle. After friends began forming bands and playing live, Turner, Helders, and Nicholson decided to start Arctic Monkeys in mid-2002. According to Nicholson, Turner already had "instruments about the house" and was conversant in the basics of musicianship because of his father's job as a music teacher. Helders bought a drum kit, while Turner suggested that Nicholson learn bass guitar, and invited Jamie Cook, a neighbour who attended a different school, to play guitar. Initially, Turner played guitar in the instrumental band; he became the frontman when two other school friends declined to sing. Helders considered Turner the obvious candidate for lyricist – "I knew he had a thing for words" – and he gradually began to share songs with his bandmates. Before playing a live show, the band rehearsed for a year in Turner's garage and, later, at an unused warehouse in Wath. According to Helders' mother, who drove the teenagers to and from their rehearsal space three times a week: "If they knew you were there, they would just stop so we had to sneak in." Their first gig was on Friday, 13 June 2003, supporting The Sound at a local pub called The Grapes. The set, which was partly recorded, comprised four original songs and four cover versions of songs by the Beatles, the White Stripes, the Undertones, and the Datsuns.

In the summer of 2003, Turner played seven gigs in York and Liverpool as a rhythm guitarist for the funk band Judan Suki, after meeting the lead singer Jon McClure on a bus. That August, while recording a demo with Judan Suki at Sheffield's 2fly Studios, Turner asked Alan Smyth if he would produce an Arctic Monkeys demo. Smyth obliged and "thought they definitely had something special going on. I told Alex off for singing in an American voice at that first session." An introduction by Smyth led to the band acquiring a management team, Geoff Barradale and Ian McAndrew. They paid for Smyth and Arctic Monkeys to record numerous three-song demos in 2003 and 2004. Turner was quiet and observant during studio sessions, remembered Smyth: "Whenever anyone popped in the studio, he would sit and listen to them before he would say anything." At their rehearsal room in Yellow Arch Studios, Arctic Monkeys developed a reputation as particularly hard workers; the owner lent the band touring equipment while the owner's wife helped Turner with his singing. Barradale drove the band around venues in Scotland, the Midlands, and the north of England to establish their reputation as a live band. The band handed out free copies of the demo CDs after each show and fans began sharing the unofficial '' Beneath the Boardwalk'' demo compilation online.

After finishing college in mid-2004, Turner took a year out to focus on the band and deferred vague plans to attend university in Manchester. He began working part-time as a bartender at the Sheffield music venue The Boardwalk. There, he met well-known figures including musician Richard Hawley and poet John Cooper Clarke. By the end of 2004, Arctic Monkeys' audiences were beginning to sing along with their songs and the demo of " I Bet You Look Good on The Dancefloor" (then called ''Bet You Look Good on The Dancefloor'', as it was then the '' Beneath the Boardwalk'' version) was played on BBC Radio 1 by Zane Lowe.

National rise to prominence

Arctic Monkeys came to national attention in early 2005. They received their first mention in a national newspaper in April, with a ''Daily Star'' reporter describing them as "the most exciting band to emerge this year". They self-released an EP, featuring the single " Fake Tales of San Francisco", in May and commenced their first nationwide tour soon afterwards. In June, in the midst of a bidding war, Arctic Monkeys signed to the independent label Domino Recording Company. After initial sessions with James Ford and Mike Crossey, they recorded an album in rural Lincolnshire with producer Jim Abbiss. In October, the single " I Bet You Look Good on the Dancefloor" debuted at number one on the UK Singles Chart. ''Whatever People Say I Am, That's What I'm Not'', Arctic Monkeys' debut album, was released in January 2006, and debuted at number one on the UK Albums Chart. Turner's lyrics, chronicling teenage nightlife in Sheffield, were widely praised. Kelefa Sanneh of ''The New York Times'' remarked: "Mr. Turner's lyrics are worth waiting for and often worth memorizing, too ... He has an uncanny way of evoking Northern English youth culture while neither romanticizing it nor sneering at it." Musically, Alexis Petridis of ''The Guardian'' noted that the album was influenced by guitar bands "from the past five years ... Thrillingly, their music doesn't sound apologetic for not knowing the intricacies of rock history."

It was the fastest-selling debut album in British music history and quickly became a cultural phenomenon. Turner was hailed by British press outlets as "the voice of a generation". In interview profiles, however, he was described as quiet and uncomfortable with attention. The band dismissed the hype, with Cook saying their goal was "to be able to grow like The Clash. When they started, it was a very basic, punky record. Then they started to take off and move in lots of directions. That's what we want." Less than two months after the album's release, Turner declared that Sheffield-inspired songwriting was "a closed book": "We're moving on and thinking about different things." Years later, Turner said that the attention during this period made him "a bit frightened or nervous": "We shut a lot of people out, just to try to keep some sort of control." The band turned down many promotional opportunities and quickly released new material – a five-track EP '' Who the Fuck Are Arctic Monkeys?'' in April, and a stand-alone single, "Leave Before the Lights Come On", in August. That summer, the band made the decision to permanently replace Nicholson, who had taken a touring break due to "fatigue", with Nick O'Malley, another childhood friend. Nicholson was informed at a band meeting, during which "Al did the speaking." Turner and Nicholson stopped speaking for two years but later repaired their friendship.

Arctic Monkeys' second album, ''Favourite Worst Nightmare'', was released in April 2007, just over a year after their debut. It was produced in London by Mike Crossey and James Ford. As of 2020, Ford has produced every subsequent Turner project. Lyrically, the album touches on fame, love, and heartache. Johanna Bennett, Turner's then girlfriend, was credited as a co-writer on "Fluorescent Adolescent". While uninterested in the songs concerning fame, Marc Hogan of ''Pitchfork'' said the album displayed Turner's "usual gift for vivid imagery" and explored "new emotional depth". Petridis of ''The Guardian'' noted that the band were "pushing gently but confidently at the boundaries of their sound", with hints of "woozy psychedelia" and "piledriving metal". The album was a commercial success, debuting at number one in the UK, while Arctic Monkeys headlined Glastonbury Festival in the summer of 2007. Also that year, Turner began to collaborate with other artists. He worked with rapper Dizzee Rascal on the Arctic Monkeys B-side "Temptation", a version of which also featured on Rascal's album '' Maths and English''. He co-wrote three songs on Reverend and The Makers' debut album '' The State Of Things'', after briefly sharing a Sheffield flat with the frontman Jon McClure. Another Sheffield singer, Richard Hawley, featured on the Arctic Monkeys' B-side " Bad Woman" and performed with the band at the Manchester Apollo, as part of a concert film directed by Richard Ayoade.

Turner has described Arctic Monkeys' third album, '' Humbug'', released in August 2009, as "a massive turning point" in the band's career. They travelled to Joshua Tree, California to work with producer Josh Homme of Queens of the Stone Age; it was the band's first experience of working in a studio for an extended period of time. Homme has said the album's heavier sound was initiated by the band themselves, while he encouraged Turner to embrace longer guitar solos and to develop his newfound "crooning" style of singing. While Petridis of ''The Guardian'' found some lyrics "too oblique to connect", he was impressed by the band's "desire to progress". He described "Cornerstone" as a "dazzling display of what Turner can do: a fabulously witty, poignant evocation of lost love." Joe Tangari of ''Pitchfork'' felt the album was a "legitimate expansion of the band's songwriting arsenal" and described "Cornerstone" as the highlight. During a break in the UK ''Humbug'' tour, Turner joined Richard Hawley on stage at a London charity concert, and played a seven-song acoustic set. Homme joined Arctic Monkeys for a live performance in Pioneertown, California.

Turner wrote Arctic Monkeys' fourth album, '' Suck It and See'', in New York and met up with his bandmates and James Ford for recording sessions in Los Angeles. Marc Hogan of ''Pitchfork'' enjoyed the album's "chiming indie pop balladry" and "muscular glam-rock". Petridis of ''The Guardian'' remarked that Turner's new lyrical style of "dense, Dylanesque wordplay is tough to get right. More often than not, he pulls it off. There are beautifully turned phrases and piercing observation." Richard Hawley co-wrote and provided vocals for the B-side, " You and I", and performed the song with the band at the Olympia in Paris. Turner joined Elvis Costello on stage in New York to sing " Lipstick Vogue".

International breakthrough

By 2012, Arctic Monkeys were based in Los Angeles, with Turner and Helders sharing a house. Arctic Monkeys toured the US as the support act for the Black Keys in early 2012. While they had previously opened for Oasis