Damayanthi
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Damayanti () is a heroine in
ancient Indian literature Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Eighth Schedule to the Constitution of India has 22 officially recognised languages. Sahitya Akademi, ...
, primarily known for her role in the episode of '' Nalopakhyana'', which is embedded within the ''
Vana Parva The Vana Parva ("Book of the Forest") is the third of the eighteen ''parvas'' (books) of the Indian epic ''Mahabharata''.van Buitenen, J.A.B. (1975) ''The Mahabharata: Book 2: The Book of the Assembly Hall; Book 3: The Book of the Forest''. Chicag ...
'' (the third book) of the epic ''
Mahabharata The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kuru ...
'' (c. 400 BCE – 400 CE). She is celebrated for her beauty, intelligence, unwavering love, and steadfast devotion to her husband,
Nala Nala () is a legendary king of ancient Nishadha kingdom and the central protagonist of the '' Nalopakhyana'', a sub-narrative within the Indian epic '' Mahabharata'', found in its third book, '' Vana Parva'' (Book of the Forest). He is renown ...
, the king of
Nishadha kingdom The Nishadha (IAST: Niṣadha) was a tribe of ancient India that lived in a country of the same name. History Veerasena was a king of the Nishadha kingdom, and the father of Nala. Nala, the son of Veerasena, became the king after his father. He ...
. Damayanti is the princess of ancient
Vidarbha Kingdom The Vidarbha kingdom in the Sanskrit epic Mahabharata is among the many kingdoms ruled by Yadu kings (Bhoja Yadavas). It was situated in the region still known as Vidarbha in what is now Maharashtra in central India. Damayanti, the wife of N ...
and the daughter of King Bhima. She falls in love with Nala after hearing about his virtues from a divine swan. She chooses him in a
swayamvara ''Svayaṃvara'' ( ) is a matrimonial tradition in ancient Indian society where a bride, usually from '' Kṣatriya'' (warrior) caste, selects her husband from a group of assembled suitors either by her own choice or a public contest between her ...
(self-choice ceremony), even rejecting gods who had disguised themselves as Nala. Their happiness is short-lived when Nala, influenced by the malicious deity
Kali Kali (; , ), also called Kalika, is a major goddess in Hinduism, primarily associated with time, death and destruction. Kali is also connected with transcendental knowledge and is the first of the ten Mahavidyas, a group of goddesses who p ...
, loses his kingdom in a game of dice and is forced into exile. Overcome with despair and shame, he abandons Damayanti in the forest. Undeterred, she endures great hardships and eventually reaches her father’s court. Determined to find Nala, she devises a plan to draw him out by organizing a second swayamvara. The plan succeeds, and they are joyfully reunited. Nala then regains his kingdom, and the two are restored as the rightful king and queen of Nishadha. Damayanti has been adapted in various Hindu texts by numerous authors across multiple Indian languages. Along with Nala, she is the central figure in '' Naishadhiya Charita'', a 12th-century Sanskrit epic written by
Sriharsha Shri-harsha (IAST: Śrīharṣa) was a 12th century CE Indian philosopher and poet. Śrīharṣa works discuss various themes in Indian Philosophy, such as pramana. He has been often interpreted as promoting Advaita Vedānta in his ''Sweets of Re ...
. This work is one of the five ''
mahakavya Mahākāvya (lit. great kāvya, court epic), also known as ''sargabandha'', is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of phenomena such as scenery, love, and battles. T ...
s'' (great epic poems) in the canon of Sanskrit literature.


Legend


Birth and early life

King Bhima of
Vidarbha Vidarbha (Pronunciation: Help:IPA/Marathi, id̪əɾbʱə is a geographical region in the west Indian States and union territories of India, state of Maharashtra. Forming the eastern part of the state, it comprises Amravati Division, Amrav ...
remains childless for a long time. One day, the hermit Dama arrives at his palace and blesses him and his queen, resulting in the birth of a daughter, Damayanti, and three sons—Dama, Danta, and Damana. Damayanti grows up to be renowned for her exceptional beauty and virtues, attracting the admiration of many suitors. Among them is
Nala Nala () is a legendary king of ancient Nishadha kingdom and the central protagonist of the '' Nalopakhyana'', a sub-narrative within the Indian epic '' Mahabharata'', found in its third book, '' Vana Parva'' (Book of the Forest). He is renown ...
, the noble and accomplished king of Nishadha, who is equally celebrated for his handsomeness and virtue. Upon hearing of each other's qualities, Damayanti and Nala become mutually enamored. One day, a group of golden-hued swans sent by Nala arrives at Damayanti’s palace gardens. As Damayanti and her attendants play near the water, they notice these extraordinary birds. Intrigued, she follows them, and the swans do not flee. Instead, one of the swans speaks to her, describing the virtues, appearance, and qualities of
Nala Nala () is a legendary king of ancient Nishadha kingdom and the central protagonist of the '' Nalopakhyana'', a sub-narrative within the Indian epic '' Mahabharata'', found in its third book, '' Vana Parva'' (Book of the Forest). He is renown ...
. It tells her that he is unmatched in strength, nobility, and righteousness, and would make a worthy husband. Damayanti listens intently, captivated by these descriptions, and develops a deep longing for Nala. After delivering this message, the swan returns to Nishadha and approaches Nala. It recounts its encounter with Damayanti, speaking of her beauty, intelligence, and grace. Nala, who has already heard of her, is now even more drawn to her. Thus, before meeting in person, they both fell in love. Damayanti's despondent demeanor and infatuation alarms her companions, who informs her father.


Marriage

In due time, King Bhima arranges a
swayamvara ''Svayaṃvara'' ( ) is a matrimonial tradition in ancient Indian society where a bride, usually from '' Kṣatriya'' (warrior) caste, selects her husband from a group of assembled suitors either by her own choice or a public contest between her ...
for Damayanti, where she will choose her husband from among assembled kings and princes. Nala sets out for Vidarbha to attend the ceremony. Meanwhile, the gods
Indra Indra (; ) is the Hindu god of weather, considered the king of the Deva (Hinduism), Devas and Svarga in Hinduism. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war.  volumes Indra is the m ...
,
Agni Agni ( ) is the Deva (Hinduism), Hindu god of fire. As the Guardians of the directions#Aṣṭa-Dikpāla ("Guardians of Eight Directions"), guardian deity of the southeast direction, he is typically found in southeast corners of Hindu temples. ...
,
Varuna Varuna (; , ) is a Hindu god. He is one of the earliest deities in pantheon, whose role underwent a significant transformation from the Vedic to the Puranic periods. In the early Vedic era, Varuna is seen as the god-sovereign, ruling the sky ...
, and
Yama Yama (), also known as Kāla and Dharmarāja, is the Hindu god of death and justice, responsible for the dispensation of law and punishment of sinners in his abode, Naraka. He is often identified with Dharmadeva, the personification of ''Dharm ...
, having heard of Damayanti’s beauty from Narada, also decide to seek her hand in marriage. On their way to the swayamvara, the gods encounter Nala. Aware that Damayanti is already in love with him, they ask him to deliver a message, urging her to choose one of them instead. The gods grant Nala temporary invisibility, allowing him to enter Damayanti’s chambers unnoticed. He delivers their message, but Damayanti remains resolute in her decision to marry Nala. At the swayamvara, the four gods assume the appearance of Nala, making it impossible for Damayanti to distinguish the real one. She prays for divine guidance, and in response, the gods reveal their true forms, allowing her to identify and choose Nala. She garlands him, confirming her choice. As a wedding gift, the gods grants several boons, including sacrificial privileges, fire immunity, a divine palate, presence of water, and a garland. Nala and Damayanti are married and lived happily. Twin children are born to the couple.


Exile

The ''
gandharva A ''gandharva'' () is a member of a class of celestial beings in Indian religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they ...
''
Kali Kali (; , ), also called Kalika, is a major goddess in Hinduism, primarily associated with time, death and destruction. Kali is also connected with transcendental knowledge and is the first of the ten Mahavidyas, a group of goddesses who p ...
, upon hearing of the swayamvara, is enraged that Damayanti has chosen a mortal over the gods. Along with Dvapara, who manipulate dice, he travels to Nishadha, intending to ruin Nala. Under Kali’s influence, Nala becomes obsessed with gambling and challenges his younger brother
Pushkara Pushkara () is a character in the ancient Indian epic, the Mahabharata, known primarily for his role in the episode of ''Nala and Damayanti''. He is the younger brother of King Nala of Nishadha and serves as a pivotal antagonist during a key ep ...
to a game of dice which spans for several months. Deprived of his usual wisdom, Nala loses repeatedly. Despite pleas from Damayanti and the citizens, he continues playing until he loses his kingdom, wealth, and possessions. Realizing the danger, Damayanti sends their twins, Indrasena and Indrasenā, to her father’s palace in Vidarbha under the care of the charioteer Varshneya. Meanwhile, Nala, left with nothing, is banished from Nishadha, and Damayanti chooses to follow him into exile, donning a single garment each. Even as they suffer from fatigue and hunger, Damayanti refuses to leave her husband's side and suggests that they go to her father's kingdom. Nala, however, rejects the idea, believing their current circumstances make it impossible. Eventually, the couple arrives at a public dwelling house. Still under the influence of Kali, Nala abandons his sleeping wife, reasoning that she would be safer and happier without him.Though he returnes several times that night, Kali’s influence prevailes, and he ultimately leaves. When Damayanti stirs, she laments his actions, calling him cruel and wondering how he will survive without her. She curses the being responsible for her husband's misfortune, wishing them harm. As she moves aimlessly, a large snake captures her and begins to swallow her. She cries aloud for help, and a hunter arrives, cutting the snake open and saving her. However, upon seeing Damayanti, the hunter becomes overwhelmed with desire and tries to force himself upon her. In anger, she curses him, causing him to fall dead instantly. Damayanti's maddening grief is described in detailed; she wanders the forest, speaking to animals, a mountain and trees. After three days, she finds a hermitage where the sages foretell her reunion with Nala, then vanishes.


In Chedi and return to Vidharba

While wandering in the forest, Damayanti comes upon a large caravan near a river. Disheveled, injured, and dressed half-clad, she approaches the travelers, who react with a mix of fear, suspicion, and pity. Some believe she might be a goddess or spirit of the forest, but Damayanti reveals her identity as a mortal princess, wife of Nala, whom she is desperately seeking. She joins the caravan, which is headed to the kingdom of the Chedi. One night, as the caravan rests in the forest, it is trampled by a herd of elephants. Many are killed in the chaos, but Damayanti survives and is blamed for the misfortune. She continues her journey in sorrow and eventually reaches the city of the Chedi. Damayanti wanders the streets, attracting the attention of onlookers. Mistaking her for a madwoman, street boys begin to follow and mock her. The queen-mother, observing this from the palace, feels compassion for the distressed woman and sends her maid to bring Damayanti inside. When questioned, Damayanti reveals her hardships but does not disclose her true identity. The queen-mother offers her shelter and appoints her as an attendant to her daughter, Sunanda. However, Damayanti sets strict conditions—she refuses to eat leftovers, will not wash other's feet, will not interact with unrelated men, and demands that anyone who makes improper advances toward her be punished. The queen-mother agrees, and Damayanti begins her life in the palace. In Vidarbha, King Bhima remains unaware of his daughter’s fate and continues searching for both Damayanti and Nala. He sends
Brahmins Brahmin (; ) is a ''Varna (Hinduism), varna'' (theoretical social classes) within Hindu society. The other three varnas are the ''Kshatriya'' (rulers and warriors), ''Vaishya'' (traders, merchants, and farmers), and ''Shudra'' (labourers). Th ...
across various kingdoms with the promise of generous rewards for any information. One of these Brahmins, Sudeva, reaches Chedi and immediately recognizes Damayanti, despite her disheveled appearance. When he approaches her in private, she confirms her identity. Sunanda, witnessing the encounter, informs her mother. The queen-mother, deeply moved, reveals that she and Damayanti’s mother are sisters, both being daughters of King Sudama of Dasarna, making them family. Subahu, the king of Chedi, upon learning the truth, arranges for Damayanti’s return to Vidarbha in a palanquin. She reaches her father’s palace safely and reunites with her grieving family. Elsewhere, Nala had rescued a naga from a forest fire. In gratitude, the naga transformed Nala into a hunchback and weakened Kali’s hold on him with venom. Nala, now disguised, was advised to seek employment with King
Rituparna Rituparna () is a king of Ayodhya featured in Hindu literature. Belonging to the Suryavamsha (Solar dynasty), he appears in the legend of Nala and Damayanti in the Mahabharata. He employs Nala in the stables and the kitchen, under the alias of B ...
of
Ayodhya Ayodhya () is a city situated on the banks of the Sarayu river in the Indian state of Uttar Pradesh. It is the administrative headquarters of the Ayodhya district as well as the Ayodhya division of Uttar Pradesh, India. Ayodhya became th ...
and took the name Bahuka.


Reunion

After returning to Vidarbha, Damayanti remains inconsolable and refuses remarriage. Determined to find Nala, King Bhima sends Brahmins across kingdoms. One of them, Parnada, reaches Ayodhya and meets Bahuka, King Rituparna’s charioteer. Noting Bahuka’s exceptional charioteering skills and emotional reaction to Damayanti’s name, Parnada reports back to her. Suspecting Bahuka to be Nala in disguise, Damayanti devises a test. She sends Sudeva to Ayodhya with an announcement of a false second swayamvara, knowing that only Nala possesses the ability to drive a chariot fast enough to reach Vidarbha within a single day. Rituparna, eager to attend, orders Bahuka to drive him. Upon arrival, she recognizes the roar of Nala’s chariot. Still cautious, she sent her servant Keshini to test Bahuka with her verses which Damayanti earlier used to recite to Nala; Bahuka responded with Nala’s. Keshini also confirms divine signs: rising lintels, immediate fire and water, an unfading garland. Bahuka’s cooking also tastes exactly like Nala’s, and he weeps upon seeing his children. Convinced that he is Nala, she arranges a direct meeting. Confronting him, she questions his abandonment. Nala, overcome with emotion, explains his actions under Kali’s influence, and reveals that he is heartbroken by her announcement of remarriage. At that moment, the wind god Vayu proclaims Damayanti’s unwavering fidelity and plan to lure Nala out. Nala regains his true form. With their identities confirmed, Damayanti and Nala reunite. King Bhima and the citizens of Vidarbha rejoice. Shortly after, Nala returns to Nishadha, challenges Pushkara to another game of dice, and this time wins. He reclaims his kingdom but chooses to forgive his brother. Damayanti and their children join him, and Nala rules wisely, restoring prosperity to his people.


Translations

Norman Mosley Penzer Norman Mosley Penzer (30 September 1892 – 27 November 1960) — known as N. M. Penzer — was a British independent scholar and Fellow of the Royal Geographical Society who specialised in Oriental studies. He translated the tale o ...
translated the tale of Nala and Damayanti in 1926 into
English English usually refers to: * English language * English people English may also refer to: Culture, language and peoples * ''English'', an adjective for something of, from, or related to England * ''English'', an Amish ter ...
.


See also

*
The Story of Nal and Damayanti in Bhakti and Sufism Accounts The story of Nal and Damayanti from the ''Mahabharata'' is a very popular and frequently told story. It has been interpreted in many languages which also includes Persian and Braj. This page describes the interpretations of the story conducted b ...
*'' Damajanti'', a 1903 cantata by
Max Bruch Max Bruch (6 January 1838 – 2 October 1920) was a German Romantic Music, Romantic composer, violinist, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a staple of the violin ...
based on the poem ''Nala and Damajanti'' by
Friedrich Rückert Johann Michael Friedrich Rückert (16 May 1788 – 31 January 1866) was a German poet, translation, translator, and professor of Oriental languages. Biography Johann Michael Friedrich Rückert was born 16 May 1788 in Schweinfurt and was the e ...
, with excerpts from a poem by
Heinrich Bulthaupt Heinrich Bulthaupt (October 26, 1849 – August 20, 1905) was a German poet, dramatic author, and lawyer, as well as librarian of his native town, Bremen. Many of Bulthaupt's works found considerable widespread popularity in the lyrical and dra ...
. *
Odysseus In Greek mythology, Greek and Roman mythology, Odysseus ( ; , ), also known by the Latin variant Ulysses ( , ; ), is a legendary Greeks, Greek king of Homeric Ithaca, Ithaca and the hero of Homer's Epic poetry, epic poem, the ''Odyssey''. Od ...
and
Penelope Penelope ( ; Ancient Greek: Πηνελόπεια, ''Pēnelópeia'', or , ''Pēnelópē'') is a character in Homer's ''Odyssey.'' She was the queen of Homer's Ithaca, Ithaca and was the daughter of Spartan king Icarius (Spartan), Icarius and ...
*''
Nala and Damayanti ''Nala and Damayanti'', also known as ''Nalopakhyana'' (Sanskrit title: नलोपाख्यान ''Nalopākhyāna'', i.e., "Episode of Nala"), is an episode from the Culture of India, Indian epic ''Mahabharata''. It is about King Nala and h ...
''


Notes


References


Further reading

* * *


External links


The Naishadha-Charita (story of Nala and Damayanti)
English translation by K. K. Handiqui roofread(includes glossary)
Story of Nala and Damayanti English Translation

Story of Nala and Damayanti from Mahabharata
{{Authority control Characters in the Mahabharata Hindu deities