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Nala (Mahabharata)
Nala () is a legendary king of ancient Nishadha kingdom and the central protagonist of the ''Nalopakhyana'', a sub-narrative within the Indian epic ''Mahabharata'', found in its third book, ''Vana Parva'' (Book of the Forest). He is renowned for his valor, wisdom, and exceptional skill in charioteering. His story revolves around his love for Damayanti, the princess of Vidarbha, and his struggle to reclaim his lost fortune. According to ''Nalopakhyana'', despite his virtues, Nala falls victim to a curse from the malicious deity Kali (demon), Kali, who influences him to lose his kingdom in a game of dice against his brother Pushkara. Forced into exile, he abandons Damayanti in the forest, believing she would suffer less without him. Wandering in disguise under the name Bahuka after being transformed by a serpent’s bite, Nala takes service as a charioteer in the court of King Rituparna of Ayodhya, where he acquires new skills in gambling and horsemanship. Meanwhile, Damayanti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma
Raja Ravi Varma () (29 April 1848 – 2 October 1906) was an Indian painter and artist. His works are one of the best examples of the fusion of European academic art with a purely Indian sensibility and iconography. Especially, he was notable for making affordable Lithography, lithographs of his paintings available to the public, which greatly enhanced his reach and influence as a painter and public figure. His lithographs increased the involvement of common people with fine arts and defined artistic tastes among the common people. Furthermore, his religious depictions of Hindu deities and works from Indian epic poetry and Puranas have received profound acclaim. He was part of the royal family of erstwhile Parappanad, Malappuram district. Raja Ravi Varma was closely related to the royal family of Travancore of present-day Kerala state in India. Later in his life, two of his granddaughters were adopted into the royal family. Personal life Raja Ravi Varma was born M. R. Ry. Rav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamsa (bird)
The (Sanskrit: हंस ' or ''hansa'') is an aquatic bird, aquatic migratory bird, referred to in ancient Sanskrit texts which various scholars have interpreted as being based on the goose, the swan, or even the flamingo. Its image is used in Indian culture, Indian and Culture of Southeast Asia, Southeast Asian culture as a spiritual symbol and a decorative element. It is also used in a metaphorical sense with the bird attributed with the mythical ability to extract milk from a mixture of milk and water or good from evil. In Hindu iconography, ''hamsa'' is the vahana (or ''vehicle'') of Brahma, Gayatri, Saraswati, and Vishvakarma. Identification Asian language professor Monier Williams translates the term from Sanskrit as "a goose, gander, swan, flamingo (or other aquatic bird, considered as a bird of passage [migratory bird] ...)." The word is also used for a mythical or poetical bird with knowledge. In the Rig Veda, it is the bird which is able to separate Soma (drink), S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vayu
Vayu (; ), also known as Vata () and Pavana (), is the Hindu deities, Hindu god of the winds as well as the divine messenger of the gods. In the ''Vedic scriptures'', Vayu is an important deity and is closely associated with Indra, the king of gods. He is mentioned to be born from the breath of Supreme Being Vishvarupa, Vishvapurusha and also the first one to drink Soma (drink), Soma. The ''Upanishads'' praise him as ''Prana'' or 'life breath of the world'. In the later Hindu scriptures, he is described as a dikpala (one of the guardians of the direction), who looks over the north-west direction. The Hindu epics describe him as the father of the god Hanuman and Bhima. The followers of the 13th-century saint Madhva believe their guru as an avatar, incarnation of Vāyu. They worship the wind deity as Mukhyaprana () and consider him as the son of the god Vishnu. Connotations The word for air (classical element), air (''vāyu'') or wind (''pavana'') is one of the Classical eleme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Maiden Was Loth To Hearken To Nala,s Message
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ayodhya (Ramayana)
Ayodhya is a city mentioned in the ancient Sanskrit-language texts, including the ''Ramayana'' and the ''Mahabharata''. These texts describe it as the capital of the Ikshvaku kings, including Rama. The historicity of this legendary city is of concern to the Ayodhya dispute. According to one theory, it is same as the present-day Indian city of Ayodhya. According to another theory, it is a fictional city, and the present-day Ayodhya (originally called Sākēta) was renamed after it around the 4th or 5th century, during the Gupta period. Scriptural references According to the ''Ramayana'', Ayodhya was founded by Manu, the progenitor of mankind, and measured 12x3 '' yojanas'' in area. Both the ''Ramayana'' and the ''Mahabharata'' describe Ayodhya as the capital of the Ikshvaku dynasty of Kosala, including Rama and Dasharatha. The ''Purana-pancha-lakshana'' also describes the city as the capital of Ikshvaku kings, including Harishchandra. The ''Ramayana'' states that t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karkotaka
Karkotaka () is a naga king in Hinduism. One of the children of Kashyapa and Kadru, Karkotaka is regarded to have lived in a forest near the Nishadha Kingdom. According to Hindu mythology, he stings King Nala, transforming him into a twisted and ugly shape. Legend Karkotaka once deceived Narada, the divine sage, in a game of chance. Angered, Narada cursed him that he would remain stationary in the forest until he is saved by King Nala. In the ''Mahabharata'', Karkotaka encountered King Nala when there was a wildfire in the forest where he dwelt, calling out to the king to rescue him. Reducing himself to the size of a thumb, he urged Nala to save him, and the king promptly moved the serpent to a safer spot. Thus, he was freed from Narada's curse. Karkotaka asked the king to step forward ten steps, and after he did so, stung him, causing him to turn ugly. The serpent explained that he had stung the king because the malevolent Kali had possessed him, and the latter should hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nala And Damayanti In Forest
Nala () is a legendary king of ancient Nishadha kingdom and the central protagonist of the '' Nalopakhyana'', a sub-narrative within the Indian epic ''Mahabharata'', found in its third book, ''Vana Parva'' (Book of the Forest). He is renowned for his valor, wisdom, and exceptional skill in charioteering. His story revolves around his love for Damayanti, the princess of Vidarbha, and his struggle to reclaim his lost fortune. According to ''Nalopakhyana'', despite his virtues, Nala falls victim to a curse from the malicious deity Kali, who influences him to lose his kingdom in a game of dice against his brother Pushkara. Forced into exile, he abandons Damayanti in the forest, believing she would suffer less without him. Wandering in disguise under the name Bahuka after being transformed by a serpent’s bite, Nala takes service as a charioteer in the court of King Rituparna of Ayodhya, where he acquires new skills in gambling and horsemanship. Meanwhile, Damayanti devises a pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvapara Yuga
''Dvapara Yuga'' (International Alphabet of Sanskrit Transliteration, IAST: ''Dvāpara-yuga'') (Devanagari: द्वापर युग), in Hinduism, is the third and third-best of the four ''yugas'' (world ages) in a ''Yuga Cycle'', preceded by ''Treta Yuga'' and followed by ''Kali Yuga''. ''Dvapara Yuga'' lasts for 864,000 years (2,400 divine years). According to the Puranas, this ''yuga'' ended when Krishna returned to his eternal abode of Vaikuntha. There are only two pillars of religion during the ''Dvapara Yuga'': compassion and truthfulness. Vishnu assumes the colour yellow and the Vedas are categorized into four parts: ''Rig Veda'', ''Sama Veda'', ''Yajur Veda'' and ''Atharva Veda''. Etymology ''Yuga'' (), in this context, means "an age of the world", where its archaic spelling is ''yug'', with other forms of ''yugam'', , and ''yuge'', derived from ''yuj'' (), believed to be derived from (Proto-Indo-European language, Proto-Indo-European: 'to join or unite'). ''Dvap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moksha
''Moksha'' (; , '), also called ''vimoksha'', ''vimukti'', and ''mukti'', is a term in Jainism, Buddhism, Hinduism, and Sikhism for various forms of emancipation, liberation, '' nirvana'', or release. In its soteriological and eschatological senses, it refers to freedom from '' saṃsāra'', the cycle of death and rebirth. In its epistemological and psychological senses, ''moksha'' is freedom from ignorance: self-realization, self-actualization and self-knowledge. In Hindu traditions, ''moksha'' is a central concept and the utmost aim of human life; the other three aims are ''dharma'' (virtuous, proper, moral life), '' artha'' (material prosperity, income security, means of life), and '' kama'' (pleasure, sensuality, emotional fulfillment). Together, these four concepts are called Puruṣārtha in Hinduism. In some schools of Indian religions, ''moksha'' is considered equivalent to and used interchangeably with other terms such as ''vimoksha'', ''vimukti'', '' kaivalya'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varamala
A varamala () or a jayamala () is a South Asian garland that is most commonly associated with its eponymous ritual during a Hindu wedding ceremony. Traditionally, a varamala is made of roses and other flowers, though modern variations exist, such as garlands made from rupee notes, and other regional traditions. The jayamala ceremony is a well-known ritual during a Hindu wedding, where a bride and a groom exchange garlands, as an indication of acceptance of each other as their spouse, and a pledge to respect them throughout the rest of their lives. Hinduism During the Samudra Manthanam, the legend of the churning of the ocean, the newly emerged Lakshmi garlands Vishnu with her varamala of lotus flowers, accepting him to be her divine consort.In the Ramayana, Sita places a varamala around the neck of Rama after he wins her hand in the Sita Swayamvara, breaking the Pinaka (Hinduism), Pinaka bow. In the Mahabharata, Draupadi chooses Arjuna to be her husband by garlanding him dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yama
Yama (), also known as Kāla and Dharmarāja, is the Hindu god of death and justice, responsible for the dispensation of law and punishment of sinners in his abode, Naraka. He is often identified with Dharmadeva, the personification of ''Dharma'', though the two deities have different origins and myths. In Vedic tradition, Yama was considered the first mortal who died and espied the way to the celestial abodes; as a result, he became the ruler of the departed. His role, characteristics, and abode have been expounded in texts such as the ''Upanishads'', the ''Ramayana'', the ''Mahabharata'', and the ''Puranas''. Yama is described as the twin of the goddess Yami, and the son of the god Surya (sun) (in earlier traditions Vivasvat) and Sanjna. He judges the souls of the dead and, depending on their deeds, assigns them to the realm of the Pitris (forefathers), Naraka (hell), or to be reborn on the earth. Yama is one of the Lokapalas (guardians of the realms), appointed as the pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varuna
Varuna (; , ) is a Hindu god. He is one of the earliest deities in pantheon, whose role underwent a significant transformation from the Vedic to the Puranic periods. In the early Vedic era, Varuna is seen as the god-sovereign, ruling the sky and embodying divine authority. He is also mentioned as the king of asuras, who gained the status of a deva, serving as the chief of the Adityas, a group of celestial deities. He maintains truth and ''ṛta'', the cosmic and moral order, and was invoked as an omniscient ethical judge, with the stars symbolizing his watchful eyes or spies. Frequently paired with Mitra, Varuna represents the magical and speculative aspects of sovereignty, overseeing the relationship between gods and humans. The transition from the Vedic to later periods saw Varuna's domain begin to shift from the firmament to waters. He became associated with celestial waters, marking the initial phase of his transformation. By the time of the '' Itihasa-Purana'', Varuna ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
