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The
BWV The (, ; BWV) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in ...
Anh. () is a list of lost, doubtful, and spurious compositions by, or once attributed to,
Johann Sebastian Bach Johann Sebastian Bach (German: Help:IPA/Standard German, ïżœjoːhan zeˈbastiÌŻan baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
.


History


First edition of the ''Bach-Werke-Verzeichnis'' (1950)

In 1950 the ''Bach-Werke-Verzeichnis'' was published, allocating a unique number to every known composition by Bach.
Wolfgang Schmieder Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian and musicologist. Schmieder was born in Bromberg (now Bydgoszcz, Poland).Eggebrecht, Hans. "Wolfgang Schmieder". ''Oxford Music Online''. 2001, https://doi.o ...
, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata): # Kantaten (Cantatas), BWV 1–224 # Motetten (Motets), BWV 225–231 # Messen, MessensĂ€tze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243 # Passionen, Oratorien (Passions, Oratorios), BWV 244–249 # Vierstimmige ChorĂ€le (Four-part chorales), BWV 250–438 # Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524 # Werke fĂŒr Orgel (Works for organ), BWV 525–771 # Werke fĂŒr Klavier (Keyboard compositions), BWV 772–994 # Werke fĂŒr Laute (Lute compositions), BWV 995–1000 # Kammermusik (Chamber music), BWV 1001–1040 # Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071) # Kanons (Canons), BWV 1072–1078 # Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080 The of the BWV listed works that were not suitable for the main catalogue, in three sections: * I – lost works, or works of which only a tiny fraction had survived (BWV Anh. 1–23) * II – works of dubious authenticity (BWV Anh. 24–155) * III – works that were once attributed to Bach, but for which it had been established they were not composed by him (BWV Anh. 156–189) Within each section of the the works are sorted by genre, following the same sequence of genres as the main catalogue.


Second edition of the ''Bach-Werke-Verzeichnis'' (1990 and 1998)

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the . A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. Authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "" became "" indicating it was now considered a spurious work. In 1998
Alfred DĂŒrr Alfred DĂŒrr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career DĂŒrr studied musicology and Clas ...
and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements. New additions (NachtrĂ€ge) to BWV2/BWV2a included: * BWV 1081–1126 * BWV Anh. 190–213 A few exceptions to the principle that compositions weren't renumbered were when a composition from the could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ). Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. For example, was renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149) Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the
Agnus Dei is the Latin name under which the "Lamb of God" is honoured within Christian liturgies descending from the historic Latin liturgical tradition, including those of Roman Catholicism, Lutheranism and Anglicanism. It is the name given to a spec ...
of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).


''Bachs Notenbibliothek'' (1992)

published '' Bachs Notenbibliothek'' (BNB) in 1992. As a compendium of works in Bach's musical library, it listed as well Bach's own compositions, as works by other composers of which Bach owned a copy. Several compositions of this latter group are listed in the BWV Anh. (mostly Anh. III). For example, the Kyrie–Gloria Mass for double choir, BWV Anh. 167, is listed as BNB I/An/3 in Beißwenger's catalogue.
Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major foc ...
Work


21st century

As of mid-2018 the
Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major foc ...
website started to implement the new numbers of the next edition of the ''Bach-Werke-Verzeichnis''. The editors of this third edition of the ''Bach-Werke-Verzeichnis'' (BWVÂł: officially presented to the public on June 13, 2022, during the Leipzig Bachfest) recognised that the BWV Anh. had become largely unworkable, calling for a new approach.


List


Legend


Table

, - id="BWV Anhang" style="background: #D8D8D8;" , data-sort-value="A000.001" , Anh. I , data-sort-value="449.020" colspan="8" , Fragments – lost works , data-sort-value="1307a" , Up ↑ , - id="BWV Anh. 1" , data-sort-value="A001.000" , I 1 , data-sort-value="449.051" , I , data-sort-value="1725-07-15" , 1725-07-15? , Cantata ''Gesegnet ist die Zuversicht'' (Trinity VII) , , SATB 2Fl Str Bc , , , data-sort-value="by Telemann (TWV 1:0617)" , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
(
TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 1:617)?; text by Neumeister? , , - id="BWV Anh. 2" , data-sort-value="A002.000" , I 2 , data-sort-value="449.052" , I , data-sort-value="1729-10-23" , ---- , data-sort-value="Cantata (sketch: ''Gott, du Richter der Gedanken'' for Trinity XIX?)" , ---- , ---- , data-sort-value="SATB Vl Str Bc" , ---- , ---- , data-sort-value="III/01" , ---- , see BWV 1137 , , - , data-sort-value="A003.000" , I 3 , data-sort-value="449.053" , I , data-sort-value="1730-08-25" , ---- , data-sort-value="Cantata Gott, gib dein Gerichte dem Könige (council election)" , ---- , ---- , ---- , ---- , data-sort-value="I/32.2" , ---- , see BWV 1140 , , - id="BWV Anh. 4" , data-sort-value="A004.000" , I 4 , data-sort-value="450.001" , I , data-sort-value="1725-08-27" , ---- , data-sort-value="Cantata WĂŒnschet Jerusalem GlĂŒck (council election)" , ---- , ---- , ---- , ---- , ---- , see BWV 1139.1 , , - id="BWV Anh. 4a" , data-sort-value="A004.a00" , I 4a , data-sort-value="450.002" , I , data-sort-value="1730-06-27" , ---- , data-sort-value="Cantata WĂŒnschet Jerusalem GlĂŒck (200th anniversary of the Augsburg Confession)" , ---- , ---- , ---- , ---- , ---- , see BWV 1139.2 , , - , data-sort-value="A005.000" , I 5 , data-sort-value="450.003" , I , data-sort-value="1718-12-10" , ---- , data-sort-value="Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of Anhalt-Köthen)" , ---- , ---- , ---- , ---- , data-sort-value="I/34" , ---- , see BWV 1147 , , - id="BWV Anh. 6" , data-sort-value="A006.000" , I 6 , data-sort-value="450.004" , I , data-sort-value="1720-01-01" , ---- , data-sort-value="Secular cantata Dich loben die lieblichen Strahlen der Sonne (New Year)" , ---- , ---- , ---- , ---- , data-sort-value="I/35" , ---- , see BWV 1151 , , - id="BWV Anh. 7" , data-sort-value="A007.000" , I 7 , data-sort-value="450.005" , I , data-sort-value="1720-12-10" , ---- , data-sort-value="Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen)" , ---- , ---- , ---- , ---- , data-sort-value="I/35" , ---- , see BWV 1153 , , - id="BWV Anh. 8" , data-sort-value="A008.000" , I 8 , data-sort-value="451.001" , I , data-sort-value="1723-01-01" , ---- , data-sort-value="Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette)" , ---- , ---- , ---- , ---- , data-sort-value="I/35" , ---- , see BWV 1152 , , - , data-sort-value="A009.000" , I 9 , data-sort-value="451.002" , I , data-sort-value="1727-05-12" , ---- , data-sort-value="Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II)" , ---- , ---- , ---- , ---- , data-sort-value="I/36" , ---- , see BWV 1156 , , - id="BWV Anh. 10" , data-sort-value="A010.000" , I 10 , data-sort-value="451.003" , I , data-sort-value="1731-08-25" , ---- , data-sort-value="Secular cantata So kampfet nur, ihr muntern Tone (birthday of Joachim Friedrich von Flemming)" , ---- , ---- , ---- , ---- , data-sort-value="I/39" , ---- , see
BWV 1160 Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, ...
, , - , data-sort-value="A011.000" , I 11 , data-sort-value="451.004" , I , data-sort-value="1732-08-03" , ---- , data-sort-value="Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II)" , ---- , ---- , ---- , ---- , data-sort-value="I/36" , ---- , see BWV 1157 , , - id="BWV Anh. 12" , data-sort-value="A012.000" , I 12 , data-sort-value="451.005" , I , data-sort-value="1733-08-03" , ---- , data-sort-value="Secular cantata Frohes Volk, vergnĂŒgte Sachsen (name day of Augustus III)" , ---- , ---- , ---- , ---- , data-sort-value="I/36" , ---- , see BWV 1158 , , - id="BWV Anh. 13" , data-sort-value="A013.000" , I 13 , data-sort-value="452.001" , I , data-sort-value="1738-04-28" , ---- , data-sort-value="Secular cantata Willkommen! Ihr herrschenden Götter der Erden" , ---- , ---- , ---- , ---- , data-sort-value="I/37" , ---- , see BWV 1161 , , - id="BWV Anh. 14" , data-sort-value="A014.000" , I 14 , data-sort-value="452.002" , I , data-sort-value="1725-02-12" , ---- , data-sort-value="Cantata Sein Segen fließt daher wie ein Strom (wedding)" , ---- , ---- , ---- , ---- , ---- , see BWV 1144 , , - id="BWV Anh. 15" , data-sort-value="A015.000" , I 15 , data-sort-value="452.003" , I , data-sort-value="1724-04-27" , ---- , data-sort-value="Cantata Siehe, der HĂŒter Israel (doctorate)" , ---- , ---- , data-sort-value="SATB 3Tr Tmp 2Ob 3Vl Va Bc" , ---- , ---- , data-sort-value="I/34" , ---- , see BWV 1148 , , - id="BWV Anh. 16" , data-sort-value="A016.000" , I 16 , data-sort-value="452.004" , I , 1735-11-09 , Cantata ''Schließt die Gruft! ihr Trauerglocken'' (mourning of Hedwig of Merseburg) , , , , , by Roemhildt; text by Hoffmann, B. , , - id="BWV Anh. 17" , data-sort-value="A017.000" , I 17 , data-sort-value="453.001" , I , , Cantata ''Mein Gott, nimm die gerechte Seele'' (funeral) , , SATB 2Oba Str Bas Bc , , I/33 , , , - , data-sort-value="A018.000" , I 18 , data-sort-value="453.002" , I , data-sort-value="1732-06-05" , ---- , data-sort-value="Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation)" , ---- , ---- , ---- , ---- , data-sort-value="I/39" , ---- , see BWV 1162 , , - id="BWV Anh. 19" , data-sort-value="A019.000" , I 19 , data-sort-value="453.003" , I , 1734-11-21 , Secular cantata ''Thomana saß annoch betrĂŒbt'' (welcome to
Johann August Ernesti Johann August Ernesti (; ; 4 August 1707 – 11 September 1781) was a German Rationalist Lutheran theologian and philology, philologist. Ernesti was the first who formally separated the hermeneutics of the Old Testament from those of the New Test ...
as new rector of St. Thomas school) , , , , I/39 , text by ? , , - id="BWV Anh. 20" , data-sort-value="A020.000" , I 20 , data-sort-value="453.004" , I , data-sort-value="1723-08-09" , ---- , data-sort-value="Ode in Latin (birthday of Frederick II of Saxe-Gotha)" , ---- , ---- , ---- , ---- , data-sort-value="I/38" , ---- , see BWV 1155 , , - id="BWV Anh. 190" style="background: #F5F6CE;" , data-sort-value="A190.000" , N 190 , data-sort-value="454.003" , I , 1729-04-18 , Cantata ''Ich bin ein Pilgrim auf der Welt'' (Easter 2) , , b Bc ... , , I/33 , by Bach, C. P. E.?; text by
Picander Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many works by Johann Sebastian Bach, notably the St Matthew Passion of 1727. Life and career Henrici was ...
, , - id="BWV Anh. 191" , data-sort-value="A191.000" , N 191 , data-sort-value="454.004" , I , 1715-05-19 , Cantata ''Leb ich oder leb ich nicht'' ( Cantate) , , , , , text by Franck, S. , , - , data-sort-value="A192.000" , N 192 , data-sort-value="454.005" , I , data-sort-value="1709-02-04 , ---- , data-sort-value="Cantata for Ratswahl in MĂŒhlhausen No. 2 , ---- , ---- , ---- , ---- , ---- , see BWV 1138.1 , , - id="BWV Anh. 193" , data-sort-value="A193.000" , N 193 , data-sort-value="454.006" , I , data-sort-value="1740-08-29" , ---- , data-sort-value="Cantata ''Herrscher des Himmels, König der Ehren'' (council election)" , ---- , ---- , ---- , ---- , data-sort-value="I/32.2" , ---- , see BWV 1141 , , - id="BWV Anh. 194" , data-sort-value="A194.000" , N 194 , data-sort-value="455.001" , I , data-sort-value="1722-07-29" , ---- , data-sort-value="Cantata O vergnĂŒgte Stunden (birthday of John Augustus of Anhalt-Zerbst)" , ---- , ---- , ---- , ---- , ---- , see BWV 1154 , , - id="BWV Anh. 195" , data-sort-value="A195.000" , N 195 , data-sort-value="455.002" , I , 1723-06-09 , Secular cantata ''Murmelt nur, ihr heitern BĂ€che'' (celebration of ) , , , , , text in , , - id="BWV Anh. 196" , data-sort-value="A196.000" , N 196 , data-sort-value="455.003" , I , data-sort-value="1725-11-27" , ---- , data-sort-value="Secular cantata Auf, sĂŒĂŸ entzĂŒckende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke)" , ---- , ---- , ---- , ---- , data-sort-value="I/40" , ---- , see BWV 1163 , , - id="BWV Anh. 197" , data-sort-value="A197.000" , N 197 , data-sort-value="455.004" , I , data-sort-value="1721-07-01" , ---- , data-sort-value="Cantata Ihr wallenden Wolken (New Year)" , ---- , ---- , data-sort-value="b Flx2 Str Vc Hc Bc" , ---- , ---- , data-sort-value="I/04" , ---- , see BWV 1150 , , - , data-sort-value="A198.000" , N 198 , data-sort-value="455.005" , I , data-sort-value="1729-09-28" , ---- , data-sort-value="Cantata Man..." , ---- , ---- , data-sort-value="SATB 3Tr Tmp 2Ob Str Bc" , ---- , ---- , data-sort-value="I/40" , ---- , see BWV 149/1a , , - id="BWV Anh. 199" , data-sort-value="A199.000" , N 199 , data-sort-value="455.006" , I , data-sort-value="1724-03-25" , ---- , data-sort-value="Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation)" , ---- , ---- , ---- , ---- , ---- , see BWV 1135 , , - style="background: #E3F6CE;" , data-sort-value="A200.000" , N 200 , data-sort-value="456.002" , I , data-sort-value="1740-07-01" , 1740 , chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for ''
OrgelbĂŒchlein The ''OrgelbĂŒchlein'' (''Little Organ Book'') BWV 599−644 is a set of 46 chorale preludes for organ – one of them is given in two versions – by Johann Sebastian Bach. All but three were written between 1708 and 1717 when Bach served as org ...
'') , , Organ , , data-sort-value="IV/01: 046" , IV/1: 46 , after Z 1915; in SBB ''P 283'' , , - id="BWV Anh. 209" , data-sort-value="A209.000" , N 209 , data-sort-value="456.003" , I , data-sort-value="1712-12-31" , ---- , data-sort-value="Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727: funeral in Pomßen)" , ---- , ---- , ---- , ---- , ---- , see BWV 1136 , , - id="BWV Anh. 210" , data-sort-value="A210.000" , N 210 , data-sort-value="456.004" , I , 1734-10-04 , (leave-taking of
Johann Matthias Gesner Johann Matthias Gesner (9 April 1691 – 3 August 1761) was a German classical scholar and schoolmaster. Life He was born at Roth an der Rednitz near Ansbach. His father, Johann Samuel Gesner, a pastor in Auhausen, died in 1704, leaving the fam ...
) , , , , , text in ''2° Poet. Germ. I, 6425: 4 Rara''; /1 → BWV 193a/7, 193/3? , , - id="BWV Anh. 211" , data-sort-value="A211.000" , N 211 , data-sort-value="456.005" , I , data-sort-value="1729-01-18" , ---- , data-sort-value="Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding)" , ---- , ---- , ---- , ---- , ---- , see
BWV 1145 Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, ...
, , - id="BWV Anh. 212" , data-sort-value="A212.000" , N 212 , data-sort-value="457.001" , I , data-sort-value="1729-07-26" , ---- , data-sort-value="Cantata VergnĂŒgende Flammen, verdoppelt die Macht (wedding)" , ---- , ---- , ---- , ---- , ---- , see BWV 1146 , , - , data-sort-value="A213.000" , N 213 , data-sort-value="457.002" , I , , Concerto , F maj. , Org , , , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
; arr. by Bach , , - , data-sort-value="0223.000" , 223 , data-sort-value="457.003" , I , data-sort-value="1717-07-01" , 1717–1718? , Cantata ''Meine Seele soll Gott loben'' , B♭ maj. , , , I/34 , by
Handel George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, H ...
? , , - , data-sort-value="0224.000" , 224 , data-sort-value="457.004" , I , data-sort-value="1732-07-01" , 1732 , Aria "Reißt euch los, bekrĂ€nkte Sinnen" (fragment) , , S , , I/41 , by Bach, C. P. E.?; in SBB ''P 491'' , , - id="BWV Anhang II" style="background: #D8D8D8;" , data-sort-value="A023.999" , Anh. II , data-sort-value="459.000" colspan="8" , Works of doubtful authenticity , data-sort-value="1331a" , Up ↑ , - , data-sort-value="0053.000" , 53 , data-sort-value="459.001" , II , , Aria "Schlage doch, gewĂŒnschte Stunde" (Funeral) , E maj. , a Bel Str Bc , data-sort-value="000.12 2: 053" , 122: 53 , I/41 , by Hoffmann, M.? , , - , data-sort-value="0142.000" , 142 , data-sort-value="459.002" , II , , Cantata ''Uns ist ein Kind geboren'' (Christmas) , A min. , data-sort-value="atbSATB Flx2 Obx2 Str Bc" , atbSATB 2Fl 2Ob Str Bc , data-sort-value="000.30: 019" , 30: 19 , I/41 , text by Neumeister (reworked) , , - , data-sort-value="0189.000" , 189 , data-sort-value="459.003" , II , , Cantata ''Meine Seele rĂŒhmt und preist'' (German Magnificat, Visitation) , B♭ maj. , t Fl Ob Vl Bc , data-sort-value="000.37: 213" , 37: 213 , I/41 , by Hoffmann, M. , , - , data-sort-value="0217.000" , 217 , data-sort-value="459.004" , II , , Cantata ''Gedenke, Herr, wie es uns gehet'' (Epiphany I) , , satbSATB Fl Str Bc , data-sort-value="000.41: 207" , 41: 207 , I/41 , by Altnickol? , , - , data-sort-value="0220.000" , 220 , data-sort-value="459.005" , II , , Cantata ''Lobt ihn mit Herz und Munde'' (24 June: feast of John the Baptist) , , atbSATB Fl 2Ob Str Bc , data-sort-value="000.41: 259" , 41: 259 , I/41 , , , - , data-sort-value="0221.000" , 221 , data-sort-value="459.006" , II , , Cantata ''Wer sucht die Pracht, wer wĂŒnscht den Glanz'' , , tb 2Vl Bas Vc Org , , I/41 , data-sort-value="in SBB P 0191" , in SBB ''P 191'': 83–113 , , - , data-sort-value="A159.000" , III 159 , data-sort-value="459.007" , II , data-sort-value="1712-07-01" , ---- , ---- , ---- , data-sort-value="SATBx2" , ---- , data-sort-value="000.39: 157" , ---- , data-sort-value="III/03" , ---- , see BWV 1164 , , - style="background: #E3F6CE;" , data-sort-value="A025.000" , II 25 , data-sort-value="459.008" , II , data-sort-value="1741-07-01" , 1740–1742
(JSB) ,
Kyrie–Gloria Mass ; plural: Missae breves) usually refers to a Mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full Mass is left out, or because its execution time is relatively short. Full mass wi ...
, C maj. , SATB 2Tr 2Vl Org , data-sort-value="000.11 1: XVI" , 111: XVI , II/9 , by Bach, J. L.? , , - style="background: #E3F6CE;" , data-sort-value="0239.000" , 239 , data-sort-value="460.002" , II , data-sort-value="1739-12-31" , 1738–1741
(JSB) ,
Sanctus The ''Sanctus'' (, "Holy") is a hymn in Christian liturgy. It may also be called the ''epinikios hymnos'' (, "Hymn of Victory") when referring to the Greek rendition and parts of it are sometimes called "Benedictus". ''Tersanctus'' (Latin: "Thr ...
, D min. , SATB Str Bc , data-sort-value="000.11 1: 089" , 111: 89 , data-sort-value="II/09" , II/9 , after Caldara, Missa Providentiae/4 , , - , data-sort-value="A028.000" , II 28 , data-sort-value="460.004" , II , ,
Sanctus The ''Sanctus'' (, "Holy") is a hymn in Christian liturgy. It may also be called the ''epinikios hymnos'' (, "Hymn of Victory") when referring to the Greek rendition and parts of it are sometimes called "Benedictus". ''Tersanctus'' (Latin: "Thr ...
, B♭ maj. , SATB 2Ob 2Cor Str Bc , data-sort-value="000.11 1: XVII" , 111: XVII , II/9 , , , - style="background: #E3F6CE;" , data-sort-value="A029.000" , II 29 , data-sort-value="460.005" , II , data-sort-value="1716-01-01" , 1714–17 ,
Kyrie–Gloria Mass ; plural: Missae breves) usually refers to a Mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full Mass is left out, or because its execution time is relatively short. Full mass wi ...
(only cello part extant) , C min. , , , II/9 , in BKrakĂłw ''St 547'' , , - style="background: #E3F6CE;" , data-sort-value="A167.000" , III 167 , data-sort-value="460.006" , II , data-sort-value="1739-01-01" , 1738–1739 (JSB) , Kyrie–Gloria Mass for two choirs , G maj. , data-sort-value="SATBx3 Obx3 Tai Vlx2 Vax2 Vnex2 Bc Org" , 3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org , , II/9 , by
Bernhard Bernhard is both a given name and a surname. Notable people with the name include: Given name *Bernhard of Saxe-Weimar (1604–1639), Duke of Saxe-Weimar *Bernhard, Prince of Saxe-Meiningen (1901–1984), head of the House of Saxe-Meiningen 1946 ...
, Krieger or Pohle?; in SBB ''P 659'' , , - style="background: #E3F6CE;" , data-sort-value="A030.000" , II 30 , data-sort-value="460.007" , II , data-sort-value="1742-07-01" , 1690s (Tor.)
1742 (JSB) , Magnificat for double choir , C maj. , data-sort-value="SATBx2 Trx3 Tmp 2Vl 2Vla Bc" , 2SATB 3Tr Tmp 2Vl 2Vla Bc , data-sort-value="000.11 1: XV" , 111: XV , II/9 , after Torri,
Magnificat The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This ...
; Tr3, Tmp by Bach , , - style="background: #E3F6CE;" , data-sort-value="0246.000" , 246 , data-sort-value="460.008" , II , 1732-04-11 (JSB) , Passion '' St Luke Passion'' , , data-sort-value="ssatbSATB Flx2 Obx2 Tai Bas Str Bc" , ssatbSATB 2Fl 2Ob Tai Bas Str Bc , data-sort-value="000.45 2: 000" , 452 , data-sort-value="II/09: 065" , II/9: 65 , data-sort-value="→ BWB 246/40a" , → BWV 246/40a; in SBB ''P 1017'' , , - id="BWV Anh. 31" , data-sort-value="A031.000" , II 31 , data-sort-value="460.009" , II , , chorale setting "Herr Gott, dich loben alle wir" , , SATB 2Tr 3Ob Str Bc , , , data-sort-value="in SBB P 0101" , in SBB ''P 101'' , , - id="BWV Anh. 201" , data-sort-value="A201.000" , N 201 , data-sort-value="460.010" , II , , chorale setting "Du FriedefĂŒrst, Herr Jesu Christ" , , SATB , , , by Vetter, D. , , - id="BWV Anh. 202" , data-sort-value="A202.000" , N 202 , data-sort-value="460.011" , II , , chorale setting "Gott hat das Evangelium" , , SATB , , , by Vetter, D. , , - id="BWV Anh. 203" , data-sort-value="A203.000" , N 203 , data-sort-value="460.012" , II , , chorale setting "Ich hebe meine Augen auf" , , SATB , , , by Vetter, D. , , - id="BWV Anh. 204" , data-sort-value="A204.000" , N 204 , data-sort-value="460.013" , II , , chorale setting "O Traurigkeit, o Herzeleid" , , SATB , , , by Vetter, D. , , - , data-sort-value="A032.000" , II 32 , data-sort-value="460.014" , II , data-sort-value="1704-07-01" , 1704 , data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 1" , No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen" , , Voice Bc , , , in ''Deutsche Übersetzungen und Gedichte'' , , - , data-sort-value="A033.000" , II 33 , data-sort-value="460.015" , II , data-sort-value="1704-07-01" , 1704 , data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 2" , No. 2 "Mein Jesus, spare nicht" , , Voice Bc , , , in ''Deutsche Übersetzungen und Gedichte'' , , - , data-sort-value="A034.000" , II 34 , data-sort-value="460.016" , II , data-sort-value="1704-07-01" , 1704 , data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 3" , No. 3 "Kann ich mit einem Tone" , , Voice Bc , , , in ''Deutsche Übersetzungen und Gedichte'' , , - , data-sort-value="A035.000" , II 35 , data-sort-value="460.017" , II , data-sort-value="1704-07-01" , 1704 , data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 4" , No. 4 "Meine Seele lass die FlĂŒgel" , , Voice Bc , , , in ''Deutsche Übersetzungen und Gedichte'' , , - , data-sort-value="A036.000" , II 36 , data-sort-value="460.018" , II , data-sort-value="1704-07-01" , 1704 , data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 5" , No. 5 "Ich stimm' itzund ein Straff-Lied an" , , Voice Bc , , , in ''Deutsche Übersetzungen und Gedichte'' , , - , data-sort-value="A037.000" , II 37 , data-sort-value="460.019" , II , data-sort-value="1704-07-01" , 1704 , data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 6" , No. 6 "Der schwarze FlĂŒgel trĂŒber Nacht" , , Voice Bc , , , in ''Deutsche Übersetzungen und Gedichte'' , , - , data-sort-value="A038.000" , II 38 , data-sort-value="460.020" , II , data-sort-value="1704-07-01" , 1704 , data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 7" , No. 7 "Das Finsterniß tritt ein" , , Voice Bc , , , in ''Deutsche Übersetzungen und Gedichte'' , , - , data-sort-value="A039.000" , II 39 , data-sort-value="460.021" , II , data-sort-value="1704-07-01" , 1704 , data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 8" , No. 8 "Ach was wollt ihr trĂŒben Sinnen" , , Voice Bc , , , in ''Deutsche Übersetzungen und Gedichte'' , , - , data-sort-value="A040.000" , II 40 , data-sort-value="460.022" , II , data-sort-value="1736-07-01" , 1736 , , , Voice Kb , , , in , , - , data-sort-value="A041.000" , II 41 , data-sort-value="460.023" , II , data-sort-value="1732-07-01" , 1736 , , , Voice Kb , , , in , , - , data-sort-value="0571.000" , 571 , data-sort-value="461.001" , II , data-sort-value="1704-07-01" , , Fantasia, a.k.a. Concerto , G maj. , Organ , data-sort-value="000.38: 067" , 38: 67 , data-sort-value="IV/11: 035" , IV/11: 35 , , , - , data-sort-value="0580.000" , 580 , data-sort-value="461.002" , II , , Fugue , D maj. , Organ , data-sort-value="000.38: 213" , 38: 215 , , , , - , data-sort-value="A042.000" , II 42 , data-sort-value="461.003" , II , , , F maj. , Organ , , , data-sort-value="in SBB P 0817" , in SBB ''P 817'': 1–3 , , - , data-sort-value="0576.000" , 576 , data-sort-value="461.004" , II , , Fugue , G maj. , Organ , data-sort-value="000.38: 106" , 38: 106 , IV/11 , , , - , data-sort-value="0577.000" , 577 , data-sort-value="461.005" , II , , Fugue , G maj. , Organ , data-sort-value="000.38: 111" , 38: 111 , data-sort-value="IV/11: 044" , IV/11: 44 , , , - , data-sort-value="0581.000" , 581 , data-sort-value="461.006" , II , , , G maj. , Organ , , IV/11 , by Homilius? , , - , data-sort-value="0131.a00" , 131a , data-sort-value="461.007" , II , ,
Fugue In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford Universit ...
, G min. , Organ , data-sort-value="000.38: 217" , 38: 217 , data-sort-value="IV/11: 003" , IV/11: 3 , data-sort-value="after BWV 0131/5" , after BWV 131/5 , , - , data-sort-value="0534.000" , 534 , data-sort-value="461.008" , II , , Prelude and Fugue , F min. , Organ , data-sort-value="000.15: 104" , 15: 104 , data-sort-value="IV/05: 130" , IV/5: 130 , by Bach, W. F.? , , - style="background: #E3F6CE;" , data-sort-value="0536.A00" , 536a , data-sort-value="461.012" , II , data-sort-value="1774-12-31" , 1760–1789? , Prelude and Fugue , A maj. , Organ , , data-sort-value="IV/06: 114" , IV/6: 114 , data-sort-value="after BWV 0536" , after BWV 536,
152 Year 152 ( CLII) was a leap year starting on Friday of the Julian calendar. At the time, it was known in Rome as the Year of the Consulship of Glabrio and Homullus (or, less frequently, year 905 ''Ab urbe condita''). The denomination 152 for th ...
/1; arr. by Scholz? , , - id="BWV 545b" , data-sort-value="0545.b00" , 545b , data-sort-value="461.013" , II , data-sort-value="1712-12-31" , 1708–1717 , Prelude, Trio and Fugue , B♭ maj. , Organ , , data-sort-value="IV/11: 006" , IV/11: 6 , data-sort-value="after BWV 0545a" , after BWV 545a; ↔ 545,
1029 Year 1029 ( MXXIX) was a common year starting on Wednesday of the Julian calendar. Events By place Asia * March/April: The Ghaznavid Sultan Maងmƫd sacks brutally the city of Rayy after having received a request for help by its B ...
/3 , , - , data-sort-value="0553.000" , 553 , data-sort-value="461.014" , II , , data-sort-value="Short Prelude and Fuguex8 No. 1" , ''
Eight Short Preludes and Fugues The Eight Short Prelude (music), Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed ...
'' No. 1 , C maj. , Organ , data-sort-value="000.38: 023" , 38: 23 , IV/11 , by Krebs, J. T. or J. L.? , , - , data-sort-value="0554.000" , 554 , data-sort-value="461.015" , II , , data-sort-value="Short Prelude and Fuguex8 No. 2" , ''
Eight Short Preludes and Fugues The Eight Short Prelude (music), Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed ...
'' No. 2 , D min. , Organ , data-sort-value="000.38: 027" , 38: 27 , IV/11 , by Krebs, J. T. or J. L.? , , - , data-sort-value="0555.000" , 555 , data-sort-value="461.016" , II , , data-sort-value="Short Prelude and Fuguex8 No. 3" , ''
Eight Short Preludes and Fugues The Eight Short Prelude (music), Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed ...
'' No. 3 , E min. , Organ , data-sort-value="000.38: 030" , 38: 30 , IV/11 , by Krebs, J. T. or J. L.? , , - , data-sort-value="0556.000" , 556 , data-sort-value="461.017" , II , , data-sort-value="Short Prelude and Fuguex8 No. 4" , ''
Eight Short Preludes and Fugues The Eight Short Prelude (music), Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed ...
'' No. 4 , F maj. , Organ , data-sort-value="000.38: 033" , 38: 33 , IV/11 , by Krebs, J. T. or J. L.? , , - , data-sort-value="0557.000" , 557 , data-sort-value="461.018" , II , , data-sort-value="Short Prelude and Fuguex8 No. 5" , ''
Eight Short Preludes and Fugues The Eight Short Prelude (music), Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed ...
'' No. 5 , G maj. , Organ , data-sort-value="000.38: 036" , 38: 36 , IV/11 , by Krebs, J. T. or J. L.? , , - , data-sort-value="0558.000" , 558 , data-sort-value="461.019" , II , , data-sort-value="Short Prelude and Fuguex8 No. 6" , ''
Eight Short Preludes and Fugues The Eight Short Prelude (music), Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed ...
'' No. 6 , G min. , Organ , data-sort-value="000.38: 039" , 38: 39 , IV/11 , by Krebs, J. T. or J. L.? , , - , data-sort-value="0559.000" , 559 , data-sort-value="461.020" , II , , data-sort-value="Short Prelude and Fuguex8 No. 7" , ''
Eight Short Preludes and Fugues The Eight Short Prelude (music), Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed ...
'' No. 7 , A min. , Organ , data-sort-value="000.38: 042" , 38: 42 , IV/11 , by Krebs, J. T. or J. L.? , , - , data-sort-value="0560.000" , 560 , data-sort-value="461.021" , II , , data-sort-value="Short Prelude and Fuguex8 No. 8" , ''
Eight Short Preludes and Fugues The Eight Short Prelude (music), Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They are now believed to have been composed ...
'' No. 8 , B♭ maj. , Organ , data-sort-value="000.38: 045" , 38: 45 , IV/11 , by Krebs, J. T. or J. L.? , , - , data-sort-value="0561.000" , 561 , data-sort-value="461.022" , II , , Fantasia and Fugue , A min. , Organ , data-sort-value="000.38: 048" , 38: 48 , , , , - , data-sort-value="0568.000" , 568 , data-sort-value="461.023" , II , , Prelude , G maj. , Organ , data-sort-value="000.38: 85" , 38: 85 , data-sort-value="IV/06: 051" , IV/6: 51 , , , - , data-sort-value="0584.000" , 584 , data-sort-value="462.002" , II , , , G min. , Organ , , data-sort-value="I/12: 023" , I/12: 23
IV/11 , data-sort-value="after BWV 0166/2" , after BWV 166/2 , , - id="BWV 1027/1a /2a /4a" , data-sort-value="1027.a00" , 1027 /1a /2a /4a , data-sort-value="462.003" , II , , , G maj. , Organ , , IV/11 , after BWV 1027/1–2 /4,
1039 Year 1039 ( MXXXIX) was a common year starting on Monday of the Julian calendar. Events By place Europe * June 4 – Conrad II, Holy Roman Emperor, ("the Elder") dies of gout in Utrecht after a 12-year reign. He is succeeded by h ...
/1–2 /4; arr. by Kellner, J. P.? , , - , data-sort-value="0591.000" , 591 , data-sort-value="462.004" , II , , ''Kleines harmonisches Labyrinth'' , , Organ , data-sort-value="000.38: 225" , 38: 225 , data-sort-value="IV/11: 050" , IV/11: 50 , by Heinichen? , , - , data-sort-value="0597.000" , 597 , data-sort-value="462.005" , II , , Concerto for solo organ , E♭ maj. , Organ , , IV/11 , after lost model? , , - , data-sort-value="0598.000" , 598 , data-sort-value="462.006" , II , , Pedal-Exercitium (fragment) , , Organ , data-sort-value="000.38: 210" , 38: 210 , , by Bach, C. P. E.? , , - , data-sort-value="0676.a00" , 676a , data-sort-value="462.007" , II , data-sort-value="1763-07-01" , 1739–1789 , chorale setting "Allein Gott in der Höh sei Ehr" (later variant) , , Organ , data-sort-value="000.40: 208" , 40: 208 , data-sort-value="IV/04: KB 048" , IV/4: KB 48 , data-sort-value="after BWV 0676" , after BWV 676 , , - , data-sort-value="0683.a00" , 683a , data-sort-value="462.008" , II , data-sort-value="1763-07-01" , 1739–1789 , chorale setting "Vater unser im Himmelreich" (later variant) , , Organ , , data-sort-value="IV/04: KB 051" , IV/4: KB 51 , data-sort-value="after BWV 0683" , after BWV 683 , , - , data-sort-value="A205.000" , N 205 , data-sort-value="462.009" , II , ---- , data-sort-value="Fantasia" , ---- , data-sort-value="C min." , ---- , data-sort-value="Organ" , ---- , ---- , ---- , see BWV 1121 , , - , data-sort-value="A048.000" , II 48 , data-sort-value="462.010" , II , , chorale setting "Allein Gott in der Höh sei Ehr" , , Organ , , , by
Walther Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior". The name was ...
(& Scholz?) , , - , data-sort-value="A049.000" , II 49 , data-sort-value="462.011" , II , , chorale setting "Ein feste Burg ist unser Gott" , , Organ , , , by
Walther Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior". The name was ...
? , , - , data-sort-value="A050.000" , II 50 , data-sort-value="462.012" , II , , chorale setting "Erhalt uns, Herr, hei deinem Wort" , , Organ , , , , , - , data-sort-value="A051.000" , II 51 , data-sort-value="462.013" , II , , chorale setting "Erstanden ist der heilge Christ" , , Organ , , , , , - , data-sort-value="A052.000" , II 52 , data-sort-value="462.014" , II , , chorale setting "Freu dich sehr, o meine Seele" , , Organ , , , , , - , data-sort-value="A053.000" , II 53 , data-sort-value="462.015" , II , , chorale setting "Freu dich sehr, o meine Seele" , , Organ , , , , , - , rowspan="2" data-sort-value="A054.000" , II 54 , rowspan="2" data-sort-value="462.016" , II , rowspan="2" , , chorale setting "Helft mir Gotts GĂŒte preisen" , rowspan="2" , , rowspan="2" , Organ , rowspan="2" , , rowspan="2" , , rowspan="2" , , rowspan="2" , , - , chorale setting "Von Gott will ich nicht lassen" , - style="background: #F6E3CE;" , data-sort-value="A055.000" , II 55 , data-sort-value="462.017" , II , data-sort-value="1715-12-31" , 1714-1717
or earlier , , , Organ , , , , , - , data-sort-value="A058.000" , II 58 , data-sort-value="462.020" , II , , chorale setting "Jesu, meine Freude" , , Organ , , , , , - , data-sort-value="A059.000" , II 59 , data-sort-value="462.021" , II , , chorale setting "Jesu, meine Freude" , , Organ , , , , , - , data-sort-value="A060.000" , II 60 , data-sort-value="462.022" , II , , , , Organ , , , by
Walther Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior". The name was ...
? , , - , data-sort-value="A062.a00" , II 62a , data-sort-value="462.023" , II , , chorale setting "Sei Lob und Ehr mit hohem Preis" , , Organ , , , , , - , data-sort-value="A062.b00" , II 62b , data-sort-value="462.024" , II , , chorale setting "Sei Lob und Ehr mit hohem Preis" , , Organ , , , , , - , data-sort-value="A063.000" , II 63 , data-sort-value="462.025" , II , , chorale setting "Vom Himmel hoch" , , Organ , , , , , - , data-sort-value="A064.000" , II 64 , data-sort-value="462.026" , II , , chorale setting "Vom Himmel hoch" , , Organ , , , , , - style="background: #F6E3CE;" , data-sort-value="A065.000" , II 65 , data-sort-value="462.027" , II , , chorale setting "Vom Himmel hoch" , , Organ , , , , , - , data-sort-value="A066.000" , II 66 , data-sort-value="462.028" , II , , chorale setting "Wachet auf, ruft uns" , , Organ Tr , , , by Krebs, J. L.? , , - , data-sort-value="A067.000" , II 67 , data-sort-value="462.029" , II , , chorale setting "Was Gott tut, das ist wohlgetan" , , Organ , , , , , - , data-sort-value="A068.000" , II 68 , data-sort-value="462.030" , II , , chorale setting "Wer nur den lieben Gott lĂ€ĂŸt walten" , , Organ , , , , , - , data-sort-value="A069.000" , II 69 , data-sort-value="462.031" , II , , chorale setting "Wir glauben all an einen Gott" , , Organ , , , , , - , data-sort-value="A070.000" , II 70 , data-sort-value="462.032" , II , , , , Organ , , , , , - , data-sort-value="A071.000" , II 71 , data-sort-value="462.033" , II , ---- , data-sort-value="chorale setting Wo Gott der Herr nicht bei uns hĂ€lt" , ---- , ---- , data-sort-value="Organ" , ---- , ---- , ---- , see BWV 1128 , , - , data-sort-value="A072.000" , II 72 , data-sort-value="462.034" , II , , chorale setting "Christus der uns selig macht" (Canon) , , Organ , , , , , - , data-sort-value="A074.000" , II 74 , data-sort-value="462.036" , II , , , , Organ , , , , , - , data-sort-value="A075.000" , II 75 , data-sort-value="462.037" , II , , , , Organ , , , , , - , data-sort-value="A076.000" , II 76 , data-sort-value="462.038" , II , , , , Organ , , , , , - style="background: #F6E3CE;" , data-sort-value="A077.000" , II 77 , data-sort-value="462.039" , II , , , , Organ , , , , , - , data-sort-value="A078.000" , II 78 , data-sort-value="463.001" , II , , , , Organ , , , , , - , data-sort-value="A079.000" , II 79 , data-sort-value="463.002" , II , , chorale setting "Befiehl du deine Wege" , , Organ , , , , , - , data-sort-value="0691.a00" , 691a , data-sort-value="463.003" , II , data-sort-value="1754-12-31" , 1720–1789 , chorale setting "Wer nur den lieben Gott lĂ€ĂŸt walten" (variant) , , Organ , data-sort-value="000.40: 151" , 40: 151 , , data-sort-value="after BWV 0691" , after BWV 691 , , - , data-sort-value="0705.000" , 705 , data-sort-value="463.004" , II , , chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16) , , Organ , data-sort-value="000.40: 023" , 40: 23 , data-sort-value="IV/10: 047" , IV/10: 47 , after Z 7549 , , - , data-sort-value="0708.000" , 708 , data-sort-value="344.008" , II , data-sort-value="1744-12-31" , 1700–1789 , chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19) , , Organ , data-sort-value="000.40: 030" , 40: 30 , data-sort-value="IV/10: 086" , IV/10: 86 , after Z 1679 , , - , data-sort-value="0708.A00" , 708a , data-sort-value="344.009" , II , data-sort-value="1744-12-31" , 1700–1789 , chorale setting "Ich hab mein Sach Gott heimgestellt" , , Organ , data-sort-value="000.40: 152" , 40: 152 , data-sort-value="IV/10: 086" , IV/10: 86 , after Z 1679 , , - , data-sort-value="0716.000" , 716 , data-sort-value="345.004" , II , , chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia) , , Organ , data-sort-value="000.40: 045" , 40: 45 , data-sort-value="IV/10: 014" , IV/10: 14 , after Z 4457 , , - style="background: #F6E3CE;" , data-sort-value="0726.000" , 726 , data-sort-value="345.015" , II , data-sort-value="1712-12-31" , bef. 1727 , chorale setting "Herr Jesu Christ, dich zu uns wend" , , Organ , data-sort-value="000.40: 072" , 40: 72 , data-sort-value="IV/03: 045" , IV/3: 45 , data-sort-value="after Z 0624" , after Z 624 , , - , data-sort-value="0743.000" , 743 , data-sort-value="347.004" , II , data-sort-value="1708-12-31" , bef. 1740 , , , Organ , , data-sort-value="IV/10: 011" , IV/10: 11 , after Z 1208b; by Buttstett, J. H.? , , - , data-sort-value="0745.000" , 745 , data-sort-value="347.006" , II , data-sort-value="1743-07-01" , 1700–1788 , chorale setting "Aus der Tiefe rufe ich" , , Organ , data-sort-value="000.40: 171" , 40: 171 , data-sort-value="IV/10: 022" , IV/10: 22 , after Z 1217; by Bach, C. P. E.? , , - , data-sort-value="0749.000" , 749 , data-sort-value="347.011" , II , data-sort-value="1708-12-31" , 1700–1717 , , , Organ , , data-sort-value="IV/10: 080" , IV/10: 80 , data-sort-value="after Z 0624" , after Z 624; by Bach, J. Christoph or
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
? , , - , data-sort-value="0750.000" , 750 , data-sort-value="347.012" , II , data-sort-value="1701-12-31" , 1700–1703 , , , Organ , , data-sort-value="IV/10: 081" , IV/10: 81 , , , - , data-sort-value="0752.000" , 752 , data-sort-value="347.014" , II , data-sort-value="1708-12-31" , 1700–1717 , , , Organ , , , after Z 6779a , , - , data-sort-value="0754.000" , 754 , data-sort-value="347.016" , II , data-sort-value="1708-12-31" , bef. 1740 , , , Organ , , , after Z 3498b , , - , data-sort-value="0755.000" , 755 , data-sort-value="347.017" , II , , , , Organ , , , after Z 4429a , , - , data-sort-value="0756.000" , 756 , data-sort-value="347.018" , II , , , , Organ , , , after Z 2293b , , - , data-sort-value="0757.000" , 757 , data-sort-value="347.019" , II , , , , Organ , , , after Z 5690 , , - , data-sort-value="0758.000" , 758 , data-sort-value="347.020" , II , , chorale setting "O Vater, allmĂ€chtiger Gott" , , Organ , data-sort-value="000.40: 179" , 40: 179 , data-sort-value="IV/11: 069" , IV/11: 69 , after Z 8603b , , - style="background: #F6E3CE;" , data-sort-value="0762.000" , 762 , data-sort-value="348.002" , II , data-sort-value="1708-12-31" , bef. 1717 , , , Organ , , IV/10: 142 , after Z 2561 , , - , data-sort-value="0763.000" , 763 , data-sort-value="348.003" , II , , , , Organ , , , after Z 8359 , , - style="background: #F6E3CE;" , data-sort-value="0765.000" , 765 , data-sort-value="348.005" , II , data-sort-value="1705-07-01" , bef. 1717 , chorale setting "Wir glauben all an einen Gott" , , Organ , data-sort-value="000.40: 187" , 40: 187 , , after Z 7971 , , - style="background: #F6E3CE;" , rowspan= "2" data-sort-value="A206.000" , N 206 , rowspan= "2" data-sort-value="463.004" , II , rowspan= "2" , , , rowspan= "2" , , rowspan= "2" , Organ , rowspan= "2" , , rowspan= "2" , , rowspan= "2" , by Pachelbel ( P 376) , rowspan= "2" , , - style="background: #F6E3CE;" , , - , data-sort-value="A080.000" , II 80 , data-sort-value="463.005" , II , data-sort-value="1707-12-31" , 1707–1708
or earlier , , F maj. , Keyboard , , V/12 , , , - , data-sort-value="0821.000" , 821 , data-sort-value="463.006" , II , , Suite , B♭ maj. , Keyboard , data-sort-value="000.42: 213" , 42: 213 , data-sort-value="V/12: 003" , V/12: 3 , , , - , data-sort-value="0834.000" , 834 , data-sort-value="463.007" , II , , Allemande , C min. , Keyboard , data-sort-value="000.42: 259" , 42: 259 , V/12 , , , - , data-sort-value="0839.000" , 839 , data-sort-value="463.008" , II , data-sort-value="1735-03-07" , 1735-03-07
or earlier , , G min. , Keyboard , , V/12 , in ''Notenbuch der Zeumerin'' , , - , data-sort-value="0844.000" , 844 , data-sort-value="463.009" , II , , '' Toccatina'' No. 4 Scherzo , D min. , Keyboard , data-sort-value="000.42: 220" , 42: 220 , data-sort-value="V/12: 016" , V/12: 16 , by Bach, W. F.? ↔ BWV 844a , , - , data-sort-value="0844.a00" , 844a , data-sort-value="463.010" , II , , Scherzo , E min. , Keyboard , data-sort-value="000.42: 281" , 42: 281 , data-sort-value="V/12: 022" , V/12: 22 , by Bach, W. F.? ( BR A55); ↔ BWV 844 , , - , data-sort-value="0845.000" , 845 , data-sort-value="463.011" , II , , Gigue , F min. , Keyboard , data-sort-value="000.42: 263" , 42: 263 , V/12 , , , - , data-sort-value="A081.000" , II 81 , data-sort-value="463.012" , II , , (incomplete) , D min. , Keyboard , , V/12 , by Kellner, J. P.? , , - , data-sort-value="A082.000" , II 82 , data-sort-value="463.013" , II , , , B♭ maj. , Keyboard , , V/12 , by Bach, J. B.? , , - , data-sort-value="A083.000" , II 83 , data-sort-value="463.014" , II , , , A maj. , Keyboard , , V/12 , by Bach, J. B. or H.? , , - , data-sort-value="A084.000" , II 84 , data-sort-value="463.015" , II , , , G maj. , Keyboard , , V/12 , by Bach, J. B.? , , - , data-sort-value="A085.000" , II 85 , data-sort-value="463.016" , II , , , F min. , Keyboard , data-sort-value="000.42: XXXV" , 42: XXXV , V/12: 114, 122 , by Dobenecker? , , - , data-sort-value="0898.000" , 898 , data-sort-value="463.017" , II , , on  B-A-C-H , B♭ maj. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , , , - , data-sort-value="A086.000" , II 86 , data-sort-value="463.018" , II , , Fantasia , C min. , Keyboard , data-sort-value="000.42: 243" , 42: 243 , V/12 , by Gronau? , , - , data-sort-value="A087.000" , II 87 , data-sort-value="464.001" , II , , , C maj. , Keyboard , , V/12 , by Benda? , , - , data-sort-value="0905.000" , 905 , data-sort-value="464.002" , II , , Fantasia and Fugue , D min. , Keyboard , data-sort-value="000.42: 179" , 42: 179 , data-sort-value="V/12: 024" , V/12: 24 , , , - , data-sort-value="0907.000" , 907 , data-sort-value="464.003" , II , , Fantasia and Fughetta , B♭ maj. , Keyboard , data-sort-value="000.42: 268" , 42: 268 , data-sort-value="V/12: 028" , V/12: 28 , by ? , , - , data-sort-value="0908.000" , 908 , data-sort-value="464.004" , II , , Fantasia and Fughetta , D maj. , Keyboard , data-sort-value="000.42: 272" , 42: 272 , data-sort-value="V/12: 034" , V/12: 34 , by ? , , - , data-sort-value="0909.000" , 909 , data-sort-value="464.005" , II , , Concerto e Fuga , C min. , Keyboard , data-sort-value="000.42: 190" , 42: 190 , data-sort-value="V/12: 038" , V/12: 38 , , , - , data-sort-value="0919.000" , 919 , data-sort-value="464.006" , II , , Fantasia , C min. , Keyboard , data-sort-value="000.36: 152" , 36: 152 , data-sort-value="V/12: 048" , V/12: 48 , by Bach, J. B. or J. B. the Younger? , , - , data-sort-value="0920.000" , 920 , data-sort-value="464.007" , II , , Fantasia , G min. , Keyboard , data-sort-value="000.42: 183" , 42: 183 , V/12 , , , - , data-sort-value="0923.a00" , 923a , data-sort-value="464.008" , II , , '' Toccatina'' No. 3 Prelude , A min. , Keyboard , data-sort-value="000.42: 279" , 42: 279 , data-sort-value="V/12: 014" , V/12: 14 , data-sort-value="after BWV 0923" , after
BWV 923 The (, ; BWV) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in 2022.Bach-Werke-Verzeichnis (BWV). T ...
, , - , data-sort-value="A089.000" , II 89 , data-sort-value="464.010" , II , , , C maj. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , , , - , data-sort-value="A090.000" , II 90 , data-sort-value="464.011" , II , , Fugue , C maj. , Kb (with ped?) , data-sort-value="000.38: 213" , 38: 213 , data-sort-value="IV/11: 058" , IV/11: 58, 61 , by Bach, C. P. E. ( H 388) or Pachelbel? , , - , data-sort-value="A091.000" , II 91 , data-sort-value="464.012" , II , , , G maj. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , , , - , data-sort-value="A092.000" , II 92 , data-sort-value="464.013" , II , , , G maj. , Keyboard , , V/12 , , , - , data-sort-value="A093.000" , II 93 , data-sort-value="464.014" , II , , , E min. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , , , - , data-sort-value="A095.000" , II 95 , data-sort-value="464.016" , II , , , E min. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , , , - , data-sort-value="A096.000" , II 96 , data-sort-value="464.017" , II , , , D maj. , Keyboard , , V/12 , by Bach, C. P. E.? ( H 373.5) , , - , data-sort-value="A098.000" , II 98 , data-sort-value="464.018" , II , , , D min. , Keyboard , , V/12 , by Bach, C. P. E.? ( H 373.5) , , - , data-sort-value="A099.000" , II 99 , data-sort-value="464.019" , II , , , D min. , Keyboard , , V/12 , , , - , data-sort-value="A100.000" , II 100 , data-sort-value="464.020" , II , , , D min. , Keyboard , , V/12 , by Bach, C. P. E.? ( H 373.5) , , - , data-sort-value="A101.000" , II 101 , data-sort-value="464.021" , II , , , G min. , Keyboard , data-sort-value="000.42: XXXV" , 42: XXXV , data-sort-value="V/12: 130" , V/12: 130 , by Dobenecker? , , - , data-sort-value="A102.000" , II 102 , data-sort-value="464.022" , II , , , E♭ min. , Keyboard , , V/12 , , , - , data-sort-value="0897.002" , 897/2 , data-sort-value="464.023" , II , , Fugue , A min. , Keyboard , data-sort-value="000.42: 175" , 42: 175 , V/12 , by Dretzel or Bach, W. F.? , , - , data-sort-value="0945.000" , 945 , data-sort-value="464.024" , II , , Fugue , E min. , Keyboard , data-sort-value="000.36: 155" , 36: 155 , V/12 , by Graupner? , , - , data-sort-value="0956.000" , 956 , data-sort-value="464.025" , II , , Fugue , E min. , Keyboard , data-sort-value="000.42: 200" , 42: 200 , data-sort-value="V/12: 070" , V/12: 70 , , , - , data-sort-value="0958.000" , 958 , data-sort-value="465.001" , II , , Fugue , A min. , Keyboard , data-sort-value="000.42: 205" , 42: 205 , data-sort-value="V/12: 074" , V/12: 74 , , , - , data-sort-value="0960.000" , 960 , data-sort-value="465.002" , II , , Fugue (incomplete) , E min. , Keyboard , data-sort-value="000.42: 276" , 42: 276 , V/12 , , , - , data-sort-value="A207.000" , N 207 , data-sort-value="465.003" , II , , Fugue , E min. , Keyboard , , IV/11 , by
Seger Seger is a surname. Notable people with the surname include: * Adolf Seger (born 1945), German wrestler * Bob Seger (born 1945), American rock and roll singer-songwriter and musician * Caroline Seger (born 1985), Swedish footballer * Francis Se ...
? , , - , data-sort-value="A109.000" , II 109 , data-sort-value="465.011" , II , , on  B-A-C-H , G min. , Keyboard , , V/12 , , , - style="background: #F5F6CE;" , data-sort-value="0964.000" , 964 , data-sort-value="465.012" , II , , Sonata , D min. , Keyboard , data-sort-value="000.42: 003" , 42: 3 , data-sort-value="V/12: 078" , V/12: 78 , after BWV 1003 , , - , data-sort-value="A111.000" , II 111 , data-sort-value="465.013" , II , , , G maj. , Keyboard , data-sort-value="000.42: XXXV" , 42: XXXV , V/12 , , , - style="background: #F5F6CE;" , data-sort-value="0968.000" , 968 , data-sort-value="465.014" , II , , Adagio , G maj. , Keyboard , data-sort-value="000.42: 027" , 42: 27 , data-sort-value="V/12: 094" , V/12: 94 , after BWV 1005/1 , , - , data-sort-value="0969.000" , 969 , data-sort-value="465.015" , II , , '' Toccatina'' No. 5 Andante , G min. , Keyboard , data-sort-value="000.42: 218" , 42: 218 , data-sort-value="V/12: 018" , V/12: 18 , , , - style="background: #F5F6CE;" , data-sort-value="A113.000" , II 113 , data-sort-value="465.016" , II , data-sort-value="1725-07-01" , 1725 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 03" , ''Notebook A. M. Bach'' (1725) No. 3 Minuet , F maj. , Keyboard , data-sort-value="000.43 2: 025" , 432: 25 , data-sort-value="V/04: 082" , V/4: 82 , , , - style="background: #F5F6CE;" , data-sort-value="A116.000" , II 116 , data-sort-value="465.017" , II , data-sort-value="1725-07-01" , 1725 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 07" , ''Notebook A. M. Bach'' (1725) No. 7 Minuet , G maj. , Keyboard , data-sort-value="000.43 2: 028" , 432: 28 , data-sort-value="V/04: 087" , V/4: 87 , , , - style="background: #F5F6CE;" , data-sort-value="A117.000" , II 117 , data-sort-value="465.018" , II , data-sort-value="1725-07-01" , 1725 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 08" , ''Notebook A. M. Bach'' (1725) No. 8a and 8b two Polonaises , F maj. , Keyboard , data-sort-value="000.43 2: 028" , 432: 28 , data-sort-value="V/04: 088" , V/4: 88 , , data-sort-value="01427" ,
, - style="background: #F5F6CE;" , data-sort-value="A118.000" , II 118 , data-sort-value="465.019" , II , data-sort-value="1725-07-01" , 1725 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 09" , ''Notebook A. M. Bach'' (1725) No. 9 Minuet , B♭ maj. , Keyboard , data-sort-value="000.43 2: 029" , 432: 29 , data-sort-value="V/04: 089" , V/4: 89 , , , - style="background: #F5F6CE;" , data-sort-value="A119.000" , II 119 , data-sort-value="465.020" , II , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 10 Polonaise , G min. , Keyboard , data-sort-value="000.43 2: 030" , 432: 30 , data-sort-value="V/04: 090" , V/4: 90 , , , - style="background: #F5F6CE;" , data-sort-value="A120.000" , II 120 , data-sort-value="465.021" , II , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 14 Minuet , A min. , Keyboard , data-sort-value="000.43 2: 031" , 432: 31 , data-sort-value="V/04: 092" , V/4: 92 , , , - style="background: #F5F6CE;" , data-sort-value="A121.000" , II 121 , data-sort-value="465.022" , II , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 15 Minuet , C min. , Keyboard , data-sort-value="000.43 2: 032" , 432: 32 , data-sort-value="V/04: 092" , V/4: 92 , , , - style="background: #F5F6CE;" , data-sort-value="A126.000" , II 126 , data-sort-value="465.023" , II , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 22 Musette , D maj. , Keyboard , data-sort-value="000.43 2: 035" , 432: 35 , data-sort-value="V/04: 099" , V/4: 99 , , , - style="background: #F5F6CE;" , data-sort-value="A127.000" , II 127 , data-sort-value="465.024" , II , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 23 March , E♭ maj. , Keyboard , data-sort-value="000.43 2: 035" , 432: 35 , data-sort-value="V/04: 100" , V/4: 100 , by Bach, C. P. E. , , - style="background: #F5F6CE;" , data-sort-value="A128.000" , II 128 , data-sort-value="465.025" , II , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 24 (Polonaise) , D min. , Keyboard , data-sort-value="000.43 2: 036" , 432: 36 , data-sort-value="V/04: 101" , V/4: 101 , , , - style="background: #F5F6CE;" , data-sort-value="A132.000" , II 132 , data-sort-value="465.026" , II , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 36 Minuet , D min. , Keyboard , data-sort-value="000.43 2: 048" , 432: 48 , data-sort-value="V/04: 125" , V/4: 125 , , , - , data-sort-value="A151.000" , II 151 , data-sort-value="465.027" , II , , Concerto , C maj. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , , , - , data-sort-value="A152.000" , II 152 , data-sort-value="465.028" , II , , Concerto , G maj. , Vl Hc , data-sort-value="000.42: XXXIV" , 42: XXXIV , VI/5 , , , - , data-sort-value="0990.000" , 990 , data-sort-value="465.029" , II , , Sarabanda con Partitis , C maj. , Keyboard , data-sort-value="000.42: 221" , 42: 221 , data-sort-value="V/12: 097" , V/12: 97 , , , - , data-sort-value="A153.000" , II 153 , data-sort-value="465.030" , II , , Sonata , A maj. , Vl Bc , , VI/5 , , , - , data-sort-value="A154.000" , II 154 , data-sort-value="466.001" , II , , Sonata , E♭ maj. , Vl Hc , , VI/5 , , , - , data-sort-value="1020.000" , 1020 , data-sort-value="466.002" , II , , Sonata , G min. , Vl Hc , data-sort-value="000.09: 274" , 9: 274 , VI/5 , by Bach, C. P. E.? ( H 542.5) , , - , data-sort-value="1022.000" , 1022 , data-sort-value="466.003" , II , , , F maj. , Vl Hc , , data-sort-value="VI/5: 027" , VI/5: 27 , by Bach, C. P. E.?; after BWV 1021; ↔ BWV 1038 , , - , data-sort-value="1024.000" , 1024 , data-sort-value="466.004" , II , , , C min. , Vl Bc , , VI/5 , , , - , data-sort-value="1031.000" , 1031 , data-sort-value="466.005" , II , ,
Sonata In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until th ...
, E♭ maj. , Fl Hc , data-sort-value="000.09: 022" , 9: 22 , data-sort-value="VI/5: 013" , VI/5: 13 , by Bach, C. P. E.? ( H 545) , , - , data-sort-value="1033.000" , 1033 , data-sort-value="466.006" , II , ,
Sonata In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until th ...
, C maj. , Fl Bc , data-sort-value="000.43 1: 003" , 431: 3 , data-sort-value="VI/5: 003" , VI/5: 3 , by Bach, C. P. E.? ( H 564.5) , , - style="background: #E3F6CE;" , data-sort-value="1038.000" , 1038 , data-sort-value="466.007" , II , data-sort-value="1734-01-01" , 1732–1735 , Sonata , G maj. , Fl Vl Bc , data-sort-value="000.09: 219" , 9: 219 , data-sort-value="VI/5: 045" , VI/5: 45 , by Bach, C. P. E.? ( H 590.5); after BWV 1021; ↔ BWV 1022 , , - id="BWV 525a" , data-sort-value="0525.a00" , 525a , data-sort-value="466.008" , II , , Concerto (Trio sonata) , C maj. , Vl Vc Bc , , VI/5 , data-sort-value="after BWV 0525, 1032" , after
BWV 525 The organ sonatas, Bach-Werke-Verzeichnis, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in Trio sonata, trio sonata form. Each of the sonatas has three movement (music), movements, with three independent parts in the two ...
/1, 1032/2, 525/3 , , - , data-sort-value="A155.000" , II 155 , data-sort-value="466.009" , II , , Concerto , A maj. , Kb Str Bc , , VI/5 , , , - , data-sort-value="A022.000" , I 22 , data-sort-value="466.010" , II , , , B♭ maj. , Ob Vl Str Bc , , VI/5 , by Förster ( C.?)? , , - , data-sort-value="1070.000" , 1070 , data-sort-value="466.011" , II , , data-sort-value="Orchestral Suite No. 5" , Orchestral Suite (No. 5) , G min. , Str Bc , data-sort-value="000.45 1: 190" , 451: 190 , VI/5 , by Bach, W. F.? , , - id="BWV Anhang III" style="background: #D8D8D8;" , data-sort-value="A155.999" , Anh. III , data-sort-value="467.000" colspan="8" , Works of other composers, spuriously attributed to Bach , data-sort-value="1466a" , Up ↑ , - , data-sort-value="A156.000" , III 156 , data-sort-value="467.001" , III , , Cantata ''Herr Christ, der einge Gottes Sohn'' (Annunciation) , , SATB Str Bc , , , data-sort-value="by Telemann (TWV 1:0732)" , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
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TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 1:732) , , - , data-sort-value="A157.000" , III 157 , data-sort-value="467.002" , III , , Cantata ''Ich habe Lust zu scheiden'' (Purification) , , data-sort-value="s Flx2 Str Bc" , s 2Fl Str Bc , , , data-sort-value="by Telemann (TWV 1:0836)" , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
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TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 1:836) , , - style="background: #E3F6CE;" , data-sort-value="0015.000" , 15 , data-sort-value="467.003" , III , 1726-04-21
(JSB) , Cantata ''Denn du wirst meine Seele nicht in der Hölle lassen'' (Easter) , , data-sort-value="satbSATB Trx3 Tmp Str Bc" , satbSATB 3Tr Tmp Str Bc , data-sort-value="000.02: 135" , 2: 135 , I/41 , by Bach, J. L. (JLB 21); text in , , - , data-sort-value="0141.000" , 141 , data-sort-value="467.004" , III , , Cantata ''Das ist je gewißlich wahr'' (3rd Sunday of Advent) , , data-sort-value="atbSATB Obx2 Str Bc" , atbSATB 2Ob Str Bc , data-sort-value="000.30: 003" , 30: 3 , I/41 , data-sort-value="by Telemann (TWV 1:0183)" , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
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TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 1:183) , , - , data-sort-value="0145.b00" , 145/b , data-sort-value="467.005" , III , , Cantata movement ''So du mit deinem Munde bekennest Jesum'' (Easter) , D maj. , data-sort-value="SATB Tr Str Bc" , SATB Tr Str Bc , data-sort-value="000.30: 096" , 30: 96 , I/10: 142 , data-sort-value="by Telemann (TWV 1:1350/1)" , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
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TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 1:1350/1) , , - , data-sort-value="0160.000" , 160 , data-sort-value="467.006" , III , data-sort-value="1728-12-31" , 1725–1732? , Cantata ''Ich weiß, daß mein Erlöser lebt'' (Easter) , C maj. , t Vl Bas Bc , data-sort-value="000.32: 171" , 32: 171 , I/41 , data-sort-value="by Telemann (TWV 1:0877)" , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
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TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 1:877) , , - , data-sort-value="0218.000" , 218 , data-sort-value="467.007" , III , , Cantata ''Gott der Hoffnung erfĂŒlle euch'' (Pentecost) , , data-sort-value="satbSATB Hnx2 Str Bc" , satbSATB 2Hn Str Bc , data-sort-value="000.41: 223" , 41: 223 , , data-sort-value="by Telemann (TWV 1:0634)" , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
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TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 1:634) , , - , data-sort-value="0219.000" , 219 , data-sort-value="467.008" , III , , Cantata ''Siehe, es hat ĂŒberwunden der Löwe'' (Michaelmas) , , sabSATB Str Bc , data-sort-value="000.41: 239" , 41: 239 , , data-sort-value="by Telemann (TWV 1:1328)" , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
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TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 1:1328) , , - , data-sort-value="0222.000" , 222 , data-sort-value="467.009" , III , , Cantata ''Mein Odem ist schwach'' (Purification) , , sabSATB Str Bc , , , by Bach, J. Ernst; → BWV Anh. 165 , , - , data-sort-value="A158.000" , III 158 , data-sort-value="467.010" , III , , Aria "AndrĂČ dall'colle al Prato" , , data-sort-value="s Flx2 (Hnx2) Str Bc" , s 2Fl (2Hn) Str Bc , , , by Bach, J. C. , , - , data-sort-value="A160.000" , III 160 , data-sort-value="467.012" , III , data-sort-value="1752-12-31" , 1750–1755? ( Harrer?) , Motet ''Jauchzet dem Herrn alle Welt'',
TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 8:10 , C maj. , data-sort-value="SATBx2" , 2SATB , , data-sort-value="III/03: 015" , III/3: 15 , after
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
(/1; /3 after
TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 1:1066), BWV 28/2 (/2 = BWV 28/2a); text after
Psalm 100 Psalm 100 is the 100th psalm in the Book of Psalms in the Tanakh. In English, it is translated as "Make a joyful noise unto the Lord, all ye lands" in the King James Version (KJV), and as "O be joyful in the Lord, all ye lands" in the Book of C ...
, , - , data-sort-value="A161.000" , III 161 , data-sort-value="467.013" , III , , Motet ''KĂŒndlich groß ist das gottselige Geheimnis''/1 (Christmas) , D maj. , SATB Str? Bc , , data-sort-value="III/03" , III/3 , by Graun ( C. H.?), precedes laudes A and B of BWV 243a , , - , data-sort-value="A162.000" , III 162 , data-sort-value="467.014" , III , , Motet ''Lob und Ehre und Weisheit und Dank'' , , data-sort-value="SATBx2" , 2SATB , , data-sort-value="III/03" , III/3 , by Wagner, G. G. , , - , data-sort-value="A163.000" , III 163 , data-sort-value="467.015" , III , , Motet ''Merk auf, mein Herz, und sieh dorthin'' , , data-sort-value="SATBx2" , 2SATB , , data-sort-value="III/03" , III/3 , by Bach, J. B. or J. Ernst , , - , data-sort-value="A164.000" , III 164 , data-sort-value="467.016" , III , , , , SSATB , , data-sort-value="III/03: 052" , III/3: 52 , by Altnickol , , - , data-sort-value="A165.000" , III 165 , data-sort-value="467.017" , III , , Motet ''Unser Wandel ist im Himmel'' , , SATB , , data-sort-value="III/03" , III/3 , by Bach, J. Ernst; after
BWV 222 ''Mein Odem ist schwach'' (My breath is weak), BWV 222, is a church cantata composed by Johann Ernst Bach II. It had been accredited to Johann Sebastian Bach. The intended occasion and the librettist are unknown. Scoring and structure The c ...
/3 /4 /6 , , - style="background: #E3F6CE;" , data-sort-value="A166.000" , III 166 , data-sort-value="467.018" , III , data-sort-value="1729-07-01" ,
1729 (JSB) , Kyrie–Gloria Mass ''Missa sopra cantilena'' "Allein Gott in der Höh' sei Ehr" , E min. , SSATB 2Vl 2Vla Vc Bc , data-sort-value="000.11 1: XV" , 111: XV
41: 276 , II/9 , by Bach, J. L. (JLB 38), start of Gloria arr. by Bach , , - style="background: #E3F6CE;" , data-sort-value="A024.000" , II 24 , data-sort-value="467.020" , III , data-sort-value="1724-01-01" , 1715–1717, 1724 (JSB) ,
Kyrie–Gloria Mass ; plural: Missae breves) usually refers to a Mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full Mass is left out, or because its execution time is relatively short. Full mass wi ...
, A min. , SATB Str Bc , data-sort-value="000.11 1: XV" , 111: XV , II/9 , after ''Missa Sancti Lamberti'' by Pez, J. C. , , - id="BWV Anh. 26" style="background: #E3F6CE;" , data-sort-value="A026.000" , II 26 , data-sort-value="467.021" , III , data-sort-value="1729-12-31" , 1727–1732 (JSB) , , C min. , data-sort-value="satbSATB Tbnx3 Vlx2 Bc" , satbSATB 3Tbn 2Vl Bc , data-sort-value="000.41: 193" , 41: 193
111: XVI , data-sort-value="II/02: 295" , II/2: 295 , by
Durante Durante is both an Italian masculine given name and a surname. Notable people with the name include: Given name * Durante Alberti (1538–1613), Italian painter *Durante degli Alighieri (1265–1321), known as Dante Alighieri, Italian poet * Durant ...
(alternative Christe: BWV 242) , , - style="background: #F6E3CE;" , data-sort-value="A027.000" , II 27 , data-sort-value="467.022" , III , data-sort-value="1745-07-01" , ? (JLK) , Sanctus , F maj. , data-sort-value="SATB Hnx2 Obx2 Str Bc" , SATB 2Hn 2Ob Str Bc , data-sort-value="000.11 1: XVII" , 111: XVII , II/9 , by Krebs, J. L. ( Krebs‑WV 104) , , - id="BWV Anh. 168" style="background: #F5F6CE;" , data-sort-value="A168.000" , III 168 , data-sort-value="467.023" , III , data-sort-value="1747-07-01" , ? (WFB) , Kyrie and German Gloria , G min. , sSATB Str Bc , data-sort-value="000.11 1: XVII" , 111: XVII , II/9 , by Bach, W. F. ( BR E1 F 100) , , - , data-sort-value="A021.000" , I 21 , data-sort-value="467.024" , III , data-sort-value="1707-07-01" , (MH) , Magnificat ''Meine Seel erhebt den Herren'' , A min. , data-sort-value="s Fl Vlx2 Bc" , s Fl 2Vl Bc , data-sort-value="000.11 1: XVIII" , 111: XVIII , II/9 , by Hoffmann, M. , , - , data-sort-value="A169.000" , III 169 , data-sort-value="468.001" , III , data-sort-value="1724-01-01" , 1724–1725 , Passion '' Erbauliche Gedanken auf den GrĂŒnen Donnerstag und Charfreitag ĂŒber den Leidenden Jesum'' , , , , , text by
Picander Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many works by Johann Sebastian Bach, notably the St Matthew Passion of 1727. Life and career Henrici was ...
partly used in BWV 244 but no other known setting , , - id="BWV 8/6" style="background: #E3F6CE;" , data-sort-value="0008.106" rowspan="3" , 8/6 , data-sort-value="468.002" rowspan="3" , III , data-sort-value="1724-09-24" rowspan="3" , 1713 (Vet.)
1724-09-24
(JSB) , rowspan="3" , chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5) , rowspan="2" , E maj. , rowspan="3" , SATB , data-sort-value="000.01: 241" rowspan="2" , 1: 241 , data-sort-value="I/23: 161" , I/23: 161 , rowspan="3" , by Vetter, D. ( Z 6634); text by
Neumann Neumann () is a German language, German surname, with its origins in the pre-7th-century (Old English) word ''wikt:neowe, neowe'' meaning "new", with ''wikt:mann, mann'', meaning man. The English form of the name is Newman. Von Neumann is a varian ...
So how many Bach four–part chorales are there?
at Luke Dahn's (2018) , , - style="background: #E3F6CE;" , data-sort-value="III/02 1: 088" , III/2.1: 63
III/2.2: 25 , , - style="background: #E3F6CE;" , D maj. , , data-sort-value="I/23: 219" , I/23: 219 , , - id="BWV Anh. 170" style="background: #E3F6CE;" , data-sort-value="0027.006" , 27/6 , data-sort-value="468.003" rowspan="2" , III , data-sort-value="1726-10-06" rowspan="2" , 1652 (Ros.)
1726-10-06
(JSB) , rowspan="2" , chorale setting "Welt, ade, ich bin dein mĂŒde" (s. 1) , rowspan="2" , B♭ maj. , rowspan="2" , SSATB , data-sort-value="000.05 1: 244" rowspan="2" , 51: 244 , data-sort-value="I/23: 251" , I/23: 251 , rowspan="2" , by
RosenmĂŒller RosenmĂŒller is a surname of German origin. People with that name include: *Johann RosenmĂŒller Johann RosenmĂŒller (1619 – 10 September 1684) was a German Baroque music, Baroque composer, who played a part in transmitting Italian musical sty ...
( Z 6531); text by Albinus , , - style="background: #E3F6CE;" , data-sort-value="A170.000" , III 170 , data-sort-value="III/02 2: 086" , III/2.2: 86 , , - style="background: #E3F6CE;" , data-sort-value="0043.011" rowspan="2" , 43/11 , data-sort-value="468.004" rowspan="2" , III , data-sort-value="1726-05-30" rowspan="2" , 1652 (Pet.)
1726-05-30 (JSB) , (ss. 1, 13) , rowspan="2" , G maj. , rowspan="2" , SATB , data-sort-value="000.10: 126" rowspan="2" , 10: 126 , data-sort-value="I/12: 164" , I/12: 164 , rowspan="2" , by after Z 5741b; text by Rist , rowspan="2" , , - style="background: #E3F6CE;" , chorale setting "Ermuntre dich, mein schwacher Geist" , data-sort-value="III/02 1: 107" , III/2.1: 74
III/2.2: 57 , - style="background: #F6E3CE;" , data-sort-value="0567.000" , 567 , data-sort-value="468.005" , III , , Prelude , C maj. , Organ , data-sort-value="000.38: 084" , 38: 84 , IV/11 , by Krebs, J. L. ( Krebs‑WV 401) , , - , data-sort-value="A178.000" , III 178 , data-sort-value="468.006" , III , data-sort-value="1685-01-01" , last third of 17th century , Toccata quasi Fantasia con Fuge , A maj. , Organ , data-sort-value="000.42: 250" , 42: 250 , V/12 , by Reincken? , , - , data-sort-value="A043.000" , II 43 , data-sort-value="468.007" , III , data-sort-value="1788-07-01" , , , B min. , Organ , , IV/11 , by ; after H 776/18 , , - , data-sort-value="A044.000" , II 44 , data-sort-value="468.008" , III , , , G maj. , Organ , , IV/11 , by Kellner, J. P. or J. C. , , - , data-sort-value="A045.000" , II 45 , data-sort-value="468.009" , III , data-sort-value="1799-07-01" , , on  B-A-C-H , B♭ maj. , Organ , , IV/11 , by
Knecht Knecht, in German and Dutch, means a male servant, especially a farmhand. Etymologically, it is the cognate of English "knight A knight is a person granted an honorary title of a knighthood by a head of state (including the pope) or represe ...
, , - , data-sort-value="A088.000" , II 88 , data-sort-value="468.010" , III , data-sort-value="1765-07-01" , 1765 , , C maj. , Keyboard , , V/12 , by Kellner, J. C. , , - , data-sort-value="A097.000" , II 97 , data-sort-value="468.011" , III , , , F♯ maj. , Keyboard , data-sort-value="000.42: XXXV" , 42: XXXV , data-sort-value="IV/11: 63" , IV/11: 63 , by Krebs, J. L. ( Krebs‑WV 409/2) , , - , data-sort-value="A103.000" , II 103 , data-sort-value="468.012" , III , data-sort-value="1714-12-31" , (GFH) , , A min. , Keyboard , , V/12 , by
Handel George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, H ...
() , , - , data-sort-value="A104.000" , II 104 , data-sort-value="468.013" , III , data-sort-value="1714-12-31" , (GFH) , , C min. , Keyboard , , V/12 , by
Handel George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, H ...
() , , - , data-sort-value="A105.000" , II 105 , data-sort-value="468.014" , III , data-sort-value="1714-12-31" , (GFH) , , B♭ maj. , Keyboard , , V/12 , by
Handel George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, H ...
() , , - , data-sort-value="A106.000" , II 106 , data-sort-value="468.015" , III , data-sort-value="1714-12-31" , (GFH) , , G min. , Keyboard , , V/12 , by
Handel George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, H ...
() , , - , data-sort-value="A208.000" , N 208 , data-sort-value="468.016" , III , data-sort-value="1747-07-01" , 1747 (JEE) , Fugue , E♭ min. , Keyboard , , IV/11 , After by Eberlin , , - , data-sort-value="A046.000" , II 46 , data-sort-value="468.017" , III , , , C min. , Organ , , IV/11 , by Krebs, J. T. , , - , data-sort-value="0692.000" , 692 , data-sort-value="468.018" , III , , chorale setting "Ach Gott und Herr" ( Kirnb. coll. No. 3) , C maj. , Organ , data-sort-value="000.40: 004" , 40: 4 , IV/11 , by
Walther Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior". The name was ...
; after BWV 692a , , - style="background: #F6E3CE;" , data-sort-value="0692.a00" , 692a , data-sort-value="468.019" , III , , chorale setting "Ach Gott und Herr" (early version) , C maj. , Organ , data-sort-value="000.40: 152" , 40: 152 , IV/11 , by
Walther Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior". The name was ...
; → BWV 692 , , - , data-sort-value="0693.000" , 693 , data-sort-value="468.020" , III , , chorale setting "Ach Gott und Herr" ( Kirnb. coll. No. 4) , C maj. , Organ , data-sort-value="000.40: 005" , 40: 5 , IV/11 , by
Walther Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior". The name was ...
, , - , data-sort-value="0723.000" , 723 , data-sort-value="345.012" , III , , chorale setting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection) , , Organ , data-sort-value="000.40: 063" , 40: 63 , , after Z 1947; by Bach, J. Michael , , - , data-sort-value="0740.000" , 740 , data-sort-value="347.001" , III , , chorale setting "Wir glauben all an einen Gott" , , Organ , data-sort-value="000.40: 103" , 40: 103 , , after Z 4000; by Krebs, J. L. ( Krebs‑WV 554c) , , - style="background: #F6E3CE;" , data-sort-value="0744.000" , 744 , data-sort-value="347.005" , III , , chorale setting "Auf meinen lieben Gott" , , Organ , data-sort-value="000.40: 170" , 40: 170 , data-sort-value="IV/10: 020" , IV/10: 20 , after Z 2164; by Krebs, J. L. ( Krebs‑WV 517) , , - , data-sort-value="0746.000" , 746 , data-sort-value="468.021" , III , data-sort-value="1715-07-01" , 1715 or earlier (JCFF) , chorale setting "Christ ist erstanden" , D min. , Organ , data-sort-value="000.40: 173" , 40: 173 , IV/10 , by
Fischer Fischer is a German occupational surname, meaning fisherman. The name Fischer is the fourth most common German surname. The English version is Fisher. People with the surname A * Abraham Fischer (1850–1913) South African public official * ...
( No. 24) , , - , data-sort-value="0748.000" , 748 , data-sort-value="468.022" , III , data-sort-value="1719-12-31" , 1700–1739 , chorale setting "Gott der Vater wohn uns bei" , D maj. , Organ , data-sort-value="000.40: 177" , 40: 177 , IV/10 , by
Walther Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior". The name was ...
; → BWV 748a , , - , data-sort-value="0748.A00" , 748a , data-sort-value="468.023" , III , data-sort-value="1744-12-31" , 1700–1789 , chorale setting "Gott der Vater wohn uns bei" (variant) , D maj. , Organ , , IV/10 , by Scholz (arr.)?; after BWV 748 , , - , data-sort-value="0751.000" , 751 , data-sort-value="468.024" , III , , (also in Neumeister Collection) , , Organ , , IV/10 , by Bach, J. Michael , , - , data-sort-value="0759.000" , 759 , data-sort-value="468.025" , III , , chorale setting "SchmĂŒcke dich, o liebe Seele" , F maj. , Organ , data-sort-value="000.40: 181" , 40: 181 , IV/10 , by Homilius () , , - style="background: #E3F6CE;" , data-sort-value="0760.000" , 760 , data-sort-value="468.026" , III , , chorale setting "Vater unser im Himmelreich" , , Organ , data-sort-value="000.40: 183" , 40: 183 , IV/10 , by Böhm , , - style="background: #E3F6CE;" , data-sort-value="0761.000" , 761 , data-sort-value="468.027" , III , , chorale setting "Vater unser im Himmelreich" , , Organ , data-sort-value="000.40: 184" , 40: 184 , IV/10 , by Böhm , , - id="BWV 1096" , rowspan="2" , 1096 , rowspan="2" data-sort-value="468.028" , III , rowspan="2" , , (3 versions; ''
Neumeister Chorales The Neumeister Collection is a compilation of 82 chorale preludes found in a manuscript copy produced by Johann Gottfried Neumeister (1757–1840). When the manuscript was rediscovered at Yale University in the 1980s it appeared to contain 31 previ ...
'' No. 8) , rowspan="2" , A min. , rowspan="2" , Organ , rowspan="2" , , rowspan="2" data-sort-value="IV/09: 016" , IV/9: 16, 76 , rowspan="2" , by Pachelbel? , rowspan="2" , , - , (3 versions; ''
Neumeister Chorales The Neumeister Collection is a compilation of 82 chorale preludes found in a manuscript copy produced by Johann Gottfried Neumeister (1757–1840). When the manuscript was rediscovered at Yale University in the 1980s it appeared to contain 31 previ ...
'' No. 8) , - , data-sort-value="0771.000" , 771 , data-sort-value="468.029" , III , , chorale setting "Allein Gott in der Höh sei Ehr" , G maj. , Organ , data-sort-value="000.40: 195" , 40: 195 , IV/11 , by Vetter, A. N. , , - , rowspan="2" data-sort-value="A047.000" , II 47 , rowspan="2" data-sort-value="468.030" , III , rowspan="2" , , , rowspan="2" , A min. , rowspan="2" , Organ , rowspan="2" , , rowspan="2" , IV/10 , rowspan="2" , by Kellner, J. P. , rowspan="2" , , - , , - , data-sort-value="A056.000" , II 56 , data-sort-value="468.031" , III , data-sort-value="1735-07-01" , 1735 (Telem.) , , , Organ , , IV/10 , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
(
TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 31:8) , , - style="background: #F6E3CE;" , data-sort-value="A057.000" , II 57 , data-sort-value="468.032" , III , , , , Organ , , IV/10 , by
Vogler Vogler may refer to: People * Vogler (surname), a list of people with the surname Vogler * Vogler Quartet Places * Vogler (hill range), a hill range in the Central Uplands of Germany * Vogler Peak, rock peak in Antarctica * Vogler Air Base
, , - , data-sort-value="A061.000" , II 61 , data-sort-value="468.033" , III , , , F maj. , Organ , , IV/10 , by Pachelbel ( P 396) , , - , data-sort-value="A073.000" , II 73 , data-sort-value="468.034" , III , data-sort-value="1753-07-01" , 1720–1788 , , F min. , Organ , , IV/10 , by Bach, C. P. E.; after BWV 639 , , - , data-sort-value="A171.000" , III 171 , data-sort-value="468.035" , III , , , , Organ , data-sort-value="000.40: 174" , 40: 174 , IV/10 , by Pachelbel ( P 58) , , - , data-sort-value="A172.000" , III 172 , data-sort-value="468.036" , III , , , G maj. , Organ , , IV/10 , by Krebs, J. L. ( Krebs‑WV 524) , , - style="background: #F5F6CE;" , data-sort-value="0824.000" , 824 , data-sort-value="468.037" , III , data-sort-value="1720-07-01" , 1720 (WFB) , data-sort-value="KlavierbĂŒchlein fĂŒr Wilhelm Friedemann Bach No. 47" , KlavierbĂŒchlein WFB No. 47: Suite , A maj. , Keyboard , data-sort-value="000.36: 231" , 36: 231 , data-sort-value="V/05: 078" , V/5: 78 , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
(
TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 32:14) , , - , data-sort-value="0835.000" , 835 , data-sort-value="468.038" , III , data-sort-value="1761-07-01" , 1761 (Kirnb.) , Allemande , A min. , Keyboard , data-sort-value="000.42: 267" , 42: 267 , V/12 , by Kirnberger (EngK 74) , , - , data-sort-value="0838.000" , 838 , data-sort-value="468.039" , III , , Allemande and Courante , A maj. , Keyboard , data-sort-value="000.42: 265" , 42: 265 , V/12 , by Graupner ( GWV 849/2 /3) , , - , data-sort-value="0840.000" , 840 , data-sort-value="469.001" , III , , , G maj. , Keyboard , , V/12 , by
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
(
TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 32:13/2) , , - , data-sort-value="0897.001" , 897/1 , data-sort-value="469.002" , III , data-sort-value="1739-12-31" , (CHD) , Prelude , A min. , Keyboard , data-sort-value="000.42: 173" , 42: 173 , V/12 , by Dretzel ("Adagiosissimo") , , - , data-sort-value="0962.000" , 962 , data-sort-value="469.003" , III , data-sort-value="1783-07-01" , (JGA) , Fugue , E min. , Keyboard , data-sort-value="000.42: 198" , 42: 198 , V/12 , by Albrechtsberger (Op. 1/8) , , - , data-sort-value="0970.000" , 970 , data-sort-value="469.004" , III , , '' Toccatina'' No. 6 Presto , D min. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , by Bach, W. F. ( BR A49 F 25/2) , , - , data-sort-value="A094.000" , II 94 , data-sort-value="469.005" , III , data-sort-value="1774-07-01" , 1774 (Kirnb.) , , E min. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , by Kirnberger (EngK 35) , , - , data-sort-value="A107.000" , II 107 , data-sort-value="469.006" , III , , on  B-A-C-H , C maj. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , by Sorge? , , - , data-sort-value="A108.000" , II 108 , data-sort-value="469.007" , III , , on  B-A-C-H , C maj. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , by Bach, C. P. E. ( H 373) or Sorge? , , - , data-sort-value="A110.000" , II 110 , data-sort-value="469.008" , III , , on  B-A-C-H , C min. , Keyboard , data-sort-value="000.42: XXXIV" , 42: XXXIV , V/12 , by Sorge? , , - , data-sort-value="A112.000" , II 112 , data-sort-value="469.009" , III , data-sort-value="1780-07-01" , 1780 (Kirnb.) , , E min. , Keyboard , , V/12 , by Kirnberger (EngK 16) , , - style="background: #F5F6CE;" , data-sort-value="A114.000" , II 114 , data-sort-value="469.010" , III , data-sort-value="1725-07-01" , , data-sort-value="Notebook A. M. Bach (1725) No. 04 Minuet" , ''Notebook A. M. Bach'' (1725) No. 4 Minuet , G maj. , Keyboard , data-sort-value="000.43 2: 026" , 432: 26 , data-sort-value="V/04: 083" , V/4: 83 , by Petzold , , - style="background: #F5F6CE;" , data-sort-value="A115.000" , II 115 , data-sort-value="469.011" , III , data-sort-value="1725-07-01" , 1725 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 05 Minuet" , ''Notebook A. M. Bach'' (1725) No. 5 Minuet , G min. , Keyboard , data-sort-value="000.43 2: 026" , 432: 26 , data-sort-value="V/04: 084" , V/4: 84 , by Petzold , , - style="background: #F5F6CE;" , data-sort-value="A122.000" , II 122 , data-sort-value="469.012" , III , data-sort-value="1725-07-01" , , ''Notebook A. M. Bach'' (1725) No. 16 March , D maj. , Keyboard , data-sort-value="000.43 2: 032" , 432: 32 , data-sort-value="V/04: 094" , V/4: 94 , data-sort-value="by Bach, C. P. E. (H 001.1)" , by Bach, C. P. E. ( H 1/1) , , - style="background: #F5F6CE;" , data-sort-value="A123.000" , II 123 , data-sort-value="469.013" , III , data-sort-value="1725-07-01" , 1725 (CPE) , ''Notebook A. M. Bach'' (1725) No. 17 Polonaise , G min. , Keyboard , data-sort-value="000.43 2: 032" , 432: 32 , data-sort-value="V/04: 095" , V/4: 95 , data-sort-value="by Bach, C. P. E. (H 001.2)" , by Bach, C. P. E. ( H 1/2) , , - style="background: #F5F6CE;" , data-sort-value="A124.000" , II 124 , data-sort-value="469.014" , III , data-sort-value="1725-07-01" , 1725 (CPE) , ''Notebook A. M. Bach'' (1725) No. 18 March , G maj. , Keyboard , data-sort-value="000.43 2: 033" , 432: 33 , data-sort-value="V/04: 096" , V/4: 96 , data-sort-value="by Bach, C. P. E. (H 001.3)" , by Bach, C. P. E. ( H 1/3) , , - style="background: #F5F6CE;" , data-sort-value="A125.000" , II 125 , data-sort-value="469.015" , III , data-sort-value="1725-07-01" , 1725 (CPE) , ''Notebook A. M. Bach'' (1725) No. 19 Polonaise , G min. , Keyboard , data-sort-value="000.43 2: 033" , 432: 33 , data-sort-value="V/04: 097" , V/4: 97 , data-sort-value="by Bach, C. P. E. (H 001.4)" , by Bach, C. P. E. ( H 1/4) , , - style="background: #F5F6CE;" , data-sort-value="A129.000" , II 129 , data-sort-value="469.016" , III , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 27 Solo per il cembalo , E maj. , Keyboard , data-sort-value="000.43 2: 038" , 432: 38 , data-sort-value="V/04: 104" , V/4: 104 , data-sort-value="by Bach, C. P. E. (H 016.0" , by Bach, C. P. E. ( H 16) , , - style="background: #F5F6CE;" , data-sort-value="A130.000" , II 130 , data-sort-value="469.017" , III , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 28 Polonaise , G maj. , Keyboard , data-sort-value="000.43 2: 039" , 432: 39 , data-sort-value="V/04: 106" , V/4: 106 , by Hasse , , - style="background: #F5F6CE;" , data-sort-value="A131.000" , II 131 , data-sort-value="469.018" , III , data-sort-value="1745-07-01" , 1745? , ''Notebook A. M. Bach'' (1725) No. 32 , F maj. , Keyboard , data-sort-value="000.43 2: 046" , 432: 46 , data-sort-value="V/04: 121" , V/4: 121 , by Bach, J. C. ( W A22) , , - , data-sort-value="A133.000" , II 133 , data-sort-value="469.019" , III , data-sort-value="1763-12-31" , 1763 or later , data-sort-value="Musical clock, No. 01" , No. 1 Fantasia , G maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A63 F 207) , , - , data-sort-value="A134.000" , II 134 , data-sort-value="469.020" , III , data-sort-value="1763-12-31" , 1763 or later , data-sort-value="Musical clock, No. 02" , No. 2 Scherzo , G maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A64 F 207) , , - , data-sort-value="A135.000" , II 135 , data-sort-value="469.021" , III , data-sort-value="1763-12-31" , 1763 or later , data-sort-value="Musical clock, No. 03" , No. 3 Bourlesca , A min. , Musical clock , , V/12 , by Bach, W. F. ( BR A65 F 207) , , - , data-sort-value="A136.000" , II 136 , data-sort-value="469.022" , III , data-sort-value="1763-12-31" , 1763 or later , data-sort-value="Musical clock, No. 04" , No. 4 Trio , A min. , Musical clock , , V/12 , by Bach, W. F. ( BR A66 F 207) , , - , data-sort-value="A137.000" , II 137 , data-sort-value="469.023" , III , data-sort-value="1763-12-31" , 1763 or later , data-sort-value="Musical clock, No. 05" , No. 5 L'Intrada della Caccia , E♭ maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A67 F 207) , , - , data-sort-value="A138.000" , II 138 , data-sort-value="469.024" , III , data-sort-value="1763-12-31" , 1763 or later , data-sort-value="Musical clock, No. 06" , No. 6 Continuazione della Caccia , E♭ maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A68 F 207) , , - , data-sort-value="A139.000" , II 139 , data-sort-value="469.025" , III , data-sort-value="1763-12-31" , 1763 or later , data-sort-value="Musical clock, No. 07" , No. 7 Il Fine delle Caccia I , D maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A69 F 207) , , - , data-sort-value="A140.000" , II 140 , data-sort-value="469.026" , III , data-sort-value="1763-12-31" , 1763 or later , data-sort-value="Musical clock, No. 08" , No. 8 Il Fine delle Caccia II , D min. , Musical clock , , V/12 , by Bach, W. F. ( BR A70 F 207) , , - , data-sort-value="A141.000" , II 141 , data-sort-value="469.027" , III , data-sort-value="1763-12-31" , 1763 or later , data-sort-value="Musical clock, No. 09" , No. 9 Song "O Gott die Christenheit" , F maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A71 F 207) , , - , data-sort-value="A142.000" , II 142 , data-sort-value="469.028" , III , data-sort-value="1763-12-31" , 1763 or later , No. 10 Psalm 110 , A min. , Musical clock , , V/12 , by Bach, W. F. ( BR A72 F 207) , , - , data-sort-value="A143.000" , II 143 , data-sort-value="469.029" , III , data-sort-value="1763-12-31" , 1763 or later , No. 11 Polonaise , E min. , Musical clock , , V/12 , by Bach, W. F. ( BR A73 F 207) , , - , data-sort-value="A144.000" , II 144 , data-sort-value="469.030" , III , data-sort-value="1763-12-31" , 1763 or later , No. 12 Polonaise Trio , A min. , Musical clock , , V/12 , by Bach, W. F. ( BR A74 F 207) , , - , data-sort-value="A145.000" , II 145 , data-sort-value="469.031" , III , data-sort-value="1763-12-31" , 1763 or later , No. 13 March , C maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A75 F 207) , , - , data-sort-value="A146.000" , II 146 , data-sort-value="469.032" , III , data-sort-value="1763-12-31" , 1763 or later , No. 14 March , F maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A76 F 207) , , - , data-sort-value="A147.000" , II 147 , data-sort-value="469.033" , III , data-sort-value="1763-12-31" , 1763 or later , No. 15 La Combattuta , G maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A77 F 207) , , - , data-sort-value="A148.000" , II 148 , data-sort-value="469.034" , III , data-sort-value="1763-12-31" , 1763 or later , No. 16 Scherzo , G min. , Musical clock , , V/12 , by Bach, W. F. ( BR A78 F 207) , , - , data-sort-value="A149.000" , II 149 , data-sort-value="469.035" , III , data-sort-value="1763-12-31" , 1763 or later , No. 17 Minuet , G maj. , Musical clock , , V/12 , by Bach, W. F. ( BR A79 F 207) , , - , data-sort-value="A150.000" , II 150 , data-sort-value="469.036" , III , data-sort-value="1763-12-31" , 1763 or later , No. 18 Trio , G min. , Musical clock , , V/12 , by Bach, W. F. ( BR A80 F 207) , , - , data-sort-value="A177.000" , III 177 , data-sort-value="469.037" , III , , Prelude and Fugue , E♭ maj. , Keyboard , data-sort-value="000.36: 088" , 36: 88 , V/12: 134 , by Bach, J. Christoph? , , - , data-sort-value="A179.000" , III 179 , data-sort-value="469.038" , III , 1728 (JDH) , , A min. , Keyboard , , V/12 , by Heinichen , , - , data-sort-value="A180.000" , III 180 , data-sort-value="469.039" , III , , Fugue , D min. , Keyboard , data-sort-value="000.36: 188" , 36: 188 , V/12 , by Kellner, J. P. , , - , data-sort-value="A181.000" , III 181 , data-sort-value="469.040" , III , , , A min. , Keyboard , , V/12 , by Krebs, J. L. ( Krebs‑WV 825/2) , , - , data-sort-value="A182.000" , III 182 , data-sort-value="469.041" , III , , Passacaglia , D min. , Keyboard , data-sort-value="000.42: 234" , 42: 234 , V/12 , by Witt , , - style="background: #F5F6CE;" , data-sort-value="A183.000" , III 183 , data-sort-value="469.042" , III , data-sort-value="1725-07-01" , 1725 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 06 Rondeau" , ''Notebook A. M. Bach'' (1725) No. 6 Rondeau , B♭ maj. , Keyboard , data-sort-value="000.43 2: 027" , 432: 27 , data-sort-value="V/04: 085" , V/4: 85 , by
Couperin The Couperin family was a musical dynasty of professional composers and performers. They were the most prolific family in French musical history, active during the Baroque era (17th—18th centuries). Louis Couperin and his nephew, François Coup ...
('' 6iĂšme Ordre'': Les Bergeries) , , - , data-sort-value="1036.000" , 1036 , data-sort-value="469.043" , III , data-sort-value="1731-07-01" , 1731 (CPE) , Trio , D min. , data-sort-value="Vl Hc (Vlx2 Bc)" , Vl Hc (2Vl Bc) , , data-sort-value="VI/05" , VI/5 , by Bach, C. P. E. ( H 569; Wq 145) , , - , data-sort-value="1037.000" , 1037 , data-sort-value="469.044" , III , data-sort-value="1745-01-01" , (JGG) , Sonata , C maj. , data-sort-value="Vlx2 Bc" , 2Vl Bc , data-sort-value="000.09: 229" , 9: 229 , data-sort-value="VI/05" , VI/5 , by Goldberg , , - style="background: #E3F6CE;" , data-sort-value="A173.000" , III 173 , data-sort-value="469.045" , III , data-sort-value="1723-07-01" , 1712 (FAB)
(JSB) , Invention , B min. , Vl Kb , data-sort-value="000.45 1: 172" , 451: 172 , data-sort-value="VI/05" , VI/5 , by Bonporti (Op. 10 No. 2) , , - style="background: #E3F6CE;" , data-sort-value="A174.000" , III 174 , data-sort-value="469.046" , III , data-sort-value="1723-07-01" , 1712 (FAB)
(JSB) , Invention , B♭ maj. , Vl Kb , data-sort-value="000.45 1: 176" , 451: 176 , data-sort-value="VI/05" , VI/5 , by Bonporti (Op. 10 No. 5) , , - style="background: #E3F6CE;" , data-sort-value="A175.000" , III 175 , data-sort-value="469.047" , III , data-sort-value="1723-07-01" , 1712 (FAB)
(JSB) , Invention , C min. , Vl Kb , data-sort-value="000.45 1: 181" , 451: 181 , data-sort-value="VI/05" , VI/5 , by Bonporti (Op. 10 No. 6) , , - style="background: #E3F6CE;" , data-sort-value="A176.000" , III 176 , data-sort-value="469.048" , III , data-sort-value="1723-07-01" , 1712 (FAB)
(JSB) , Invention , D maj. , Vl Kb , data-sort-value="000.45 1: 185" , 451: 185 , data-sort-value="VI/05" , VI/5 , by Bonporti (Op. 10 No. 7) , , - , data-sort-value="A184.000" , III 184 , data-sort-value="469.049" , III , data-sort-value="1747-07-01" , (Zuc.) , Sonata , A min. , Vl Bc , , data-sort-value="VI/05" , VI/5 , by Zuccari ( No. 10) , , - , data-sort-value="A185.000" , III 185 , data-sort-value="469.050" , III , , Sonata , D maj. , data-sort-value="Vlx2 Bc" , 2Vl Bc , , data-sort-value="VI/05" , VI/5 , by Bach, C. P. E. ( H 585; ≈H 507; Wq 74) , , - id="BWV Anh. 186" , data-sort-value="A186.000" , III 186 , data-sort-value="469.051" , III , , , F maj. , data-sort-value="Vlx2 Bc" , 2Vl Bc , , data-sort-value="VI/05" , VI/5 , by Bach, C. P. E. ( H 576; Wq 154) , , - , data-sort-value="A187.000" , III 187 , data-sort-value="469.052" , III , , , F maj. , Bas Fl Vne , , data-sort-value="VI/05" , VI/5 , by Bach, C. P. E. ( H 589) , , - , data-sort-value="A188.000" , III 188 , data-sort-value="469.053" , III , data-sort-value="1740-07-01" , (WFB) , Sonata (Concerto) , F maj. , data-sort-value="Hcx2" , 2Hc , data-sort-value="000.43 1: 047" , 431: 47 , V/12 , by Bach, W. F. ( BR A12 F 10) , , - style="background: #E3F6CE;" , data-sort-value="A023.000" , I 23 , data-sort-value="469.054" , III , data-sort-value="1710-07-01" , 1710 (Alb.)
1710 (JSB) , , E min. , data-sort-value="Vlx2 Va Vc Vne" , 2Vl Va Vc Vne , , data-sort-value="VI/05" , VI/5 , by Albinoni ( Op. 2 No. 4 = 2nd Concerto) , , - style="background: #E3F6CE;" , data-sort-value="A189.000" , III 189 , data-sort-value="469.055" , III , data-sort-value="1746-07-01" , 1745–1747 (JSB) , , A min. , data-sort-value="Hc Str Bc" , Hc Str Bc , , data-sort-value="VI/05" , VI/5 , by Bach, C. P. E. ( H 403; Wq 1) , , - id="BWV Anhang New" style="background: #D8D8D8;" , data-sort-value="A189.z99" , Anh. N , data-sort-value="470.000" colspan="8" , New additions to the , data-sort-value="1500a" , Up ↑


References


Sources

* * * * * * * * * * * * * Not a Bach-
autograph An autograph is a person's own handwriting or signature. The word ''autograph'' comes from Ancient Greek (, ''autós'', "self" and , ''gráphƍ'', "write"), and can mean more specifically: Gove, Philip B. (ed.), 1981. ''Webster's Third New Intern ...
: The manuscript Brussels, Royal Library
II 4093 (FĂ©tis 2960)
* * * * Preface in English and German. * * * * * * * * * * * * * * * * * * * * * * * Meiningen 1704: * * * * * * * Unaltered up unto its eighth printing in 1986. * * * * * * * * * * *
Volume I
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Volume II
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Volume III
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External links

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at {{Johann Sebastian Bach