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List Of Compositions By François Couperin
The following is a complete list of compositions by François Couperin. Instrumental compositions For harpsichord '' L’Art de Toucher le Clavecin'' (1716), a didactic treatise that includes eight Préludes and an Allemande amounting to about 14 minutes of music. ''Premier Livre'' (''First Book'', 1713) — ''Ordres'' 1 to 5 — about 180 minutes of music *''Ordre 1er de clavecin'' in G minor: ''Allemande L'Auguste; Première courante; Seconde courante; Sarabande La majestueuse; Gavotte; La Milordine, gigue; Menuet (et double); Les silvains; Les abeilles; La Nanète; Les sentimens, sarabande; La pastorelle; Les nonètes (Les blondes, Les brunes); La bourbonnoise, gavotte; La Manon; L'enchanteresse; La fleurie, ou La tendre Nanette; Les plaisirs de St Germain en Laÿe'' *''Ordre 2ème de clavecin'' in D minor: ''Allemande La laborieuse; Premiere courante; Seconde courante; Sarabande La prude; L'Antonine; Gavote; Menuet; Canaries (avec double); Passe-pied; Rigaudon; La Charoloise; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Couperin
François Couperin (; 10 November 1668 – 11 September 1733) was a French Baroque music, Baroque composer, organist and harpsichordist. He was known as ''Couperin le Grand'' ("Couperin the Great") to distinguish him from other members of the musically talented Couperin family. Life Couperin was born in Paris, into a prominent musical family. His father Charles was organist at the Saint-Gervais-Saint-Protais, Church of Saint-Gervais in the city, a position previously held by Charles's brother Louis Couperin, the esteemed keyboard virtuoso and composer whose career was cut short by an early death. As a boy François must have received his first music lessons from his father, but Charles died in 1679 leaving the position at Saint-Gervais to his son, a common practice known as ''survivance'' that few churches ignored. With their hands tied, the churchwardens at Saint-Gervais hired Michel Richard Delalande to serve as new organist on the understanding that François would replace him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'art De Toucher Le Clavecin
''L'art de toucher le clavecin'' (English: ''The Art of Playing the Harpsichord'') is a didactic treatise by the French composer François Couperin. It was first published in 1716, and was followed by a revised edition in 1717. The treatise was written to instruct keyboard players in performance practice, particularly for Couperin's ''Pièces de Clavecin''; Couperin, upon its publication, noted that it was "absolutely indispensable for playing my ''Pièces'' in the style most suitable to them". With the early music revival, it became one of the primary sources for the keyboard fingering system which prevailed in Europe during the Baroque era. It also sheds light on the ornamentation used at the time. It is considered one of the most significant surviving treatises of the period. Publication history and contents There are no known autograph copies of the treatise, but copies survive of the two versions published during Couperin's lifetime. The 1716 edition of the work included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude (music)
A prelude ( or '; ; ; ) is a short piece of music, the form of which may vary from piece to piece. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an overture, particularly to those seen in an opera or an oratorio. History The first preludes to be notated were organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an extemporary style for the lute and other Renaissance string instruments, which were originally used for warming up the fingers and checki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allemande
An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel. It is often the first movement of a Baroque suite of dances, paired with a subsequent courante, though it is sometimes preceded by an introduction or prelude. Along with the waltz and ländler, the allemande was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. A quite different, later, Allemande, named as such in the time of Mozart and Beethoven, still survives in Germany and Switzerland and is a lively triple-time social dance related to the waltz and the '' Ländler''.Scholes P., 1970, article: ''Allemande''. The name "Allemande" comes from the name of Germany in French. History The allemande originated in the 16th century as a duple metre dance of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Baricades Mistérieuses
LES or Les may refer to: People * Les (given name) * Les (surname) * L.E.S. (producer), hip hop producer Space flight * Launch Entry Suit, worn by Space Shuttle crews * Launch escape system, for spacecraft emergencies * Lincoln Experimental Satellite series, 1960s and 1970s Biology and medicine * Lazy eye syndrome, or amblyopia, a disorder in the human optic nerve * The Liverpool epidemic strain of ''Pseudomonas aeruginosa'' * Lower esophageal sphincter * Lupus erythematosus systemicus Places * The Lower East Side neighborhood of Manhattan, New York City * Les, Catalonia, a municipality in Spain * Leş, a village in Nojorid Commune, Bihor County, Romania * ''Les'', the Hungarian name for Leșu Commune, Bistriţa-Năsăud County, Romania * Les, a village in Tejakula district, Buleleng regency, Bali, Indonesia * Lesotho, IOC and UNDP country code * Lès, a word featuring in many French placenames Transport * Leigh-on-Sea railway station, National Rail station code * Leyton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerts Royaux (Couperin)
The ''Concerts royaux'' (singular: ''Concert royal''; English: Royal Concerts) are chamber music suites by François Couperin written for the court of Louis XIV. Each consists of a prelude and a succession of dances in the order allemande, sarabande or courante, followed by others – but the suites are intended for listening more than dancing. Four were produced in 1714 and published in 1722. Another ten followed in 1724, now called ''Nouveaux concerts, ou les Goûts réunis'' (referring to the "reunited" French and Italian musical tastes). Neither of the two sets has fixed instrumentation: each suite can be played by solo harpsichord or an ensemble with a bass and three melody instruments, such as a violin, a viol, and an oboe or flute. (This freedom is found also in works by Marin Marais and Gaspard Le Roux.) The first and more frequently played of the sets is as follows: ;''Premier concert'' in G Major *''Prélude'' *''Allemande'' *''Sarabande'' *''Gavotte'' *''Gigue'' *''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Apothéose De Lully
, or (English: ''The Apotheosis of Lully'' or ''Instrumental concert with the title of an Apotheosis composed in the immortal memory of the incomparable Monsieur de Lully'') is a trio sonata composed by François Couperin. The piece was first published in 1725, a year after his ''L'Apothéose de Corelli'', to pay homage to Jean-Baptiste Lully. Background Lully, a master of French Baroque music and the father of the French overture, famously disavowed any Italian influence in French music of the period. Couperin, however, wanted to accomplish a : reconciling the national distinctions of style, tradition, and forms of interpretations that differed between France and Italy. He said, "I have always esteemed meritorious things irrespective of author or nation." Despite hailing from a large family of French musicians, Couperin is credited with bringing the trio sonata form, greatly developed in Italy by Arcangelo Corelli, to France. In 1724, he published the ''Apotheosis of Corelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lists Of Compositions By Composer
A list is a set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but lists are frequently written down on paper, or maintained electronically. Lists are "most frequently a tool", and "one does not ''read'' but only ''uses'' a list: one looks up the relevant information in it, but usually does not need to deal with it as a whole".Lucie Doležalová,The Potential and Limitations of Studying Lists, in Lucie Doležalová, ed., ''The Charm of a List: From the Sumerians to Computerised Data Processing'' (2009). Purpose It has been observed that, with a few exceptions, "the scholarship on lists remains fragmented". David Wallechinsky, a co-author of ''The Book of Lists'', described the attraction of lists as being "because we live in an era of overstimulation, especially in terms of information, and lists help us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
