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List Of Compositions By Carl Philipp Emanuel Bach
This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905,Alfred Wotquenne, Wotquenne, Alfred. ''Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach 1714–1788''. () based on Westphal's 18th century worklist; Wotquenne is one of our primary sources and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Onl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CPEB By Löhr
CPEB, or cytoplasmic polyadenylation element binding protein, is a highly Conserved sequence, conserved RNA-binding protein that promotes the elongation of the polyadenylation, polyadenine tail of messenger RNA. CPEB is present at postsynaptic sites and dendrites where it stimulates polyadenylation and translation in response to synaptic activity. CPEB most commonly activates the target RNA for translation (genetics), translation, but can also act as a repressor, dependent on its phosphorylation state. As a repressor, CPEB interacts with the deadenylation complex and shortens the polyadenine tail of mRNAs. In animals, CPEB is expressed in several alternative splicing isoforms that are specific to particular tissues and functions, including the self-cleaving Mammalian CPEB3 ribozyme. CPEB was first identified in ''Xenopus'' oocytes and associated with meiosis; a role has also been identified in the spermatogenesis of ''Caenorhabditis elegans''. CPEB is involved in closed-loop regula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata In A Minor For Solo Flute, Wq
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is often used for a short or technically easy sonata. Instrumentation In the Baroque period, a sonata was for one or more instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Carl Philipp Emanuel Bach
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a still image or video *Musical composition, an original piece of music, or the process of creating a new piece Computer science *Compose key, a key on a computer keyboard *Compositing window manager a component of a computer's graphical user interface that draws windows and/or their borders *Function composition (computer science), an act or mechanism to combine simple functi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Nichelmann
Christoph Nichelmann (13 August 1717 – 20 July 1762) was a German composer and harpsichordist. He was second keyboard player in the Royal Ensemble of Frederick the Great. Biography Born in Treuenbrietzen, from 1730 on the advice of a relative Nichelmann attended the Thomasschule in Leipzig, where he was accepted by Johann Sebastian Bach. He may have been the soprano that Bach had in mind when he composed his cantata ''Jauchzet Gott in allen Landen''. He studied composition and was taught to play keyboard instruments by Wilhelm Friedemann Bach. In 1733, because of his interest in opera, he went to Hamburg to explore theatrical music in the French and Italian style. There he was a student of Reinhard Keiser, Georg Philipp Telemann and Johann Mattheson. At times he worked as a private secretary for musicians and noble families. In 1739 Nichelmann moved to Berlin, where he continued his studies with Johann Joachim Quantz and Carl Heinrich Graun. In 1742, he decided to travel to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Heinrich Graun
Carl Heinrich Graun (7 May 1704 – 8 August 1759) was a German composer and tenor. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. Biography Graun was born in Wahrenbrück in the Electorate of Saxony. In 1714, he followed his brother, Johann Gottlieb Graun, to the school of the Kreuzkirche, Dresden, and sang in the Dresdner Kreuzchor and the chorus of the Opernhaus am Zwinger. He studied singing with Christian Petzold and composition with (1664–1728). In 1724, Graun moved to Braunschweig, singing at the opera house and writing six operas for the company. In 1735, Graun moved to Rheinsberg in Brandenburg, after he had written the opera ''Lo specchio della fedeltà'' for the marriage of the then crown prince Frederick (the Great) and Elisabeth Christine in Schloss Salzdahlum in 1733. He was ''Kapellmeister'' to Frederick the Great from his ascension to the throne in 1740 until Graun's death ninetee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Auferstehung Und Himmelfahrt Jesu
''Die Auferstehung und Himmelfahrt Jesu'' (The Resurrection and Ascension of Jesus) is an oratorio by Carl Philipp Emanuel Bach to a text by Karl Wilhelm Ramler on the subject of the resurrection and ascension of Jesus Christ. The first documented performance evidently took place in 1774, and was first publicly performed in 1778; it was further revised between 1778 and 1780. Along with the other oratorios that CPE Bach composed, ''Die Auferstehung und Himmelfahrt Jesu'' has been described as being "among the most important Protestant vocal works of the second half of the 18th century". Background While known mainly for his keyboard works and performance treatises, Carl Philipp Emanuel Bach also composed several oratorios during his career as a composer. These oratorios fall into the category of the late 18th-century German ''lyric oratorio'', where the story is assumed to be known to the listener and the drama is expressed through unnamed 'idealized' personages. The libretto writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Israeliten In Der Wüste
''Die Israeliten in der Wüste'' (The Israelites in the Desert) is an oratorio by Carl Philipp Emanuel Bach. Background While known mainly for his works in other genres, Carl Philipp Emanuel Bach also composed several oratorios during his career as a composer. After arriving in Hamburg in 1768, he found himself in an atmosphere that was much more conducive to musical creativity than his previous post in Berlin had provided him. With his new post came many new responsibilities and Bach found himself composing pieces in the longer symphony and concerto genres. One of his first compositions at his new Hamburg post was the oratorio ''Die Israeliten in der Wüste'' (The Israelites in the Desert), which he began in the second half of 1768 and finished early in 1769. The piece was based on a libretto by German librettist Daniel Schiebeler who, rather than creating the libretto by using direct quotes from scripture, used poetry based on scripture.Ottenberg, Hans-Günter. Carl Philipp Em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat (C
The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This most popular of all canticles is used within the liturgies of the Catholic Church, the Eastern Orthodox Church, the Lutheran Church and the Anglican Communion. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. Some ancient authorities have Elizabeth, rather than Mary, speaking the Magnificat. The Magnificat is one of the eight most ancient Christian hymns and perhaps t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Christian Sturm
Christoph Christian Sturm (1740–1786) was a German preacher and author, best known for his ''Reflections on the Works of God in Nature''. The son of Johann Jakob Sturm, a lawyer, at Augsburg, was born at Augsburg, January 25, 1740. He studied at the universities of Jena and Halle. He was then appointed, in 1762, as one of the masters in the Paedagogium at Halle, and in 1765 became Conrector of the school at Sorau, at that time still part of Brandenburg. In 1767 he returned to Halle as fourth pastor of the Market Church, and became third pastor in the same year. He left Halle in 1769, to become second pastor of the church of the Holy Spirit (''Heilige-Geist-Kirche'') at Magdeburg, where he passed the happiest part of his professional life, and where he wrote most of his devotional works. Finally, in 1778, he was appointed chief pastor of St. Peter's Church at Hamburg. Here he at first lived happily, beloved and respected as a preacher and author, until, in 1782, his views o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gellert Odes And Songs
''Geistliche Oden und Lieder'' ("Sacred Odes and Songs", H. 686, Wq 194), also known as ''Gellert Oden'' ("Gellert Odes"), is a collection of songs by Carl Philipp Emanuel Bach with texts by Christian Fürchtegott Gellert. Originally published in 1758, Bach's work enjoyed continuous popularity for several decades and influenced numerous composers, most importantly Ludwig van Beethoven, who composed his own settings of six of Gellert's poems. History of composition One of the best known German poets of his time, Christian Fürchtegott Gellert was a professor of philosophy at Leipzig University. In 1757, at age 42, he published ''Geistliche Oden und Lieder'', a collection of sacred poetry that enjoyed considerable success. Gellert himself suggested that the poems could be sung to traditional chorale melodies, and although the poetry employs a vast number of forms and techniques, provisions were made by Gellert to make musical settings possible. According to the foreword to the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Casadesus
Henri-Gustave Casadesus (30 September 1879 – 31 May 1947) was a violist, viola d'amore player, composer, and music publisher. Early life Born in the 9th arrondissement of Paris, Casadesus received his early musical instruction with Albert Lavignac and studied viola with Théophile Laforge at the Conservatoire de Paris, taking first prize in 1899. From 1910 to 1917, he was the violist of the Capet Quartet. Career Along with Camille Saint-Saëns, Casadesus founded the "Société des instruments anciens" in 1901. The society, which operated between 1901 and 1939, was a quintet of performers who used obsolete instruments such as the viola da gamba, or Casadesus's own instrument, the viola d'amore. The quintet was also notable in its day for premiering rediscovered works by long-dead composers. It was later discovered that Casadesus and his brothers, notably Marius Casadesus, wrote these works. The Adélaïde Concerto, allegedly by Wolfgang Amadeus Mozart, is sometimes mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solfeggietto
Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. Although the ''Solfeggietto'' title is widely used today, according to , the work is correctly called ''Solfeggio'', but the author provides no evidence for this. Thomas Owens refers to the work as a toccata. \relative c' Qualities The work is unusual for a keyboard piece in that the main theme and some other passages are fully monophonic, i.e. only one note is played at a time. The piece is commonly assigned to piano students and appears in many anthologies; pedagogically it fosters the playing of an even sixteenth note Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note ( American) or semiquaver (British) is a note played for half the d ... rhythm by alternating hands. This piece is easily Bach's best-known, to the point tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
