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Johann Christoph Altnickol
Johann Christoph Altnickol, or Altnikol, (baptised 1 January 1720, buried 25 July 1759) was a German organist, bass singer, and composer. He was a student, copyist and son-in-law of Johann Sebastian Bach. Biography Altnikol was born in Berna bei Seidenberg, Oberlausitz, and first educated at the Lauban Lyceum in 1733. He was employed as a singer and assistant organist at St Maria Magdalena, Breslau, between 1740 and 1744. He began studying theology at the University of Leipzig from March 1744, after being granted four '' thalers'' as a '' viaticum'' in January of that year. From Michaelmas 1745 he sang as a bass in Johann Sebastian Bach's choirs (asserted by Bach in May 1747 when Altnickol claimed a grant of 12 ''thalers'' in April/May 1747 for the work), something he should not have been allowed to do as a university student. He also served as a scribe for Bach, copying for example '' The Well-Tempered Clavier''. He was recommended by W. F. Bach as the successor to his po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organist
An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgy, liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naumburg
Naumburg () is a town in (and the administrative capital of) the district Burgenlandkreis, in the state of Saxony-Anhalt, Central Germany (cultural area), Central Germany. It has a population of around 33,000. The Naumburg Cathedral became a UNESCO World Heritage Site in 2018. This UNESCO designation recognizes the processes that shaped the European continent during the High Middle Ages between 1000 and 1300: Christianization, the so-called "Landesausbau" and the dynamics of cultural exchange and transfer characteristic for this very period. History The first written record of Naumburg dates from 1012, when it was mentioned as the ''new castle'' of the Ekkehardinger, the Margrave of Meissen. It was founded at the crossing of two trade-routes, Via Regia and the Regensburg Road. The successful foundation not long beforehand of a ''Propstei'' Church on the site of the later Naumburg Cathedral was mentioned in the Merseburg Bishops' Chronicles in 1021. In 1028 Pope John XIX gave hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyrie
', a transliteration of Greek , vocative case of ('' Kyrios''), is a common name of an important prayer of Christian liturgy, also called the ( ; ). In the Bible The prayer, , "Lord, have mercy" derives from a Biblical phrase. Greek , , is the Septuagint translation of the phrase often found in the Psalms ( 6:2, 9:13, 31:9, 86:3, and 123:3). In the New Testament, the Greek phrase occurs three times in Matthew: * Matthew 15:22: the Canaanite woman cries out to Jesus, "Have mercy on me, O Lord, Son of David." () * Matthew 17:15: "Lord, have mercy on my son" () * Matthew 20:30: two unnamed blind men call out to Jesus, "Lord, have mercy on us, Son of David." () In the Parable of the Publican and the Pharisee (Luke 18:9–14) the despised tax collector who cries out "Lord have mercy on me, a sinner" is contrasted with the smug Pharisee who believes he has no need for forgiveness. Luke 17:13 has , , instead of , , (), being less suggestive of the used as euphemi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass () is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat
The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This most popular of all canticles is used within the liturgies of the Catholic Church, the Eastern Orthodox Church, the Lutheran Church and the Anglican Communion. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. Some ancient authorities have Elizabeth, rather than Mary, speaking the Magnificat. The Magnificat is one of the eight most ancient Christian hymns and perhap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord Jesus Christ according to the Evangelist Matthew". Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation process of the ''St Matthew Passion''. The available information derives from extant early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wer Ist Der, So Von Edom Kömmt
''Wer ist der, so von Edom kömmt'' is a pasticcio Passion oratorio based on compositions by Carl Heinrich Graun, Georg Philipp Telemann, Johann Sebastian Bach and others. The pasticcio was assembled around 1750. The only extant manuscript of the Pasticcio was written by Johann Christoph Farlau and an unknown scribe. Farlau was a pupil of Johann Christoph Altnickol, Bach's son-in-law. Since a reliable differentiation between the handwriting of the master and the pupil was only done in the early 21st century, older scholarship generally attributes the realisation of the Pasticcio to Altnickol and/or indicates Altnickol as the composer of the movements that can not be attributed to other composers. In the second half of the 20th century Bach scholarship turned its attention to the pasticcio as it was possibly Bach's elusive "Passions (Bach)#Passions composed and/or staged by Bach, 5th Passion", and for containing previously unknown work by the composer (). History The backbone o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion Music
The Passion (from Latin , "to suffer, bear, endure") is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week. The ''Passion'' may include, among other events, Jesus's triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, his agony, his arrest, his trials before the Sanhedrin and before Pilate, his crucifixion and death, and his burial. Those parts of the four canonical Gospels that describe these events are known as the Passion narratives. In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Latin form ''passio''. Narratives according to the four canonical gospels Accoun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as George Frideric Handel, Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Christoph Willibald Gluck, Gluck, and Johann Christian Bach. These composite works would consist mainly of por ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zittau
Zittau (; ; ; ; ; Lusatian dialects, Upper Lusatian dialect: ''Sitte''; ) is the southeasternmost city in the Germany, German state of Saxony, and belongs to the Görlitz (district), district of Görlitz, Germany's easternmost Districts of Germany, district. Zittau is located in Upper Lusatia, the southern part of Lusatia, on the Mandau and Lusatian Neisse rivers, in the foreland of the Zittau Mountains. The city has a population of around 25,000 and is located directly on the western edge of the Turów Coal Mine, one of the largest artificial holes visible from Outer space, space, on the other side of the Lusatian Neisse. The ''Großes Zittauer Fastentuch'' (Great Zittau Lenten Cloth) is, along with the Bayeux Tapestry, one of the most impressive textile works in Western tradition. It is the third-largest existing Lenten veil. It was made in Zittau in 1472 and is now exhibited in the secularized ''Kreuzkirche, Zittau, Kirche zum Heiligen Kreuz'', that belongs to the Zittau Muni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
