sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...

relief Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give ...

altar An altar is a table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are use ...

Christian church In ecclesiology, the Christian Church is what different Christian denominations conceive of as being the true body of Christians or the original institution established by Jesus Christ. "Christian Church" has also been used in academia as a syn ...

reredos A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a Church (building), church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular a ...

Christian art Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative ...

Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and ...

Baroque painting Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, The word altarpiece, used for paintings, usually means a framed work of

panel painting A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not pain ...

on wood, or later on

canvas Canvas is an extremely durable Plain weave, plain-woven Cloth, fabric used for making sails, tents, Tent#Marquees and larger tents, marquees, backpacks, Shelter (building), shelters, as a Support (art), support for oil painting and for other ite ...

. In the Middle Ages they were generally the largest genre for these formats.

Mural A mural is any piece of Graphic arts, graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' ...

s in

fresco Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting become ...

tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially

winged altarpiece A winged altarpiece (also ''folding altar'') or winged retable is a special form of altarpiece (reredos, occasionally retable), common in Northern and Central Europe, in which the central image, either a painting or relief sculpture (or some com ...

s with hinged side wings that folded in to cover the main image, and were painted on the reverse with different simpler images. Often this was the normal view shown in the church, except for Sundays and

feast day The calendar of saints is the traditional Christian method of organizing a liturgical year by associating each day with one or more saints and referring to the day as the feast day or feast of said saint. The word "feast" in this context does n ...

s, when the wings were opened to display the main image.Murrays, 11 At other times visitors could usually see this by paying the

sacristan A sacristan is an officer charged with care of the sacristy, the church, and their contents. In ancient times, many duties of the sacrist were performed by the doorkeepers ( ostiarii), and later by the treasurers and mansionarii. The Decretal ...

. Altarpieces with many small framed panels are called

polyptych A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: a diptych is ...

s;

triptych A triptych ( ) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all m ...

s have a main panel, and two side ones.

Diptych A diptych (, ) is any object with two flat plates which form a pair, often attached by a hinge. For example, the standard notebook and school exercise book of the ancient world was a diptych consisting of a pair of such plates that contained a ...

s, with only two equally sized panels, were usually smaller portable pieces for individuals. The

predella In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but oft ...

is a row of much smaller scenes running below the main panel; often these showed narrative scenes related to the subject of the main image. They were only properly visible from close up, but the extra height allowed the main panels above to be clearly seen by the congregation, and any shutters to be opened and closed with less disturbance to other items on the altar. Many altarpieces have now been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere.

History

Origins and early development

In the first several centuries of large Christian churches being built, the altar tended to be further forward (towards the congregation) in the sanctuary than in the later Middles Ages (a position to which it returned in the 20th century) and a large altarpiece would often have blocked the view of a bishop's throne and other celebrants, so decoration was concentrated on other places, with

antependium An ''antependium'' (from Latin ''ante-'' and ''pendēre'', "to hang before"; : ''antependia''), also known as a pulpit fall, parament or hanging, or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ''pallium al ...

s or altar frontals, or the surrounding walls. Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the development of altarpieces are not generally agreed upon. The habit of placing decorated

reliquaries A reliquary (also referred to as a ''shrine'', ''chasse'', or ''phylactery'') is a container for relics. A portable reliquary, or the room in which one is stored, may also be called a ''feretory''. Relics may be the purported or actual physic ...

of saints on or behind the altar, as well as the tradition of decorating the front of the altar with sculptures or textiles, preceded the first altarpieces. In the Romanesque period, painted altar frontals on panel seem to have been a common alternative location for paintings. Few survive, though small

Catalonia Catalonia is an autonomous community of Spain, designated as a ''nationalities and regions of Spain, nationality'' by its Statute of Autonomy of Catalonia of 2006, Statute of Autonomy. Most of its territory (except the Val d'Aran) is situate ...

n churches preserved several, many now in the

Museu Nacional d'Art de Catalunya The (; ), abbreviated as MNAC (), is a museum of Catalonia, Catalan visual art located in Barcelona, Catalonia, Spain. Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Plaça d'Espanya, Barcelona, Pl Espanya, th ...

in

Barcelona Barcelona ( ; ; ) is a city on the northeastern coast of Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second-most populous municipality of Spain. With a population of 1.6 million within c ...

. The development of altarpieces may have begun at the altars of side chapels, typically engaged with the wall behind, rather than at freestanding main altars.DeGreve, 13 Many early altarpieces were relatively simple compositions in the form of a rectangular panel decorated with series of saints in rows, with a central, more pronounced figure such as a depiction of

Mary Mary may refer to: People * Mary (name), a female given name (includes a list of people with the name) Religion * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also called the Blesse ...

or

Christ Jesus ( AD 30 or 33), also referred to as Jesus Christ, Jesus of Nazareth, and many other names and titles, was a 1st-century Jewish preacher and religious leader. He is the Jesus in Christianity, central figure of Christianity, the M ...

. An elaborate example of such an early altarpiece is the metal and enamel

Pala d'Oro Pala d'Oro (Italian Language, Italian, "Golden Panel") is the high altar retable of the St Mark's Basilica, Basilica di San Marco in Venice (and in Italian may refer to other gold altar frontals elsewhere). It is universally recognized as one of t ...

in

Venice Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are li ...

, extended in the 12th century from an earlier altar frontal. The appearance and development of these first altarpieces marked an important turning point both in the history of

Christian art Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative ...

as well as Christian religious practice. It was considered a "significant development" because of its impact on the "nature and function of the Christian image...the autonomous image now assumed a legitimate position at the centre of Christian worship".

The emergence of panel painting

Painted panel altars emerged in Italy during the 13th century,DeGreve, 13-14 and until the Renaissance were generally the largest and most significant type of

panel painting A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not pain ...

. In the 13th century, it was not uncommon to find frescoed or mural altarpieces in Italy; mural paintings behind the altar served as visual complements for the liturgy. These altarpieces were influenced by

Byzantine art Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome, decline of western Rome and ...

, notably

icon An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic, and Lutheranism, Lutheran churches. The most common subjects include Jesus, Mary, mother of ...

s, which reached Western Europe in greater numbers following the conquest of Constantinople in 1204. During this time, altarpieces occasionally began to be decorated with an outer, sculptured or gabled structure with the purpose of providing a frame for individual parts of the altarpiece. Vigoroso da Siena's altarpiece from 1291 ''(pictured)'' is an example. This treatment of the altarpiece would eventually pave the way for the emergence, in the 14th century, of the

polyptych A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: a diptych is ...

. The sculpted elements in the emerging polyptychs often took inspiration from contemporary

Gothic architecture Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High Middle Ages, High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved f ...

. In Italy, they were still typically executed in wood and painted, while in northern Europe altarpieces were often made of stone. In the early 14th century, the

winged altarpiece A winged altarpiece (also ''folding altar'') or winged retable is a special form of altarpiece (reredos, occasionally retable), common in Northern and Central Europe, in which the central image, either a painting or relief sculpture (or some com ...

emerged in Germany, the

Low Countries The Low Countries (; ), historically also known as the Netherlands (), is a coastal lowland region in Northwestern Europe forming the lower Drainage basin, basin of the Rhine–Meuse–Scheldt delta and consisting today of the three modern "Bene ...

,

Scandinavia Scandinavia is a subregion#Europe, subregion of northern Europe, with strong historical, cultural, and linguistic ties between its constituent peoples. ''Scandinavia'' most commonly refers to Denmark, Norway, and Sweden. It can sometimes also ...

, the

Baltic region The Baltic Sea Region, alternatively the Baltic Rim countries (or simply the Baltic Rim), and the Baltic Sea countries/states, refers to the general area surrounding the Baltic Sea, including parts of Northern, Central and Eastern Europe. Un ...

and the Catholic parts of

Eastern Europe Eastern Europe is a subregion of the Europe, European continent. As a largely ambiguous term, it has a wide range of geopolitical, geographical, ethnic, cultural and socio-economic connotations. Its eastern boundary is marked by the Ural Mountain ...

. They spread to France, but remained rare in Italy. By hinging the outer panels to the central panel and painting them on both sides, the subject could be regulated by opening or closing the wings. The pictures could thus be changed depending on liturgical demands. The earliest often displayed sculptures on the inner panels (i.e., displayed when open) and paintings on the back of the wings (displayed when closed). With the advent of winged altarpieces, a shift in imagery also occurred. Instead of being centred on a single holy figure, altarpieces began to portray more complex narratives linked to the concept of

salvation Salvation (from Latin: ''salvatio'', from ''salva'', 'safe, saved') is the state of being saved or protected from harm or a dire situation. In religion and theology, ''salvation'' generally refers to the deliverance of the soul from sin and its c ...

.

Late Middle Ages

As the

Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and ...

progressed, altarpieces began to be commissioned more frequently. In Northern Europe, initially

Lübeck Lübeck (; or ; Latin: ), officially the Hanseatic League, Hanseatic City of Lübeck (), is a city in Northern Germany. With around 220,000 inhabitants, it is the second-largest city on the German Baltic Sea, Baltic coast and the second-larg ...

and later

Antwerp Antwerp (; ; ) is a City status in Belgium, city and a Municipalities of Belgium, municipality in the Flemish Region of Belgium. It is the capital and largest city of Antwerp Province, and the third-largest city in Belgium by area at , after ...

would develop into veritable export centres for the production of altarpieces, exporting to Scandinavia, Spain and northern France. By the 15th century, altarpieces were often commissioned not only by churches but also by individuals, families,

guild A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular territory. The earliest types of guild formed as organizations of tradespeople belonging to a professional association. They so ...

s and confraternities. The 15th century saw the birth of

Early Netherlandish painting Early Netherlandish painting is the body of work by artists active in the Burgundian Netherlands, Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. It flour ...

in the

Low Countries The Low Countries (; ), historically also known as the Netherlands (), is a coastal lowland region in Northwestern Europe forming the lower Drainage basin, basin of the Rhine–Meuse–Scheldt delta and consisting today of the three modern "Bene ...

; henceforth panel painting would dominate altarpiece production in the area. In Germany, sculpted wooden altarpieces were instead often preferred, for example the

Veit Stoss altarpiece in Kraków Veit is a personal name. Notable people with the name include: Surname *David Veit (1771–1814) was a German doctor and writer, brother of Simon Veit *Gustav Veit (1824–1903), German gynecologist and obstetrician *Johann Veit (1852–1917), Ge ...

(completed 1489), while in England there was a 15th-century industry producing relatively cheap painted altarpiece kits in Nottingham alabaster, many of which were exported, the frame being added at the destination. In England, as well as in France, stone retables enjoyed general popularity. In Italy both stone retables and wooden polyptychs were common, with individual painted panels and often (notably in

Venice Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are li ...

and

Bologna Bologna ( , , ; ; ) is the capital and largest city of the Emilia-Romagna region in northern Italy. It is the List of cities in Italy, seventh most populous city in Italy, with about 400,000 inhabitants and 150 different nationalities. Its M ...

) with complex framing in the form of architectural compositions. In Spain, altarpieces developed in a highly original fashion into often very large, architecturally influenced reredos, sometimes as tall as the church in which it was housed.

Renaissance and Reformation

The Virgin and Child with Saints and a Donor by Palma Vecchio

The 15th century also saw a development of the composition of Italian altarpieces where the polyptych was gradually abandoned in favour of single-panel, painted altarpieces. In Italy, the ''

sacra conversazione In art, a (; plural: ''sacre conversazioni''), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and Child (the Virgin Mary with the infant Jesus) amidst a group of sain ...

'' developed, a group usually centred on the

Virgin and Child In Christian art, a Madonna () is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus. These images are central icons for both the Roman Catholic and Orthodox churches. The word ...

, flanked by a group of saints usually chosen to represent the patron saints of the church, city,

religious order A religious order is a subgroup within a larger confessional community with a distinctive high-religiosity lifestyle and clear membership. Religious orders often trace their lineage from revered teachers, venerate their Organizational founder, ...

or donors. These became increasingly informal in pose, and some may have been initially displayed in the donor's house, then bequeathed to a church as a memorial. They represented the same components as many altarpieces with framed compartments, but with a single pictorial space.Murrays, 10 Other types of Italian composition also moved towards having a single large scene, sometimes called a ''pala'' (Italian for "panel"), often dispensing with the predella. Rather than static figures, narrative scenes from the lives of the main figures grew in popularity; this was to become the dominant style for large altarpieces over the next centuries. Originally mostly horizontal ("landscape") in format, they increasingly used vertical ("portrait") formats. Some were as much as 4 metres tall, and concentrated on a single dramatic action. This much height typically required a composition with an ''in aria'' group to fill the upper part of the picture space, as in

Raphael Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its cl ...

's '' Transfiguration'' (now Vatican), though '' The Raising of Lazarus'' by

Sebastiano del Piombo Sebastiano del Piombo (; – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods, famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian scho ...

(now London) is almost as tall, using only a landscape at the top. In Italy, during the Renaissance, free-standing groups of sculpture also began to feature as altarpieces. The most famous example is the ''Pietà'' by Michelangelo, originally placed as the altarpiece in a side chapel of Old St Peter's. Cranach Reformationsaltar

In the north of Europe, the

Protestant Reformation The Reformation, also known as the Protestant Reformation or the European Reformation, was a time of major theological movement in Western Christianity in 16th-century Europe that posed a religious and political challenge to the papacy and ...

from the early 16th century onwards led to a swift decline in the number of altarpieces produced in the parts of Europe affected. Outbursts of

iconoclasm Iconoclasm ()From . ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belie ...

locally led to the destruction of many altarpieces. As an example, during the burning of the Antwerp Cathedral in the course of the Reformation in 1533, more than fifty altarpieces were destroyed. The Reformation initially persisted with the creation of new some altarpieces reflecting its doctrines, sometimes using portraits of Lutheran leaders for figures such as apostles. The Protestant range of subjects contracted; traditional saints were no longer shown, and the

Last Supper Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, ''The Last Supper (Leonardo), The Last Supper'' (1495-1498). Mural, tempera on gesso, pitch and mastic ...

was a popular scene.

Lucas Cranach the Elder Lucas Cranach the Elder ( ; – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German ...

's Wittenberg Altarpiece of 1547 is a leading example, with the side panels showing scenes of the

sacraments A sacrament is a Christian rite which is recognized as being particularly important and significant. There are various views on the existence, number and meaning of such rites. Many Christians consider the sacraments to be a visible symbol of ...

with a modern setting, and the single

predella In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but oft ...

scene

Martin Luther Martin Luther ( ; ; 10 November 1483 – 18 February 1546) was a German priest, Theology, theologian, author, hymnwriter, professor, and former Order of Saint Augustine, Augustinian friar. Luther was the seminal figure of the Reformation, Pr ...

preaching; the reverses are also painted. But

Calvinism Reformed Christianity, also called Calvinism, is a major branch of Protestantism that began during the 16th-century Protestant Reformation. In the modern day, it is largely represented by the Continental Reformed Christian, Presbyteri ...

opposed all large public religious images such as altarpieces, and by about 1560 production of Protestant ones had mostly ceased. The Reformation regarded the Word of God – that is, the gospel – as central to Christendom, and Protestant altarpieces were often painted biblical text passages, increasingly at the expense of any pictures. With time, Protestant though gave birth to the so-called pulpit altar (''Kanzelaltar'' in German), in which the altarpiece and the pulpit were combined, making the altarpiece a literal abode for the Word of God. Tizian 041

If anything, the Protestant destruction stimulated the creation of more and larger altarpieces in Catholic Europe.

Titian Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Ti ...

produced a number of ones with very large single scenes, mostly now on canvas. Among the most influential were his ''Assumption'' in the Frari Church (1518, still on panel, 690 cm × 360 cm (270 in × 140 in)), the '' Pesaro Madonna'' in the same church (1526, now on canvas), ''Killing of Saint Peter Martyr'' (1529, now lost but known from prints and copies).

Baroque

In the

Baroque The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from ...

period, the single scene became standard, sometimes incorporated in an elaborate carved frame. Usually there was no reverse view, as altarpieces were fixed to a wall in side chapels, or a built-up backing for main altars in older churches where there were other chapels behind the main altar.

Predella In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but oft ...

s and closing side panels became rare, though

Rubens Sir Peter Paul Rubens ( ; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of clas ...

's ''Elevation of the Cross'' (1611) has two hinged side-wings, with saints on their other sides, a rather conservative format, in a medieval church. Increasingly, the size and shape of altarpieces became dictated by the overall design and decoration of the church, which the artist was required to fit in with. If funds allowed several altarpieces were commissioned for Baroque churches when they were first built or re-fitted, for the main and side-altars, giving the whole interior a consistent style. Medieval churches had mostly acquired altarpieces gradually over time, from different donors. Sculptural altarpieces, or designs integrating painting with sculpture, became more common. Examples by

Gian Lorenzo Bernini Gian Lorenzo (or Gianlorenzo) Bernini (, ; ; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italians, Italian sculptor and Italian architect, architect. While a major figure in the world of architecture, he was more prom ...

(1598–1680), the leading Baroque sculptor of his day, include his ''

Ecstasy of Saint Teresa The ''Ecstasy of Saint Teresa'' (also known as ''Saint Teresa in Ecstasy''; or ) is a sculptural altarpiece group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria, Rome, Santa Maria d ...

'' in

Santa Maria della Vittoria, Rome Santa Maria della Vittoria (, ) is a Catholic titular minor basilica and Discalced Carmelite conventual church dedicated to Our Lady of Victories in Rome, Italy, famously the home of Gian Lorenzo Bernini‘s masterpiece the ''Ecstasy of Saint Te ...

, and his sculpted ''concetto'' around the painting by

Guillaume Courtois Guillaume Courtois () or italianized as Guglielmo Cortese, called Il Borgognone or Le Bourguignon ('the Burgundian'), (1628 – 14 or 15 June 1679Sant'Andrea al Quirinale. Both of these were essentially figures in the round, but

Alessandro Algardi Alessandro Algardi (July 31, 1598 – June 10, 1654) was an Italian high-Baroque sculptor active almost exclusively in Rome. In the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the major rivals ...

's ''Pope Leo the Great repelling Attila'' in

St Peter's Basilica The Papal Basilica of Saint Peter in the Vatican (), or simply St. Peter's Basilica (; ), is a church of the Italian Renaissance architecture, Italian High Renaissance located in Vatican City, an independent microstate enclaved within the cit ...

is a "huge"

relief Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give ...

with a full scene with over life-size figures. German Baroque and

Rococo Rococo, less commonly Roccoco ( , ; or ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpte ...

altarpieces also revived the local taste for sculpture, with the figures in many examples (usually in

stucco Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and ...

) spreading around the whole upper level of the church.

Later developments

While many altarpieces remain today, the majority have been lost. In 1520, there were 2,000 winged altarpieces in the Austrian state of

Tyrol Tyrol ( ; historically the Tyrole; ; ) is a historical region in the Alps of Northern Italy and western Austria. The area was historically the core of the County of Tyrol, part of the Holy Roman Empire, Austrian Empire and Austria-Hungary, f ...

alone; scholars estimate that before

World War II World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the wo ...

, there were around 3,000 altarpieces in the entire territory of

Nazi Germany Nazi Germany, officially known as the German Reich and later the Greater German Reich, was the German Reich, German state between 1933 and 1945, when Adolf Hitler and the Nazi Party controlled the country, transforming it into a Totalit ...

. Many were lost during the Reformation (in the north of Europe) or replaced with Baroque altarpieces during the

Counter-Reformation The Counter-Reformation (), also sometimes called the Catholic Revival, was the period of Catholic resurgence that was initiated in response to, and as an alternative to or from similar insights as, the Protestant Reformations at the time. It w ...

(in the southern part of Europe), or else were discarded during the

Enlightenment Enlightenment or enlighten may refer to: Age of Enlightenment * Age of Enlightenment, period in Western intellectual history from the late 17th to late 18th century, centered in France but also encompassing (alphabetically by country or culture): ...

or replaced with

Neo-Gothic Gothic Revival (also referred to as Victorian Gothic or neo-Gothic) is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century ...

altarpieces during the 19th century (particularly in the

United Kingdom The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Northwestern Europe, off the coast of European mainland, the continental mainland. It comprises England, Scotlan ...

). In the German-speaking part of Europe, there is only one altarpiece remaining that was made for the high altar of a cathedral (in Chur Cathedral in Switzerland). In the 18th century, altarpieces like

Piero della Francesca Piero della Francesca ( , ; ; ; – 12 October 1492) was an Italian Renaissance painter, Italian painter, mathematician and List of geometers, geometer of the Early Renaissance, nowadays chiefly appreciated for his art. His painting is charact ...

's '' Saint Augustine Altarpiece'' were often disassembled and seen as independent artworks. The different panels of the polyptych of St Augustine are thus today spread out among several different art museums. Double-sided wing panels were often sawn apart by dealers or collectors, to give two paintings for hanging.

Types of altarpieces

Altarpieces have never been made compulsory in the

Catholic Church The Catholic Church (), also known as the Roman Catholic Church, is the List of Christian denominations by number of members, largest Christian church, with 1.27 to 1.41 billion baptized Catholics Catholic Church by country, worldwid ...

, nor their usage and treatment formalised, apart from some church authorities laying down guidelines on subject-matter and style after the 16th-century

Council of Trent The Council of Trent (), held between 1545 and 1563 in Trent (or Trento), now in northern Italy, was the 19th ecumenical council of the Catholic Church. Prompted by the Protestant Reformation at the time, it has been described as the "most ...

; therefore their appearance can vary significantly. Occasionally, the demarcation between what constitutes the altarpiece and what constitutes other forms of decoration can be unclear. Altarpieces can still broadly be divided into two types, the ''

reredos A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a Church (building), church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular a ...

'', which signifies a large and often complex wooden or stone altarpiece, and the ''

retable A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum, it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate struct ...

'', an altarpiece with panels either painted or with reliefs. Retables are placed directly on the altar or on a surface behind it; a ''reredos'' typically rises from the floor. Older retable-type altarpieces are often made up of two or more separate wood panels, sometimes with framed divisions, as in medieval examples, but later with the joins between panels invisible under the painted surface (as with some works by

Rubens Sir Peter Paul Rubens ( ; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of clas ...

. They may also display

relief Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give ...

s or sculpture in the round, either

polychrome Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery, or sculpture in multiple colors. When looking at artworks and ...

or un-painted. It is then called a

diptych A diptych (, ) is any object with two flat plates which form a pair, often attached by a hinge. For example, the standard notebook and school exercise book of the ancient world was a diptych consisting of a pair of such plates that contained a ...

,

triptych A triptych ( ) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all m ...

or

polyptych A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: a diptych is ...

for two, three, and multiple panels respectively. In the 13th century, each panel was usually surmounted with a pinnacle, but during the

Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...

, single-panel ''pala'' altarpieces became the norm. In both cases, the supporting plinth (''

predella In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but oft ...

'') often featured supplementary and related paintings. The Altarpiece of Pellegrino II of about 1200 (in

Cividale Cividale del Friuli (, locally ; ; ) is a town and (municipality) in the Province of Udine, Regional decentralization entity of Udine, part of the Northern Italy, North-Italian region of Friuli-Venezia Giulia. The town lies above sea-level in th ...

, Italy) is a rare survival of a large partly-

gilded Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was tradi ...

silver relief altarpiece. Such pieces may have been more common, but later melted down for the metal. At least in the 15th century, altarpieces for main or

high altar An altar is a table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are use ...

s were required by

canon law Canon law (from , , a 'straight measuring rod, ruler') is a set of ordinances and regulations made by ecclesiastical jurisdiction, ecclesiastical authority (church leadership) for the government of a Christian organization or church and its membe ...

to be free-standing, allowing passage behind them, while those for side chapels were often attached to, or painted, the wall behind. If the altar stands free in the

choir A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words ...

, such that visitors can pass behind the main altar, both sides of the altarpiece can be covered with painting. The screen,

retable A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum, it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate struct ...

or

reredos A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a Church (building), church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular a ...

are commonly decorated. Groups of statuary can also be placed ''on'' an altar. A single church can furthermore house several altarpieces on side-altars in chapels. Sometimes the altarpiece is set on the altar itself and sometimes in front of it. Much smaller private altarpieces, often portable, were made for wealthy individuals to use at home, often as folding diptychs or triptychs for safe transport. In the Middle Ages, very small luxury diptychs or triptychs carved in

ivory Ivory is a hard, white material from the tusks (traditionally from elephants) and Tooth, teeth of animals, that consists mainly of dentine, one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mamm ...

or other materials were popular. In

Eastern Orthodoxy Eastern Orthodoxy, otherwise known as Eastern Orthodox Christianity or Byzantine Christianity, is one of the three main Branches of Christianity, branches of Chalcedonian Christianity, alongside Catholic Church, Catholicism and Protestantism ...

, the

iconostasis In Eastern Christianity, an iconostasis () is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere withi ...

developed as a wide screen composed of large

icon An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic, and Lutheranism, Lutheran churches. The most common subjects include Jesus, Mary, mother of ...

s, placed in front of the altar, with doors through it, spanning sanctuary.Murrays, 12, 237-238

Leading examples

*

Pala d'Oro Pala d'Oro (Italian Language, Italian, "Golden Panel") is the high altar retable of the St Mark's Basilica, Basilica di San Marco in Venice (and in Italian may refer to other gold altar frontals elsewhere). It is universally recognized as one of t ...

, metal and enamel in

Byzantine style Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire, usually dated from 330 AD, when Constantine the Great established a new Roman capital in Byzantium, which became Constantinople, until the fall of the ...

(

St Mark's Basilica The Patriarchal Cathedral Basilica of Saint Mark (), commonly known as St Mark's Basilica (; ), is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cath ...

,

Venice Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are li ...

) * ''Maestà'' altarpiece (1308–1311) by

Duccio Duccio di Buoninsegna ( , ; – ), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religi ...

(

Siena Cathedral Siena Cathedral () is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary. Since the early 13th-century the Siena Cathedral has been an important pa ...

,

Siena Siena ( , ; traditionally spelled Sienna in English; ) is a city in Tuscany, in central Italy, and the capital of the province of Siena. It is the twelfth most populated city in the region by number of inhabitants, with a population of 52,991 ...

) * ''

Adoration of the Magi The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having fo ...

'' by

Gentile da Fabriano Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic pictorial style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his '' Adoration of the ...

, 1423,

Uffizi The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of th ...

, Florence *

Mérode Altarpiece The Mérode Altarpiece (or ''Annunciation Triptych'') is an Oil painting, oil on oak panel triptych, now in The Cloisters, in New York City. It is unsigned and undated, but attributed to Early Netherlandish painting, Early Netherlandish painter R ...

(1425–1428) by

Robert Campin Robert Campin (Valenciennes (France) c. 1375 - Tournai (Belgium) 26 April 1444) now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was a master pai ...

(

Metropolitan Museum of Art The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of larg ...

, New York City) * ''

Holy Trinity The Trinity (, from 'threefold') is the Christian doctrine concerning the nature of God, which defines one God existing in three, , consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, three ...

'' by

Masaccio Masaccio (, ; ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great List of Italian painters, Italian painter of the Quattrocento period of the Italian Renaiss ...

, c. 1427, in

fresco Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting become ...

* ''

Ghent Altarpiece The ''Ghent Altarpiece'', also called the ''Adoration of the Mystic Lamb'' (), is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It was begun around the mid-1420s and completed by 1432, and it ...

'' (1432) by

Hubert Hubert is a Germanic masculine given name, from ''hug'' "mind" and '' beraht'' "bright". It also occurs as a surname. Saint Hubert of Liège (or Hubertus) (c. 656 – 30 May 727) is the patron saint of hunters, mathematicians, opticians, and m ...

and

Jan van Eyck Jan van Eyck ( ; ; – 9 July 1441) was a Flemish people, Flemish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Nort ...

( St Bavo's Cathedral,

Ghent Ghent ( ; ; historically known as ''Gaunt'' in English) is a City status in Belgium, city and a Municipalities of Belgium, municipality in the Flemish Region of Belgium. It is the capital and largest city of the Provinces of Belgium, province ...

) * '' The Descent from the Cross'',

Rogier van der Weyden Rogier van der Weyden (; 1399 or 140018 June 1464), initially known as Roger de le Pasture (), was an Early Netherlandish painting, early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commis ...

, c. 1435,

Prado The Museo del Prado ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on ...

* ''

Martyrdom of Saint Sebastian Sebastian (; ) was an early Christianity, Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this d ...

'', Pollaiuolo brothers, by 1475, London * ''

Virgin of the Rocks The ''Virgin of the Rocks'' (), sometimes the ''Madonna of the Rocks'', is the name of two paintings by the Italian Renaissance artist Leonardo da Vinci, of the same subject, with a composition which is identical except for several significant de ...

'' by

Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 1452 - 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested o ...

, two versions, now Louvre and London * '' St. Wolfgang Altarpiece'' (1481) by

Michael Pacher Michael Pacher ( 1435 – 1498) was a painter and sculptor from Tyrol active during the second half of the fifteenth century. He was one of the earliest artists to introduce the principles of Renaissance painting into Germany. Pacher was a compre ...

, St. Wolfgang im Salzkammergut * San Giobbe Altarpiece by

Giovanni Bellini Giovanni Bellini (; c. 1430 – 29 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, ...

, c. 1487, an early example whose background continues the architecture of the church * Altarpiece of Veit Stoss (1489) by

Veit Stoss Veit Stoss (, also spelled Stoß and Stuoss; ; ; before 1450about 20 September 1533) was a leading German language, German sculptor, mostly working with wood, whose career covered the transition between the late Gothic art, Gothic and the North ...

( St. Mary's Basilica,

Kraków , officially the Royal Capital City of Kraków, is the List of cities and towns in Poland, second-largest and one of the oldest cities in Poland. Situated on the Vistula River in Lesser Poland Voivodeship, the city has a population of 804,237 ...

) * Kefermarkt Altarpiece (1490–1497) by an unknown artist ( Kefermarkt) * Castelfranco Madonna, by

Giorgione Giorgio Barbarelli da Castelfranco (; 1470s – 17 September 1510), known as Giorgione, was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, ...

, c. 1504 * ''

Isenheim Altarpiece The ''Isenheim Altarpiece'' is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus Hagenauer, Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. It is on display at the Unterlinden Museum at Colmar, Alsace, in Fra ...

'' (1516) by

Matthias Grünewald Matthias Grünewald ( – 31 August 1528; also known as Mathis Gothart Nithart) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th cent ...

( Unterlinden Museum,

Colmar Colmar (; ; or ) is a city and commune in the Haut-Rhin department and Alsace region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is the seat of the prefecture of the Haut-Rhin department ...

) * ''

Assumption of the Virgin The Assumption of Mary is one of the four Catholic Mariology#Dogmatic teachings, Marian dogmas of the Catholic Church. Pope Pius XII defined it on 1 November 1950 in his apostolic constitution as follows: It leaves open the question of w ...

'' (1516–1518) by

Titian Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Ti ...

( Santa Maria Gloriosa dei Frari,

Venice Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are li ...

) * '' Volterra Deposition'' by

Rosso Fiorentino Giovanni Battista di Jacopo (8 March 1495 – 14 November 1540), known as Rosso Fiorentino (meaning "Florentine Redhead" in Italian) or Il Rosso ("The Redhead"), was an Italian Mannerist painter who worked in oil and fresco Fresco ( or ...

, 1521,

Mannerist Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it ...

* '' Vision of Saint Jerome'' by

Parmigianino Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, ...

, 1527, now

National Gallery, London The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current dire ...

* '' Assumption'' by

Rubens Sir Peter Paul Rubens ( ; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of clas ...

, Antwerp Cathedral, 1626

Notes

References

* *"Murrays": Murray, Peter and Linda, ''The Oxford Companion to Christian Art and Architecture'', 1996, OUP, *Wright, Alison, ''The Pollaiuolo Brothers: The Arts of Florence and Rome'', 2005, Yale, ISBN 9780300106251
google books

External links

*https://web.archive.org/web/20120802145927/http://www.nationalgallery.org.uk/anatomy-of-an-altarpiece {{Authority control Church architecture

History

Origins and early development

The emergence of panel painting

Late Middle Ages

Renaissance and Reformation

Baroque

Later developments

Types of altarpieces

Leading examples

Notes

References

Further reading

External links