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Saint Augustine Altarpiece (Piero Della Francesca)
The Saint Augustine Altarpiece was a mixed-technique 1454-1469 panel painting by Piero della Francesca, now split up and dispersed. It had at least ten panels, not including a probable predella (now completely lost) or other panels (also completely lost). Eight panels survive. Birgit Laskowski, 'Piero della Francesca', collana ''Maestri dell'arte italiana'', Gribaudo, Milano 2007. History It is the artist's third known major altarpiece, following his ''Polyptych of the Misericordia (Piero della Francesca), Polyptych of the Misericordia'' (c.1444-1464) and ''Polyptych of Perugia'' (c.1460-1470). It was intended for the church of Sant'Agostino (now rededicated as Santa Chiara) in Sansepolcro. The Augustinians there signed a contract with the artist on 4 October 1454, with Angelo di Giovanni di Simone d'Angelo's signature and that of the artist. He received the last payment on 14 November 1469. The Augustinians probably took the incomplete work with them when they moved out of the ...
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Piero Della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes '' The History of the True Cross'' in the church of San Francesco in the Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to how Lisa Gherardini became ...
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Paintings In The Collection Of The National Museum Of Ancient Art
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1460s Paintings
146 may refer to: *146 (number), a natural number *AD 146, a year in the 2nd century AD *146 BC, a year in the 2nd century BC *146 (Antrim Artillery) Corps Engineer Regiment, Royal Engineers 146 may refer to: *146 (number), a natural number *AD 146, a year in the 2nd century AD *146 BC __NOTOC__ Year 146 BC was a year of the pre-Julian Roman calendar. At the time it was known as the Year of the Consulship of Lentulus and Achaicus ( ... See also * List of highways numbered 146 * {{Number disambiguation ...
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Paintings By Piero Della Francesca
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ...
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