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Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino - Madonna And Child With Angels, Known As The Madonna With The Long Neck
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna With The Long Neck
''The Madonna with the Long Neck'' (), also known as ''Madonna and Long Child with Angels and St. Jerome'', is an Italian Mannerist oil painting by Parmigianino, dating from c. 1535-1540 and depicting Madonna and Child with angels. The painting was begun in 1534 for the funerary chapel of Francesco Tagliaferri in Parma, but remained incomplete on Parmigianino's death in 1540. Ferdinando de' Medici, Grand Prince of Tuscany, purchased it in 1698 and it has been on display at the Uffizi since 1948. Description The painting depicts the Virgin Mary seated on a high pedestal in luxurious robes, holding a large baby Jesus on her lap. Six angels crowded together on the Madonna's right adore the Christ-child. In the lower right-hand corner of the painting is an enigmatic scene, with a row of marble columns and the emaciated figure of St. Jerome. A depiction of St. Jerome was required by the commissioner because of the saint's connection with the adoration of the Virgin Mary. The paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vision Of Saint Jerome
The ''Vision of Saint Jerome'' of ''The Madonna and Child with Saints'' is a painting by the Italian Mannerist artist Parmigianino, executed in 1526–1527. It is in the collection of the National Gallery, in London.Parmigianino, ''The Madonna and Child with Saints'' at the National Gallery's official website History The work was commissioned on 3 January 1526 in Rome, by Maria Bufalini, wife of Antonio Caccialupi, to decorate the family chapel in the church of . The contract mentioned "Francesco Mazola de Parma" and one "Pietro" with the same name, perhaps Parmigianino's uncl ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-portrait In A Convex Mirror
''Self-Portrait in a Convex Mirror'' () is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria. History The work is mentioned by Late Renaissance art biographer Giorgio Vasari, who lists it as one of three small-size paintings that the artist brought to Rome with him in 1525. Vasari relays that the self-portrait was created by Parmigianino as an example to showcase his talent to potential customers. The portrait was donated to pope Clement VII, and later to writer Pietro Aretino, in whose house Vasari himself, then still a child, saw it. It was later acquired by Vicentine sculptor Valerio Belli and, after his death in 1546, by his son Elio. Through the intercession of Andrea Palladio, in 1560 the work went to Venetian sculptor Alessandro Vittoria, who bequeathed it to emperor Rudolf II. It arrived in Prague in 1608, and later it became part of the Habsburg imperial collections in Vienna (1777), although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mystical Marriage Of Saint Catherine (Parmigianino)
The ''Bardi Altarpiece'' (), is an Italian Mannerist painting by the Italian painter Parmigianino, dating from ''c.'' 1521. It is housed in the church of Santa Maria, at Bardi. History In 1521 Parma was invaded by the imperial-papal troops under Prospero Colonna, in the course of the Italian Wars. The young Parmigianino, then seventeen, was sent by his family to Viadana to his cousin's house. According to Italian late Renaissance art biographer Giorgio Vasari,Giorgio Vasari, ''Lives of the Most Excellent Painters, Sculptors, and Architects'' there Parmigianino painted two tempera panels: ''St. Francis Receiving the Stigmata'' (lost) and the ''Marriage of St. Catherine'', which was placed in the church of San Pietro. The latter was stolen in 1629, during the War of Mantuan Succession, and brought to Parma. Later, in unknown circumstances, it was transferred to the current location in Bardi, a town near Parma: here, in 1860, members of the Academy of Fine Arts of Parma recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Bedoli
Girolamo Mazzola Bedoli (c. 1500–1569) was an Italian Painting, painter active in the Mannerism, Mannerist style. Biography Bedoli was born in Parma in a family coming from Viadana, Lombardy, Viadana in Lombardy. He was a near contemporary of Parmigianino, and after the early death of the latter master, he completed some frescoes initially commissioned from Parmigianino. For example, he completed works in the apse of Santa Maria della Steccata.European Paintings:Keith Christiansen (1982) Notable Acquisitions (Metropolitan Museum of Art) p.39. He is known to have worked in the studio of the Parmigianino's uncles in the city of Parma. He married the daughter of Pier Ilaro Mazzola, a cousin of Parmigianino, hence he added to his name the better known ''Mazzola'' appellation. He painted along with his father in law the ''Immaculate Conception'' for the ''Oratorio della Concezione'' (now in Galleria nazionale di Parma, Parma Gallery). Freedberg describes him in his masterpiece of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Mazzola Bedoli
Girolamo Mazzola Bedoli (c. 1500–1569) was an Italian painter active in the Mannerist style. Biography Bedoli was born in Parma in a family coming from Viadana in Lombardy. He was a near contemporary of Parmigianino, and after the early death of the latter master, he completed some frescoes initially commissioned from Parmigianino. For example, he completed works in the apse of Santa Maria della Steccata.European Paintings:Keith Christiansen (1982) Notable Acquisitions (Metropolitan Museum of Art) p.39. He is known to have worked in the studio of the Parmigianino's uncles in the city of Parma. He married the daughter of Pier Ilaro Mazzola, a cousin of Parmigianino, hence he added to his name the better known ''Mazzola'' appellation. He painted along with his father in law the ''Immaculate Conception'' for the ''Oratorio della Concezione'' (now in Parma Gallery). Freedberg describes him in his masterpiece of the ''Annunciation'' as resembling Parmigianino in the same way Bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giovanni Evangelista (Parma)
San Giovanni Evangelista is a Mannerism, Mannerist-style, Roman Catholic church located on Piazzale San Giovanni, located just behind the apse of the Parma Cathedral, in the historic center of Parma, northern Italy. The buildings surrounding the piazza were also part of a former Benedictine convent. The church is notable for its Correggio frescoes. History Construction of the abbey and church were begun in the 10th century under the patronage of then Bishop Sigefredus over a pre-existing oratory dedicated to Saint Colombanus. In 1477 the whole complex was damaged by a fire. The abbey basilica was rebuilt from around 1498 to 1510, according to a design by Bernardino Zaccagni. The abbey was suppressed in 1810, although the monks were able to return in 1817. Description The marble façade of the church opens onto the Piazzale San Giovanni. The facade was designed by Simone Moschino of Orvieto in proto-Baroque architecture, Baroque, or Mannerist, style in 1604, and completed in 1607, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parma
Parma (; ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, Giuseppe Verdi, music, art, prosciutto (ham), Parmesan, cheese and surrounding countryside. With a population of 198,986 inhabitants as of 2025, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the Parma (river), stream of the same name. The district on the west side of the river is ''Oltretorrente'', meaning ''The other side of the stream''. Parma's Etruscan name was adapted by Romans to describe the round shield called ''Parma (shield), Parma''. History Prehistory Parma was already a built-up area in the Bronze Age. In the current position of the city rose a Terramare culture, terramare. The "terramare" (marl earth) were ancient villages built of wood on piles according to a defined scheme and squared form; c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Mazzola
Filippo Mazzola (1460 - 1505) was an Italian painter of the Renaissance period. He was born in Parma, his father was Bartholomew, and he became a pupil of Francesco Tacconi. He worked mainly in the area between Parma and Piacenza. There is documentation of a trip to Venice, where he is thought to have gone to study his main stylistic references: Antonello da Messina, Giovanni Bellini and Alvise Vivarini. His most notable work is the polyptych kept at the basilica of Cortemaggiore Cortemaggiore (Emilian language#Dialects, Piacentino: ) is an Italian ''comune'' (municipality) located in the Province of Piacenza. Cortemaggiore is located in northern Italy about from Milan and from Bologna, in the Po Valley. The municipality ..., although it is currently missing a couple of paintings. He was the father of the painter Girolamo Francesco Maria Mazzola. He died at the age of about 45 years, during an epidemic of plague. References * Roberto Lasagni, Biographical Dictionary of Parmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, Italy, Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri (painter), Lorenzo Allegri. In 1503–1505, he was apprenticed to Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
