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Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the '' Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Zeno Altarpiece (Mantegna)
The ''San Zeno Altarpiece'' is a polyptych altarpiece by the Italian Renaissance painter Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political sta ... Andrea Mantegna created around 1456–1459. It remains ''in situ'' in the Basilica di San Zeno, the main church of the Northern Italian city of Verona. Mantegna's style mixes Greco-Roman world, Greco-Roman classical themes along with Christian subjects in this altarpiece. The central panel, along with the three paintings that comprise the predella, were taken in 1797 by the French. While the main, central scene was returned by the French to Verona in 1815, the three predella paintings in Verona today are copies, since the original ones remain in France at the Louvre (''Crucifixion (Mantegna), Crucifixion'') and in the Musée des Beaux-Arts de T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maestà (Duccio)
The ''Maestà'', or ''Maestà of Duccio'', is an altarpiece composed of many individual paintings commissioned by the city of Siena in Tuscany in 1308 from the artist Duccio, Duccio di Buoninsegna and is his major work. Duccio's ''Maestà'' was the first altarpiece to have both a front and back side. The front panels make up a large enthroned Madonna (art), Madonna and Child with saints and angels, and a predella of the ''Childhood of Christ'' with prophets. The reverse showed in a total of forty-three small panels scenes of the ''Life of the Virgin'' and the ''Life of Christ in art, Life of Christ'' (topped by additional six panels with angels). Several panels are now dispersed or lost. The base of the panel has an inscription that reads (in translation): "Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus." Though it took a generation for its effect to be truly felt, Duccio's ''Maestà'' set Italian painting on a course l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting. The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), known mononymously as Donatello (; ), was an Italian Renaissance sculpture, Italian sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture. He spent time in other cities, where he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy the techniques he had developed in the course of a long and productive career. His ''David (Donatello, bronze), David'' was the first freestanding Nude (art), nude male sculpture since antiquity; like much of his work it was commissioned by the Medici family. He worked with stone, bronze, wood, clay, stucco, and wax, and used glass in inventive ways. He had several assistants, with four perhaps being a typical number. Although his best-known works are mostly statues executed in the round, he developed a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Crivelli 023
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Maltese, Portuguese and Spanish variant of the English name ''Charles'', from the North Germanic '' Carl''. Royalty *Carlos I of Portugal (1863–1908), second to last King of Portugal *Charles V, ... {{disambig Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prie-dieu
A prie-dieu ( French: literally, "pray oGod") is a type of prayer desk primarily intended for private devotional use, but which may also be found in churches. A similar form of chair in domestic furniture is called "prie-dieu" by analogy. Sometimes, a prie-dieu will consist only of the sloped shelf for books without the kneeler. History The prie-dieu appears not to have received its present name until the early 17th century. In that period in France, a small room or oratory was sometimes known by the same name. In the Middle Ages, the faithful attended the parish services standing. From the 16th century onwards, wooden benches or chairs were made available, according to an order fixed by the customary law, and rented from the farmer who was the successful bidder for the "chair farm" or from the churchwarden, the fixed prices (increased during solemn masses) being collected by the chairmaker. Description and use The design of this prayer stand varied in time, eventually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Mantegna
Andrea Mantegna (, ; ; September 13, 1506) was an Italian Renaissance painter, a student of Ancient Rome, Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with Perspective (graphical), perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes, and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of Old master print, prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola Mantegna, Isola di Carturo, Republic of Venice, Venetian Republic close to Padua. He was the second son of a carpenter, Biagio. At the age of 11, he became apprenticed to Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was a Sienese painter and miniaturist of the late Gothic to early Renaissance age, active principally in Florence. He was born Piero di Giovanni. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He has been considered the last important exponent of the Giotto style, before the Renaissance revolution that came with Fra Angelico and Masaccio. Life He was probably born in Florence and not in Siena, as it was believed until recently. Nothing is known of his early years, but he was certainly trained in painting in Florence. Formed in the same tradition as Giotto, he was influenced not only by him but also by that artist's followers Spinello Aretino and Agnolo Gaddi. He later worked with Gaddi in painting the predella of the altarpiece in the Nobili Chapel in Santa Maria degli Angeli. In 1390 he entered the Camaldolese monastery of Santa Maria degli Angeli, as a novice, where he took his vows in 1391. Here ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duccio
Duccio di Buoninsegna ( , ; – ), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio ''Encyclopedia Britannica''. and is credited with creating the painting styles of Trecento Gothic art, Gothic style and the Sienese school. Biography Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding region of Tuscany. Other details of his early life and family are as un ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orsanmichele
Orsanmichele or Orsammichele (; from the Tuscan contraction of ''Orto di San Michele'', "Kitchen Garden of St. Michael") is a church in the Italian city of Florence. The building was constructed on the site of the kitchen garden of the monastery of San Michele which no longer exists. Located on the Via Calzaiuoli in Florence, the church was originally built as a grain market in 1337 by Francesco Talenti, Neri di Fioravante, and Benci di Cione. Between 1380 and 1404, it was converted into a church used as the chapel of Florence's powerful craft and trade guilds. On the ground floor of the square building the 13th-century arches that had originally been open, forming the loggia-style grain market, were walled up. The second floor was devoted to offices, while the third housed one of the city's municipal grain storehouses, maintained to withstand famine or siege. As early as 1339 the main guilds had each been assigned a space between the arches to make a framed niche, with a st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint George (Donatello)
''Saint George'' () is a marble sculpture by Donatello. It is one of fourteen sculptures commissioned by the guilds of Florence to decorate the external niches of the Orsanmichele church. St. George was commissioned by the guild of the armorers and sword makers, the Arte dei Corazzai e Spadai. A stone thrown at the sculpture in 1858 broke its nose, and in 1892 Donatello's ''St. George'' was moved to the Bargello Museum in Florence. From 1892 to 2008 a bronze replica was placed in the original niche, to be replaced by a marble replica on 23 April 2008. The original sculpture was stolen from the Villa Medici in Poggio a Caiano, but in May 1945 it was recovered by Frederick Hartt in Neumelans in the South Tyrol and returned to Florence on 20 July 1945. The box base was added back onto the statue in 1976. Description Saint George is sculptured as a young, brave, determined and strong man in armor. He is not standing in contrapposto, although his right leg is turned to the sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
