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Yuefu
''Yuefu'' are Chinese poems composed in a folk song style. The term originally literally meant "Music Bureau", a reference to the imperial Chinese governmental organization(s) originally charged with collecting or writing the lyrics, later the term ''yuefu'' was applied to later literary imitations or adaptations of the Music Bureau's poems. The use of ''fu'' in ''yuefu'' is different from the other Chinese term ''fu'' that refers to a type of poetry or literature: although homonyms in English, the other '' fu'' () is a rhapsodic poetry/prose form of literature. The term ''yuefu'' covers original folk songs, court imitations and versions by known poets (such as those of Li Bai). As opposed to what appears to be more of an authentic anonymous folk verse which was collected by the Music Bureau, verse written deliberately in this style, often by known authors, is often referred to as "literary ''yuefu''". The lines of the ''yuefu'' can be of uneven length, reflecting its origins as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang Dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and stil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Poetry
Han poetry as a style of poetry resulted in significant poems which are still preserved today, and whose origins are associated with the Han dynasty era of China, 206 BC – 220 AD, including the Wang Mang interregnum (9–23 AD). The final years at the end of the Han era (known by the name ''Jian'an'', 196–220) often receive special handling for purposes of literary analysis because, among other things, the poetry and culture of this period is less than typical of the Han period, and has important characteristics of its own, or it shares literary aspects with the subsequent Three Kingdoms period. This poetry reflects one of the poetry world's more important flowerings, as well as being a special period in Classical Chinese poetry, particularly in regard to the development of the quasipoetic '' fu''; the activities of the Music Bureau in connection with the collection of popular ballads and the resultant development of what would eventually become known as the '' yuefu'', or a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Bureau
The Music Bureau (Traditional Chinese: 樂府; Simplified Chinese: 乐府; Hanyu Pinyin: ''yuèfǔ'', and sometimes known as the "Imperial Music Bureau") served in the capacity of an organ of various imperial government bureaucracies of China: discontinuously and in various incarnations, the Music Bureau was charged directly, by the emperor (or other monarchical ruler), or indirectly, through the royal (or imperial) government to perform various tasks related to music, poetry, entertainment, or religious worship. These tasks included both musical and lyrical research and development, and also directing performances. The existence of a Music Bureau was typical of various Chinese dynasties, though the Music Bureau's prominence and influence may have peaked during the reign of Han dynasty emperor Wu, who was especially interested in such activities and engaged himself accordingly. The mission of the Music Bureau was concerned with poetry, music, and their live performances, because ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jian'an Poetry
Jian'an poetry, or Chien'an poetry (), refers to the styles of Chinese poetry particularly associated with the end of the Han dynasty and the beginning of the Six Dynasties era of China. This poetry category is particularly important because, in the case of the Jian'an poetic developments, there is a special difficulty in matching the chronology of changes in poetry with the usual Chinese dynastic chronology based on the political leadership of the times. For example, according to Burton Watson, the first major poet of the new '' shi'' style that emerged at this time was Cao Zhi, one of the sons of Cao Cao,Watson, 19 a family which came into power at the end of Han and developed further during the Three Kingdoms era of the Six Dynasties period. Time period The term ''Jian'an poetry'' covers the final years at the end of the Han dynasty and during which the Cao family was rising, or risen, to prominence were known as the ''Jian'an'' era (196–220), the final reign era of Emperor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form '' qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the '' yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, '' Classical Chinese poetry'' and '' Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost '' shi'' (詩/诗), and also other major types such as '' ci'' (� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Bai
Li Bai (, 701–762), also pronounced as Li Bo, courtesy name Taibai (), was a Chinese poet, acclaimed from his own time to the present as a brilliant and romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry in the Tang dynasty, which is often called the " Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty poetry, ''Heyaue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai’s poems are included in the anthology '' Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. The poems were models for celebrating the pleasures of friendship, the depth of nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuan Zhen
Yuan Zhen (; 779 – September 2, 831), courtesy name Weizhi (), was a Chinese novelist, poet, and politician of the middle Tang Dynasty. In prose literature, Yuan Zhen is particularly known for his work '' Yingying's Biography'', which has often been adapted for other treatments, including operatic and musical ones. In poetry, he is remembered for the inclusion of some of his poems by popular anthologies, his verses on exotic topics (such as the former Liangzhou), and for being part of the group of "New Yuefu" poets, which often used poetry as a form of expression and protest, but one potentially subtle enough to avoid the likely repercussions of more direct criticism. The poetic circle in which Yuan Zhen was involved included Bai Juyi, among others. Politically Yuan Zhen was briefly chancellor, during the reign of Emperor Muzong. A native of Luoyang, Yuan Zhen was a descendant of Northern Wei's imperial family. He lost his father at the age of seven and moved to Fengxiang (), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bai Juyi
Bai Juyi (also Bo Juyi or Po Chü-i; ; 772–846), courtesy name Letian (樂天), was a renowned Chinese poet and Tang dynasty government official. Many of his poems concern his career or observations made about everyday life, including as governor of three different provinces. He achieved fame as a writer of verse in a low-key, near vernacular style that was popular throughout China, in Korea and Japan. Bai was also influential in the historical development of Japanese literature, where he is better known by the on'yomi reading of his courtesy name, Haku Rakuten ( shinjitai: 白楽天). His younger brother Bai Xingjian was a short story writer. Among his most famous works are the long narrative poems " Chang hen ge" ("Song of Everlasting Sorrow"), which tells the story of Yang Guifei, and " Pipa xing" ("Song of the Pipa"). Life Bai Juyi lived during the Middle Tang period. This was a period of rebuilding and recovery for the Tang Empire, following the An Lushan Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midnight Songs Poetry
Midnight Songs poetry (), also Tzu-yeh Songs, refers both to a genre of poetry as well as to specifically collected poems under the same name, during the fourth century CE. This is of major significance within the Classical Chinese poetry tradition, finding such practitioners of the genre as Li Bai (also known as Li Bo or Li Po); as well as importantly influencing world poetry through translations, such as by David Hinton. The Midnight Songs have been much used as inspiration for later poetry. Poet(s) Although, traditionally the original set of poems was considered to be composed by an eponymously named woman ("Lady Midnight") living during the Jin Dynasty, in modern Jiangnan, it is more likely that the Midnight Songs are actually a collection of poems by various poets, and/or from the folk tradition. Poems The poems are arranged into four sections for the four seasons: spring, summer, winter, and autumn. Thematically, they thus represent four views of the seasons. According to on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honolulu, Hawaii
Honolulu (; ) is the capital and largest city of the U.S. state of Hawaii, which is in the Pacific Ocean. It is an unincorporated county seat of the consolidated City and County of Honolulu, situated along the southeast coast of the island of Oahu, and is the westernmost and southernmost major U.S. city. Honolulu is Hawaii's main gateway to the world. It is also a major hub for business, finance, hospitality, and military defense in both the state and Oceania. The city is characterized by a mix of various Asian, Western, and Pacific cultures, reflected in its diverse demography, cuisine, and traditions. ''Honolulu'' means "sheltered harbor" or "calm port" in Hawaiian; its old name, ''Kou'', roughly encompasses the area from Nuuanu Avenue to Alakea Street and from Hotel Street to Queen Street, which is the heart of the present downtown district. The city's desirability as a port accounts for its historical growth and importance in the Hawaiian archipelago and the broade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunka Shūreishū
is the second imperially commissioned Japanese kanshi collection. The text was compiled by Fujiwara no Fuyutsugu, Sugawara no Kiyotomo, Nakao Ō, Isayama no Fumitugu, Shigeno no Sadanushi, and Kuwahara no Haraaka under the command of Emperor Saga. The text was completed c. 818, four years after the previous imperial collection, '' Ryōunshū''. Contents The text is three volumes in length. It begins with a preface by Nakao Ō. The main text contains 148 poems composed by 28 authors, including poems from an 814 Balhae delegation. However, only 143 poems still exist as the final five have since been lost. While ''Ryōunshū'' ordered its poems by author, ''Bunka Shūreishū'' orders its poems by subject matter: Volume 1 *Sights (遊覧) *Banquets (宴集) *Partings (餞別) *Exchanges (贈答) Volume 2 *Historical (詠史) *Reminiscence (述懐) *Love (艶情) *Yuefu ''Yuefu'' are Chinese poems composed in a folk song style. The term originally literally meant "Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
