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Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form '' qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the '' yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regulated Verse
Regulated verse – also known as Jintishi () – is a development within Classical Chinese poetry of the '' shi'' main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.Watson, 110–112 There are three types of regulated verse: the eight-lined '' lüshi'', the four-lined '' jueju'', and the linked couplets of indeterminate length '' pailu''. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang dynasty, the "Shen-Song" team of Shen Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jin Changxu
"Spring Lament" () is a five-word jueju () poem written by Jin Changxu () during the late Tang dynasty. This is historically the only poem attributed to him. It is a notable example of the genre as it clearly illustrates various important techniques associated with jueju. The poem is about a woman longing for her husband who is on a far away campaign in Liaoxi. Poem Critical analysis The words and expressions in the poem are lively like that in folk songs and stitched tightly together, with the images one after another. The resulting four-line poem is a single cohesive unit which cannot be separated. In composing five-word jueju verse, there are two types. One type is "one line one concept" (). Du Fu was the master of this type, where each line can stand on its own. The other is "''one poem one concept''" (), where every line is critical to the central vision presented by the poem. Read as two couplets, the first couplet is about oriole songs. The second couplet turns the subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qijue
''Qiyan jueju'' (七言絕句; abbr. ''qijue'' 七絕), known in Japan as is a type of jueju poetry form consisting of four phrases each seven Chinese characters (or kanji) in length. ''Shichigon-zekku'' are the most common form of classical Chinese poems ('' kanshi''), and the standard form of '' shigin'' (Japanese chanted poetry). Composition In composing ''Qiyan Jueju'', the character of the phrases (''Jueju'') is important. The rules are as follows: *First phrase : Depiction of the scene *Second phrase : Add further illustration and detail to the ''Qiju'' *Third phrase : By changing the scene of action, reveal the true essence of the poem *Fourth phrase : In assimilating the ''Zhuanju'' draw together and complete the poem Examples * Example of ''qiyan jueju'': * Example of ''shichigon-zekku'': See also *Chinese poetry *Jueju *Kishōtenketsu * Shigin *Japanese poetry Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Bai
Li Bai (, 701–762), Literary and colloquial readings, also pronounced Li Bo, courtesy name Taibai (), was a Chinese poet acclaimed as one of the greatest and most important poets of the Tang dynasty and in Chinese history as a whole. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry under the Tang dynasty, which is often called the "Tang poetry#High Tang, Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1,000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty collection, ''Heyue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai's poems are included in the anthology ''Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. In Ezra Pound's famous work ''Cathay (poetry c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language, and a part of the Chinese literature. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, Classical Chinese poetry and Modern Chinese poetry. Poetry is consistently held in high regard in China, often incorporating expressive folklore, folk influences filtered through the minds of Chinese literati. Poetry provides a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions. Classical Chinese poetry includes, perhaps first and foremost ''Shi (poetry), shi'' (詩/诗), and also other major types such as ''Cí (poet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yue Fu
''Yuefu'' are Chinese poems composed in a folk song style. The term originally literally meant "Music Bureau", a reference to the imperial Chinese governmental organization(s) originally charged with collecting or writing the lyrics, later the term ''yuefu'' was applied to later literary imitations or adaptations of the Music Bureau's poems. The use of ''fu'' in ''yuefu'' is different from the other Chinese term ''fu'' that refers to a type of poetry or literature: although homonyms in English, the other '' fu'' () is a rhapsodic poetry/prose form of literature. The term ''yuefu'' covers original folk songs, court imitations and versions by known poets (such as those of Li Bai). As opposed to what appears to be more of an authentic anonymous folk verse which was collected by the Music Bureau, verse written deliberately in this style, often by known authors, is often referred to as "literary ''yuefu''". The lines of the ''yuefu'' can be of uneven length, reflecting its origins as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of Line (poetry), lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a pars pro toto, shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Criticism
A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, ''The Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set Rhyme scheme, rhyming scheme. The term derives from the Italian word ''sonetto'' (, from the Latin word ''sonus'', ). Originating in 13th-century Sicily, the sonnet was in time taken up in many European-language areas, mainly to express romantic love at first, although eventually any subject was considered acceptable. Many formal variations were also introduced, including abandonment of the quatorzain limit – and even of rhyme altogether in modern times. Romance languages Sicilian Giacomo da Lentini is credited with the sonnet's invention at the Court of Frederick II, Holy Roman Emperor, Frederick II in the Sicilian city of Palermo. The Sicilian School of poets who surrounded Lentini then spread the form to the mainland. Those earliest sonnets no longer survive in the original Sicilian language, however, but only after being translated into Tuscan dialect. The form c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stress (linguistics)
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or Sentence (linguistics), sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in Tone (linguistics), tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''Pitch-accent language, pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of Phonetics, phonetic properties, such as loudness, vowel length, and pitch (which are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot . In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
