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Xifu (Costume)
Xifu (), also known as Chinese opera costume in English, are the stage clothes and attire worn in Chinese opera, such as Kunqu, Cantonese opera, Peking opera, Beijing opera, Huangmei opera. Some of these costumes bear some resemblance to the Hanfu system but also show some differences in terms of clothing ornaments and decorations, as well as colour system, and in design and construction. In 2006, the techniques used to produce Beijing opera costumes were included in the national intangible cultural heritage list. Beijing opera Peking opera, Beijing opera was created in 1790 during the reign of the Qianlong Emperor in the Qing dynasty; however, the origins of its costumes can be traced back to the 14th century. The costumes were set in the Qing dynasty but its style mainly followed the Ming dynasty, Ming dynasty's hanfu-style clothing. They also absorbed some characteristics of the clothing style worn in the Song dynasty, Song, Yuan dynasty, Yuan, and Qing dynasties. Based on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Models Of Chinese Opera Performers, Maritime Experiential Museum & Aquarium - 20111006
A model is an informative representation of an object, person, or system. The term originally denoted the Plan_(drawing), plans of a building in late 16th-century English, and derived via French language, French and Italian language, Italian ultimately from Latin , . Models can be divided into physical models (e.g. a ship model or a fashion model) and abstract models (e.g. a Numerical weather prediction, set of mathematical equations describing the workings of the atmosphere for the purpose of weather forecasting). Abstract or conceptual models are central to philosophy of science. In scholarly research and applied science, a model should not be confused with a theory: while a model seeks only to represent reality with the purpose of better understanding or predicting the world, a theory is more ambitious in that it claims to be an explanation of reality. Types of model ''Model'' in specific contexts As a noun, ''model'' has specific meanings in certain fields, derived from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guzhuang (costume)
(), also called ancient-style dress, refers to a style of Chinese costume attire which are styled or inspired by ancient Chinese clothing (typically or ). is typically used as stage clothes in Chinese opera and in Chinese television drama, such as in period drama which are normally set in imperial China prior to 1911, and in the and genre. While the style of is based on ancient Chinese clothing, show historical inaccuracies. Chinese opera In Chinese opera, plays depicting is called (), also known as ' (), or ' (), were performed by Mei Lanfang. is an important concept in both the field of Chinese opera and to early Chinese film.Mei Lanfang is also credited for having invented () which include the set of that he created along with (). This form of emerged in 1915 when new Chinese opera costumes had to be created for a new category of female role which had also been developed by Mei Lanfang. Therefore, Mei Lanfang designed new female costumes by referring to an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beizi
Beizi (), also known as beizi () and chuozi (), is an item worn in Hanfu, traditional Chinese attire common to both men and women; it is typically a large loose outer coat with loose and long sleeves. It was most popular during the Song dynasty, Ming dynasty, and from the Qing dynasty, early Qing to the Mid-Qing dynasty. The beizi originated in the Song dynasty. In the Ming dynasty, the beizi was referred as pifeng (). When worn by men, it is sometimes referred as changyi (), hechang (), or dachang () when it features large sleeves and knotted ties at the front as a garment closure. Terminology Beizi (背子) literally means "person sitting behind". According to Zhu Xi, the beizi may have originally been clothing worn by concubines and maidservants, and it was then named after these people as they would always walk behind their mistress. History Origins The beizi originated in the Song dynasty; it is assumed that it was derived from the banbi, where the sleeves and the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijia
Bijia () is a long, sleeveless jacket of Mongol origins which has opened side slits. The bijia started to be worn in the Yuan dynasty when it was designed by Empress Chabi. The ''bijia'' eventually became one of the most typical form of women's clothing item in the Ming dynasty and in the Qing dynasty. It is also a type of hanfu which has been revived in present days. History Yuan dynasty The bijia originated from a long-length Mongol vest. According to the ''Yuan shi'', the invention of bijiia is attributed to Empress Chabi during the Yuan dynasty. Empress Chabi designed the bijia so that it would be a convenient form of attire while riding horses and shooting arrows. The front region of the bijia designed by Empress Chabi was made of 1-piece of fabric, and its back region was twice longer than the front region. It was collarless and sleeveless, and there were two loop straps which attached to it. It also had no lapels. The bijia was first worn by the Yuan dynasty emperor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ku (trousers)
Ku () or (), collectively refers to the traditional Chinese trousers in in the broad sense. can also refer to the (), which are Chinese trousers without a rise as opposed to the trousers with a rise, referred as () or () in ancient times. The upper garment , the which evolved from the which existed since the Neolithic period, and the () from which the () eventually evolved from, are indigenous to Central area of China. When the is combined with the upper garment and the , the complete attire in the -system is formed. The is worn as a lower garment in a set of attire known as and/or sometimes be worn under the skirt of the . With time, the Chinese trousers evolved and changed in a variety of shapes and styles. The adoption of the used in the of Northern nomadic people through the adoption of the policy by King Wuling of Zhao during the Warring States period eventually made the -style trousers popular among the ancestors of the Han Chinese and the Ethnic minorities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ru (upper Garment)
Ru (), sometimes referred to as (), (), and (), is a form of Hanfu, traditional Chinese upper garment, or coat, or jacket, which typically has a right closure; however, they may also have a front central opening. It is traditional everyday wear for women of the Han Chinese ethnic group. It can be worn in combination with a skirt in a style called , or a pair of trousers in a style called . The shape and structure of Chinese upper garments, generally referred as (), varied depending on the time period. Garments that overlap and close to the right originated in China and are called (). The style of which overlaps at the front and closes on the right in a y-shape is known as () and first appeared in the Shang dynasty. Since then the has been one of the major symbols of the Sino Kingdom and eventually spread throughout Asia. The structure of the jackets worn in the late Qing dynasty, Qing shared some features of those worn by the ethnic Han during the Ming dynasty. They contin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruqun
(;) is a set of attire in which consists of a short jacket typically called () worn under a long Chinese skirt called (). However, when use as a general term, can broadly describe a set of attire which consists of a separated upper garment and a wrap-around lower skirt, or (), in which ' () means the "upper garment" and the ' () means the "lower garment". In a broad sense, can include the () and () in its definition. As a set of attire, the was worn by both men and women; it was however primarily worn by women. It is the traditional for the Han Chinese women. The and/or is the most basic set of clothing of Han Chinese women in China and has been an established tradition for thousands of years. Various forms and style of Chinese trousers, referred broadly under the generic term , can also be worn under the . Terminology The generic term () can be applied to any style of clothing consisted of a pair of upper and lower garments. The term is composed of the Chine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanku
(; see #Terminology, terminology) is a generic term which refers to a two-piece set of attire in , which is typically composed of a (), a Chinese upper garment which typically overlaps and closes on the right side which could be called (), (), (), and a pair of long trousers called ' (). As a form of daily attire, the was mainly worn by people from lower social status in China, such as labourers, shopkeepers, or retainers from wealthy households. The was originally worn by both genders. Up until the mid-20th century, it was popular in China and outside of China where it was worn by overseas Chinese in countries, such as Singapore, Malaysia, Suriname, etc. It is still worn in present-day China and can be found in rural areas. Terminology Shanku is sometimes referred as (), (), and also known as samfu in English or samfoo (pronunciation: ') in British English following its Cantonese spelling. The term (), () or () typically refers to the two-piece set of attire compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunqu Play Taipei
Kunqu (), also known as Kunju (), K'un-ch'ü, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. It evolved from a music style local to Kunshan, part of the Wu cultural area, and later came to dominate Chinese theater from the 16th to the 18th centuries. refined the musical style of kunqu, and it gained widespread popularity when Liang Chenyu used the style in his drama ''Huansha ji'' (''Washing Silken Gauze''). Well-known pieces of Kunqu opera included ''The Peony Pavilion'' from the Ming dynasty. The melody or tune of Kunqu is one of the Four Great Characteristic Melodies in Chinese opera. It is known for its elegant lyrics, graceful style and delicate performance. It is one of the operas grouped under Southern Opera, and it is known as the "ancestor of a hundred operas." Kunqu uses drum and board to provide rhythm to the tunes, with flute, sanxian and so on as the main accompanying instrument. The opera is sung in " Zhongzhou rhyme". In 2001 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War II
World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the world's countries participated, with many nations mobilising all resources in pursuit of total war. Tanks in World War II, Tanks and Air warfare of World War II, aircraft played major roles, enabling the strategic bombing of cities and delivery of the Atomic bombings of Hiroshima and Nagasaki, first and only nuclear weapons ever used in war. World War II is the List of wars by death toll, deadliest conflict in history, causing World War II casualties, the death of 70 to 85 million people, more than half of whom were civilians. Millions died in genocides, including the Holocaust, and by massacres, starvation, and disease. After the Allied victory, Allied-occupied Germany, Germany, Allied-occupied Austria, Austria, Occupation of Japan, Japan, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Water Sleeves
Water sleeves (Chinese: 水袖; pinyin: shuǐxiù) are long, flowing silk sleeve extensions attached to the Cuff, cuffs of Chinese opera costume, costumes in Chinese opera, widely used by both male and female characters of higher social classes. They originated as part of traditional Performance art in China, performance arts and serve to enhance the expressiveness of Gesture, gestures, symbolizing emotions and adding visual elegance to movements. Water sleeves have become integral in Chinese classical dance, blending cultural tradition with modern artistic innovations, and remain a symbol of China's rich performing arts heritage. History The history of water sleeves in Chinese performance art reflects centuries of cultural and theatrical evolution. While long and flowing Sleeve, sleeves were already prevalent in imperial China, symbolizing grace, authority, and elegance, their origins can be traced back to the Han dynasty. Sleeve movements during this time were integral to early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
