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Three Hundred Tang Poems
The ''Three Hundred Tang Poems'' is an anthology of poems from the Chinese Tang dynasty (618–907). It was first compiled around 1763 by Sun Zhu (1722–1778Yu, 64–65), who was a Qing Dynasty scholar and was also known as Hengtang Tuishi (, "Retired Master of Hengtang"). Various later editions also exist. All editions contain slightly more than 300 total poems. The number 300 (or more exactly 305) was a classic number for a poetry collection due to the influence of the ''Classic of Poetry'' (, ''Shijing''), which was generally known as ''The Three Hundred Poems''. Dissatisfied with the anthology ''Poems by a Thousand Masters'' (, ''Qianjiashi'') compiled by Liu Kezhuang in the late Southern Song, and influenced by Ming Dynasty poetry anthologies, Sun selected the poems based on their popularity and educational value. The collection has been popular ever since and can be found in many Chinese households. For centuries, elementary students memorized the poems and used them to ...
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Three Hundred Tang Poems (1)
The ''Three Hundred Tang Poems'' is an anthology of poems from the Chinese Tang dynasty (618–907). It was first compiled around 1763 by Sun Zhu (1722–1778Yu, 64–65), who was a Qing Dynasty scholar and was also known as Hengtang Tuishi (, "Retired Master of Hengtang"). Various later editions also exist. All editions contain slightly more than 300 total poems. The number 300 (or more exactly 305) was a classic number for a poetry collection due to the influence of the ''Classic of Poetry'' (, ''Shijing''), which was generally known as ''The Three Hundred Poems''. Dissatisfied with the anthology ''Poems by a Thousand Masters'' (, ''Qianjiashi'') compiled by Liu Kezhuang in the late Song Dynasty, Southern Song, and influenced by Ming Dynasty poetry anthologies, Sun selected the poems based on their popularity and educational value. The collection has been popular ever since and can be found in many Chinese households. For centuries, elementary students memorized the poems and u ...
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Liu Zhangqing
Liu Zhangqing ( zh, w=''Liu Chang-ch'ing''; ca. 709–785), often read and Romanized as Liu Changqing, courtesy name Wenfang (), was a Chinese poet and politician during the Tang dynasty. Eleven of his poems are included in the popular anthology ''Three Hundred Tang Poems''. Biography Different sources place the year of Liu Zhangqing's birth as early as 709 and as late as 726. He came from the city of Xuancheng. Although his ancestral hometown was Hejian, he spent most of his youth in Luoyang, the eastern capital of the Tang dynasty. Liu obtained his Jinshi title around 750s. In 780, he was appointed governor of Suizhou in Henan province. Because of this, his contemporaries often referred to him as Liu Suizhou. Like his birth, the year of his death is uncertain. One source says he died around 786. Poetry During his lifetime, Liu's poems did not receive much praise, although he was one of the representative poets during the reign of Emperor Dezong. Later generations, howev ...
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Liu Zongyuan
Liu Zongyuan (; 77328 November 819),courtesy name Zihou (), was a Chinese philosopher, prose writer, poet, and politician who lived during the Tang dynasty. Liu was born in present-day Yongji, Shanxi. Along with Han Yu, he was a leader of the Classical Prose Movement in Tang. He is traditionally recognized as one of the " Eight Great Prose Masters of the Tang and Song". Biography Liu Zongyuan was born to a family of the "noble clans", which had nurtured social and political leaders for at least fifteen generations. He spent most of his youthful years amid the intellectual and official circles in the capital Chang-an, and received family schooling as early as three years old. By his twenties, he was well versed in ancient classics and histories. He obtained the Jinshi degree in 793 and entered official career in year 798. Liu Zongyuan's civil service career was initially successful; however, in 805, he fell out of favour with the imperial government because of his associ ...
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Li Shangyin
Li Shangyin ( zh, c=李商隱, p=Lǐ Shāngyǐn, 813858), courtesy name Yishan ( zh, c=義山), was a Chinese poet and politician of the late Tang dynasty, born in the Henei Commandery (now Qinyang, Henan). He is noted for his imagist and "no-title" ( zh, c=無題, p=wútí) poetic style. Li has been frequently anthologized, and many of his poems have been translated into various languages, including several collections in English. Biography Li Shangyin was born in 812 or 813 CE. The exact date is uncertain. His career was rough, and he never obtained a high-ranking position, because of either factional disputes or his association with Liu Fen (), a prominent opponent of the eunuchs. Historical background Li lived at a time when the Tang dynasty was rapidly declining, after 200 years of prosperity. Culturally, politically, and economically, the Tang was one of the greatest periods in Chinese history. The cosmopolitan capital of Chang'an was filled with traders from the Midd ...
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Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form '' qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the '' yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types o ...
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Lüshi (poetry)
''Lüshi'' () refers to a specific form of Classical Chinese poetry verse form. One of the most important poetry forms of classical Chinese poetry, the ''lüshi'' refers to an eight-line regulated verse form with lines made up of five, six, or seven characters; thus: *Five-character eight-line regulated verse (''wulü''): a form of regulated verse with eight lines of five characters each. *Six-character eight-line regulated verse is relatively rare. *Seven-character eight-line regulated verse (''qilü''): a form of regulated verse with eight lines of seven characters each. *Extended forms ('' pailü''): expansion of the forms listed above with more than eight lines. All ''lüshi'' forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Historical development Although the idea of regulating the tonal pattern of poetry can be traced back to Shen Yue, the ''l� ...
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Regulated Verse
Regulated verse – also known as Jintishi () – is a development within Classical Chinese poetry of the '' shi'' main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.Watson, 110–112 There are three types of regulated verse: the eight-lined '' lüshi'', the four-lined '' jueju'', and the linked couplets of indeterminate length '' pailu''. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang dynasty, the "Shen-Song" team of Shen Q ...
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Gushi (poetry)
''Gushi'' (), is one of the main poetry forms defined in Classical Chinese poetry, literally meaning "old (or ancient) poetry" or "old (or ancient) style poetry": ''gushi'' is a technical term for certain historically exemplary poems, together with later poetry composed in this formal style. Poetic form The normal formal style is for uniform line lengths of 5 or 7 syllables (or characters), with lines in syntactically paired couplets. Parallelism emphasizing thesis or antithesis is frequently found but is not an obligatory feature. Rhymes generally occur at the ends of couplets, the actual rhyme sound sometimes changing through the course of the poem. Caesura usually occurs as a major feature before the last 3 syllables in any line, with the 7 syllable lines also often having a minor caesura in between the first two pairs of syllables. The final 3 syllables in a line are often varied syntactically by whether the first and second of these are more closely linked by the syntax ...
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Yuefu
''Yuefu'' are Chinese poems composed in a folk song style. The term originally literally meant " Music Bureau", a reference to the imperial Chinese governmental organization(s) originally charged with collecting or writing the lyrics, later the term ''yuefu'' was applied to later literary imitations or adaptations of the Music Bureau's poems. The use of ''fu'' in ''yuefu'' is different from the other Chinese term ''fu'' that refers to a type of poetry or literature: although homonyms in English, the other '' fu'' () is a rhapsodic poetry/prose form of literature. The term ''yuefu'' covers original folk songs, court imitations and versions by known poets (such as those of Li Bai). As opposed to what appears to be more of an authentic anonymous folk verse which was collected by the Music Bureau, verse written deliberately in this style, often by known authors, is often referred to as "literary ''yuefu''". The lines of the ''yuefu'' can be of uneven length, reflecting its origins ...
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Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and ...
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University Of Virginia
The University of Virginia (UVA) is a Public university#United States, public research university in Charlottesville, Virginia, United States. It was founded in 1819 by Thomas Jefferson and contains his The Lawn, Academical Village, a World Heritage Site, UNESCO World Heritage Site. The original governing Board of Visitors included three List of presidents of the United States, U.S. presidents: Jefferson, James Madison, and James Monroe, the latter as sitting president of the United States at the time of its foundation. As its first two Rector (academia)#United States, rectors, Presidents Jefferson and Madison played key roles in the university's foundation, with Jefferson designing both the #1800s, original courses of study and the university's #Academical Village, architecture. Located within its 1,135-acre central campus, the university is composed of eight undergraduate and three professional schools: the University of Virginia School of Law, School of Law, the University ...
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Witter Bynner
Harold Witter Bynner (August 10, 1881 – June 1, 1968), also known by the pen name Emanuel Morgan, was an American poet and translator. He was known for his long residence in Santa Fe, New Mexico, and association with other literary figures there. Early life and education Bynner was born in Brooklyn, New York (state), New York, the son of Thomas Edgarton Bynner and the former Annie Louise Brewer. His domineering mother separated from his alcoholic father in December 1888 and moved with her two sons to Connecticut. The father died in 1891, and in 1892 the family moved to Brookline, Massachusetts. Bynner attended Brookline High School and was editor of its literary magazine. He entered Harvard University in 1898, where he was the first member of his class invited to join the student literary magazine, ''The Harvard Advocate'', by its editor Wallace Stevens. He was also published in another of Harvard's literary journals, ''The Harvard Monthly''. His favorite professor was George S ...
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