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The Complete Imperial Sessions
''The Complete Imperial Sessions'' is a CD compilation of the two albums led by American jazz trombonist/composer Lou Blackburn, ''Jazz Frontier'' and ''Two Note Samba'', which were recorded in 1963 and originally released on the Imperial label. The albums contain the first recordings of pianist Horace Tapscott. accessed February 9, 2015 Reception AllMusic reviewer Ken Dryden stated: "The musicianship throughout these dates is exemplary and it is a shame that the short-lived quintet didn't achieve greater recognition. Even bop fans who are not at all familiar with Lou Blackburn will enjoy this collection of his early work as a leader".Dryden, K.,[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Blackburn
Lou Blackburn (November 12, 1922 – 7 June 1990) was an American jazz trombonist. Biography Blackburn was born in Rankin, Pennsylvania. He is best known for his work in the swing genre but he also performed in the West Coast jazz and soul jazz mediums. During the 1950s, he played swing music with Lionel Hampton, and also Charlie Ventura. In the early 1960s, he began performing with musicians like Cat Anderson, among others. He also appears on the album '' Mingus at Monterey'' by Charles Mingus. He also did crossover work with The Beach Boys and The Turtles, among others. From 1970, he lived in Germany, where he toured successfully with his ethno jazz band ''Mombasa''. Blackburn died in Berlin in 1990. Discography As leader * ''Jazz Frontier'' (Imperial, 1963) * ''Two Note Samba'' (Imperial, 1963) * ''The Complete Imperial Sessions'' (Blue Note, 2006) As sideman With Duke Ellington * '' Paris Blues'' (United Artists, 1961) * '' First Time! The Count Meets the Duk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film '' Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was superior to the song Bonfá composed as a rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dear Old Stockholm
"Ack Värmeland, du sköna" or "Värmlandsvisan" is a Swedish popular song, best known in the English-speaking world as "Dear Old Stockholm". "Ack Värmeland, du sköna" The Swedish title may be roughly translated as "Oh Värmland, you beautiful" and the song praises the historical province (landskap) Värmland. The lyrics were written by the Värmlandian Anders Fryxell in his 1822 musical ' (The Värmlandian Girl), and then expanded by Fredrik August Dahlgren for his 1846 work '. The song is sung by the young Nicolai Gedda in the 1952 film '' Eldfågeln''. The song was recorded, in Swedish, by Israeli folk duo Esther & Abi Ofarim for their 1968 LP ''Up To Date''. Text Anders Fryxell's version from ''Vermlands-Flickan'' (1822) Ack, Värmeland, du sköna, du härliga land! Du krona för Svea rikes länder! Ja, om jag komme mitt i det förlovade land, till Värmland jag ändå återvänder. Ja, där vill jag leva, ja, där vill jag dö. Om en gång ifrån Värmland jag tag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay Livingston
Jay Livingston (born Jacob Harold Levison, March 28, 1915 – October 17, 2001) was an American composer best known as half of a song-writing duo with Ray Evans that specialized in songs composed for films. Livingston wrote music and Evans the lyrics. Early life and career Livingston was born in McDonald, Pennsylvania to Jewish parents. He had an older sister, Vera, and a younger brother, Alan W. Livingston, who became an executive with Capitol Records, and later with NBC television. Livingston studied piano with Harry Archer in Pittsburgh, Pennsylvania. He attended the University of Pennsylvania, where he organized a dance band and met Evans, a fellow student in the band. Their professional collaboration began in 1937. Livingston and Evans won the Academy Award for Best Original Song three times, in 1948 for the song " Buttons and Bows", written for the movie '' The Paleface''; in 1950 for the song "Mona Lisa", written for the movie ''Captain Carey, U.S.A.''; and in 1956 f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Evans
Raymond Bernard Evans (February 4, 1915 – February 15, 2007) was an American songwriter. He was a partner in a composing and song-writing duo with Jay Livingston, known for the songs they composed for films. Evans wrote the lyrics and Livingston wrote the music.Ray Evans papers, 1921-2012 Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania. Biography Evans was born to a Jewish family in Salamanca, New York, to Philip and Frances Lipsitz Evans. He was valedictorian of his high school class, where he played clarinet in the band ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Fain
Sammy Fain (born Samuel E. Feinberg; June 17, 1902 – December 6, 1989) was an American composer of popular music. In the 1920s and early 1930s, he contributed numerous songs that form part of The Great American Songbook, and to Broadway theatre. Fain was also a popular musician and vocalist. Biography Sammy Fain was born in New York City, New York, United States, the son of a cantor. In 1923, Fain appeared in the short sound film, "Sammy Fain and Artie Dunn" directed by Lee De Forest filmed in DeForest's Phonofilm sound-on-film process. In 1925, Fain left the Fain-Dunn act to devote himself to music. Fain was a self-taught pianist who played by ear. He began working as a staff pianist and composer for music publisher Jack Mills. In 1932 he appeared in the short film "The Crooning Composer." Later, Fain worked extensively in collaboration with Irving Kahal. Together they wrote classics such as " Let a Smile Be Your Umbrella" and " You Brought a New Kind of Love to Me," (co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Francis Webster
Paul Francis Webster (December 20, 1907 – March 18, 1984) was an American lyricist who won three Academy Awards for Best Original Song, and was nominated sixteen times for the award. Life and career Webster was born in New York City, United States, the son of Myron Lawrence Webster and Blanche Pauline Stonehill Webster. His family was Jewish. His father was born in Augustów, Poland. He attended the Horace Mann School (Riverdale, Bronx, New York), graduating in 1926, and then went to Cornell University from 1927 to 1928 and New York University from 1928 to 1930, leaving without receiving a degree. He worked on ships throughout Asia and then became a dance instructor at an Arthur Murray studio in New York City. By 1931, however, he turned his career direction to writing song lyrics. His first professional lyric was "Masquerade" (music by John Jacob Loeb) which became a hit in 1932, performed by Paul Whiteman. In 1935, Twentieth Century Fox signed him to a contract to wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
