Sigyn (kärnavfall) 2009
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Sigyn (kärnavfall) 2009
Sigyn (Old Norse "(woman) friend of victory"Orchard (1997:146).) is a deity from Norse mythology. She is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In the ''Poetic Edda'', little information is provided about Sigyn other than her role in assisting her husband Loki during his captivity. In the ''Prose Edda'', her role in helping Loki through his time spent in bondage is reiterated, she appears in various kennings, and her status as a goddess is mentioned twice. Sigyn may appear on the Gosforth Cross and has been the subject of an amount of theory and cultural references. Attestations Sigyn is attested in the following works: ''Poetic Edda'' In stanza 35 of the ''Poetic Edda'' poem ''Völuspá'', a völva tells Odin that, amongst many other things, she sees Sigyn sitting very unhappily with her bound husband, Loki, under a "grove of hot springs".Larringto ...
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Váli (son Of Loki)
In some versions of Norse mythology, Váli was one of the sons of Loki. He is mentioned in the ''Gylfaginning'' section of Snorri Sturluson's ''Prose Edda'', chapter 50, possibly by confusion of a reference to Váli, son of Óðinn as binding Loki. In the account in ''Gylfaginning'', after the death of Baldr the Æsir chase down and capture Loki: Váli, son of Loki, is otherwise unknown. A variant version in the ''Hauksbók'' manuscript of stanza 34 of "Völuspá" refers to this event; it begins: "Þá kná Vála , vígbǫnd snúa", usually amended to the nominative ''Váli'' in order to provide a subject for the verb; in Ursula Dronke's translation in her edition of the poem, "Then did Váli , slaughter bonds twist".Ursula Dronke (ed. and trans.), ''The Poetic Edda'' Volume II: ''Mythological Poems'', Oxford: Oxford University/Clarendon, 1997, repr. 2001, p. 76 This presumably refers to Váli, son of Óðinn, who was begotten to avenge Baldr's death, and thus it is not unli ...
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Gosforth Cross Loki And Sigyn
Gosforth is an area of Newcastle upon Tyne, England, situated north of the City Centre. It constituted a separate urban district of Northumberland from 1895 until 1974 before officially merging with the city of Newcastle upon Tyne. In 2001, it had a population of 23,620. The Ouseburn divides Gosforth from High Heaton and Longbenton to the east, while the smaller Craghall Burn forms the boundary with Jesmond and the Town Moor to the south. Kenton and Coxlodge lie to the west. There are four electoral wards on Newcastle City Council that include parts of Gosforth: Dene and South Gosforth, Fawdon and West Gosforth, Gosforth, and Parklands. History The origin of the area's name is thought to have come from 'Gese Ford', meaning 'the ford over the Ouse', referring to a crossing over the local River Ouse or Ouseburn. However, as it is first recorded as 'Goseford' in 1166, others think that the name originates from the Old English 'Gosaford', meaning 'a ford where the geese dwel ...
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Nafnaþulur
''Nafnaþulur'' (Old Norse: ) is a subsection of the ''Prose Edda'', the last part of the ''Skáldskaparmál''. It is a listing in verse of names that may be used in poetry for various items, such as gods A deity or god is a supernatural being considered to be sacred and worthy of worship due to having authority over some aspect of the universe and/or life. The ''Oxford Dictionary of English'' defines ''deity'' as a God (male deity), god or god ..., jötnar, people, animals, and weapons. The verses are not in all manuscripts of the ''Edda'' and appear independently, and are probably a later addition to Snorri's original composition; they may have been one of its sources. Jan de Vries, ''Altnordische Literaturgeschichte'' volume 2, Berlin: de Gruyter, 1967pp. 225-26 They are often omitted from editions and translations of the ''Edda''. References External links (verses 1-20; continues Remser fra Snorra Eddas håndskrifter (B1) – heimskringla.noTillæg fra 748, 757 (B1 ...
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Haustlöng
''Haustlǫng'' (Old Norse: 'Autumn-long'; anglicized as ''Haustlöng'') is a skaldic poem composed around the beginning of the 10th century by the Norwegian skald Þjóðólfr of Hvinir. The poem has been preserved in the 13th-century '' Prose Edda'' by Snorri Sturluson, who quotes two groups of stanzas from it and some verses to illustrate technical features of skaldic diction. Snorri also drew inspiration from Þjóðólfr to redact his own version of the myths told in ''Haustlöng''. The poem describes mythological scenes said by the skald to have been painted on a shield: Loki's betraying of Iðunn, the goddess who kept the Æsir eternally young - who was snatched from them by the jötunn Þjazi after he had assumed eagle form; and Thor's victorious combat against the strongest of the jötnar, Hrungnir. Title The title of the poem, ''Haustlǫng'', translated as 'Autumn-long', may refer to its period of composition or gestation by the skald, identified from a r ...
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Kenning
A kenning ( Icelandic: ) is a figure of speech, a figuratively-phrased compound term that is used in place of a simple single-word noun. For instance, the Old English kenning () means , as does (). A kenning has two parts: a base-word (also known as a head-word) and a determinant. So in ''whale's road'', ''road'' is the base-word, and ''whale's'' is the determinant. This is the same structure as in the modern English term ''skyscraper''; the base-word here would be ''scraper'', and the determinant ''sky''. In some languages, kennings can recurse, with one element of the kenning being replaced by another kenning. The meaning of the kenning is known as its referent (in the case of ''whale's road'', ''sea'' is the referent). Note that ''skyscraper'' is not a kenning, as it is not a circumlocution for a simpler term; it just means . Kennings are strongly associated with Old Norse-Icelandic and Old English alliterative verse. They continued to be a feature of Icelandic poe ...
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Ægir
Ægir (anglicised as Aegir; Old Norse 'sea'), Hlér (Old Norse 'sea'), or Gymir (Old Norse less clearly 'sea, engulfer'), is a jötunn and a anthropomorphism, personification of the sea in Norse mythology. In the Old Norse record, Ægir hosts the gods in his halls and is associated with brewing ale. Ægir is attested as married to a goddess, Rán, who also personifies the sea, and together the two produced daughters who personify waves, the Nine Daughters of Ægir and Rán, and Ægir's son is Snær, personified snow. Ægir may also be the father of the beautiful jötunn Gerðr, wife of the god Freyr, or these may be two separate figures who share the same name (see below and Gymir (father of Gerðr)). One of Ægir's names, ''Hlér'', is the namesake of the island Læsø (Old Norse ''Hlésey'' 'Hlér's island') and perhaps also Lejre in Denmark. Scholars have long analyzed Ægir's role in the Old Norse corpus, and the concept of the figure has had some influence in modern popular ...
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Æsir
Æsir (Old Norse; singular: ) or ēse (Old English; singular: ) are deities, gods in Germanic paganism. In Old Nordic religion and Nordic mythology, mythology, the precise meaning of the term "" is debated, as it can refer either to the gods in general or specifically to one of the main families of gods, in contrast to the Vanir, with whom the Æsir Æsir–Vanir War, waged war, ultimately leading to a joining of the families. The term can further be applied to local gods that were believed to live in specific features in the landscape - such as fells. The Old English medical text Wið færstice refers to the Ēse, along with elves, as harmful beings that could cause a stabbing pain, although exactly how they were conceived of by the author of the text is unclear. and its cognate forms feature in many Germanic names, such as Oswald (given name), Oswald and , and in some place-names in Norway and Sweden. The Æsir further likely give their name to the Ansuz (rune), A-rune, atte ...
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Ragnarök
In Norse mythology, (also Ragnarok; or ; ) is a foretold series of impending events, including a great battle in which numerous great Norse mythological figures will perish (including the Æsir, gods Odin, Thor, Týr, Freyr, Heimdall, and Loki); it will entail a catastrophic series of natural disasters, including the burning of the world, and culminate in the submersion of the world underwater. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet, and the world will be repopulated by two human survivors, Líf and Lífþrasir. is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies. The event is attested primarily in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In the ''Prose Edda'' and in a single poem in the ''Poetic Edda'' ...
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Numbers In Germanic Paganism
The numbers three, nine, and other multiples of three are significant numbers in Germanic paganism. Both numbers (and multiples thereof) appear throughout surviving attestations of ancient Germanic folklore, in both mythology and Germanic paganism.. Along with the number 27, both numbers also figure into the lunar Germanic calendar. Examples Emphasis on the numbers three, nine, and multiples of three occur frequently in the ancient Germanic record. Examples include: West Germanic ''Old English'' *''Æcerbot'': A charm that describes a ritual wherein the speaker should bow nine times to the east. *''Nine Herbs Charm'': A charm focused on nine plants, using the number nine extensively and featuring the Old English extension of the Germanic god Odin. ''Old High German'' * Merseburg Charms: Two Old High German charms stemming from the pagan period mentioning at least six pagan Germanic deities and other beings. According to Patricia Giangrosso, "the second Merseburg Charm is the onl ...
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Skáldskaparmál
''Skáldskaparmál'' (Old Norse: 'Poetic Diction' or 'The Language of Poetry'; ; ) is the second part of the ''Prose Edda'', compiled by Snorri Sturluson. It consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in which both stories of the Æsir and discourse on the nature of poetry are intertwined. The work additionally includes tales of human heroes and kings. The overarching mythological setup gradually fades and the work becomes more of an early form of a poetic thesaurus of Old Norse, presumably intended for usage by skalds (Norse poets and bards of the era). Much of the work is focused on poetic phrases and descriptors. The origin of these '' kennings'' is given; Bragi delivers a systematic list of ''kennings'' for various Æsir, people, places, and things. He then goes on to discuss poetic language in some detail, in particular '' heiti'', essentially poetic synonyms or alternate words. For example, the simple ...
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Gylfaginning
''Gylfaginning'' (Old Norse: 'The Beguiling of Gylfi' or 'The Deluding of Gylfi'; 13th century Old Norse pronunciation ) is the first main part of the 13th century ''Prose Edda'', after the initial Prologue. The ''Gylfaginning'' takes the form of a dialogue between a Swedish King Gylfi and three men on thrones in Asgard called High, Just-As-High, and Third. Gylfi asks many questions of the three men on the history and future of the Æsir. The creation and eventual destruction of the world are described, as are many other aspects of Norse mythology. While the Gylfaginning never makes it explicit, the three are often presumed to be guises of Odin. The second part of the ''Prose Edda'' is the ''Skáldskaparmál'' and the third ''Háttatal''. The work is often attributed to or considered to have been compiled by Snorri Sturluson. Summary The ''Gylfaginning'' tells the story of Gylfi, a king of "the land that men now call Sweden". He is tricked by one of the goddesses of th ...
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