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Gylfaginning
''Gylfaginning'' ( Old Norse: 'The Beguiling of Gylfi' or 'The Deluding of Gylfi'; c. 20,000 words; 13th century Old Norse pronunciation ) is the first part of the 13th century '' Prose Edda'' after the Prologue. The ''Gylfaginning'' deals with the creation and destruction of the world of the Æsir and many other aspects of Norse mythology. The second part of the Prose Edda is called the '' Skáldskaparmál'' and the third ''Háttatal''. Summary The ''Gylfaginning'' tells the story of Gylfi, a king of "the land that men now call Sweden", who, after being tricked by one of the goddesses of the Æsir, wonders if all Æsir use magic and tricks for their will to be done. This is why he journeys to Asgard, but on the way he is tricked by the gods and arrives in some other place, where he finds a great palace. Inside the palace he encounters a man who asks Gylfi's name and so King Gylfi introduces himself as Gangleri. Gangleri then is taken to the king of the palace and comes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asgard
In Nordic mythology, Asgard (Old Norse: ''Ásgarðr'' ; "enclosure of the Æsir") is a location associated with the gods. It appears in a multitude of Old Norse sagas and mythological texts. It is described as the fortified home of the Æsir gods, often associated with gold imagery. Many of the best-known Nordic gods are Æsir or live in Asgard such as Odin, Thor, Loki, and Baldr. Etymology The word ''Ásgarðr'' is a compound formed from non, āss ("god") and non, garðr ("enclosure"). Possible anglicisations include: Ásgarthr, Ásgard, Ásegard, Ásgardr, Asgardr, Ásgarth, Asgarth, Esageard, and Ásgardhr. Attestations The Poetic Edda Asgard is named twice in Eddic poetry. The first case is in '' Hymiskviða'', when Thor and Týr journey from Asgard to Hymir's hall to obtain a cauldron large enough to brew beer for a feast for Ægir and the gods. The second instance is in '' Þrymskviða'' when Loki is attempting to convince Thor to dress up as Freyja in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prose Edda
The ''Prose Edda'', also known as the ''Younger Edda'', ''Snorri's Edda'' ( is, Snorra Edda) or, historically, simply as ''Edda'', is an Old Norse textbook written in Iceland during the early 13th century. The work is often assumed to have been to some extent written, or at least compiled, by the Icelandic scholar, lawspeaker, and historian Snorri Sturluson 1220. It is considered the fullest and most detailed source for modern knowledge of Norse mythology, the body of myths of the North Germanic peoples, and draws from a wide variety of sources, including versions of poems that survive into today in a collection known as the '' Poetic Edda''. The ''Prose Edda'' consists of four sections: The Prologue, a euhemerized account of the Norse gods; ''Gylfaginning'', which provides a question and answer format that details aspects of Norse mythology (consisting of approximately 20,000 words), ''Skáldskaparmál'', which continues this format before providing lists of kennings and ''he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Æsir
The Æsir (Old Norse: ) are the gods of the principal pantheon in Norse religion. They include Odin, Frigg, Höðr, Thor, and Baldr. The second Norse pantheon is the Vanir. In Norse mythology, the two pantheons wage war against each other, resulting in a unified pantheon. Unlike the Old English word ''god'' (and the Old Norse word '), Æsir was never converted over to Christian use. Etymology ''Æsir'' is the plural of '' áss'', ''ǫ́ss'' "god". In genitival compounds, it takes the form ', e.g. in ' ("Thor of the Æsir"), besides ' found in : '' ás-brú'' "gods' bridge" (the rainbow), : ' "gods' enclosure", : ' "gods' kin", : ' "gods' leader", : ' "gods' might" (especially of Thor), : ' "divine wrath" etc. : ' "national god" (') is a title of Thor, as is : ' "almighty god", while it is Odin who is "the" '. There is also Old East Norse dialectal : *''ās-ækia'' (OWN: *''áss-ekja''), i.e. "god ride" (Thor riding in his wagon), resulting in the modern Swedish word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragnarök
In Norse mythology, (; non, Ragnarǫk) is a series of events, including a great battle, foretelling the death of numerous great figures (including the gods Odin, Thor, Týr, Freyr, Heimdallr, and Loki), natural disasters, and the submersion of the world in water. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet and the world will be repopulated by two human survivors. is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies. The event is attested primarily in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In the ''Prose Edda'' and in a single poem in the ''Poetic Edda'', the event is referred to as (), a usage popularised by 19th-century composer Richard Wagner with the title of the last of his ''Der Ring des Nibelungen'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gylfi
In Norse mythology, Gylfi (Old Norse: ), ''Gylfe'', ''Gylvi'', or ''Gylve'' was the earliest recorded king in Scandinavia. He often uses the name Gangleri when appearing in disguise. The traditions on Gylfi deal with how he was tricked by the gods and his relations with the goddess Gefjon. The creation of Zealand The '' Ynglinga saga'' section of Snorri's '' Heimskringla'' and the Eddic poem '' Ragnarsdrápa'' tell a legend of how Gylfi was seduced by the goddess Gefjon to give her as much land as she could plow in one night. Gefjon transformed her four sons into oxen and took enough land to create the Danish island of Zealand, leaving the Swedish lake Vänern. Meeting the Æsir ''Gylfaginning'' in the '' Prose Edda'' and the ''Ynglinga saga'' tell how the supposedly historic (non-deified version) Odin and his people the Æsir and Vanir In Norse mythology, the Vanir (; Old Norse: , singular Vanr ) are a group of gods associated with fertility, wisdom, and the ability to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuscript Gylfi
A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became available, typewritten – as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include ''any'' written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of printing, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations. Terminology The study of the writing in surviving manuscripts, the "hand", is termed palaeography (or paleography). The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS., ms or ms. for singular, and MSS., mss or mss. for pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse, ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), Old East Norse, ''Old East Norse'' or ''Old East Nordic'', and ''Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prologue (Prose Edda)
The Prologue is the first section of four books of the ''Prose Edda'', and consists of a euhemerized Euhemerism () is an approach to the interpretation of mythology in which mythological accounts are presumed to have originated from real historical events or personages. Euhemerism supposes that historical accounts become myths as they are exagge ... account of the origins of Norse mythology: the Norse gods are described descended from the Thrace, Thracians. Regarding the euhemerization in the ''Prologue'', Faulkes (1985) commented that "undoubtedly one of the motives for including the prologue, and maybe the chief reason for the use of the frame device itself, was to avoid the criticism that his stories were dangerous to [Christian] orthodoxy".Faulkes (1985:284-285). The section's genealogy presented begins with Priam. Priam's daughter Tróán married king Múnón or Memnon (mythology), Memnon or Menon (surname), Menon. Their son was Trór, or Thor, who was fostered in Thrace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norse Mythology
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skáldskaparmál
''Skáldskaparmál'' (Old Norse: 'The Language of Poetry'; c. 50,000 words; ; ) is the second part of the '' Prose Edda''. The section consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in which both Norse mythology and discourse on the nature of poetry are intertwined. The origin of a number of ''kennings'' is given; then Bragi delivers a systematic list of ''kennings'' for various people, places and things. He then goes on to discuss poetic language in some detail, in particular ''heiti'', the concept of poetical words which are non-periphrastic (like ''steed'' for ''horse''), and again systematises these. This in a way forms an early form of poetic thesaurus. References Bibliography * Further reading * Anthony Faulkes"The sources of ''Skáldskaparmál'': Snorri’s intellectual background" in: Alois Wolf (ed.), ''Snorri Sturluson'', Volume 51 of ScriptOralia, Gunter Narr Verlag (1993), 59–76. Externa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Háttatal
The Háttatal (Old Norse: 'Tally of Metres'; c. 20,000 words; Old Norse: , Modern Icelandic: ) is the last section of the ''Prose Edda'' composed by the Icelandic poet, politician, and historian Snorri Sturluson. Using, for the most part, his own compositions, it exemplifies the types of verse forms used in Old Norse poetry. Snorri took a prescriptive as well as descriptive approach; he has systematized the material, and often notes that "the older poets did not always" follow his rules. Most of the forms depend on number of syllables per line, as well as assonance, consonance, and alliteration. Although end rhyme is represented, it does not function in the ways most modern English speakers expect (forms include AAAAAAAA, and AAAABBBB), and plays a very minor role. Understanding this work will be much easier if the First Grammatical Treatise is also available to hand. Many scholars have suggested that the form of ''Háttatal'' suggests a classical influence deriving from the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
