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Saang Mein
Saang, also known as Swang (meaning "imitation") or Svang, is a popular folk dance–theatre form and a traditional style of storytelling in Haryana, Uttar Pradesh, Rajasthan and the Malwa region of Madhya Pradesh. Swang incorporates suitable theatrics and Impressionist (entertainment), mimicry (or ''naqal'') accompanied by song and dialogue. It is dialogue-oriented rather than movement-oriented. Religious stories and folk tales are enacted by a group of ten or twelve persons in an open area or an open-air theatre surrounded by the audience. Swang as an art of imitation means Rang-Bharna, Naqal-Karna. Swang can be considered as the most ancient folk theatre form in India. Nautanki, Saang, Tamasha originated from the Swang traditions. Old Swang Folk dance, traditions are: "EK MARDANA EK JANANA MANCH PAR ADE THE RAI" means one male and one female performers start the story. "EK SAARANGI EK DHOLAKIA SAATH MEIN ADE THE RAI" means one sarangi player and one dholak player joins the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Dance
A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, Ritual, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries and even cross the boundary between "folk" and "ballroom dance", ethnic differences are often considerable enough to mention. Background Folk dances share some or all of the following attributes: *Dances are usually held at folk dance gatherings or social functions by people with little or no professional training, often to traditional music. *Dances not generally designed for public performance or the stage, though they may later be arranged and set for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Women's Empowerment
Women's empowerment (or female empowerment) may be defined in several method, including accepting women's viewpoints, making an effort to seek them and raising the status of women through education, awareness, literacy, equal status in society, Livelihood, better livelihood and training.Kabeer, Naila. "Gender equality and women'empoverment: A critical analysis o the third millennium development goal 1." ''Gender & Development'' 13.1 (2005): 13–24. Women's empowerment equips and allows women to make life-determining decisions through the different societal problems. They may have the opportunity to re-define gender roles or other such roles, which allow them more freedom to pursue desired goals. Women's empowerment has become a significant topic of discussion in Human development (humanity), development and economics. Economic empowerment allows women to control and benefit from resources, assets, and income. It also aids in the ability to Risk management, manage risks and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep Chand Bahman
Deep Chand Bahman was a celebrated Saang artist of Haryana. He was born in Khanda, Sonipat Haryana. He was popularly known as Shakespeare or Kalidas of Haryana. He played great role in enriching Haryanvi dialect of Hindi and preserving the ragni sang culture of Rohtak belt. Mahashaya Deep Chand with his sangs gathered the donations & founded the Bhatgaon Gaushala Early life Pt. Deep Chand was great Saang theatre artist born in Brahmin family of Khanda, Sonipat, Khanda village of Sonipat district Haryana. During the First World War the British Government gave him a title of Rai Sahib and granted him other favours. Famous writings * Raja Harishchandra * Jyani Chor * Raja Bhoj * Gopichand Maharaj * Utanpad * Bhakti Bhav * Yug Chetna References {{DEFAULTSORT:Bahman, Deep Chand Folk artists from Haryana Poets from Haryana 20th-century Indian poets Indian male poets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swang As Duet
Swang may refer to: *Saang, popular folk theatre form, from India *Bhavai Bhavai, also known as ''Vesha'' or ''Swang'', is a popular folk theatre form of western India, especially in Gujarat. Etymology ''Bhavai'' may derive from the Sanskrit word ''Bhava'', meaning expression or emotion. It is also associated wit ..., variant of Swang theatre * Swang (song), single by rap duo Rae Sremmurd *"Swang", a song by the Human League from ''Crash'' (The Human League album) {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padmavat
''Padmavat'' (or ''Padmawat'') is an epic poem written in 1540 by Sufi poet Malik Muhammad Jayasi, who wrote it in the Awadhi language, and originally in the Persian Nastaʿlīq script. It is the oldest extant text among the important works in Awadhi. A famous piece of Sufi literature from the period, it relates an allegorical fictional story about Delhi Sultan Alauddin Khalji's desire for the titular Padmavati, the Queen of Chittor based on historic conquest of chittor. Alauddin Khalji and Padmavati's husband Ratan Sen are historical figures, whereas Padmavati may have been a fictional character. Plot Padmavati, the princess of the Singhal kingdom, is close friends with the talking parrot Hiraman. Her father disapproves of their closeness, and orders the parrot to be killed. The parrot flies away to escape the punishment, but is captured by a bird catcher, and ultimately ends up as a pet of the Chittor ruler Ratansen. Inspired by the parrot's description of Pad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sorath Rai Diyach
Sorath Rai Diyach is a romantic folktale in Sindhi and Gujarati folklore. The story also appears in '' Shah Jo Risalo'' and forms part of seven popular tragic romances from Sindh. The other six tales are ''Umar Marvi'', ''Sassui Punnhun'', '' Sohni Mehar'', '' Lilan Chanesar'', ''Noori Jam Tamachi'' and ''Momal Rano'' commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai. Story Sorath was the queen of King Rai Diyach alias of Raja Dhaj, Ror Kumar of Girnar, Junagadh now in Gujarat who sacrificed herself for the sake of the love for her husband. Diyach gave his head to wandering minstrel and followed him to the world of dead. Highly pleased with the songs of minstrel, Bijal, Diyach offered him to ask for anything he liked to have. As the intrigues of fate would have it, his son asked for his head. The kind and generous king gave it. Now the song resounded in Sorath's head. She bid farewell to life and to the pain of separation from him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heer Ranjha
'' Ranjha'' () is a classical Punjabi folk tragedy with many historic poetic narrations; with the first one penned by Damodar Gulati in 1600s, on the preexisting oral legend; and the most famous one, ''Heer'', written by Waris Shah in 1766, in the form of an epic. Set in Takht Hazara and Tilla Jogian, it follows the story of love, forced separation, and eventual simultaneous demise of two youths in the Punjabi countryside.(Arif JamshaidThe epic of Heer Ranjha, research paper on epic poem written by Waris Shah in 1766 on Academy of the Punjab in North America websiteRetrieved 14 November 2020 It is one of the four popular tragic romances of the Punjab. The other three are ''Mirza Sahiban'', '' Sohni Mahiwal'' and '' Sassi Punnun''. History ''Heer Ranjha'' has been written by a number of poets. The earliest known Punjabi version was composed by Damodar Gulati in the early 17th century during the reign of Akbar. He claimed to be its eyewitness, likely as a poetic trop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Draupadi
Draupadi (), also referred to as Krishnā, Panchali and Yajnaseni, is the central heroine of the Indian epic poetry, ancient Indian epic ''Mahabharata''. In the epic, she is the princess of Panchala Kingdom, who later becomes the empress of Kuru kingdom, Kuru Kingdom. She is the Polyandry, common wife of the five Pandava brothers—Yudhishthira, Bhima, Arjuna, Nakula, and Sahadeva—and is renowned for her beauty, courage, devotion, intelligence and rhetorical skills. She is also described as ''sakhi''—a close friend—of the god Krishna. Draupadi, along with her twin brother Dhrishtadyumna, emerges fully grown from a ''yajna'' (fire sacrifice) organized by King Drupada of Panchala. Draupadi’s marriage is determined through a ''svayamvara'' (self-choice ceremony), structured as an archery contest of great difficulty. Arjuna succeeds in the challenge and wins her hand. However, their mother, Kunti, unknowingly instructs her sons to share whatever they had brought home, resu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kichaka
Kichaka () is a character in the ''Mahabharata'', who served as the commander-in-chief of King Virata's army in the Matsya Kingdom. He was the son of ''Sūta'' king of the Kekaya and Malavi, and had 105 younger brothers known as the Upa-Kichakas. His sister, Sudeshna, was married to King Virata, and Kichaka lived in the Virata palace after her marriage. Renowned for his strength and military prowess, Kichaka had frequently defeated King Susharman of Trigarta in battle and is described to wield more authority than Virata himself. His story is most notable for his encounter with Draupadi during the Pandavas' incognito stay in Matsya. After repeatedly harassing Draupadi, he was killed by her husband Bhima, who crushed him to death. Literary background The ''Mahabharata'', one of the Sanskrit epics from the Indian subcontinent, other being the ''Ramayana''. It mainly narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhoja
Bhoja was the Paramara dynasty, Paramara king of Malwa from 1010 until his death in 1055. He ruled from Dhara (city), Dhara (modern Dhar), and Military career of Bhoja, fought wars with nearly all his neighbours in attempts to extend his kingdom, with varying degrees of success. At its zenith, his empire extended from Chittorgarh Fort, Chittor in the north to upper Konkan in the south, and from the Sabarmati River in the west to Vidisha in the east. Because of his patronage of scholars, Bhoja became one of the most celebrated kings in Indian history. After his death, he came to be featured in several legends as a righteous scholar-king. The body of legends clustered around him is comparable to that of the Emperor Vikramaditya. Bhoja is best known as a patron of arts, literature, and sciences. The establishment of the Bhoj Shala, a centre for Sanskrit studies, is attributed to him. He was a polymath, and several books covering a wide range of topics are attributed to him. He i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harishchandra
Harishchandra () is a legendary king of the Solar dynasty, who appears in several legends in texts such as the ''Aitareya Brahmana'', ''Mahabharata'', the ''Markandeya Purana'', and the ''Devi-Bhagavata Purana, Devi Bhagavata Purana''. The most famous of these stories is the one mentioned in the ''Markandeya Purana''. According to this legend, Harishchandra gave away his kingdom, sold his family, and agreed to be a slave – all to fulfill a promise he had made to the sage Vishwamitra, Vishvamitra. Legend Aitareya Brahmana According to a legend mentioned in ''Aitareya Brahamana'', Harishchandra had one hundred wives, but no son. On advice of the sage Narada, he prayed to the deity Varuna for a son. Varuna granted the boon, in exchange for an assurance that Harishchandra would make a sacrifice to Varuna in the future. As a result of this boon, a son named Rohita (or Rohitashva) was born to the king. After his birth, Varuna came to Harishchandra and demanded that the child be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
