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Roger Delage
Roger Delage (4 December 1922 – 8 February 2001) was a French musicologist and conductor. He was the leading authority on the life and works of the composer Emmanuel Chabrier, and as a conductor was known for reviving the music of early French composers such as Guillaume de Machaut. Life and career Delage was born in Vierzon in central France. He was a student at the Paris Conservatoire, where he studied the viola with Maurice Vieux and the history of music with Norbert Dufourcq. He also played in the Orchestre des Cadets du Conservatoire formed by the director Claude Delvincourt to allow his students to avoid being conscripted into the "Service du travail obligatoire" in Nazi Germany.Delage, Roger. ''Chabrier.'' Libraire Arthème Fayard, 1999: Introduction, p. 11. In 1954 he joined the viola section of the Orchestre philharmonique de Strasbourg.Condé, Gérard"Roger Delage (1922–2001)" ''Revue de Musicologie'', T. 87, No. 1 (2001), pp. 213–214 (in French) Delage settled per ...
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Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aest ...
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France Culture
France Culture is a French public radio channel and part of Radio France. Its programming encompasses a wide variety of features on historical, philosophical, sociopolitical, and scientific themes (including debates, discussions, and documentaries), as well as literary readings, radio plays, and experimental productions. The channel is broadcast nationwide on FM and is also available online. History France Culture began life in 1945 as the Programme National of Radiodiffusion Française (RDF). Renamed France III in 1958 and RTF Promotion in 1963, the channel finally adopted its present name later in that same year. The Programme National had originally carried the bulk of French public radio's classical music output; however, since the establishment in 1953 of the specialized "high-fidelity" music channel which was to become today's France Musique France Musique is a French national public radio channel owned and operated by Radio France. It is devoted to the broadcasting o ...
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Songs Of Emmanuel Chabrier
The French composer Emmanuel Chabrier (1841–1894) wrote music in many genres, including opera and operetta, piano, orchestral music, and songs with piano accompaniment. The songs cover most of his creative years, from the early 1860s to 1890, when the illness which would kill him prevented much composition. He came late to music as a profession, but – although being an exceptional pianist – he had no trappings of a formal training: no conservatoire studies, no Prix de Rome, "none of the conventional badges of French academic musicians, by whom he was regarded as an amateur" (in the best sense). There are forty-three published songs by Chabrier. He began composing these ''mélodies'' when he was about twenty-one; the first nine were written between 1862 and 1866. Chabrier never set any verse by his friend Verlaine (although they did collaborate on two opéras-bouffes ''Fisch-Ton-Kan'' and ''Vaucochard et fils Ier''), but among the better-known poets whose verse Chabrier did set ...
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Joyeuse Marche
''Joyeuse marche'' is a popular orchestra piece by the French composer Emmanuel Chabrier. It is the second half of a pair of orchestral pieces (the other was ''Prélude pastoral'') first performed on 4 November 1888 in Angers, conducted by the composer. The ''Joyeuse marche'' is dedicated to Vincent d'Indy.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. Background The march went through several versions before arriving at the popular orchestral version known today. In September 1888 Chabrier wrote to his publisher that he would be orchestrating six piano pieces: four pieces from his piano suite ''Pièces pittoresques'' (which would become his ''Suite pastorale''), as well as ''La marche française'' and the ''Andante in F''. Delage proposes that the ''Andante'' was originally performed in 1875 at the Cercle de l'Union artistique in Paris, with Jules Danbé conducting his orchestra. However, the pieces are also related to Chabrier's ''Prélude et marche française'' for piano ...
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Une éducation Manquée
(''An Incomplete Education'') is an in one act and nine scenes by Emmanuel Chabrier. The French libretto is by Eugène Leterrier and Albert Vanloo. Composed in 1878–79, the work, which is set in the 18th century, is in a lively, light operetta style in which Chabrier excelled and had perfected in a year or so earlier. It was much admired by Ravel, Hahn and Messager, among others. Performance history The ‘opérette’ was first performed on 1 May 1879 as part of an evening's entertainment organized by the ‘Cercle international’ in the Boulevard des Capucines, with piano accompaniment by Chabrier himself. It was revived in March 1910 in Monte Carlo and on 9 January 1911 at the Théâtre des Arts conducted by Gabriel Grovlez. In December 1918 Jane Bathori mounted the piece at the Théâtre du Vieux-Colombier. The 1924 Paris production by Diaghilev, designed by Juan Gris and conducted by André Messager, had recitatives by Darius Milhaud to replace the spoken dialogue ...
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The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized mater ...
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Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listin ...
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Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded a ...
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Institut De France
The (; ) is a French learned society, grouping five , including the Académie Française. It was established in 1795 at the direction of the National Convention. Located on the Quai de Conti in the 6th arrondissement of Paris, the institute manages approximately 1,000 foundations, as well as museums and châteaux open for visit. It also awards prizes and subsidies, which amounted to a total of over €27 million per year in 2017. Most of these prizes are awarded by the institute on the recommendation of the . History The building was originally constructed as the Collège des Quatre-Nations by Cardinal Mazarin, as a school for students from new provinces attached to France under Louis XIV. The inscription over the façade reads "JUL. MAZARIN S.R.E. CARD BASILICAM ET GYMNAS F.C.A M.D.C.LXI", attesting that Mazarin ordered its construction in 1661. The Institut de France was established on 25 October 1795, by the National Convention. On 1 January 2018, Xavier Darc ...
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René Dumesnil
René Dumesnil (19 June 1879 – 24 December 1967) was a French physician, literary critic and musicologist. Dumesnil studied literature at the Sorbonne and became a literary critic. Then he was music critic for ''Le Mercure de France'' and '' Le Monde''. He was elected a member of the Académie des beaux-arts in 1965. In addition to his publications in literature (numerous studies on Flaubert, Maupassant and realism, he has written a number of books on music. Dumesnil wofour prizes awarded by the Académie française Publications His writings were published in Paris (unless otherwise stated). Critics and literary history *1912: ''Autour de Flaubert'', (in collaboration with René Descharmes) *1928: ''En marge de Flaubert'' *1928: ''La publication de Madame Bovary'' *1931: ''La publication d'En Route, by J.-K. Huysmans'' *1932: ''Gustave Flaubert, l'homme et l'œuvre'' *1933: ''La publication des Soirées de Médan'' *1936: ''L'Éducation Sentimentale de Gustave Flaube ...
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Robert Orledge
Robert Orledge (born 5 January 1948) is a British musicologist, and a professor emeritus of the University of Liverpool , mottoeng = These days of peace foster learning , established = 1881 – University College Liverpool1884 – affiliated to the federal Victoria Universityhttp://www.legislation.gov.uk/ukla/2004/4 University of Manchester Act 200 .... He specialises in French music of the early twentieth century. References External linksRobert Orledge Website {{DEFAULTSORT:Orledge, Robert 1948 births Living people English musicologists Academics of the University of Liverpool Fauré scholars ...
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The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publi ...
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