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Postconstructivism
Postconstructivism was a transitional architectural style that existed in the Soviet Union in the 1930s, typical of early Stalinist architecture before World War II. The term ''postconstructivism'' was coined by Selim Khan-Magomedov, a historian of architecture, to describe the product of avant-garde artists' migration to Stalinist neoclassicism.Russian: С.О.Хан-Магометов. «Архитектура Советского авангарда».Т1. Москва. Стройиздат. 1996 (S.O. Khan-Magomedov, "Soviet avantgarde architecture", 1996) Khan-Magomedov identified postconstructivism with 1932–1936, but the long construction time and vast size of the country extended the period to 1941. Existence of this style is evident, but Khan-Magomedov's explanation of its evolution as a natural process inside the architectural community, rather than as a result of political direction by the Party and State, is strongly disputed. Khan-Magomedov's viewpoint This section ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School 518
School 518 is a high school in the historical Balchug area of Moscow, Russia. Designed by Ivan Zvezdin and completed in 1935, it is the only listed postconstructivist memorial building in the city. It was reconstructed between 1999 and 2003 to meet modern safety standards and Zvezdin's original design, both externally and internally. The site The school was built on a 2.9 hectare waterfront lot between Sadovnicheskaya Street and Vodootvodny Canal. This area, near Bolshoy Ustinsky Bridge, underwent significant construction in the 1930s. The bridge and adjacent Textile Institute were completed in 1938. Further east, the historical Sadovniki area retained its 19th-century mix of residential blocks, military depots and factories. The architect Ivan Andreyevich Zvezdin was born in 1899 in Nizhny Novgorod. He studied in Warsaw, Nizhny Novgorod and graduated from the Moscow Institute of Civil Engineers in 1927. He spent his entire life working on low-profile architectural and city p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Ivan Fomin
Ivan Aleksandrovich Fomin (Russian language, Russian: Иван Александрович Фомин; 3 February [Old Style and New Style dates, O.S. 22 January] 1872 – 12 June 1936) was a Russian architect and educator. He began his career in 1899 in Moscow, working in the Art Nouveau style. After relocating to Saint Petersburg in 1905, he became an established master of the Neoclassicism, Neoclassical Revival movement. Following the Russian Revolution of 1917 Fomin developed a Soviet Union, Soviet adaptation of Neoclassicism and became one of the key contributors to an early phase of Stalinist architecture known as postconstructivism. Early years Born in Oryol, Fomin received a ''classical'' education at a high school in Riga, and studied mathematics at the Moscow State University, Moscow University. In 1894, he joined the Imperial Academy of Arts in Saint Petersburg but was expelled in 1896Russian bio: Лисовский В.Г., "И.А. Фомин", М, 1979. Other sources p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilya Golosov
Ilya Alexandrovich Golosov (Russian: Илья Александрович Голосов; 31 July 1883 – 21 January 1945) was an architect from the late Russian Empire and early Soviet Union. A leader of Constructivism in 1925-1931, Ilya Golosov later developed his own style of early stalinist architecture known as postconstructivism. Не was a brother of Panteleimon Golosov. Career Education, World War I, Revolution Golosov studied in the Stroganov School of Arts and Moscow School of Painting, Sculpture and Architecture, graduating in 1912. Before World War I, he trained in the workshops of Igor Grabar and Alexey Shchusev, and collaborated with Marian Peretyatkovich and Ivan Rerberg on Northern Insurance Buildings (Moscow). In 1914-1917 Golosov served as a military engineer. In 1918, Golosov joined Moscow state architectural office led by neoclassicist Ivan Zholtovsky, and stayed with him throughout the Civil war, at the same time teaching at the MVTU and VKhU ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Revolution Of 1917
The Russian Revolution was a period of Political revolution (Trotskyism), political and social revolution, social change in Russian Empire, Russia, starting in 1917. This period saw Russia Dissolution of the Russian Empire, abolish its monarchy and adopt a socialist form of government following two successive revolutions and Russian Civil War, a civil war. It can be seen as the precursor for Revolutions of 1917–1923, other revolutions that occurred in the aftermath of World War I, such as the German Revolution of 1918–1919. The Russian Revolution was a key events of the 20th century, key event of the 20th century. The Russian Revolution was inaugurated with the February Revolution in 1917, in the midst of World War I. With the German Empire inflicting defeats on the front, and increasing logistical problems causing shortages of bread and grain, the Russian Army was losing morale, with large scale mutiny looming. Officials were convinced that if Tsar Nicholas II abdicated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative Moulding (decorative), moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves, and rain gutter, gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In classical architecture, the frieze is the wide central section of an entablature and may be plain in the Ionic order, Ionic or Corinthian order, Corinthian orders, or decorated with bas-reliefs. Patera (architecture), Paterae are also usually used to decorate friezes. Even when neither column (architecture), columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the molding (decorative), moldings of the cornice (architecture), cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painting, painted, sculpture, sculpted or even calligraphy, calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Capital (architecture)
In architecture, the capital () or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order was formalized in the 16th century following Roman Imperial examples such as the Arch of Titus in Rome. It adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Constructivism (art)
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favour of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde. Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music. Beginnings Constructivism was a post-World War I development of Russian Futurism, and particularly of the 'counter reliefs' of Vladimir Tatlin, which had been exhibited in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Leonidov
Ivan Ilyich Leonidov (; 9 February 1902 – 6 November 1959) was a Soviet constructivist architect, urban planner, painter and teacher. Early life Leonidov was raised on an isolated farmstead in the province of Tver Oblast. The son of a farmer and woodsman, he went to work as a casual labourer at the docks in Petrograd. When an icon painter noticed Leonidov's drawing skills, he became his apprentice. Career In 1919 Leonidov attended the Svomas free art studios in Tver. From 1921 to 1927 he studied at the VKhUTEMAS in Moscow under the tutelage of Alexander Vesnin at which point his attention switched from painting to architecture. His unexecuted diploma project in 1927 for the Lenin Institute and Library, Moscow, brought him international recognition. The scheme was prominently displayed at the Exhibition of Contemporary Architecture, Moscow, and was published in the OSA Group journal Sovremennaya arkhitektura. He then went on to teach at the VKhUTEMAS between 1928 and 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Karo Alabyan
Karo Semyonovich Halabyan (; ; 26 July 1897 – 5 January 1959) was a Soviet Union, Soviet Armenians, Armenian architect. He earned the title of emeritus art worker of the Armenian Soviet Socialist Republic, Armenian SSR (1940). Biography Halabyan graduated from Nersisian School in Tbilisi, Tiflis in 1917 and from the Moscow School of Painting, Sculpture and Architecture in 1929. After 1932, he worked in Moscow. He led the project to reconstruct Volgograd in 1943. In 1936, he was elected as an honorary correspondent member of the Royal Institute of British Architects. Halabyan held the prestigious title of chief architect of Moscow. Between 1932 and 1950 Halabyan served as a secretary of the Union of Architects of the Soviet Union. From 1937 to 1950 he was the deputy of the Supreme Soviet of the union. He was vice president and later president of the USSR Academy of Architecture. In 1955, he designed the main terminal building of the Port of Sochi (Russia). Halabyan died on 5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Arkady Mordvinov
Arkady Grigoryevich Mordvinov (; born Mordvishev (), January 27, 1896 – July 23, 1964) was a Soviet architect and construction manager, notable for Stalinist architecture of Tverskaya Street, Leninsky Avenue, Hotel Ukraina skyscraper in Moscow and his administrative role in Soviet construction industry and architecture. Biography VOPRA years Mordvinov was born in the village of Zhuravlikha in Nizhny Novgorod Governorate of the Russian Empire. Mordvinov's early work, prior to his graduation from Moscow State Technical University (MVTU) in 1930, is definitely Constructivist, best seen in his Kharkiv Post Office of the late 1920s. In 1929-1932, Mordvinov, Karo Halabyan and Alexander Vlasov were the founding members of VOPRA, a group of young 'Proletarian Architects' who attacked proponents of the Constructivist movement, notably Ivan Leonidov, and all other "alien art" like eclectics, formalism and even baroque: "There is no class-free art, neither class-free ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |