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Pierrot (Tamás Z
Pierrot ( , ; ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a diminutive of ''Pierre'' (Peter), using the suffix '' -ot'' and derives from the Italian Pedrolino. His character in contemporary popular culture—in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall—is that of the sad clown, often pining for love of Columbine (who usually breaks his heart and leaves him for Harlequin). Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim and, more rarely, with a conical shape like a dunce's cap. Pierrot's character developed from that of a buffoon to become an avatar of the disenfranchised. Many cultural movements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Legrand By Nadar C1855
Paul may refer to: People * Paul (given name), a given name, including a list of people * Paul (surname), a list of people * Paul the Apostle, an apostle who wrote many of the books of the New Testament * Ray Hildebrand, half of the singing duo Paul & Paula * Paul Stookey, one-third of the folk music trio Peter, Paul and Mary * Billy Paul, stage name of American soul singer Paul Williams (1934–2016) * Vinnie Paul, drummer for American Metal band Pantera * Paul Avril, pseudonym of Édouard-Henri Avril (1849–1928), French painter and commercial artist * Paul, pen name under which Walter Scott wrote ''Paul's letters to his Kinsfolk'' in 1816 * Jean Paul, pen name of Johann Paul Friedrich Richter (1763–1825), German Romantic writer Places * Paul, Cornwall, a village in the civil parish of Penzance, United Kingdom *Paul (civil parish), Cornwall, United Kingdom * Paul, Alabama, United States, an unincorporated community *Paul, Idaho, United States, a city *Paul, Nebraska, United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Works On Canvas, Paper, And Board
Works may refer to: People * Caddy Works (1896–1982), American college sports coach * John D. Works (1847–1928), California senator and judge * Samuel Works (c. 1781–1868), New York politician Albums * ''Works'' (Pink Floyd album), a Pink Floyd album from 1983 * ''Works'', a Gary Burton album from 1972 * ''Works'', a Status Quo album from 1983 * ''Works'', a John Abercrombie album from 1991 * ''Works'', a Pat Metheny album from 1994 * ''Works'', an Alan Parson Project album from 2002 * ''Works Volume 1'', a 1977 Emerson, Lake & Palmer album * ''Works Volume 2'', a 1977 Emerson, Lake & Palmer album * '' The Works'', a 1984 Queen album Other uses *Good works, a topic in Christian theology * Microsoft Works, a collection of office productivity programs created by Microsoft * IBM Works, an office suite for the IBM OS/2 operating system * Mount Works, Victoria Land, Antarctica See also * The Works (other) * Work (other) Work may refer to: * Work (h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eustache Le Noble
Robert Le Noble (Troyes, 1643 – Paris, 31 January 1711) was a 17th-century French playwright and writer. An attorney General at the Parlement of Metz, Le Noble led a dissipated life and after he had been condemned for having manufactured false acts, he was jailed at the Conciergerie where he fell in love with Gabrielle Perreau, la Belle Épicière, who was also imprisoned. Biography Having found a way to get away with her, in order to make a living, he published satirical dialogues about the time topics, in which Bayle found "infinite wit and reading." The prose is clear, incisive, and frequently cut with verses which are not without merit. Le Noble's complete works were published in Paris, 1718, 20 vol. in-12. ''Le Gage touché'', ''Ildegerte, reyne de Norvège'', ''Zulima'' and ''La Fausse Comtesse d’Isamberg'' have been reprinted by in 1980. Sources * Gustave Vapereau, ''Dictionnaire universel des littératures'', Paris, Hachette, 1876, p. 1227 External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dom Juan
''Dom Juan ou le Festin de Pierre'' ("Don Juan or The Feast of Stone") is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan, Don Juan Tenorio. The aristocrat Dom Juan is a Rake (stock character), rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently had murdered; the statue accepts and reciprocates Dom Juan's invitation. In the course of their second evening, the stone statue of the murdered man charms, deceives, and leads Dom Juan to Hell.''Benét's Reader's Encyclopedia'' (1996) pp. 280–81. Molière's comedy derives from the Spanish play ''El burlador de Sevilla y convidado de piedra, The Trickster of Seville and the Stone Guest'' (1630), by Tirso de Molina, but each playwright presents a different interpretation of the libertine protagonist. Molière's Dom Juan is a French man who admits to being an Atheism, atheist and a Freethought, free-thinker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, ; ), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world literature. His extant works include comedies, farces, Tragicomedy, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenario
In the performing arts, a scenario (, ; ; from Italian , "that which is pinned to the scenery") is a synoptical collage of an event or series of actions and events. In the ''commedia dell'arte'', it was an outline of entrances, exits, and action describing the plot of a play, and was literally pinned to the back of the scenery. It is also known as '' canovaccio'' or "that which is pinned to the canvas" of which the scenery was constructed. Surviving scenarios from the Renaissance contain little other than character names, brief descriptions of action, and references to specific '' lazzi'' with no further explanation. It is believed that a scenario formed the basis for a fully improvisational performance, though it is also likely that they were simple reminders of the plot for those members of the cast who were literate. Modern commedia troupes most often make use of a script with varying degrees of additional improvisation. In the creation of an opera or ballet, a scenario is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanlon-Lees
A group of pre-Vaudevillian acrobats founded in the early 1840s, the Hanlon-Lees were world-renowned practitioners of "entortillation" (an invented word based upon the French term '' entortillage'', which translates to "twisting" or "coiling") – that is, tumbling, juggling, and an early form of "knockabout" comedy (later popularized by such groups as the Marx Brothers and the Three Stooges). The troupe consisted of the six Hanlon brothers and their mentor, established acrobat Professor John Lees. Originally billed as "The Hanlons," the group debuted in 1846 at London's Theatre Royal, Adelphi. At this time, the company consisted of George, William, and Alfred Hanlon, who were essentially wards of John Lees until his death in 1855. After his demise, the Hanlons returned to England and enlisted their younger brothers – Thomas, Edward, and Frederick – and rechristened themselves "The Hanlon-Lees" in honor of their fallen friend and instructor. The newly expanded troupe made i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Dottore
Il Dottore (; ), most commonly known in Italian language, Italian as ''Dottor Balan'' or simply ''Balanzone'' (; Bolognese dialect, Bolognese ), is a commedia dell'arte stock character, in one scenario being an obstacle to young lovers. Il Dottore and Pantalone are the Double act, comic foils of each other, Pantalone being the decadent wealthy merchant, and il Dottore being the decadent erudite. He has been part of the main canon of characters since the mid-16th century. Overview Il Dottore was born in the city of Bologna, Italy. He is comically inept. He is usually extremely rich, although the needs of the scenario might have things otherwise, and extremely pompous, loving the sound of his own voice and spouting Ersatz good, ersatz Latin and Ancient Greek, Greek, il Dottore is known to be overly self loving and greedy. His interaction in the play is usually mostly with Pantalone, either as a friend, mentor or competitor. History Il Dottore first originated as the Double act, co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedrolino And The Doctor In 1621 Woodcut
Pedrolino is a ''primo'' ('first') Zanni, or comic servant, of the commedia dell'arte; the name is a hypocorism of ''Pedro'' ('Peter'), via the suffix ''-lino''. The character made its first appearance in the last quarter of the 16th century, apparently as the invention of the actor with whom the role was to be long identified, Giovanni Pellesini. Contemporary illustrations suggest that his white blouse and trousers constituted "a variant of the typical Zanni suit", and his Bergamasque dialect marked him as a member of the "low" rustic class. But if his costume and social station were without distinction, his dramatic role was certainly not: as a multifaceted first Zanni, his character was—and still is—rich in comic incongruities. Many ''commedia'' historians make a connection between the Italian Pedrolino and the later Pierrot of the French Comédie-Italienne, and, although a link between the two is possible, it remains unproven and seems unlikely, based on the scant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zanni
Zanni (), Zani or Zane is a character type of commedia dell'arte best known as an astute servant and a trickster. The Zanni comes from the countryside and is known to be a "dispossessed immigrant worker".Rudlin, John. ''Commedia dell'arte: An Actors Handbook''. London: Routledge, 1994. 67. Print."Immigrant" in Italy at the time of the city-states did not mean someone from outside of Italy but rather someone from outside the city, an itinerant worker. Through time, the Zanni grew to be a popular figure who was first seen in ''commedia'' as early as the 14th century. The English word '' zany'' derives from this character. The longer the nose on the characters mask, the more foolish the character. Origin of the name The name "Zanni" (as well as "Zuan") is a variant of the name ''Gianni'' and was common in the Lombard-Venetian countryside which provided most of the servants to the wealthy nobles and merchants of Venice. In Italian it is specifically a name of someone whose identity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulcinella
Pulcinella (; ) is a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. Pulcinella's versatility in status and attitude has captivated audiences worldwide and kept the character popular in countless forms since his introduction to commedia dell'arte by in 1620. His visual appearance includes a Kyphosis, humpback, a crooked nose, gangly legs, a Abdominal obesity, potbelly, large cheeks, and a gigantic mouth. These traits were inherited from two stock characters of the Atellan Farce. He typically wears a pointed hat (conical hat). When depicted as a member of the upper class, Pulcinella is a cunning Theft, thief and schemer. When depicted as a member of the Domestic worker, servant class, Pulcinella is a Perversion, perverted Yokel, bumpkin. In either case, he is a Parvenu#Social climber, social climber, striving to rise above his station in life. He is an Opportunism, opportunist who always sides wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
