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Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tartuffe
''Tartuffe, or The Impostor, or The Hypocrite'' (; french: Tartuffe, ou l'Imposteur, ), first performed in 1664, is a theatrical comedy by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles. History Molière performed his first version of ''Tartuffe'' in 1664. Almost immediately following its performance that same year at Versailles' grand fêtes (The Party of the Delights of the Enchanted Island/''Les fêtes des plaisirs de l'ile enchantée''), King Louis XIV suppressed it, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. While the king had little personal interest in suppressing the play, he did so because, as stated in the official account of the fête: although it was found to be extremely diverting, the king recognized so much conformity between those that a true devotion leads on the path to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dom Juan
''Dom Juan ou le Festin de pierre'' ("Don Juan or The Feast of the Stone tatue) is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. The aristocrat Dom Juan is a rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently had murdered; the statue accepts and reciprocates Dom Juan's invitation. In the course of their second evening, the stone statue of the murdered man charms, deceives, and leads Dom Juan to Hell. Molière's comedy derives from the Spanish play ''The Trickster of Seville and the Stone Guest'' (1630), by Tirso de Molina, but each playwright presents a different interpretation of the libertine protagonist. Molière's Dom Juan is a French man who admits to being an atheist and a free-thinker; whereas, de Molina's Don Juan is a Spanish man who admits to being Catholic, and believes that repentance for and forgiveness of sin are possibi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armande Béjart
Armande-Grésinde-Claire-Élisabeth Béjart (1645 – 30 November 1700) was a French stage actress, also known under her stage name Mademoiselle Molière.Scott, Virginia (2010). Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . She was married to Molière, and one of the most famous actresses in the 17th-century. Life She was the daughter of Madeleine Béjart and belonged to the Béjart family, a famous theatre family in 17th-century France. In 1643 her mother Madeleine co-founded, with Molière, the theatre company called Illustre Théâtre. Molière directed her education and she grew up under his eye. Armande married Molière in 1662, when he was 40 and she 17. Together, they had three children: Louis (19 January11 November 1664), Marie Madeleine Esprit (3 August 166523 May 1723) and Pierre Jean-Baptiste Armand (15 September11 October 1672). Early career She played her first important role in Molière's company in Jun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-Française
The Comédie-Française () or Théâtre-Français () is one of the few state theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perfor ...s in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a Établissement public à caractère industriel et commercial, French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu, which is a part of the Palais-Royal complex and located at 2, Rue de Richelieu on Place André-Malraux in the 1st arrondissement of Paris. The theatre has also been known as the Théâtre de la République and popularly as "La Maison de Molière" (The House of Molière). It acquired the latter name from the troupe of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-ballet
''Comédie-ballet'' is a genre of French drama which mixes a spoken play with interludes containing music and dance. History The first example of the genre is considered to be '' Les fâcheux'', with words by Molière, performed in honour of Louis XIV at Vaux-le-Vicomte, the residence of Nicolas Fouquet, in 1661. The music and choreography were by Pierre Beauchamp, but Jean-Baptiste Lully later contributed a sung courante for Act I, scene 3. Molière, Lully and Beauchamp collaborated on several more examples of ''comédie-ballet'', culminating in the masterpiece of the genre, ''Le Bourgeois gentilhomme'', in 1670, and the scenically spectacular ''Psyché'' of January 1671, a ''tragicomédie et ballet'' which went well beyond the earlier examples of the genre.Gaines 2002, p. 394. After quarrelling with Lully, Molière retained the services of Beauchamp as choreographer. His one-act prose comedy ''La Comtesse d'Escarbagnas'' premiered in December 1671 at the Château de Saint-Germai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The School For Wives ''The School for Wives'' (french: L'école des femmes; ) is a theatrical comedy written by the seventeenth century French playwright Molière and considered by some critics to be one of his finest achievements. It was first staged at the Palais Royal theatre on 26 December 1662 for the brother of the King. The play depicts a character who is so intimidated by femininity that he resolves to marry his young, naïve ward and proceeds to make clumsy advances to this purpose. It raised some outcry from the public and established Molière as a bold playwright who would not be afraid to write about controversial issues. In June 1663, the playwright cunningly responded to t |
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