Pakhawaj
The ''pakhavaj'' is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics. The sides of the pakhawaj are made with animal skin (often goat skin). The pakhavaj players place the instrument horizontally in front of themselves as they sit on the floor with legs crossed. The players may sometimes place a cushion under the narrower treble face to lift it slightly. A right-handed person places the larger bass-skin on the left side and the treble skin on the right. The bass face tends to be smeared with some fresh wheat dough which acts as the ''kiran'' and giv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mridangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the Khol, earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jori (instrument)
Jori, Jodi, Dhamma, or Jorhi (sometimes Jori-Pakhawaj) is a South Asian percussion instrument made up of two individual drums. The Jori originates from the Punjab region of South Asia. Historically, the Jori has accompanied Gurbani Kirtan. Prominent exponents of the Jori include Ustad Sukhvinder Singh "Pinky". Bhai Baldeep Singh, Sardar Jasdeep Singh, Bhai Surdarshan Singh and Bhai Gian Singh Namdhari. In its construction, the Jori is similar to the Tabla. The key differences being the use of a larger ''dayan/chathoo (also known as Poorra)'' (treble drum), and a wooden barrel-shaped ''bayan/dagga'' (bass drum) with ''atta'' (dough) instead of the ''syahi/gub'', which is called a "Dhamma" . History and origin The Jori, Jodi, or Jorhi was first created by the fifth Sikh guru, Guru Arjun Dev Ji when 2 bards of his court, Satta and Balwand, wanted to separate the much older and venerable Pakhavaj into two instruments, similar to the tabla. Due to this, the Jori and Tabla are oft ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hindustani Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bol (music)
A bol is a standardized mnemonic A mnemonic device ( ), memory trick or memory device is any learning technique that aids information retention or retrieval in the human memory, often by associating the information with something that is easier to remember. It makes use of e ... syllable used in North Indian classical music to define the tala, or rhythmic pattern. Bol is derived from the Hindi word ''bolna'' (बोलना), which means "to speak." One who learns to play the tabla or pakhavaj (or pakhawaj) drum is taught to recite the rhythms as bols, which can be quite complex. Bol is analogous to konnakol, which is used to recite rhythms for the mridangam drum in Carnatic music, which is South Indian classical music. See also * * * * References External linksKKSongs Talamala - Tabla Bol Referencehas recordings of tabla bols.Instruments in Depth: Tabla: Drums of North India an online feature froBloomingdale School of Music(March, 2008) contains detail ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tabla
A ''tabla'' is a pair of hand drums from the Indian subcontinent. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during ''bhajan'' and ''kirtan'' singing. It is one of the main qawwali instruments used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument. The word ''tabla'' likely comes from ''tabl'', the Arabic word for drum. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kendang
A ''kendang'' or ''gendang'' (, , , Tausug language, Tausug/Bajau/Maranao language, Maranao: ''gandang'', Buginese language, Bugis: ''gendrang'' and Makassarese language, Makassar: ''gandrang'' or ''ganrang'') is a two-headed drum used by people from the Indonesian Archipelago. The kendang is one of the primary instruments used in the gamelan ensembles of Javanese music, Javanese, Music of Sunda, Sundanese, and Balinese music, Balinese music. It is also used in various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is related to the Indian double-headed mridangam drum. Overview The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India. One of the oldest image of kendang can be found in Candi of Indonesia, ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple. Among the Javanese people, Javanese, Sund ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hand Drums
A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater. Types The following descriptions allude to traditional versions of the drums. Modern synthetic versions are available for most if not all of the drums listed through various manufacturers. Middle and Near East *The Tar (drum), tar is a frame drum common in Middle Eastern music. *The tambourine is a frame drum with jingles attached to the shell. *The daf and the dayereh are Iranian frame drums. *The ghaval is the Azerbaijani frame drum. *The tonbak is the Persian goblet drum. *The doumbek is a goblet shaped drum used in Arabic, Jewish, Assyrian, Persian, Balkan, Greek, Armenian, Azeri and Turkish music. * Mirwas Africa *The most common African music, African drum known to westerners is the djembe, a large, single-headed drum with a goblet shape. *The Ashiko is another African drum in the shape of a truncated cone. Similar to the Djembe it is ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hindustani Musical Instruments
Hindustani may refer to: * something of, from, or related to Hindustan (another name of India) * Hindustani language, an Indo-Aryan language, with Hindi and Urdu being its two standard registers * Hindustani Muslims are the Urdu-speaking, Hindustani people of Muslim faith. * Fiji Hindi, a variety of Eastern Hindi spoken in Fiji, and is known locally as Hindustani * Caribbean Hindustani, a variety of Eastern Hindi spoken in the Caribbean * Hindustani classical music, a major style of Indian classical music * ''Hindustani'' (film) or ''Indian'', a 1996 film starring Kamal Haasan and Manisha Koirala * Muhammadjan Hindustani, Islamist teacher of Uzbekistan See also * Hindustan (other) * Hind (other) * Hindi (other) * South Asian ethnic groups * Hindustani Lal Sena or Indian Red Army, formed 1939 * Hindoostane Coffee House, London, England * ''Hindistani'', a Saudi Arabian TV series set in India * Communist Ghadar Party of India, a political group founded in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Khol
The ''khol'' is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music ('' bhakti''). It is also known as a ''mridanga'' (< + , ), not to be confused with ''''. It originates from the Indian states of , , and Manipur ...
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Dhol
Dhol () can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu division, Jammu, Himachal Pradesh, Himachal, Punjab region, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. ''Dhols'' are amongst other events used in Indian wedding ceremony processions such as Baraat or ''Varyatra''. Someone who plays the dhol is known as ''dholi''. Etymology The word Dhol is derived from Sanskrit word ''ḍhola,'' a term for drum in Sanskrit language. Construction The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term ''dhol'' is used to describe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chowtal
Chowtal or Chautal or Chawtal, aside from being the name of a " taal"/"tala" or meter in Hindustani classical music, is a form of folksong of North India's Bhojpuri region, sung during the Phagwa or Holi festival. In chowtal, two rows of singers face each other (semi-circle), with a "dholak" drummer at one end, and sing lines of Hindi text antiphonally. While the melodies are relatively simple, the song undergoes various modulations of rhythm and tempo, alternating between subdued passages and exciting climaxes. Chowtal is generally sung by enthusiasts for their own pleasure, rather than for an audience. "Chowtal" is an umbrella term for the format, which comprises various subgenres including {{Transliteration, hi, italic=no, chowtal proper, jhumar, ulara, lej, baiswara, dhamar, rasiya, kabir, jogira, and others. Chowtal is performed today in various parts of the Bhojpuri region, but is in decline. During 1838–1917, chowtal was one of the Bhojpuri folk music genres transmit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drut
''Drut'' ( द्रुत; also called ''drut laya'') is the concluding section, in fast tempo (or ''laya''), between 160 and 320 beats per minute, of the performance of a vocal raga in Hindustani classical music. See also *Khyal * Vilambit * Madhyalaya *Hindustani classical music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' ... Hindustani music terminology {{India-music-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |