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Khol
The ''khol'' is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music ('' bhakti''). It is also known as a ''mridanga'' (< + , ), not to be confused with ''''. It originates from the Indian states of , , and |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a percussion mallet, beater including attached or enclosed beaters or Rattle (percussion beater), rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding Zoomusicology, zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and String instrument, chordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syahi
Syahi (also known as gaab, ank, satham or karanai) is the Musical tuning, tuning paste applied to the head of many South Asian percussion instruments like the dholki, Jori (instrument), jori, tabla, madal, mridangam, khol and pakhavaj. Overview Syahi is usually black in colour, circular in shape and is made of a mixture of flour, water and iron filings. Originally, syahi was a temporary application of flour and water. Over time it has evolved into a permanent addition. Function Syahi functions by loading only a portion of the stretched skin with weight. In the higher-pitched (usually right-hand) drum (for instance, the tabla proper) this has the effect of altering the resonance frequency of some lower order vibrations more than others. The action on the left hand drum is a little different. On the other side (for instance, the bāyāñ in the tabla), its position is offset and serves simply to lower the resonance frequency. Application The application of the syahi is v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govindadasa
Govindadasa (1535–1613), was a Bengali Vaishnava poet known for his body of devotional songs addressed to Krishna. Living in an atmosphere of Krishna-bhakti preached by Sri Chaitanya (1486–1533), he composed extensively on the Radha-Krishna love legend. He is also known as Govindadasa Kaviraja. Life Govindadasa came from a Bengali Baidya family. The younger son of Chiranjeeva and Sunanda, Govindadasa was born in his mother's ancestral home in Srikhanda, a village in Purba Bardhaman district which was one of the centers of Gaudiya Vaishnavism. His grandfather (Sunanda's father) Damodar Sen was also a poet, the author of ''Sangit Damodar''. His brother Ramachandra Sen was a noted philosopher-poet. After the death of his father, Ramachandra went to live in Srikhanda with his maternal grandfather (even now the members of his family live here and everyone knows them as Karta Roy), for a short duration, Ramchandra along with his younger brother Govindadasa went to live in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandidas
Chandidas (1339–1399, ) was a medieval Bengali poet from India, or possibly more than one. He wrote over 1250 poems related to the love of Radha and Krishna in medieval Bengali. The poems of Chandidas with ''bhanita'' are found with three different sobriquets along with his name, ', ''Dvija'' and ''Dina'' as well as without any sobriquet also. It is not clear whether these ''bhanita''s actually refer to the same person or not. It is assumed by some modern scholars that the poems which are current in the name of Chandidas are actually the works of at least four different Chandidas, who are distinguished from each other by their sobriquets found in the ''bhanita''s. It is also assumed that the earliest of them was Ananta Chandidas. His father Durgadas Bagchi, was a Bengali Brahmin of Barendra clan. Chandidas has been more or less identified as a historical figure, born in the 14th century in a Bengali Brahmin family of a small Tehsil city named Nanoor in Birbhum district o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arati
''Arti'' () or ''Aarati'' () is a Hindu ritual employed in worship, part of a '' puja'', in which light from a flame (fuelled by camphor, ghee, or oil) is ritually waved to venerate deities. ''Arti'' also refers to the hymns sung in praise of the deity, when the light is being offered. Sikhs have ''Arti'' ''kirtan'' which involves only devotional singing; the Nihang order of Sikhs also use light for ''arti''. Etymology and origin ''Aarti'' is thought to have descended from ''Vedic'' ''fire rituals or yajna''. ''Aarati'' is derived from the Sanskrit word () which means something that removes , “darkness”.James Lochtefeld, An illustrated Encyclopedia of Hinduism, , page 51 A Marathi language reference says it is also known as (). According to Steven Rosen, ''arti'' means "before night" or symbolic end of the night to the worshipper's "material sojourn - he or she is now situated in the light of God's devotion."Rosen, Steven (2006). ''Essential Hinduism''. Praeger Publishers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sattriya
''Sattriya'', or ''Sattriya Nritya'', is a major Indian classical dance. It was initially created as part of Bhaona which are performances of '' Ankiya Nat'', one-act plays, originally created by Sankardev, a 15th-16th century polymath from Assam.Ankiya Nat UNESCO: Asia-Pacific Database on Intangible Cultural Heritage (ICH), Japan These dances are part of the living traditions today of '' Sattra'', which are communities of live-in devotees belonging to the '''', a Hindu sect established by Sankardev. The themes played ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaishnavites
Vaishnavism () ), also called Vishnuism, is one of the major Hindu denominations, Hindu traditions, that considers Vishnu as the sole Para Brahman, supreme being leading all other Hindu deities, that is, ''Mahavishnu''. It is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. Its followers are called Vaishnavites or ''Vaishnava''s (), and it includes sub-sects like Krishnaism and Ramanandi Sampradaya, Ramaism, which consider Krishna and Rama as the supreme beings respectively. According to a 2020 estimate by The World Religion Database (WRD), hosted at Boston University’s Institute on Culture, Religion and World Affairs (CURA), Vaishnavism is the largest Hindu sect, constituting about 399 million Hindus. The ancient emergence of Vaishnavism is unclear, and broadly hypothesized as a History of Hinduism, fusion of various regional non-Vedic religions with worship of Vishnu. It is considered a merger of several popular non-Vedic theistic traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taal (instrument)
The ''taal'' or ''manjira'' (also spelled ''manjīrā'' or ''manjeera''), ''jalra'', ''karatala'', ''kartal'' or ''gini'' is a pair of clash cymbals, originating in the Indian subcontinent, which make high-pitched percussion sounds. In its simplest form, it consists of a pair of small hand cymbals. The word taal comes from the Sanskrit word ''Tālà'', which literally means a clap. It is a part of Indian music and culture, used in various traditional customs e.g. Bihu music, Harinaam etc. It is a type of Ghana vadya. In Hindu religious contexts it is known as ''karatala'' (; ''kara'' "hand", "arm" and ''tāla'' "rhythm", "beat"), typically used to accompany devotional music such as bhajan and kirtan. They are commonly used by Hare Krishna devotees when performing ''harinam'', but are ubiquitous to all Hindu devotional music. It is also called ''karatala'' or ''kartal'' (pronounced as “kartel”) in some contexts. Types There are many types of Taal, categorised by size, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borgeet
Borgeets () are a collection of lyrical songs that are set to specific ragas but not necessarily to any tala. These songs, composed by Srimanta Sankardeva and Madhavdeva in the 15th-16th centuries, are used to begin prayer services in monasteries, e.g. Satra and Namghar associated with the Ekasarana Dharma; and they also belong to the repertoire of Music of Meghalaya outside the religious context. They are a lyrical strain that express the religious sentiments of the poets reacting to different situations, and differ from other lyrics associated with the Ekasarana Dharma. Similar songs composed by others are not generally considered . The first Borgeet was composed by Srimanta Sankardeva during his first pilgrimage at Badrikashram in 1488 C.E., which is contemporaneous to the birth of Dhrupad in the court of Man Singh Tomar (1486-1518) of Gwalior. The Borgeets are written in Brajavali dialect that is distinct from the Brajabuli used in Orissa and Bengal—it is a lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtan
Sikh ''kirta''n with Indian harmoniums and '' Kenya.html" ;"title="tabla'' drums (a common and popular pairing), in Kenya">tabla'' drums (a common and popular pairing), in Kenya (1960s) ''Kirtana'' (; ), also rendered as ''Kiirtan'', ''Kirtan'' or ''Keertan'', is a Sanskrit word that means "narrating, Bhajan, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration, shared recitation, or devotional singing, particularly of spiritual or religious ideas, native to the Indian subcontinent. A person performing kirtan is known as a ''kirtankara'' (or ''kirtankar,'' कीर्तनकार). With roots in the Vedic ''anukirtana'' tradition, a kirtan is a call-and-response or antiphonal style song or chant, set to music, wherein multiple singers recite the names of a deity, describe a legend, express loving devotion to a deity, or discuss spiritual idea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayan-bayan
In Assam, north India, gayan-bayan (''gāyan-bāyan'') is a religious dance performed by disciples of Sankardev in ''satra''s. The phrase ''gāyan-bāyan'' comes from ''gāyan'' (‘singer’) and ''bāyan'' (‘drummer’). The drums used by the ''bayan'' are mainly khols and cymbals are used. The Gayan bayan may differ according to the different Satras and sects. See also * Pung Cholom - Manipur * Pungmul - South Korea and North Korea * Khanjluri, Kazbeguri, Khevsuruli and Mtiuluri - Georgia * Jangi - Azerbaijan * Yarkhushta - Armenia * Qilaut - Canada (Nunavut, Northwest Territories and Yukon), United States (Alaska), Denmark (Denmark) and Russia (Chukotka Autonomous Okrug) * Ritual dance of the royal drum - Burundi Burundi, officially the Republic of Burundi, is a landlocked country in East Africa. It is located in the Great Rift Valley at the junction between the African Great Lakes region and Southeast Africa, with a population of over 14 million ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
