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Tabla
A ''tabla'' is a pair of hand drums from the Indian subcontinent. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during ''bhajan'' and ''kirtan'' singing. It is one of the main qawwali instruments used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument. The word ''tabla'' likely comes from ''tabl'', the Arabic word for drum. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qawwali
Qawwali is a form of Sufi Islamic devotional singing originating in the Indian subcontinent. Originally performed at Sufi shrines throughout the Indian subcontinent, it is famous throughout Pakistan, India, Bangladesh and Afghanistan and has also gained mainstream popularity and an international audience as of the late 20th century. While hereditary performers continue to perform Qawwali music in traditional and devotional contexts, Qawwali has received international exposure through the work of Nusrat Fateh Ali Khan, Aziz Mian and Sabri Brothers largely due to several releases on the Real World label, followed by live appearances at WOMAD festivals. Other famous Qawwali singers include Fareed Ayaz & Abu Muhammad Duo, Abdullah Manzoor Niazi, Rahat Fateh Ali Khan, Badar Miandad, Rizwan-Muazzam Duo, Qutbi Brothers, the late Amjad Sabri, Qawwal Bahauddin Qutbuddin, Najm Saif and Brothers, Aziz Naza, among others. Out of these Fareed Ayaz & Abu Muhammad Duo, Abdulla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakhavaj
The ''pakhavaj'' is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics. The sides of the pakhawaj are made with animal skin (often goat skin). The pakhavaj players place the instrument horizontally in front of themselves as they sit on the floor with legs crossed. The players may sometimes place a cushion under the narrower treble face to lift it slightly. A right-handed person places the larger bass-skin on the left side and the treble skin on the right. The bass face tends to be smeared with some fresh wheat dough which acts as the ''kiran'' and g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bol (music)
A bol is a standardized mnemonic A mnemonic device ( ), memory trick or memory device is any learning technique that aids information retention or retrieval in the human memory, often by associating the information with something that is easier to remember. It makes use of e ... syllable used in North Indian classical music to define the tala, or rhythmic pattern. Bol is derived from the Hindi word ''bolna'' (बोलना), which means "to speak." One who learns to play the tabla or pakhavaj (or pakhawaj) drum is taught to recite the rhythms as bols, which can be quite complex. Bol is analogous to konnakol, which is used to recite rhythms for the mridangam drum in Carnatic music, which is South Indian classical music. See also * * * * References External linksKKSongs Talamala - Tabla Bol Referencehas recordings of tabla bols.Instruments in Depth: Tabla: Drums of North India an online feature froBloomingdale School of Music(March, 2008) contains detail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jori (instrument)
Jori, Jodi, Dhamma, or Jorhi (sometimes Jori-Pakhawaj) is a South Asian percussion instrument made up of two individual drums. The Jori originates from the Punjab region of South Asia. Historically, the Jori has accompanied Gurbani Kirtan. Prominent exponents of the Jori include Ustad Sukhvinder Singh "Pinky". Bhai Baldeep Singh, Sardar Jasdeep Singh, Bhai Surdarshan Singh and Bhai Gian Singh Namdhari. In its construction, the Jori is similar to the Tabla. The key differences being the use of a larger ''dayan/chathoo (also known as Poorra)'' (treble drum), and a wooden barrel-shaped ''bayan/dagga'' (bass drum) with ''atta'' (dough) instead of the ''syahi/gub'', which is called a "Dhamma" . History and origin The Jori, Jodi, or Jorhi was first created by the fifth Sikh guru, Guru Arjun Dev Ji when 2 bards of his court, Satta and Balwand, wanted to separate the much older and venerable Pakhavaj into two instruments, similar to the tabla. Due to this, the Jori and Tabla are oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtan
Sikh ''kirta''n with Indian harmoniums and '' Kenya.html" ;"title="tabla'' drums (a common and popular pairing), in Kenya">tabla'' drums (a common and popular pairing), in Kenya (1960s) ''Kirtana'' (; ), also rendered as ''Kiirtan'', ''Kirtan'' or ''Keertan'', is a Sanskrit word that means "narrating, Bhajan, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration, shared recitation, or devotional singing, particularly of spiritual or religious ideas, native to the Indian subcontinent. A person performing kirtan is known as a ''kirtankara'' (or ''kirtankar,'' कीर्तनकार). With roots in the Vedic ''anukirtana'' tradition, a kirtan is a call-and-response or antiphonal style song or chant, set to music, wherein multiple singers recite the names of a deity, describe a legend, express loving devotion to a deity, or discuss spiritual idea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Membranophone
A membranophone is any musical instrument which produces sound primarily by way of a acoustic membrane, vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Curt Sachs, Sachs, Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth Membranophones can also be divided into small divisions bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius. The dholak can be anywhere about 16" to 24" in length. It is widely used in ''qawwali'', ''kirtan'', ''bhajan'', ''Bhangra (music), bhangra'', ''Chutney music, chutney'', ''Baithak Gana, baithak gana'', ''Hindi film music'', ''lokgeet'' and various classical styles such as ''Hindustani classical music, Hindustani'', ''Carnatic music, Carnatic'' and ''trinidadian local classical / guyanese taan, Trinidadian local classical / Guyanese taan''. The drum has two different sized drumheads. There is a smaller drumhead that can be from 5.5 to 8 inches in diameter and is made for sharp notes while the bigger drumhead, which can be from 7.5 to 10 inches in diametre, is ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathak
''Kathak'' is one of the eight major forms of Classical Indian dance, Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as ''Kathakar'' ("storyteller"), who communicated stories from the Hindu epics through dance, songs, and music. Its name derives from the Sanskrit word ''katha'' which means "story", and ''kathakar'' which means "the one who tells a story" or "to do with stories". 'Katha kahe so kathak kahave' - Kathak is the dance of story tellers. Stories are narrated through the medium of the body, face, hands, and feet in sync with the tabla and lehra. ''Kathak'' dancers tell various stories utilizing hand movements and extensive footwork, their body movements, and flexibility, as well as their Facial expression, facial expressions. ''Kathak'' often has a strong beat and can be danced in many taals. While proto-Kathak elements can be seen long before, ''Kathak'' evolved during the Bhakti movement, particularly by inco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the Khol, earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sufi
Sufism ( or ) is a mysticism, mystic body of religious practice found within Islam which is characterized by a focus on Islamic Tazkiyah, purification, spirituality, ritualism, and Asceticism#Islam, asceticism. Practitioners of Sufism are referred to as "Sufis" (from , ), and historically typically belonged to "orders" known as (pl. ) — congregations formed around a grand (saint) who would be the last in a Silsilah, chain of successive teachers linking back to Muhammad, with the goal of undergoing (self purification) and the hope of reaching the Maqam (Sufism), spiritual station of . The ultimate aim of Sufis is to seek the pleasure of God by endeavoring to return to their original state of purity and natural disposition, known as . Sufism emerged early on in Islamic history, partly as a reaction against the expansion of the early Umayyad Caliphate (661–750) and mainly under the tutelage of Hasan al-Basri. Although Sufis were opposed to dry legalism, they strictly obs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
