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Michael Heinemann
Michael Heinemann (born 5 March 1959) is a German musicologist and university professor. Career Born in Bergisch Gladbach, Heinemann passed his Abitur at the Nicolaus-Cusanus-Gymnasium Bergisch Gladbach in 1977. From 1978 to 1985 he studied Catholic church music (A-exam 1982), music pedagogy (state music teacher examination 1983) and concert subject organ (class Wolfgang Stockmeier, university diploma 1985) at the Hochschule für Musik und Tanz Köln. From 1982 to 1988 he studied musicology, philosophy and art history at the universities of Cologne, Bonn and Berlin, graduating in 1988 with a Master's degree. From 1986 to 1989 he worked as a tutor at the Musicological Institute of Technische Universität Berlin with Carl Dahlhaus. From 1989 to 1991 he received a doctoral scholarship from the State of Berlin and was awarded a doctorate at the TU Berlin in 1991 with a dissertation on the reception of Bach with Franz Liszt. From 1991 to 1993 he worked as a freelance musicologist, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology is the academic, research-based study of music, as opposed to musical composition or performance. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and Computational musicology, computer science. Musicology is traditionally divided into three branches: music history, systematic musicology, and ethnomusicology. Historical musicologists study the history of musical traditions, the origins of works, and the biographies of composers. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthetics, Music education, pedagogy, musical acoustics, the science and technology of Organology, musical instruments, and the musical implications of physiology, psychology, sociology, philosophy and computing. Cognitive musicology is the set of phenomena surrounding the cognitive m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory": The first is the "Elements of music, rudiments", that are needed to understand Musical notation, music notation (key signatures, time signatures, and Chord chart, rhythmic notation); the second is learning scholars' views on music from Ancient history, antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including Musical tuning, tuning systems and composition methods among other topics. Because of the ever-expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st-century German Musicologists
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Holger Eichhorn
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Holger may refer to: People * Holger (given name), includes name origin, plus people with the name * Hilde Holger, stage name of dancer, choreographer and dance teacher Hilde Boman-Behram (née Hilde Sofer, 1905–2001) Fictional characters * Holger Danske, a legendary Danish hero Other uses * Holger Danske (Resistance group) * Holger Danske (opera) * 9266 Holger, a main-belt asteroid * Radio Holger Radio Holger was a Danish radio station transmitting in Metropolitan Copenhagen, Denmark. The radio station was a small and local radio station, which has become notable for being critical towards Islam and Islam's influence in Denmark and the re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Rosenmüller
Johann Rosenmüller (1619 – 10 September 1684) was a German Baroque music, Baroque composer, who played a part in transmitting Italian musical styles to the north. Career Rosenmüller was born in Oelsnitz, Vogtland, Oelsnitz, near Plauen in Electorate of Saxony, Saxony. He studied at the University of Leipzig, graduating in 1640. He served as organist of the St. Nicholas Church, Leipzig, Nikolaikirche Leipzig from 1651, and had been assured of advancement to Cantor (church), cantor. He became director of music in absentia to the Altenburg court in 1654. In 1655 he was accused of homosexual activities with choirboys. To avoid prison, he fled to Italy and, by 1658, was employed at St Mark's Basilica in Venice. He composed many vocal works while teaching at an orphanage for girls (Ospedale della Pietà), between 1678 and 1682. The works of Giovanni Legrenzi were among his Italian influences and his sacred compositions show the influence of Heinrich Schütz. In his last years, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Herz
Joachim Herz (15 June 1924 – 18 October 2010) was a German opera director and manager. He learned at the Komische Oper Berlin as an assistant to Walter Felsenstein. His major stations were the Leipzig Opera where he opened the new house with Wagner's ''Die Meistersinger von Nürnberg'', Komische Oper and Semperoper in Dresden, where he opened the restored house with Weber's ''Der Freischütz'' in 1985. He staged many world premieres, and worked internationally. Herz was the first director to apply Felsenstein's concepts to Wagner's ''Der Ring des Nibelungen'', staged in Leipzig from 1973 to 1976. Life Born in Dresden, Herz attended the Kreuzschule there, completing with the Abitur in 1942. He then studied piano, clarinet and music pedagogy at the Hochschule für Musik Dresden. His studies were interrupted by military service in 1944 and 1945 but completed in 1948. He then studied opera direction there with Heinz Arnold, later also musicology at the Humboldt University of Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Ottner
Carmen Ottner (born in the 20th-century in Vienna) is an Austrian musicologist, Theatre studies and General Secretary of the Franz Schmidt association. Life Ottner was born as the daughter of trombonist Franz Bahner ( ienna Philharmonic. She studied musicology, theatre studies and philosophy at the University of Vienna. She wrote her dissertation on ''Das Wort-Toneproblem in den Klavierlieder Wilhelm Kienzl''s and received her doctorate in 1974. Since 1985 she has been Secretary General of the Franz Schmidt Society, has published a number of articles on Schmidt and his environment, and has organized conferences. Ottner is also managing director of the Austrian Society for Music and was a member of the editorial board of the ''Österreichische Musikzeitschrift''. She has also written numerous encyclopedia articles and essays on musicological issues. Ottner is also the editor of ''Studien zu Franz Schmidt'', a multi-volume musicological series. Publications * ''Das Wort-Tonp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans-Joachim Hinrichsen
Hans-Joachim Hinrichsen (born 21 August 1952) is a German musicologist. Career Born in Westerland on Sylt, Hinrichsen studied Germanistic and History at the Free University of Berlin. The completion of the Staatsexamen (1980) was followed by a teaching phase at Gymnasium. Subsequently, he studied musicology at the FU Berlin, which he completed with a PhD in 1992. From 1989 to 1994 he was a research assistant at the Musicological Institute of the F.U Berlin. In 1998, he gained his habilitation with a dissertation about '' Musikalische Interpretation als kulturelle Praxis. Hans von Bülow und die ästhetische Konstruktion der deutschen Musik''. Since 1999 Hinrichsen has been professor of musicology at the University of Zurich. In 2008 he was elected member of the Academia Europaea. Hinrichsen is co-editor of the Archiv für Musikwissenschaft and ''Schubert: Perspektiven'' at Franz Steiner Verlag. In addition, he was president of the Allgemeine Musik-Gesellschaft Zürich (AMG) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Abert
Hermann Abert (; 25 March 1871 – 13 August 1927) was a German historian of music. Life Abert was born in Stuttgart, the son of Johann Josef Abert (1832–1915), the '' Hofkapellmeister'' of that city. From 1890 to 1896 he studied classical philology at the Universities of Tübingen, Berlin and Leipzig. While at Tübingen he joined the '' Akademische Gesellschaft Stuttgardia'', a student fraternity which shaped the political views of the liberalism in southern Germany. His philological studies ended in 1896 at Halle, where he had done work on Ancient Greek music. For the next three years he studied music theory at Berlin. In 1902 he qualified as lecturer by presenting his thesis on music of the Middle Ages at the University of Halle. Abert stayed on at Halle as a lecturer, becoming a senior lecturer (or associate professor) in 1910 and a full professor in 1918. In this capacity he moved the next year to the University of Heidelberg. But after just one year, Abert took up a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans John (musicologist)
Hans Karl Ferdinand John (born 7 September 1936) is a German musicologist and former university professor. Life John was born in Bad Freienwalde. His father was cantor and organist and enabled him to attend the Dresdner Kreuzschule. He was a member of the Dresdner Kreuzchores from 1946 until his Abitur in 1954. He studied music education and science and classical philology at the Martin Luther University of Halle-Wittenberg and at the Humboldt University of Berlin. In 1961 he was awarded his doctorate under Fritz Reuter at the Faculty of Philosophy in Berlin with the dissertation ''Music education in ancient Greece and its relevance for our time''. After his Staatsexamen he taught at the Humboldt University and at the Hochschule für Musik Franz Liszt, Weimar. He then worked for 25 years at the Hochschule für Musik Carl Maria von Weber Dresden as a lecturer and professor of musicology. In 1993 he was appointed director of the Institute for Musicology at the Dresden university. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque music, Baroque composer and organ (music), organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance music, Renaissance into the early Baroque music, Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Augustus, Duke of Saxe-Lauenburg, Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, ''Dafne (Opitz-Schütz), Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints (Lutheran), Calendar of Saints of some North American Luth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
