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Kirtans
Kirtana ( sa, कीर्तन; ), also rendered as Kirtan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration or shared recitation, particularly of spiritual or religious ideas, native to the Indian subcontinent. With roots in the Vedic ''anukirtana'' tradition, a kirtan is a call-and-response style song or chant, set to music, wherein multiple singers recite or describe a legend, or express loving devotion to a deity, or discuss spiritual ideas. It may include dancing or direct expression of ''bhavas'' (emotive states) by the singer. Many kirtan performances are structured to engage the audience where they either repeat the chant,Sara Brown (2012), ''Every Word Is a Song, Every Step Is a Dance'', PhD Thesis, Florida State University (Advisor: Michael Bakan), pages 25-26, 87-88, 277 or reply to the call of ...
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Harmonium
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ...
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Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla
Encyclopædia Britannica
The tabla is an essential instrument in the

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Sikh
Sikhs ( or ; pa, ਸਿੱਖ, ' ) are people who adhere to Sikhism (Sikhi), a monotheistic religion that originated in the late 15th century in the Punjab region of the Indian subcontinent, based on the revelation of Guru Nanak. The term ''Sikh'' has its origin in the word ' (), meaning 'disciple' or 'student'. Male Sikhs generally have ''Singh'' ('lion'/'tiger') as their last name, though not all Singhs are necessarily Sikhs; likewise, female Sikhs have ''Kaur'' ('princess') as their last name. These unique last names were given by the Gurus to allow Sikhs to stand out and also as an act of defiance to India's caste system, which the Gurus were always against. Sikhs strongly believe in the idea of "Sarbat Da Bhala" - "Welfare of all" and are often seen on the frontline to provide humanitarian aid across the world. Sikhs who have undergone the '' Amrit Sanchar'' ('baptism by Khanda'), an initiation ceremony, are from the day of their initiation known as Khalsa, and they mu ...
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Sant (religion)
A ''sant'' ( sa, सन्त्; IAST: ; ) is a human being revered as a "truth-exemplar" for their abnormal of "self, truth, ndreality" in Indic religions, particularly Hinduism, Jainism, Sikhism, and Buddhism. In Sikhism it is used to describe a being who has attained spiritual enlightenment and divine knowledge and power through union with God. Etymology "''Sant''" is sometimes translated as " saint", but this is a false cognate (there is no etymological commonality) as "''sant''" is derived from the Sanskrit root '' sat'', which can mean "truth, reality, essence", while "saint" is derived from the Latin word , which means "holy, sacred",William Pinch (1996), Peasants and Monks in British India, University of California Press, , page 181 footnote 3 derived from Indo-European root ''sak-'', "to sanctify". Schomer and McLeod explain ''sant'' as preceptor of ''Sat'' or "truth, reality", in the sense of "'one who knows the truth' or 'one who has experienced Ultimate Realit ...
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Christian Lee Novetzke
Christian Lee Novetzke is an American Indologist and scholar of Religious Studies and South Asian Studies. He is Professor of International Studies and Comparative Religion at the University of Washington, where he holds an endowed professorship from the College of Arts and Sciences. His areas of interest include Indian cultural history and the theorization of religion. As an author, he has also been largely collected by libraries. At the University of Washington, Novetzke serves as Director of the Center for Global Studies, as well as Associate Director of the Henry M. Jackson School of International Studies. Education and career Novetzke received a B.A. from Macalester College in 1993 and an M.T.S. in Religious Studies from Harvard University in 1996. In 2003, he was awarded a Ph.D. in Religious Studies from Columbia University. After teaching in the departments of South Asian Studies and Religious Studies at the University of Pennsylvania from 2003 to 2007, Novetzke joined t ...
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Bhakti
''Bhakti'' ( sa, भक्ति) literally means "attachment, participation, fondness for, homage, faith, love, devotion, worship, purity".See Monier-Williams, ''Sanskrit Dictionary'', 1899. It was originally used in Hinduism, referring to devotion and love for a personal god or a representational god by a devotee.Bhakti
''Encyclopædia Britannica'' (2009)
In ancient texts such as the '''', the term simply means participation, devotion and love for any endeavor, while in the '''', it connotes one o ...
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Sutra
''Sutra'' ( sa, सूत्र, translit=sūtra, translit-std=IAST, translation=string, thread)Monier Williams, ''Sanskrit English Dictionary'', Oxford University Press, Entry fo''sutra'' page 1241 in Indian literary traditions refers to an aphorism or a collection of aphorisms in the form of a manual or, more broadly, a condensed manual or text. Sutras are a genre of ancient and medieval Indian texts found in Hinduism, Buddhism and Jainism. In Hinduism, sutras are a distinct type of literary composition, a compilation of short aphoristic statements.Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pages 54–55 Each sutra is any short rule, like a theorem distilled into few words or syllables, around which teachings of ritual, philosophy, grammar, or any field of knowledge can be woven. The oldest sutras of Hinduism are found in the Brahmana and Aranyaka layers of the Vedas. Every school of Hindu philosophy, Vedic guides for rites of passag ...
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Vedanga
The Vedanga ( sa, वेदाङ्ग ', "limbs of the Veda") are six auxiliary disciplines of Hinduism that developed in ancient times and have been connected with the study of the Vedas:James Lochtefeld (2002), "Vedanga" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , pages 744-745 List of the Vedanga # Shiksha ('): phonetics, phonology, pronunciation. This auxiliary discipline has focused on the letters of the Sanskrit alphabet, accent, quantity, stress, melody and rules of euphonic combination of words during a Vedic recitation. # Chandas ('): prosody.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 This auxiliary discipline has focused on the poetic meters, including those based on fixed number of syllables per verse, and those based on fixed number of morae per verse. # Vyakarana ('): grammar and linguistic analysis.James Lochtefeld (2002), "Vyakarana" in The Illustrated ...
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Brahmanas
The Brahmanas (; Sanskrit: , ''Brāhmaṇam'') are Vedic śruti works attached to the Samhitas (hymns and mantras) of the Rig, Sama, Yajur, and Atharva Vedas. They are a secondary layer or classification of Sanskrit texts embedded within each Veda, which explain and instruct on the performance of Vedic rituals (in which the related Samhitas are recited). In addition to explaining the symbolism and meaning of the Samhitas, Brahmana literature also expounds scientific knowledge of the Vedic Period, including observational astronomy and, particularly in relation to altar construction, geometry. Divergent in nature, some Brahmanas also contain mystical and philosophical material that constitutes Aranyakas and Upanishads. Each Veda has one or more of its own Brahmanas, and each Brahmana is generally associated with a particular Shakha or Vedic school. Less than twenty Brahmanas are currently extant, as most have been lost or destroyed. Dating of the final codification of the ''B ...
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Samhita
Saṃhitā literally means "put together, joined, union", a "collection", and "a methodically, rule-based combination of text or verses".
Monier-Williams' Sanskrit-English Dictionary, Oxford University Press, page 1123
''Saṃhitā'' also refers to the most ancient layer of text in the s, consisting of s, hymns, prayers, and s.Lochtefeld, James G. "Samhita" ...
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Louis Renou
Louis Renou (; 26 October 1896 – 18 August 1966) was the pre-eminent French Indologist of the twentieth century. Education and Career After passing the ''agrégation'' examination in 1920, Louis Renou taught for a year at the ''lycée'' in Rouen. He then took a sabbatical, read the works of Sanskrit scholars and attended the classes of Antoine Meillet. Henceforth he opted exclusively for the study of Sanskrit. He attended the lectures of Jules Bloch at the ''École des hautes études''. The work he did at this time gave rise to ''Les maîtres de la philologie védique'' (1928). His doctoral thesis, submitted in 1925, was ''La valeur du parfait dans les hymnes védiques''. After a short time at the ''Faculté de lettres'' in Lyon, he moved to ''L'École des hautes études'' and then to the Sorbonne where he succeeded Alfred A. Foucher. In 1946 he was elected to the Académie des Inscriptions. In the following years he undertook three journeys: India in 1948-1949, Yale Universit ...
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Yajna
Yajna ( sa, यज्ञ, yajña, translit-std=IAST, sacrifice, devotion, worship, offering) refers in Hinduism to any ritual done in front of a sacred fire, often with mantras.SG Nigal (1986), Axiological Approach to the Vedas, Northern Book, , pages 80–81 Yajna has been a Vedic tradition, described in a layer of Vedic literature called Brahmanas, as well as Yajurveda. The tradition has evolved from offering oblations and libations into sacred fire to symbolic offerings in the presence of sacred fire ( Agni). Yajna rituals-related texts have been called the ''Karma-kanda'' (ritual works) portion of the Vedic literature, in contrast to ''Jnana-kanda'' (knowledge) portion contained in the Vedic Upanishads. The proper completion of Yajna-like rituals was the focus of Mimansa school of Hindu philosophy. Yajna have continued to play a central role in a Hindu's rites of passage, such as weddings. Modern major Hindu temple ceremonies, Hindu community celebrations, or monastic in ...
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