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Kaadhal Oviyam
''Kadhal Oviyam'' ( ) is a 1982 Indian Tamil-language romantic drama film directed by Bharathiraja. The film stars Sunil Kirpalani, also known as Kannan, in his only major screen appearance, and Radha. It was released on 30 April 1982. Plot Sakthi was an orphan, born in temple and sang devotional hymns for the temple idol. He became blind after an accident. Ponni used to hear him singing at the temple and falls in love with him. However, Ponni's mother Vadivukarasi wanted her to marry Radharavi, her relation who had come from Singapore. Ponni is not willing to marry Radharavi. Ponni performs all of Sakthi's chores without his knowledge. As Sakthi is blind, he is unable to see Ponni, but he can hear Ponni's anklets (an ornament which Bharatanatyam dancers wore on their legs). Once when Sakthi makes a floral offering to the Ambal, they fall on Ponni. From that incident Ponni thinks that Sakthi is her spouse and breaks to him the news and Sakthi responds positively to the suggest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharathiraja
Bharathiraja ( born 17 July 1941) is an Indian film director, producer, screenwriter, and actor who works mainly in the Tamil film industry. Making his debut in 1977 with ''16 Vayathinile'', he is known for realistic and sensitive portrayals of rural life in his films and popularly referred to as ''Iyakkunar Imayam''. As of 2017, he has won six National Film Awards, four Filmfare Awards South, six Tamil Nadu State Film Awards and a Nandi Award. He has also directed films in Telugu and Hindi. The Government of India honoured him with the Padma Shri award, India's fourth-highest civilian honour, in 2004 for his contribution to the film industry. In 2005, he was conferred with the Doctor of Letters (honorary degree) from Sathyabama University. Film career Bharathiraja started his film career as an assistant to Kannada filmmaker Puttanna Kanagal. Later, he assisted P. Pullaiah, M. Krishnan Nair, Avinasi Mani and A. Jagannathan. His first film ''16 Vayathinile'', for which he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalki (magazine)
''Kalki'' is a Tamil-language weekly magazine published from Chennai, India. The magazine was established by Kalki Krishnamurthy, a popular Tamil novelist and Indian freedom fighter, in 1941. T Sadasivam was the magazine's co-founder. The magazine is known for its publication of historic novels such as '' Ponniyin Selvan'' and '' Sivagamiyin Sabadham''. Singer Semmangudi Srinivasa Iyer, guru of M S Subbulakshmi, and music critic S V Seshadri were also involved with the magazine in its coverage of music. Kalki Krishnamurthy also edited the magazine, which is published on a weekly basis. During his term the magazine was much more respected due to its quality. The magazine ceased publication in 1977, but resumed in June 1978. ''Mullum Malarum'' (authored by Umachandran), which won this magazine's first prize in the silver jubilee novel competition was first published in this magazine as a serial, and later made into a hit Tamil film of the same name. Website ''Kalki Onli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vairamuthu
Vairamuthu Ramasamy (born 13 July 1953) is an Indian lyricist, poet, and novelist working in the Tamil film industry. He is a prominent figure in the Tamil literary world. A master's graduate from the Pachaiyappa's College in Chennai, he first worked as a translator, while also being a published poet. He entered the Tamil film industry in the year 1980, with the film '' Nizhalgal'', an Ilaiyaraaja musical, directed by Bharathiraja. During the course of his 40-year film career, he has written over 7,500 songs and poems which have won him seven National Awards, the most for any Indian lyricist. He has also been honored with a Padma Shri, a Padma Bhushan and a Sahitya Akademi Award, for his abundant literary output. Early life Vairamuthu was born on 13 July 1953, to Ramasamy and his wife Angammal, who were agriculturalists based in the village of Mettoor, in the district of Theni, Tamil Nadu. In 1957, his family was forced to move to Vadugapatti, another village in the Then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simhendramadhyamam
Simhendramadhyamam is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 57th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sumadyuti in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Structure and Lakshana It is the 3rd rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Go''. The mnemonic phrase is ''sa ri gi mi pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : It is also equivalent to Hungarian Minor Scale that is also called as Gypsy Minor Scale in Western Music. This musical scale uses the notes ''chatushruti rishabham, sadharana gandharam, prati madhyam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohanam
Mohanam is a raga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale). It is usually described as a ''janya'' rāga of Harikamboji (28th Melakartha Raga). However, alternate opinions suggest that ''Mechakalyani'' or even ''Sankarabharanam (raga), Shankarabharanam'' may be a more appropriate classification based on the lakshana of the raga. The equivalent of ''Mohanam'' in Hindustani music is ''Raga Bhopali, Bhoop''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or ''Bhopali''''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is one of the most common pentatonic scales across the world and is very popular in East Asian and Southeast Asian music, including China and Japan. Structure and Lakshana ''Mohanam'' is a symmetric rāga that does not contain ''madhyamam'' and ''nishādham''. It is a symmetric pentatonic scale (''audava-au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyani (raga)
Kalyani is a melakarta raga (parent musical scale) in the Carnatic music. It is the prati madhyama equivalent of the raga Sankarabharanam. It was called Kalyan but is now more popularly called Yaman in Hindustani Music. Its Western equivalent is the Lydian mode. Kalyani in Carnatic music In South Indian weddings it is a very prominently played raga. The word ''Kalyani'' means ''she who causes auspicious things''. It is the 65th melakarta raga under the Katapayadi sankhya. It is also called ''Mechakalyani''. The notes for Kalyani are S R2 G3 M2 P D2 N3. Kalyani is the first Prathi Madhyama raga that was ever discovered. It was obtained by the process of Graha Bhedam or modal shift of tonic of the ancient Shadja Grama. Specifics on this raga Kalyani has scope for elaborate alapana. One should not remain too long on panchamam (pa) or alternate between shadjamam and panchamam too frequently. Kalyani is prominently known among the public. It is often performed at the begin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abheri
Abheri (pronounced ābhēri) is a raga in Carnatic music (musical scale of South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent, also known as ''janaka'') is ''Kharaharapriya'', 22nd in the 72 ''Melakarta'' raga system. ''Bhimpalasi'' (or ''Bheempalas'') and ''Dhanashree'' of Hindustani music sounds close to ''Abheri''.''Ragas in Carnatic music'' by S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana Abheri is an ''audava-sampoorna'' Raga. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : The ''swaras'' in this scale are ''Chathusruthi Rishabham, Sadharana Gandharam, Suddha Madhyamam, Chathusruthi Dhaivatham'' and ''Kaisiki Nishadham''. There are some differing views on swaras in the scale of Abheri. It is considered a ''Bhashanga'' ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hindu
''The Hindu'' is an Indian English-language daily newspaper owned by The Hindu Group, headquartered in Chennai, Tamil Nadu. It was founded as a weekly publication in 1878 by the Triplicane Six, becoming a daily in 1889. It is one of the Indian Newspaper of record, newspapers of record. , ''The Hindu'' is published from 21 locations across 11 states of India. ''The Hindu'' has been a family-owned newspaper since 1905, when it was purchased by S. Kasturi Ranga Iyengar from the original founders. It is now jointly owned by Iyengar's descendants, referred to as the "Kasturi family", who serve as the directors of the holding company. Except for a period of around two years, when Siddharth Varadarajan, S. Varadarajan held the editorship of the newspaper, senior editorial positions of the paper have always been held by members of the original Iyengar family or by those appointed by them under their direction. In June 2023, the former chairperson of the group, Malini Parthasarathy, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandrakauns
Chandrakauns is a raga in Hindustani classical music. It is also used in tail pieces and lighter presentations of Carnatic music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is o .... Film songs Language:Tamil Language:Hindi Language:Telugu References Hindustani ragas {{India-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malahari
Malahari is a Carnatic raga. This raaga is a ''janya'' of the 15th ''Melakarta'' raga Mayamalavagowla. This raga is known to be a morning raga which brings out a sense of calmness.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is associated with the rainy season.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications In classical carnatic training, it is often used as a raaga for beginners using geetha right after the swara-based exercises in Mayamalavagowla. Many of the Geethas in this raga have been composed by Purandara Dasa and Muthuswami Dikshitar. Structure and Lakshana This raga is an asymmetric scale and is classified as an ''audava-shadava'' raga (five notes in the ascending scale and six notes in the descending scale). * : * : The notes in this scale are ''shuddha rishabha, shuddha madhyama, shuddha dhaivata'' in ''arohana'' and additional ''antara gandhara'' in ''avarohana''. Since this scale does not h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revati (raga)
Revati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). In Hindustani music a raga that closely resembles ''Revati'' is '' Bairagi Bhairav''.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to evoke ''Karuṇa'' rasa (pathos). This scale has also been used in chanting Vedas. Structure and Lakshana ''Revati'' is a symmetric rāgam that does not contain ''gāndhāram'' or ''dhaivatam''. It is a pentatonic scale (''audava-audava'' ragam''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications in Carnatic music classification – ''audava'' meaning 'of 5'). Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (notes used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Raga
A Carnatic raga refers to ''ragas'' used in Carnatic music. It has several components: a primordial sound (''nāda''), tonal system (''swara''), pitch (''śruti''), scale, ornaments ('' gamaka''), and important tones. Origins and history Carnatic raga classification Janaka (Melakarta) ragas and Janya (Upanga) ragas Janaka ragas, or Sampoorna ragas, are parent ragas from which more ragas are derived. As the name suggests, Sampoorna ragas are those in which all seven swaras are present. They are also called Melakarta ragas. These ragas have all seven swaras (notes) in their scales (only one of each swara, Sa, Re, Ga, Ma, Pa, Dha, Ni), following strict ascending and descending scales and are sung in all octaves. Example of melakartha ragas are: Shankarabharanam, Kalyani, Natabhairavi, Chala Nattai, Harikambhoji, Kharaharapriya, Mayamalavagowla, and Chakravakam. Janya ragas are derived from Janaka ragas (Melakarta ragas). They may have more or less than seven notes in their scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
