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Italian Crime Films
''Poliziotteschi'' (; : ''poliziottesco'') constitute a subgenre of crime and action films that emerged in Italy in the late 1960s and reached the height of their popularity in the 1970s. They are also known as ''polizieschi all'italiana'', ''Italo-crime'', spaghetti crime films, or simply Italian crime films. Influenced primarily by both 1970s French crime films and gritty 1960s and 1970s American cop films and vigilante films (among other influences), ''poliziotteschi'' films were made amidst an atmosphere of socio-political turmoil in Italy known as Years of Lead and amidst increasing Italian crime rates. The films generally featured graphic and brutal violence, organized crime, car chases, vigilantism, heists, gunfights, and corruption up to the highest levels. The protagonists were generally tough working class loners, willing to act outside a corrupt or overly bureaucratic system. Etymology of the noun In Italian, is the grammatically correct Italian adjective (resu ...
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Milano Calibro 9 (Ugo Piazza)
''Caliber 9'' (; also released as ''The Contract'') is a 1972 Italian poliziottesco film written and directed by Fernando Di Leo and starring Gastone Moschin, Mario Adorf, Barbara Bouchet, Philippe Leroy, Frank Wolff (actor), Frank Wolff, Luigi Pistilli, and Lionel Stander. The film takes its title from the Milano calibro 9, short story collection of the same name by Giorgio Scerbanenco, and is partially based on three of its stories. The musical score was composed by Luis Enriquez Bacalov and performed by the progressive rock band Osanna. ''Caliber 9'' is the first part in Di Leo's ''Milieu Trilogy'' of ''poliziotteschi'' films. It was followed by ''The Italian Connection, La mala ordina'' (''The Italian Connection'') in 1972 in film, 1972 and ''Il Boss'' (''The Boss'') in 1973 in film, 1973. In 2020, a direct sequel called ''Calibro 9'', was released. Plot After a stint in prison, small-time Milanese gangster Ugo Piazza is immediately harassed by his old associates, led by a po ...
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Bandits In Milan
''Bandits in Milan'' (; also known as ''The Violent Four'') is a 1968 Italian crime film directed by Carlo Lizzani. It was listed to compete at the 1968 Cannes Film Festival, but the festival was cancelled due to the events of May 1968 in France. It is the debut film of Agostina Belli. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." Production Like director Carlo Lizzani's previous film ''Wake Up and Die'' is based on a real life event, specifically a bank robbery that went wrong in Milan on 25 September 1967. Cast * Gian Maria Volonté as Piero Cavallero * Tomas Milian as Commissario Basevi * Don Backy as Sante Notarnicola * Ray Lovelock as Donato 'Tuccio' Lopez * Ezio Sancrotti as Adriano Rovoletto 'Bartolini' * Piero Mazzarella as Piva * Laura Solari as Tuccio's Mother * Peter Martell as The Protector * M ...
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Exploitation Films
An exploitation film is a film that seeks commercial success by capitalizing on current trends, niche genres, or sensational content. Exploitation films often feature themes such as suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. While often associated with low-budget "B movies", some exploitation films have influenced popular culture, attracted critical attention, gained historical significance, and developed cult followings. History While their modern form first appeared in the early 1920s, the peak periods of exploitation films were mainly the 1960s through the early 1980s, with a few earlier and later outliers. Early exploitation of the 1930s and the 1940s were often disguised as "educational" but were really sensationalist. These were shown in traveling roadshows, skirting censorship under the guise of moral instruction. 1950s saw low-budget sci-fi, monster movies, and teen rebellion films. They were s ...
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Neo-noir
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack's '' Absence of Malice'', Brian De Palma's '' Blow Out'', and Martin Scorsese's '' After Hours''. The French term ''film noir'' translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements. Definition The neologism neo-noir, using the Greek prefix for the word ''new'', is defined by Mark Conard as "any film coming after the classic noir period that contains noir themes and noir sensibility". Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding ...
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Noir Film
Noir (or noire) is the French word for black. It may also refer to: Places * Noire River (Ottawa River tributary), in the Outaouais region of Quebec * Noire River, a tributary of the Yamaska River in Eastern Townships area, Quebec People * Noir (surname) Arts, entertainment, and media Genres * Film noir, a film genre * Folk noir, a music genre * Noir fiction, a literary genre closely related to hardboiled genre * Nordic noir, noir fiction, TV series, and films set in the Nordic countries * Rural noir (fiction), also known as outback noir in Australia, novels with crimes set in rural locations * Rural noir (film), also known as outback noir in Australia, films and TV series with crimes set in rural locations * Southern noir, noir fiction set in the Southern United States Games * ''Discworld Noir'', a 1999 video game by GT Interactive * '' Noir: A Shadowy Thriller'', a 1996 video game by Cyberdreams Music Groups and labels * Noir (band), a South Korean boy band whic ...
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The Godfather
''The Godfather'' is a 1972 American Epic film, epic crime film directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling The Godfather (novel), 1969 novel. The film stars an ensemble cast including Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte and Diane Keaton. It is the first installment in The Godfather (film series), ''The Godfather'' trilogy, chronicling the Corleone family under patriarch Vito Corleone (Brando) and the transformation of his youngest son, Michael Corleone (Pacino), from reluctant family outsider to ruthless mafia boss. Paramount Pictures obtained the rights to the novel for $80,000, before it gained popularity. Studio executives had trouble finding a director; the first few candidates turned down the position before Coppola signed on to direct the film but disagreement followed over casting several characters, in particular Vito (Brando ...
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Mob Film
Mafia films—a version of gangster films—are a subgenre of crime films dealing with organized crime, often specifically with Mafia organizations. Especially in early mob films, there is considerable overlap with ''film noir''. Popular regional variations of the genre include Italian '' Poliziotteschi'', Chinese '' Triad films'', Japanese '' Yakuza films'', and Indian '' Mumbai underworld films''. History The American movie '' The Black Hand'' (1906) is thought to be the earliest surviving gangster film. In 1912, D. W. Griffith directed '' The Musketeers of Pig Alley'', a short drama film about crime on the streets of New York City (filmed, however, at Fort Lee, New Jersey) rumored to have included real gangsters as extras. Critics have also cited '' Regeneration'' (1915) as an early crime film. Though mob films had their roots in such silent films, the genre in its most durable form was defined in the early 1930s. It owed its innovations to the social and economic instability ...
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French Cinema
The cinema of France comprises the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe, with primary influence also on the creation of national cinemas in Asia. The Lumière brothers launched cinematography in 1895 with their '' L'Arrivée d'un train en gare de La Ciotat''. By the early 1900s, French cinema led globally, with pioneers like Méliès creating cinematic techniques and the first sci-fi film, ''A Trip to the Moon'' (1902). Studios like Pathé and Gaumont dominated, with Alice Guy-Blaché directing hundreds of films. Post-WWI, French cinema declined as U.S. films flooded Europe, leading to import quotas. Between the wars, directors like Jean Renoir, Jean Vigo and Marcel Carné shaped French Poetic Realism. Renoir’s '' La Règle du Jeu'' (1939) and Carné’s '' Les Enfants du Paradis'' (1945) remain iconic, showcasin ...
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Death Wish (1974 Film)
''Death Wish'' is a 1974 American vigilante action film directed by Michael Winner. The film, loosely based on the 1972 novel of the same title by Brian Garfield and the first film in the ''Death Wish'' film series, stars Charles Bronson as Paul Kersey, alongside Hope Lange, Vincent Gardenia, William Redfield, Kathleen Tolan and Christopher Guest. In the film, Paul Kersey, an architect leading a peaceful life, resorts to vigilantism after his wife is murdered and daughter raped during a home invasion. It is the first in the ''Death Wish'' film series. At the time of release, ''Death Wish'' was criticized for its apparent support of vigilantism and advocating unlimited punishment of criminals. The novel allegedly denounced vigilantism, whereas the film embraced the notion. The film was a commercial success and resonated with the public in the United States, which was experiencing increasing crime rates during the 1970s. Plot Paul Kersey is a middle-aged architect who li ...
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Serpico
''Serpico'' is a 1973 American biographical crime drama film directed by Sidney Lumet and starring Al Pacino in the title role. The screenplay was adapted by Waldo Salt and Norman Wexler from the book written by Peter Maas, with the assistance of its subject Frank Serpico. The story details Serpico's struggle with corruption within the New York City Police Department during his eleven years of service, and his work as a whistleblower that led to the investigation by the Knapp Commission. Producer Dino De Laurentiis purchased the rights from Maas. Agent Martin Bregman joined the film as co-producer. Bregman suggested Pacino for the main part, and John G. Avildsen was hired to direct the film. Pacino met with Serpico to prepare for the role early in the summer of 1973. After Avildsen was dismissed, Lumet was hired as his replacement. On a short notice, he selected the shooting locations and organized the scenes; the production was filmed in July and August. On its release, ...
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Magnum Force
''Magnum Force'' is a 1973 American action-thriller film and the second to feature Clint Eastwood as maverick cop Harry Callahan after the 1971 film '' Dirty Harry''. Ted Post, who had previously worked with Eastwood on '' Rawhide'' and '' Hang 'Em High'', directed the film. The screenplay was written by John Milius and Michael Cimino (who later worked with Eastwood on '' Thunderbolt and Lightfoot''). The film score was composed by Lalo Schifrin. This film features early appearances by David Soul, Tim Matheson, and Robert Urich. At 123 minutes, it is the longest of the five ''Dirty Harry'' films. Plot After being acquitted of mass murder on a legal technicality, Carmine Ricca, the boss of the Italian-American San Francisco Mafia, leaves the court in his limousine. While traveling on a city road, the driver is pulled over by a San Francisco Police Department (SFPD) motorcycle cop, who calmly guns down all of the occupants of the car. Inspector Harry Callahan visits ...
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The French Connection (film)
''The French Connection'' is a 1971 American neo-noirSilver & Ward 1992 action thriller film directed by William Friedkin and starring Gene Hackman, Roy Scheider, and Fernando Rey. The screenplay, by Ernest Tidyman, is based on Robin Moore's 1969 book of the same name about narcotics detectives Eddie Egan and Sonny Grosso. It tells the story of their fictional counterparts, New York Police Department detectives Jimmy "Popeye" Doyle and Buddy "Cloudy" Russo, in pursuit of wealthy French heroin smuggler Alain Charnier (played by Rey). At the 44th Academy Awards, the film earned eight nominations and won five, for Best Picture, Best Actor (Hackman), Best Director, Best Film Editing, and Best Adapted Screenplay. It was also nominated for Best Supporting Actor (Scheider), Best Cinematography and Best Sound Mixing. Tidyman also received a Golden Globe Award nomination, a Writers Guild of America Award, and an Edgar Award for his screenplay. A sequel, '' French Con ...
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