Imagist Movement
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Imagist Movement
Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. Imagism has been termed "a succession of creative moments" rather than a continuous or sustained period of development. The French academic René Taupin remarked that "it is more accurate to consider Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".Taupin, René (1929). ''L'Influence du symbolism francais sur la poesie Americaine (de 1910 a 1920)''. Paris: Champion. Translation (1985) by William Pratt and Anne Rich. New York: AMS. The Imagists rejected the sentiment and discursiveness typical of Romantic and Victorian poetry. In contrast to the contemporary Georgian poets, who were generally content to work within that tradition, Imagists called ...
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Ezra Pound By Alvin Langdon Coburn, 1913
Ezra (fl. fifth or fourth century BCE) is the main character of the Book of Ezra. According to the Hebrew Bible, he was an important Jewish scribe (''sofer'') and priest (''kohen'') in the early Second Temple period. In the Greek Septuagint, the name is rendered as ' (), from which the Latin name Esdras comes. His name is probably a shortened Aramaic translation of the Hebrew name ('), meaning " Yah helps". In the Hebrew Bible, or the Christian Old Testament, Ezra is an important figure in the books of Ezra and Nehemiah, which he is traditionally held to have written and edited, respectively. According to tradition, Ezra was also the author of the Books of Chronicles and the Book of Malachi. He is depicted as instrumental in restoring the Jewish scriptures and religion to the people after the return from the Babylonian Captivity and is a highly respected figure in Judaism. He is regarded as a saint in the Roman Catholic Church, which sets his feast day as July 13, the same as th ...
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Amy Lowell
Amy Lawrence Lowell (February 9, 1874 – May 12, 1925) was an American poet of the imagist school. She posthumously won the Pulitzer Prize for Poetry in 1926. Life Amy Lowell was born on February 9, 1874, in Boston, Massachusetts, the daughter of Augustus Lowell and Katherine Bigelow Lowell. A member of the Brahmin Lowell family, her siblings included the astronomer Percival Lowell, the educator and legal scholar Abbott Lawrence Lowell, and Elizabeth Lowell Putnam, an early activist for prenatal care. They were the great-grandchildren of John Lowell and, on their mother's side, the grandchildren of Abbott Lawrence. School was a source of considerable despair for the young Amy Lowell. She considered herself to be developing "masculine" and "ugly" features and she was a social outcast. She had a reputation among her classmates for being outspoken and opinionated. At fifteen she wanted to be a photographer, poet, and coach racer. Lowell never attended college because her fam ...
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Japonism
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert and Sullivan's ''The Mikado'' is perhaps the best example. From the 1860s, ''ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and ...
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Chinoiserie
(, ; loanword from French '' chinoiserie'', from '' chinois'', "Chinese"; ) is the European interpretation and imitation of Chinese and other Sinosphere artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of chinoiserie has been expressed in different ways depending on the region. It is related to the broader current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical, and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China (during the High Qing era) and the rest of East Asia. As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure. Chinoiserie focuses on subjects that were thought by Eu ...
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Edwardian Era
In the United Kingdom, the Edwardian era was a period in the early 20th century that spanned the reign of King Edward VII from 1901 to 1910. It is commonly extended to the start of the First World War in 1914, during the early reign of King George V. The era is dated from the death of Queen Victoria in January 1901, which marked the end of the Victorian era. Her son and successor, Edward VII, was already the leader of a fashionable elite that set a style influenced by the art and fashions of continental Europe. Samuel Hynes described the Edwardian era as a "leisurely time when women wore picture hats and did not vote, when the rich were not ashamed to live conspicuously, and the sun never set on the British flag." The Liberals returned to power in 1906 and made significant reforms. Below the upper class, the era was marked by significant shifts in politics among sections of society that had largely been excluded from power, such as labourers, servants, and the industri ...
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Victorian Era
In the history of the United Kingdom and the British Empire, the Victorian era was the reign of Queen Victoria, from 20 June 1837 until her death on 22 January 1901. Slightly different definitions are sometimes used. The era followed the Georgian era and preceded the Edwardian era, and its later half overlaps with the first part of the ''Belle Époque'' era of continental Europe. Various liberalising political reforms took place in the UK, including expanding the electoral franchise. The Great Famine (Ireland), Great Famine caused mass death in Ireland early in the period. The British Empire had relatively peaceful relations with the other great powers. It participated in various military conflicts mainly against minor powers. The British Empire expanded during this period and was the predominant power in the world. Victorian society valued a high standard of personal conduct across all sections of society. The Victorian morality, emphasis on morality gave impetus to soc ...
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Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ''ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Classic of Poetry, Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese (''kanshi (poetry), kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately ass ...
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Haiku
is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 Mora (linguistics), morae (called ''On (Japanese prosody), on'' in Japanese) in a 5, 7, 5 pattern; that include a ''kireji'', or "cutting word"; and a ''kigo'', or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-''on'' pattern and sometimes do not contain a ''kireji''. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and Haiku in languages other than Japanese, ...
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Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa (Japan), Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a tanka, 5-7-5-7-7 metre. Up to and during the compilation of the in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the ''Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ...
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Soho
SoHo, short for "South of Houston Street, Houston Street", is a neighborhood in Lower Manhattan, New York City. Since the 1970s, the neighborhood has been the location of many artists' lofts and art galleries, art installations such as The Wall (SoHo), and has also been known for its variety of shops ranging from trendy upscale boutiques to national and international chain store locations. The area's history is an archetypal example of inner-city regeneration and gentrification, encompassing Socioeconomics, socioeconomic, cultural, political, and architectural developments. The name "SoHo" derives from the area being "South of Houston Street", and was coined in 1962 by Chester Rapkin, an urban planner and author of ''The South Houston Industrial Area'' study, also known as the "Rapkin Report". The name also recalls Soho, an area in London's West End of London, West End. Almost all of SoHo is included in the SoHo–Cast Iron Historic District, which was designated by the New Yor ...
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The New Age
''The New Age'' was a British weekly magazine (1894–1938),credited as a major influence on literature and the arts during its heyday from 1907 to 1922, when it was edited by Alfred Richard Orage. It published work by many of the chief political commentators of the day, such as George Bernard Shaw, H. G. Wells, Hilaire Belloc, G. K. Chesterton and Arnold Bennett. History ''The New Age'' began life in 1894 as a publication of the Christian socialist movement, but in 1907, as a radical weekly edited by Joseph Clayton, it was struggling. In May of that year, Orage and Holbrook Jackson, who had been running the Leeds Arts Club, took over the journal with financial help from George Bernard Shaw. Jackson acted as co-editor only for the first year, after which Orage edited it alone until he sold it in 1922. By that time his interests had moved towards mysticism, and the quality and circulation of the journal had declined. According to a Brown University press release ...
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A Lecture On Modern Poetry
"A Lecture on Modern Poetry" was a paper by T. E. Hulme which was read to the Poets' Club around the end of 1908. It is a concise statement of Hulme's influential advocacy of free verse. The lecture was not published during Hulme's lifetime. The lecture commences with an apparent attack on the attitudes of some members of the Club, including its president Henry Simpson. Hulme writes: "I want to speak of verse in a plain way as I would of pigs: that is the only honest way. The President told us last week that poetry was akin to religion. It is nothing of the sort." Hulme discusses how forms rise and fall, and proceeds to the topic of French ''vers libre,'' referring to Gustave Kahn Gustave Kahn (21 December 1859, in Metz – 5 September 1936, in Paris) was a French language, French Symbolism (arts), Symbolist poet and art critic. He was also active, via publishing and essay-writing, in defining Symbolism and distinguishin ...'s explanation of the technique: "It consisted i ...
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