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Haiku
is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 Mora (linguistics), morae (called ''On (Japanese prosody), on'' in Japanese) in a 5, 7, 5 pattern; that include a ''kireji'', or "cutting word"; and a ''kigo'', or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-''on'' pattern and sometimes do not contain a ''kireji''. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and Haiku in languages other than Japanese, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiku In English
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku. Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese ) in a 5–7–5 pattern, varies greatly. Typical characteristics In Japanese, a traditional haiku is a one-line poem that describes two things. However, in English, a traditional haiku usually has three lines arranged in a 5-7-5 pattern. The Haiku Society of America has two definitions of a haiku. The first defines the Japanese haiku as an unrhymed poem "recording the essence of a moment keenly perceived, in which Nature is linked to human nature" consisting of 17 . The second definition applies to English-language haiku: "A foreign adaptation of [the Japanese form], usually written in three lines totaling fewer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
俳句
is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called '' on'' in Japanese) in a 5, 7, 5 pattern; that include a '' kireji'', or "cutting word"; and a ''kigo'', or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-''on'' pattern and sometimes do not contain a ''kireji''. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiku In Languages Other Than Japanese
The Japanese haiku has been adopted in various languages other than Japanese. English The imagist poets Ezra Pound and Amy Lowell wrote what they called hokku. Their followers were the Buddhist poet Paul Reps and the Beat poets, including Jack Kerouac. The first English-language haiku magazine was ''American Haiku'' (1963-1968). French French poets who have written haiku in French include Paul-Louis Couchoud (1905), Paul Claudel (1942), Seegan Mabesoone and Nicolas Grenier. Georges Friedenkraft ( fr) (2002) considers that haiku in French, due to the less rhythmic nature of the French language, often include alliterations or discrete rhymes, and cites the following Haiku by Jacques Arnold (1995) as an example: :''"Jasons : Dieu merci'' :''Ça sent si bon sa forêt'' :''La soupe au persil.''" Subsequent to Paul-Louis Couchoud's popularisation of the form in France through his essays and translations, the next major haiku collection to appear there was the sequence of war poems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kigo
A is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression. History Representation of, and reference to, the seasons has long been important in Culture of Japan, Japanese culture and poetry. The earliest anthology of Japanese poetry, the mid-8th century , contained several sections devoted to the seasons. By the time of the first imperial Japanese anthology, the a century and a half later (AD 905), the seasonal sections had become a much larger part of the anthology. Both of these anthologies had sections for other categories such as love poems and miscellaneous () poems. The writing of the linked-verse form renga dates to the middle of the Heian period (roughly AD 1000) and developed through the medieval era. Over time, set rules develope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senryū
is a Japanese form of short poetry similar to haiku in construction: three lines with 17 (or , often translated as syllables, but see the article on for distinctions). tend to be about human foibles while haiku tend to be about nature, and are often cynical or darkly humorous while haiku are more serious. Like haiku, senryū originated as an opening part ( hokku) of a larger Japanese poem called renga. Unlike haiku, do not include a (cutting word), and do not generally include a , or season word. Form and content is named after Edo period poet , whose collection launched the genre into the public consciousness. A typical example from the collection: This , which can also be translated "Catching him / I see the robber / is my son," is not so much a personal experience of the author as an example of a type of situation (provided by a short comment called a or fore-verse, which usually prefaces a number of examples) and/or a brief or witty rendition of an incident fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsuo Bashō
; born , later known as was the most famous Japanese poet of the Edo period. During his lifetime, Bashō was recognized for his works in the collaborative '' haikai no renga'' form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku). He is also well known for his travel essays beginning with '' Records of a Weather-Exposed Skeleton'' (1684), written after his journey west to Kyoto and Nara. Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. As he himself said, "Many of my followers can write hokku as well as I can. Where I show who I really am is in linking haikai verses." Bashō was introduced to poetry at a young age, and after integrating himself into the intellectual scene of Edo (modern Tokyo) he quickl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haibun
is a prosimetric literary form originating in Japan, combining prose and haiku. The range of ''haibun'' is broad and frequently includes autobiography, diary, essay, prose poem, short story and travel journal. History The term "''haibun''" was first used by the 17th-century Japanese poet Matsuo Bashō, in a letter to his disciple Kyorai in 1690.Shirane, Haruo. ''Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Bashō''. Stanford University Press, 1998. . p212 Bashō was a prominent early writer of ''haibun'', then a new genre combining classical prototypes, Chinese prose genres and vernacular subject matter and language. He wrote some ''haibun'' as travel accounts during his various journeys, the most famous of which is '' Oku no Hosomichi'' (''Narrow Road to the Interior''). Bashō's shorter ''haibun'' include compositions devoted to travel and others focusing on character sketches, landscape scenes, anecdotal vignettes and occasional writings written to hono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ''ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Classic of Poetry, Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese (''kanshi (poetry), kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaoka Shiki
, pen-name of Masaoka Noboru (正岡 升), was a Japanese poet, author, and literary critic in Meiji period Japan. Shiki is regarded as a major figure in the development of modern haiku poetry, credited with writing nearly 20,000 stanzas during his short life. He also wrote on reform of '' tanka'' poetry. Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa. Early life Shiki, or rather Tsunenori (常規) as he was originally named, was born in Matsuyama City in Iyo Province (present day Ehime Prefecture) to a samurai class family of modest means. As a child, he was called Tokoronosuke (處之助); in adolescence, his name was changed to Noboru (升). His father, Tsunenao (正岡常尚), was an alcoholic who died when Shiki was five years of age. His mother, Yae, Beichman, p. 27 was a daughter of Ōhara Kanzan, a Confucian scholar. Kanzan was the first of Shiki's extra-school tutors; at the age of 7 the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volta (literature)
The volta is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry. In the last two decades, the volta has become conventionally used as a word for this, stemming supposedly from technique specific mostly to sonnets. Volta is not, in fact, a term used by many earlier critics when they address the idea of a turn in a poem, and they usually are not discussing the sonnet form. It is a common Italian word more often used of the idea of a time or an occasion than a turnabout or swerve. Terminology The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of ''How Does a Poem Mean?'', John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind (in England, the wind of spring). The lam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renga
''Renga'' (, ''linked poem'') is a genre of Japanese collaborative poetry in which alternating stanzas, or ''ku (''句), of 5-7-5 and 7-7 morae (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as ''tsukuba no michi'' ( ''The Way of Tsukuba'') after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres '' haikai'' () and haiku ().Kaneko, Kinjirō. ''Rengashū, Haikaishū''. Tōkyō: Shōgakkan, 2001. Print. The genre was elevated to a literary art by Nijō Yoshimoto (, 1320–1388), who compiled the first imperial renga anthology '' Tsukubashū'' () in 1356. The most famous renga master was Sōgi (, 1421–1502), and Matsuo Bashō (, 1644–1694) after him became the most famous ''haikai'' master. Renga sequences were typically composed live during gatherings of poets, transcribed oral sessio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
