"A Lecture on Modern Poetry" was a paper by

T. E. Hulme Thomas Ernest Hulme (; 16 September 1883 – 28 September 1917) was an English critic and poet who, through his writings on art, literature and politics, had a notable influence upon modernism. He was an aesthetic philosopher and the Imagism ...

which was read to the

Poets' Club The Poets' Club was a group devoted to the discussion of poetry. It met in London in the early years of the twentieth century. It was founded by Henry Simpson, a banker. T. E. Hulme helped set up the group in 1908, and was its first secretary. ...

around the end of

1908 This is the longest year in either the Julian or Gregorian calendars, having a duration of 31622401.38 seconds of Terrestrial Time (or ephemeris time), measured according to the definition of mean solar time. Events January * January ...

. It is a concise statement of Hulme's influential advocacy of

free verse Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free ...

. The lecture was not published during Hulme's lifetime. The lecture commences with an apparent attack on the attitudes of some members of the Club, including its president Henry Simpson. Hulme writes: "I want to speak of verse in a plain way as I would of pigs: that is the only honest way. The President told us last week that poetry was akin to religion. It is nothing of the sort." Hulme discusses how forms rise and fall, and proceeds to the topic of French ''

vers libre Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free v ...

,'' referring to

Gustave Kahn Gustave Kahn (21 December 1859, in Metz – 5 September 1936, in Paris) was a French language, French Symbolism (arts), Symbolist poet and art critic. He was also active, via publishing and essay-writing, in defining Symbolism and distinguishin ...

's explanation of the technique: "It consisted in a denial of a regular number of syllables as the basis of versification. The length of the line is long and short, oscillating with the images used by the poet; it follows the contours of his thought and is free rather than regular." Hulme concludes with a call to arms: "a shell is a very suitable covering for the egg at a certain period of its career, but very unsuitable at a later age. This seems to me to represent fairly well the state of verse at the present time. ... thas become alive, it has changed from the ancient art of chanting to the modern impressionist, but the mechanism of verse has remained the same. It can't go on doing so. I will conclude, ladies and gentlemen, by saying, the shell must be broken."

Sources

* Patrick McGuinness (editor), ''T. E. Hulme: Selected Writings,'' Fyfield Books, Carcanet Press, 1998.

External links

Text of ''A Lecture on Modern Poetry''
Essays about poetry 1908 essays Lectures {{poetry-essay-stub