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Hanacpachap Cussicuinin
''Hanacpachap cussicuinin'' (modern orthography: ) is a processional hymn to the Virgin Mary in the Quechua language but in a largely European sacred music style. Composed by an Inca student of Juan Pérez de Bocanegra between 1620 and 1631,Bruce Mannheim, "A Nation Surrounded," in ''Native Traditions in the Postconquest World'', ed. Elizabeth Hill Boone and Tom Cummins, 383–420 (Dumbarton Oaks, 1998), 388. a Franciscan priest, published in 1631 in the Viceroyalty of Peru making it the earliest work of vocal polyphony printed in the New World. Robert M. Stevenson, ''Music in Aztec and Inca Territory'' (Berkeley and Los Angeles: University of California Press, 1968), 280–281. History ''Hanacpachap cussicuinin'' appears for the first time in the Ritual published by the Franciscan friar Juan Pérez Bocanegra in 1631 entitled , written in both Quechua and Spanish, although the hymn itself is in Quechua only without translation. The music is arranged for four voices. When publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treble Voice
A treble voice is a voice which takes the treble part. In the absence of a separate descant part, this is normally the highest- pitched part, and otherwise the second highest. The term is most often used today within the context of choral music in reference to youthful singers. The American Choral Directors Association defines a treble as "a singer, both male and female, ages eight to sixteen". While the term treble is gender neutral, the term is widely used in place of the term boy soprano within the United Kingdom. The term became widely used by English composers of polyphonic choral music during the English pre-Reformation and Reformation eras. At this time choral music written for the Church of England was often voiced in five parts with TrMATB (Treble, Meane, Alto, Tenor, Bass) being one of the most common voicings utilized by Thomas Tallis and his contemporaries. In the Baroque era the term treble was used differently than it is today. The term was used in operas, cantata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Chapelet
Francis Chapelet (born 3 March 1934 in Paris) the son of painter Roger Chapelet, is a French classical organist. Career Francis Chapelet started studying the organ at the école César Franck, under the direction of Édouard Souberbielle. He later studied at the Conservatoire de Paris where he won the first prizes in harmony (with Maurice Duruflé as professor), and organ and improvisation (with Rolande Falcinelli) in 1961. In 1964, he was named co-holder of the organ of the Saint-Séverin in Paris, a position he held for twenty years, and of which he remains an honorary member. He was a member of the two organ commissions (classified, unclassified) of the Ministry of Culture. He is also honorary organist of San Giovanni dei Fiorentini in Rome. He created the organ class of the Conservatoire de Bordeaux of which he was in charge until 1996. Francis Chapelet is known to be one of the specialists of Spanish organ and has directed the International Academy of Iberian Organ of Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taki Unquy
''Taki Unquy'' ( Quechua, Hispanicized and alternative spellings ''Taqui Ongoy'', ''Taki Oncoy'', ''Taqui Honcoy'', ''Taqui Onccoy'', ''Taki Onqoy'') was a millenarian Indigenous movement of political, religious and cultural dimensions which arose in the Peruvian Andes during the 16th century (c. 1564 - c. 1572) in opposition to the recent Spanish arrival. Historical background The literal translation of ''Taki Unquy'' from Quechua is "sickness of the chant" or "dancing sickness". The intrinsic Andean connotation is difficult to translate. The name comes from the Andeans contemporary to the Conquista, who believed that the wak'as were annoyed by the expansion of Christianity. The wak'as, Andean spirits, began taking possession of the Indigenous people, making them dance to music and announce divine will to restore the pre-Hispanic culture, mythology and politics. ''Taki Unquy'' arose in the 1560s in Huamanga, Ayacucho, Peru, from where it spread to Huancavelica, Lima, Cus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |