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Gregory Sholette
Gregory Sholette is a New York-based artist, writer, educator, and activist. He is a Professor of Sculpture and Social Practice at Queens College, City University of New York, Co-Director of Social Practice CUNY, alongside professor Chloë Bass, and Headquartered in the Center for the Humanities, at the Graduate Center. Between 2011 and 2014 he served as a charter member of the Home Workspace Curriculum Committee in Beirut, Lebanon. Sholette completed his PhD in the Memory Studies and Heritage Program, University of Amsterdam, in 2017. He holds an MFA from the University of California, San Diego (1995); a BFA from The Cooper Union 1979; and was selected to be a Helena Rubinstein Fellow in Critical Studies (1995–1996) at the Whitney Museum of American Art’s Independent Studies Program (ISP). Career Sholette co-founded several New York City based art collectives and group projects, including Political Art Documentation/Distribution or PAD/D (1980-1988) with Jerry Kearns and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queens College, City University Of New York
Queens College (QC) is a public college in the New York City borough of Queens. Part of the City University of New York system, Queens College occupies an campus primarily located in Flushing. Queens College was established in 1937 and offers undergraduate degrees in over 70 majors, graduate studies in over 100 degree programs and certificates, over 40 accelerated master's options, 20 doctoral degrees through the CUNY Graduate Center, and a number of advanced certificate programs. Alumni and faculty of the school, such as Arturo O'Farrill and Jerry Seinfeld, have received over 100 Grammy Award nominations. The college is organized into seven schools. It competes in Division II of the NCAA and sponsors 15 men's and women's championship-eligible varsity teams. History Before 1937 Before Queens College was established in 1937, the site of the campus was home to the Jamaica Academy, a one-room schoolhouse built in the early 19th century, where Walt Whitman once worked as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flux
e-flux is a publishing platform and archive, artist project, curatorial platform, and e-mail service founded in 1998. The arts news digests, events, exhibitions, schools, journal, books, and art projects produced and/or disseminated by e-flux describe strains of critical discourse surrounding contemporary art, culture, and theory internationally. Its monthly publication, '' e-flux journal'', has produced essays commissioned since 2008 about cultural, political, and structural paradigms that inform contemporary artistic production. History In November 1998, curators Regine Basha and Christoph Gerozissis, along with artist Anton Vidokle organized the group exhibition ''The Best Surprise is No Surprise'' at the Holiday Inn in Chinatown, Manhattan. Basha, Gerozissis, and Vidokle used e-mail, then a new communication technology, to disseminate the press release for the 12-hour, all-night exhibition. The exhibition featured works by Tomoko Takahashi, Michel Auder, and Carsten Ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constructivism (art)
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favour of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde. Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music. Beginnings Constructivism was a post-World War I development of Russian Futurism, and particularly of the 'counter reliefs' of Vladimir Tatlin, which had been exhibited in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Productivism (art)
Productivism is an early twentieth-century art movement that is characterized by its spare geometry, limited color palette, and Cubist and Futurist influences. Aesthetically, it also looks similar to work by Kazimir Malevich and the Suprematists. But where Constructivism sought to reflect modern industrial society and urban space and Suprematism sought to create "anti-materialist, abstract art that originated from pure feeling," Productivism's goal was to create accessible art in service to the proletariat, with artists functioning more like "engineers ... than easel painters." "We declare uncompromising war on art!" Aleksei Gan wrote in a 1922 manifesto. Alexander Rodchenko, Varvara Stepanova, Kazimir Malevich, El Lissitzky, Liubov Popova, and others similarly renounced pure art in favor of serving society, a resolution born of extensive discussion and debate at the Moscow-based Institute of Artistic Culture (INKhUK), the Society of Young Artists, journals of the day and or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurism
Futurism ( ) was an Art movement, artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included Italian artists Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and, according to its doctrine, "aimed to liberate Italy from the weight of its past." Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurism , Russian Futurists would later go on to found gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernity
Modernity, a topic in the humanities and social sciences, is both a historical period (the modern era) and the ensemble of particular Society, socio-Culture, cultural Norm (social), norms, attitudes and practices that arose in the wake of the Renaissancein the Age of Enlightenment, Age of Reason of 17th-century thought and the 18th-century Age of Enlightenment, Enlightenment. Commentators variously consider the era of modernity to have ended by 1930, with World War II in 1945, or as late as the period falling between the 1980s and 1990s; the following era is often referred to as "postmodernity". The term "contemporary history" is also used to refer to the post-1945 timeframe, without assigning it to either the modern or postmodern era. (Thus "modern" may be used as a name of a particular era in the past, as opposed to meaning "the current era".) Depending on the field, modernity may refer to different time periods or qualities. In historiography, the 16th to 18th centuries are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okwui Enwezor
Okwui Enwezor (23 October 1963 – 15 March 2019) was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. Enwezor served as artistic director of several major exhibitions, including Documenta11 (2002) and the 56th Venice Biennale, 2015 Venice Biennale, becoming the first non-European and African-born curator to lead both. He was director of Munich’s Haus der Kunst from 2011 to 2018. Enwezor was also the founding editor of ''Nka: Journal of Contemporary African Art'' and held numerous academic appointments. n 2014, he was ranked 24 in the ''ArtReview'' list of the 100 most powerful people of the art world. He lived in New York City and Munich. Enwezor died in 2019 after a prolonged battle with cancer. Biography Okwui Enwezor (pronounced )Celestine Bohlen (12 February 2002)"A Global Vision For a Global Show; Documenta Curator Sees Art As Expression of Social Change" ''The New York Times''. was born on October 23, 1963, to Okwuchukwu Emmanue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reiko Tomii
is a Japanese-born art historian and curator based in New York. Specializing in Japanese modern and conceptual art in its global context during the postwar period, Tomii is one of the art historians publishing in the English language on postwar Japanese art. Tomii helped organize the first North American retrospective on the work of Yayoi Kusama (1989), and collaborated closely with curator Alexandra Munroe to produce the seminal exhibition and book ''Japanese Art after 1945: Scream Against the Sky'' (1994). In 2017, Tomii's book ''Radicalism in the Wilderness: International Contemporaneity and 1960s Art in Japan'' was awarded the Robert Motherwell Book Award by the Dedalus Foundation. Tomii is also co-founder and co-director of the postwar Japanese art research collective PoNJA-GenKon (Post-1945 Japanese Art Discussion Group-Gendai Bijutsu Kondankai). Early life and education Reiko Tomii was born and raised in Osaka, Japan. Raised by two pharmacist parents who pushed her to study ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collectivism
In sociology, a social organization is a pattern of relationships between and among individuals and groups. Characteristics of social organization can include qualities such as sexual composition, spatiotemporal cohesion, leadership, structure, division of labor, communication systems, and so on. Because of these characteristics of social organization, people can monitor their everyday work and involvement in other activities that are controlled forms of human interaction. These interactions include: affiliation, collective resources, substitutability of individuals and recorded control. These interactions come together to constitute common features in basic social units such as family, enterprises, clubs, states, etc. These are social organizations. Common examples of modern social organizations are government agencies, NGOs, and corporations. Elements Social organizations happen in everyday life. Many people belong to various social structures—institutional and inform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
