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Ghulam Farid Sabri
Ghulam Farid Sabri (1930–5 April 1994) was a qawwali singer and member of the Sabri Brothers, a qawwali group in Pakistan in the 1970s, 1980s, and 1990s. The Sabri Brothers received the Pride of Performance award by the President of Pakistan in 1978. (Ghulam Farid Sabri, Pride of Performance award info on Google Books website) Sabri was also a Sufi mystic connected to the Chishti Order. Early life Ghulam Farid Sabri was born in Kalyana, a village in the district of Rohtak in Punjab, British India, in 1930. His family's musical lineage stretches back several centuries, to the age of the Mughal emperors. His family claims direct descent from Mian Tansen, the musician of the court of Akbar the Great, the Mughal emperor. Mehboob Baksh Ranji Ali Rang, his paternal grandfather, was a musician; Baqar Hussein Khan, his maternal grandfather, was a sitarist. His family belongs to the ''Sabriyya'' order of Sufism; hence, the surname Sabri was adopted by them. Ghulam Farid Sabri was rai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabri Brothers
The Sabri Brothers (Punjabi language, Punjabi, ) were a musical band from Pakistan who were performers of Sufi qawwali music and were closely connected to the Chishti Order. They are considered one of the greatest Sufi qawwali singers of all times. The Sabri Brothers were led by Ghulam Farid Sabri and his brother Maqbool Ahmed Sabri. They are often referred to as ''Shahenshah-e-Qawwali'' (the King of Kings of Qawwali) and are also known as ''the roving ambassadors of Pakistan''. The band was initially founded by Maqbool Ahmed Sabri at the age of 11 years and was known as the Bacha Qawwal Party. His elder brother Ghulam Farid Sabri joined after insistence from their father. He became the leader of the group, and the band soon became known as the Sabri Brothers. They were the first-ever Qawwali artists to perform qawwali in the United States and other Western countries; they were also the first-ever Asian artists to perform at New York City, New York's Carnegie Hall in 1975. Orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pride Of Performance
The Pride of Performance (), officially known as the Presidential Pride of Performance, is an award bestowed by the Pakistan, Islamic Republic of Pakistan to recognize people with "notable achievements in the field of art, science, literature, sports, and nursing". The Pride of Performance is the highest national literary award of Pakistan conferred upon its Pakistanis, citizens and, while it recognizes literary contribution, it can also be conferred upon foreign nationals. History The Pride of Performance award, including Civil decorations of Pakistan, civil decorations was established in 1957 under the Decorations Act, 1975, enacted or modified in 1975. The award seeks to recognize notable achievements which are determined by the Warrant of Precedence for Pakistan, Pakistan Warrant of Precedence of 1980. The award which was possibly first awarded in 1958, can also be conferred posthumously under a Constitution of Pakistan, constitutional amendment Article 259 of clause two. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mian Tansen
Rāmtanu ( – 26 April 1589), popularly referred to as Mian Tānsen (), or Sangeet Samrāt (), was a Hindustani classical musician. Born into a Hindu Gaur Brahmin family in Gwalior, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He got his first break as musician and composer in the court of Raja Man Singh Tomar of Gwalior and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh (r. 1555–1592), where Tānsen's musical abilities and studies gained widespread fame. This reputation brought him to the attention of the Mughal Emperor Akbar. In 1562, at about the age of 60, Tānsen joined Akbar's court, and his performances became the subject of many court historians. Numerous legends have been written about Tānsen, mixing facts and fiction, and the historicity of these stories is doubtful. Akbar considered him one of the Navaratnas Nine Ministers (the nine jewels) and gave him the titl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhikr
(; ; ) is a form of Islamic worship in which phrases or prayers are repeatedly recited for the purpose of remembering God. It plays a central role in Sufism, and each Sufi order typically adopts a specific ''dhikr'', accompanied by specific posture, breathing, and movement. In Sufism, ''dhikr'' refers to both the act of this remembrance as well as the prayers used in these acts of remembrance. ''Dhikr'' usually includes the names of God or supplication from the Quran or hadith. It may be counted with either one's fingers or prayer beads, and may be performed alone or with a collective group. A person who recites ''dhikr'' is called a ''dhākir'' (; ; ). The Quran frequently refers to itself and other scriptures and prophetic messages as "reminders" (''dhikrah'', ''tadhkīrah''), which is understood as a call to "remember" (''dhikr'') an innate knowledge of God humans already possess. The Quran uses the term ''dhikr'' to denote the reminder from God conveyed through the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partition Of India
The partition of India in 1947 was the division of British India into two independent dominion states, the Dominion of India, Union of India and Dominion of Pakistan. The Union of India is today the Republic of India, and the Dominion of Pakistan is the Islamic Republic of Pakistan and the People's Republic of Bangladesh. The Partition (politics), partition involved the division of two provinces, Bengal and the Punjab Province (British India), Punjab, based on district-wise Hindu or Muslim majorities. It also involved the division of the British Indian Army, the Royal Indian Navy, the Indian Civil Service, the History of rail transport in India, railways, and the central treasury, between the two new dominions. The partition was set forth in the Indian Independence Act 1947 and resulted in the dissolution of the British Raj, or Crown rule in India. The two self-governing countries of India and Pakistan legally came into existence at midnight on 14–15 August 1947. The partiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maqbool Ahmed Sabri
Maqbool Ahmed Sabri (12 October 1945 – 21 September 2011) was a Pakistani qawwali singer and a prominent member of the Sabri Brothers, one of the greatest qawwali groups of all times which belonged to Pakistan. The Sabri Brothers were honoured with the Pride of Performance Award in 1978. Early life Born in Kalyana in eastern Punjab, Maqbool Ahmed Sabri was initially educated in the Hindustani classical music tradition by his father Ustad Inayat Hussain Sabri and his beloved elder brother Ghulam Farid Sabri. Their family came from a musical background, and claimed direct descent from Mian Tansen, who had played at the court of the 16th-century Mughal emperor Akbar. Mehboob Baksh Ranji Ali Rang, his paternal grandfather, was a master musician of his time; Baqar Hussein Khan, his maternal grandfather, was a unique sitarist. His family belongs to the Sabriyya order of Sufism, hence the surname Sabri. The family made the perilous journey to Karachi during the partition of Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muhammad Ghawth
Muhammad Ghawth (Ghouse, Ghaus or Gwath) Gwaliyari (1500–1562) was a 16th-century Sufism, Sufi master of the Shattari order and Sufi saint, a musician, Segoogle book search and the author of ''Jawahir-i Khams'' (Arabic: ''al-Jawahir al-Khams'', The Five Jewels). The book mentioning the life and miracles of Gaus named " Heaven's witness" was written by Kugle. Biography Muhammad Ghawth was born in Gwalior, India in 1500; the name Gwaliyari means "of Gwalior". One of his ancestors was Fariduddin Attar of Nishapur. In the preface of ''al-Jawahir al-Khams'', he states that he wrote the book when he was 25 years old. In 1549 he travelled to Gujarat, when he was 50 years old. He stayed in Ahmedabad for ten years where he founded Ek Toda Mosque and preached. Ghawth translated the ''Amrtakunda'' from Sanskrit to Persian as the ''Bahr al-Hayat'' (The Ocean of Life), introducing to Sufism a set of yoga practices. According to the scholar Carl W. Ernst, in this "translation", Ghawth i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A ''tabla'' is a pair of hand drums from the Indian subcontinent. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during ''bhajan'' and ''kirtan'' singing. It is one of the main qawwali instruments used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument. The word ''tabla'' likely comes from ''tabl'', the Arabic word for drum. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
North Indian Classical Music
Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu, Kannada, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj, Avadhi, Bhojpuri, Bengali, Rajasthani, Marathi and Punjabi. Knowledge of Hindustani classical music is taught through a network of classical music schools, called '' gharana''. Hindustani classical music is an integral part of the culture of India and is performed across the country and internationally. Exponents of Hindus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
