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Get Up And Boogie
''Get Up and Boogie'' (sometimes also known simply as ''Silver Convention'') is the second studio album by the German disco group Silver Convention, and perhaps best known for including the song " Get Up and Boogie", which hit #1 on June 15, 1976 in Canada and reached #2 in the United States. Released in 1976, It gained popularity on the dance floors and also achieved a measure of commercial success, reaching #9 on the Billboard Black Albums chart and #13 on the Billboard Pop Albums chart. Critical reception of the album, both back then and today, was mixed, although an Allmusic review called it "a respectable, if uneven, Euro-disco effort that boasts the disco smash 'Get Up and Boogie'". Silver Convention – Review allmusic.com The album has since been released on iTunes in several countries, sometimes under the title ''Silver Convention''. Track listing Personnel *Vocals – Penny McLean, Linda G. Thompson and Jackie Carter *Drums and Percussion – Keith Forsey and Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silver Convention
Silver Convention were a German Euro disco recording act of the 1970s. The group was originally named Silver Bird Convention or Silver Bird. History The group was initiated in Munich, then West Germany, by producers and songwriters Michael Kunze and Sylvester Levay. The group was named after Levay's nickname: "Silver". Kunze in the late 1960s had been a pop lyricist who wrote protest songs in German; when these tunes went out of style, he began producing pop records and commercials. Levay had developed a taste for American music while growing up in then Yugoslavia, eventually becoming a music arranger and lyricist. Using female session vocalists named Ingrid, Wilma, and Monica, they scored a successful single in the United Kingdom in 1975 with the song " Save Me", which peaked at #30. They later used other vocalists, such as Gitta Walther, Lucy Neale, Betsy Allen, Roberta Kelly, and Jackie Carter for their first recordings and upcoming album. Since they were only a studio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvester Levay
Sylvester Levay (originally Lévay Szilveszter, Serbian language, Serbian: Силвестер Леваи, ''Silvester Levai'') is a Hungarian people, Hungarian recording artist and composer, born in Yugoslavia (now Serbia). Life and career Levay was born on 16 May 1945 in Subotica in the North Bačka District of Vojvodina, Yugoslavia (now Serbia). Sylvester Levay began his musical studies at the age of eight. Levay developed a taste for American music while growing up in Yugoslavia, eventually becoming a music arranger and lyricist. Upon his arrival in Munich in 1972, he met his writing partner, Michael Kunze (writer), Michael Kunze, with whom he has created many successful theatrical works. From 1980 to 2000 he lived in Hollywood, Los Angeles, Hollywood and concentrated on composing film music. He composed songs for notable artists like Elton John and Penny McLean. He was awarded a 1976 Grammy Awards, Grammy for his 1975 song "Fly Robin Fly". In October 2010, Levay worked with Xi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box Magazine
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1952, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Library And Archives Canada
Library and Archives Canada (LAC; ) is the federal institution tasked with acquiring, preserving, and providing accessibility to the documentary heritage of Canada. The national archive and library is the 16th largest library in the world. The LAC reports to the Parliament of Canada through the Minister of Canadian Heritage. LAC traces its origins to the Dominion Archives, formed in 1872, and the National Library of Canada, formed in 1953. The former was later renamed as the Public Archives of Canada in 1912, and the National Archives of Canada in 1987. In 2004, the National Archives of Canada and the National Library of Canada were merged to form Library and Archives Canada. History Predecessors The Dominion Archives was founded in 1872 as a division within the Department of Agriculture tasked with acquiring and transcribing documents related to Canadian history. In 1912, the division was transformed into an autonomous organization, Public Archives of Canada, with the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keith Forsey
Keith Forsey (born 2 January 1948) is an English pop musician and record producer. Early life Forsey began his career as a percussionist in the mid-late 1960s as the drummer for The Spectrum and as the drummer in Udo Lindenberg's Panik Orchester until 1976, during which he also played percussion for Amon Düül II. By late 1970s, he was a pioneer of disco, working with artists such as Lipstique, Claudja Barry, La Bionda, the Italo disco pioneers and Boney M. He became Giorgio Moroder's drummer and played on records by Donna Summer, including '' Bad Girls'', and Sparks' " No. 1 in Heaven." Forsey's own band, Trax, a collaboration with Pete Bellotte, was not as popular. Forsey was influenced by Moroder and began experimenting with electronics and European dance rhythms. Production career Like Moroder, Forsey started producing albums himself, and in 1982 produced Billy Idol's solo debut album, ''Billy Idol'' and Icehouse's global breakthrough album '' Primitive Man''. Id ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda G
Linda is an English feminine given name, derived from the Spanish word , meaning "pretty." Linda may also refer to: Names * Linda (given name), a female given name (including a list of people and fictional characters so named) * Linda (singer) (born 1977), stage name of Svetlana Geiman, a Russian singer * Miss Linda, long-time manager and wife of Welsh wrestler Adrian Street Surname * Anita Linda (born Alice Lake, 1924–2020), Filipino film actress * Bogusław Linda (born 1952), Polish actor * La Prieta Linda (1933–2021), Mexican singer and actress * Sarah Linda (born 1987), British actress and model * Solomon Linda (1909–1962), South African Zulu musician, singer and composer who wrote the song "Mbube" which later became "The Lion Sleeps Tonight" Places * Linda, Tasmania, Australia, a ghost town * Linda Valley, Tasmania * Linda, Georgia, a village in Abkhazia * Linda, Bashkortostan, Russia, a village * Linda, California, United States, a census-designated place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get Up And Boogie (song)
"Get Up and Boogie" is a song by German disco act Silver Convention from their 1976 second album of the same name. The song was written and composed by Sylvester Levay and Stephan Prager, and produced by Prager. The song was released as the lead single from the album ''Get Up and Boogie'' (also titled ''Silver Convention'' in some countries) in 1976. Composition Similar to their previous 1975 hit single " Fly, Robin, Fly", the lyrics of "Get Up and Boogie" consists only of two phrases, "Get up and boogie!" and "That's right!" repeated throughout the song. Reception "Get Up and Boogie" hit number one on June 15, 1976 in Canada, and reached No. 2 on the U.S. ''Billboard'' Hot 100, being kept off the No. 1 spot by Wings' " Silly Love Songs". ''Billboard'' ranked it as the #24 song for 1976. "Get Up and Boogie" also became a hit during the late-1970s disco scene. Covers and samples * Australian rock band Regurgitator sampled the "That's right!" vocal line from "Get Up and Boogi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euro Disco
Eurodisco (also spelled as Euro disco) is a genre of electronic dance music that evolved from disco in the middle 1970s, incorporating elements of pop and rock into a disco-like continuous dance atmosphere. Many Eurodisco compositions feature lyrics sung in English, although the singers often share a different mother tongue. Eurodisco derivatives generally include Europop and Eurodance, with the most prominent sub-genres being space disco of the late 1970s and Italo disco of the early 1980s. The genre declined in popularity after 1990 in preference to house and eurodance. History Eurodisco is largely an offshoot of contemporary American music trends going far back to the early times of disco, pop and rock. During the 1960s, Europop hits spread around France, Italy and Germany, because of the French Scopitone (jukebox) and the Italian Cinebox/Coilorama Video-jukebox machines. Another root is the Eurovision Song Contest, especially in the 1970s. The song " Waterloo" by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business published many 19th-century American authors, including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of '' The Atlantic Monthly'' and '' North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John Allen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
