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Farewell Blues
"Farewell Blues" is a 1922 jazz standard written by Paul Mares, Leon Roppolo and Elmer Schoebel. It was first released by the seminal jazz band New Orleans Rhythm Kings under the name the Friars Society Orchestra. Background The song was recorded on August 29, 1922, in Richmond, Indiana and released as Gennett 4966A, Matrix #11179, as by the Friars Society Orchestra under the direction of Husk O'Hara. It was first released by the New Orleans Rhythm Kings under the name the Friars Society Orchestra and soon was covered by several jazz bands. A band called The Georgians recorded it in 1923, copying Roppolo's acclaimed clarinet solo note for note.'' Jelly Roll, Bix, and Hoagy: Gennett Studios and the Birth of Recorded Jazz''. Rick Kennedy and Steve Allen. Indiana University Press, 1994. . p.56 As well as the many cover versions by jazz performers during the Swing music, swing era, the tune was also picked up by Hawaiian music artists in this period such as Sam Ku West and Sol Hoop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farewell Blues Friars Society Orchestra 1922 Record Label
Farewell or fare well is a parting phrase. The terms may also refer to: Places * Farewell, Missouri, a community in the United States * Farewell and Chorley, a location in the United Kingdom near Lichfield, site of the former Farewell Priory * Cape Farewell (other), multiple places Films * Farewell (1930 film), ''Farewell'' (1930 film) (German: ''Abschied''), a film directed by Robert Siodmak * ''Farewells'' (Polish: ''Pożegnania''), a 1958 film directed by Wojciech Has * Farewell (1967 film), ''Farewell'' (1967 film) (''Gobyeol''), a South Korean film starring Shin Young-kyun * Farewell (1972 film), ''Farewell'' (1972 film) (''Jagbyeol''), a South Korean film starring Namkoong Won * Farewell (1983 film), ''Farewell'' (1983 film) (''Proshchanie''), a film directed by Elem Klimov * The Farewell (2000 film), ''The Farewell'' (2000 film), a 2000 German film * Farewell (2009 film), ''Farewell'' (2009 film) (''L'affaire Farewell''), a 2009 French film * The Farewell (2019 fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Charleston Chasers
The Charleston Chasers was a studio recording ensemble that recorded music on Columbia Records between 1925 and 1931. They recorded early versions of songs such as " After You've Gone", " Ain't Misbehavin'", and "My Melancholy Baby". Their 1931 recording of "Basin Street Blues" featured Benny Goodman, who stated that it was the first time that he was able to show his own musical personality on record. The group's rendition of "Someday Sweetheart" was featured on the soundtrack of the Depression-era crime drama '' Road to Perdition.'' Associated artists * Vic Berton, drummer * Jimmy Dorsey, clarinet * Roy Evans, vocals * Benny Goodman, clarinet * Scrappy Lambert, vocals * Dick McDonough, banjo or guitar * Glenn Miller, trombone * Miff Mole, trombone * Phil Napoleon, trumpet * Red Nichols, cornet * Pee Wee Russell, clarinet * Arthur Schutt, piano * Paul Small, vocals * Kate Smith, vocals * Joe Tarto, tuba * Eva Taylor, vocals * Charlie Teagarden, trumpet * Jack Teagarden Wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glenn Miller
Alton Glen "Glenn" Miller (March 1, 1904 – December 15, 1944) was an American big band conductor, arranger, composer, trombonist, and recording artist before and during World War II, when he was an officer in the United States Army Air Forces, US Army Air Forces. His civilian band, Glenn Miller Orchestra, Glenn Miller and his Orchestra, was one of the most popular and successful bands of the 20th century and the big band era. Glenn Miller and his Orchestra was the best-selling recording band from 1939 to 1942. Unlike his military unit, Miller's civilian band did not have a string section, but it did have a Slapping (music), slap bass in the rhythm section. It was also a touring band that played multiple radio broadcasts nearly every day. Its best-selling records include Miller's theme song, "Moonlight Serenade", and the first gold record ever made, "Chattanooga Choo Choo", a song on the soundtrack of Miller's first film, ''Sun Valley Serenade'', and the number-one song in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Condon
Albert Edwin Condon (November 16, 1905 – August 4, 1973) was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang. He also owned a self-named night club in New York City. Early years Condon was born in Goodland, Indiana, the son of John and Margaret (née McGraw) Condon. He grew up in Momence, Illinois, and Chicago Heights, Illinois, where he attended St. Agnes and Bloom High School. After playing ukulele, he switched to banjo and was a professional musician by 1921. When he was 15 years old, he received his first union card in Waterloo, Iowa. Career He was based in Chicago for most of the 1920s, and played with such jazz notables as Bix Beiderbecke, Jack Teagarden, and Frank Teschemacher. He and Red McKenzie formed the Chicago Rhythm Kings in 1925. While in Chicago, Condon and other white musicians would go to Lincoln Gardens to watch and learn from King Oliver and his band. They later would frequent t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wingy Manone
Joseph Matthews "Wingy" Manone (February 13, 1900 – July 9, 1982) was an American jazz trumpeter, composer, singer, and bandleader. His recordings included " Tar Paper Stomp", "Nickel in the Slot", "Downright Disgusted Blues", "There'll Come a Time (Wait and See)", and "Tailgate Ramble". Biography Manone (pronounced "ma-KNOWN") was born in New Orleans, Louisiana, of Sicilian descent. He lost his right arm in a streetcar accident when he was ten years old, which resulted in his nickname of "Wingy". He used a prosthesis so naturally and unnoticeably that his disability was not apparent to the public. After playing trumpet and cornet professionally with various bands in his hometown, he began to travel across America in the 1920s, working in Chicago, New York City, Texas, Mobile, Alabama, California, St. Louis, Missouri, and other locations. Manone's style was similar to that of fellow New Orleans trumpeter Louis Prima: hot jazz with trumpet leads, punctuated by good-nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woody Herman
Woodrow Charles Herman (May 16, 1913 – October 29, 1987) was an American jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ... clarinetist, saxophonist, singer, and big band leader. Leading groups called "The Herd", Herman came to prominence in the late 1930s and was active until his death in 1987. His bands often played music that was cutting edge and experimental; their recordings received numerous Grammy Award, Grammy nominations. Early life and career Herman was born in Milwaukee, Milwaukee, Wisconsin, on May 16, 1913. His parents were Otto and Myrtle (Bartoszewicz) Herrmann. His mother was born in Poland. His father had a deep love for show business and this influenced Woody at an early age. As a child, Woody Herman worked as a singer and tap-dancer in vaudeville, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Grammy Lifetime Achievement Award, Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark (musician), June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cab Calloway
Cabell "Cab" Calloway III (December 25, 1907 – November 18, 1994) was an American jazz singer and bandleader. He was a regular performer at the Cotton Club in Harlem, where he became a popular vocalist of the Swing music, swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years. Calloway was a master of energetic scat singing and led one of the most popular Big band, dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie, Jonah Jones, and Doc Cheatham, Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole. Calloway had several hit records in the 1930s and 1940s, becoming the first African-American musician to sell one million copies of a record. He became known as the "Hi-de-ho" man of jazz for his most famous song, "Minnie the Moocher", originally recorded in 1931. He reached t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isham Jones
Isham Edgar Jones (January 31, 1894 – October 19, 1956) was an American bandleader, saxophonist, bassist and songwriter. Career Jones was born in Coalton, Ohio, United States, to a musical and mining family. His father, Richard Isham Jones (1865–1945), was a violinist. The family moved to Saginaw, Michigan, where Jones grew up and started his first ensemble for church concerts. In 1911 one of Jones's earliest compositions "On the Alamo" was published by Tell Taylor Inc. In 1915, Jones moved to Chicago, Illinois. He performed at the Green Mill Gardens, then began playing at Fred Mann's Rainbo Gardens. Chicago remained his home until 1932, when he settled in New York City. He also toured England with his orchestra in 1925. In 1917, he composed the tune "We're in the Army Now" (also known as " You're in the Army Now") when the United States entered World War I. The same tune was popular during World War II and it is played by the U.S. Army Band. The Isham Jones band m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abe Lyman
Abe Lyman (born Abraham Simon; August 4, 1897 – October 23, 1957) was a bandleader from the 1920s to the 1940s. He made recordings, appeared in films and provided the music for numerous radio shows, including '' Your Hit Parade''. Biography Born in Chicago, Illinois, on August 4, 1897, to an Ashkenazi Jewish immigrant family, Lyman's name at birth was Abraham Simon. He and his brother, Mike, changed their last name to Lyman because they both thought it sounded better. Abe learned to play the drums when he was young, and at the age of 14 he had a job as a drummer in a Chicago café. Around 1919, he was regularly playing music with two other notable future big band leaders, Henry Halstead and Gus Arnheim, in California. In Los Angeles Mike Lyman opened the Sunset, a night club popular with such film stars as Mary Pickford, Norma Talmadge, Charlie Chaplin, Buster Keaton, and Harold Lloyd. When Abe's nine-piece band first played at the Sunset, it was a success, but the club cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Smeck
Leroy George Alfred "Roy" Smeck (6 February 1900 – 5 April 1994) was an American musician. His skill on the banjo, guitar, and ukulele earned him the nickname "The Wizard of the Strings". Background Smeck was born in Reading, Pennsylvania. He started on the vaudeville circuit. His style was influenced by Eddie Lang, Ikey Robinson, banjoist Harry Reser, Johnny Marvin and steel guitarist Sol Hoʻopiʻi. Smeck could not sing well, so he developed novelty dances and trick playing to supplement his act. Vaudeville Smeck was one of only two vaudeville artists to play the octachord, an 8-string lap steel guitar. He was introduced to the instrument by Sam Moore when he played on the bill with Moore and Davis in 1923. Like so many of the performers during the era, he was a big fan of the instruments created by the C.F. Martin & Company and used a variety of their instruments. Smeck was unsuccessful in obtaining an endorsement deal with Martin, who limited their support to a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
