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Dancing Until Midnight
"Dancing Until Midnight" is a song by Australian pop group Pseudo Echo. The song was released on 25 June 1984 as the third single from their debut studio album, '' Autumnal Park'' (1984). The song peaked at number 53 on the Australian Kent Music Report The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 19 ... in July 1984. Track listing 7" (EMI-1304) *Side A "Dancing Until Midnight" - 4:05 *Side B "Scripts" - 3:22 Charts References 1984 songs 1984 singles Pseudo Echo songs Song recordings produced by John Punter {{1980s-pop-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudo Echo
Pseudo Echo are an Australian New wave music, new wave band formed in 1982 by Brian Canham (vocals, guitar, and keyboards), Pierre Gigliotti (bass keyboards and bass guitar), and Tony Lugton (keyboards). Later members included Anthony Argiro (drums), Vince Leigh (drums), and James Leigh (keyboards). In the 1980s, Pseudo Echo had multiple Australian top 20 hits with "Listening (song), Listening", "A Beat for You", "Don't Go (Pseudo Echo song), Don't Go", "Love an Adventure (song), Love an Adventure", and "Living in a Dream (Pseudo Echo song), Living in a Dream". Their 1986 cover version, cover of "Funkytown#Pseudo Echo version, Funky Town" (a 1979 Disco hit by Lipps Inc.) was an international success, peaking at No. 1 in Australia and New Zealand and becoming a top ten hit in Sweden, Canada, the United States, and in the United Kingdom. Their 1984 debut album, ''Autumnal Park'', peaked at No. 11 on the Australian Kent Music Report. ''Love an Adventure'' followed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumnal Park
''Autumnal Park'' is the debut studio album by Australian new wave band Pseudo Echo. ''Autumnal Park'' peaked at No. 11 in Australia and produced two Top 20 singles, including "Listening", which peaked at No. 4 in Australia. It was released in North America under the title, ''Pseudo Echo''. At the 1984 Countdown Music Awards, the album was nominated for Best Debut Album. Background Pseudo Echo was formed in 1982 in Melbourne by school friends Brian Canham and Pierre Gigliotti, joining Anthony Argiro and Tony Lugton. They played around Melbourne and were discovered by Molly Meldrum, a television presenter for the pop-music series ''Countdown''. Meldrum convinced them to perform on the show, on which they performed a demo version of "Listening" in June 1983. Shortly after, they were signed to EMI Australia and "Listening" reached No. 4. ''Autumnal Park'' was released in June 1984. Reviews AllMusic AllMusic (previously known as All-Music Guide and AMG) is an American onl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studios 301
Studios 301 is an Australian recording studio and is both the longest-running professional recording studio in the southern hemisphere and the largest studio complex in Australia. History The studio was founded in 1926 under the Columbia Graphophone Company as the Columbia Graphophone Studios. In 1954, the studios relocated from their original Homebush site to 301 Castlereagh Street in Sydney, and were renamed EMI Studios. In 1957, Slim Dusty recorded his hit " A Pub with No Beer" at Studios 301, was the biggest-selling record by an Australian to that time, the first Australian single to go gold and the first and only 78 rpm record to be awarded a gold disc.Dave Laing"Slim Dusty: Country singer famous for A Pub With No Beer" ''The Guardian (UK)'', 20 September 2003 In 1978, the studios were again completely re-equipped and renamed as Studios 301. In 1996, Studios 301 was purchased by its own management team. Two years later, the studios were purchased by producer/engineer an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom.S. Frith, W. Straw, and J. Street, eds, ''iarchive:cambridgecompani00frit, The Cambridge Companion to Pop and Rock'' (Cambridge: Cambridge University Press), , pp. 95–105. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock music, Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, wikt:ephemeral, ephemeral, and accessible. Identifying factors of pop music usually include repeated choruses and Hook (music), hooks, short to medium-length songs written in a basic format (often the verse–chorus form, verse–chorus structure), and rhythms or tempos that can be easily danced to. Much of pop music also borrows elements from other styles such as rock, hip hop, urban contemporary, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic music, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the New wave music, new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Music
EMI Group Limited (formerly EMI Group plc until 2007; originally an initialism for Electric and Musical Industries, also referred to as EMI Records or simply EMI) was a British Transnational corporation, transnational Conglomerate (company), conglomerate founded in March 1931 in London. At the time of its acquisition by Universal Music Group, Universal Music in 2012, it was the fourth largest Corporate group, business group and record label conglomerate in the music industry, and was one of the "Big Four" record companies (now the "Record label#Major labels, Big Three"). Its labels included EMI Records, Parlophone, Virgin Records, and Capitol Records, which are now referenced under Universal Music Group, Universal Music due to their acquisition with the exception of Parlophone, as it is now owned by Warner Music Group, Warner Music. EMI was listed on the London Stock Exchange, and was also once a constituent of the FTSE 100 Index, but faced financial problems and US$4 bill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Punter
John Punter (born 27 January 1949) is an English and Canadian former record producer and recording engineer. He has worked with many bands and musicians, such as Spoons, Japan, Procol Harum, Roxy Music, Bryan Ferry, Re-Flex, Doctors of Madness, Sad Café and Slade. His career in music spanned over 30 years and many different genres. He is now retired from the entertainment business, and ran a small bar in Peterborough, Ontario, Canada. On July 24, 2019, he became a citizen of Canada. Selected production, mixing and remixing *Japan - '' Quiet Life'' - 1979 *Japan - ''Gentlemen Take Polaroids'' - 1980 *Japan - ''Oil on Canvas'' - 1983 *Ivan - ''The Spell'' *Johnny Cougar - “I Need a Lover” -1978 *Spoons - '' Arias & Symphonies'', '' Vertigo Tango'' *Bryan Ferry - '' Let's Stick Together'' - 1976 *Nazareth - ''Nazareth'' - 1970 *Nazareth - '' 2XS'' - 1982 *Roxy Music - '' Country Life'' - 1974 * Doctors of Madness - '' Late Night Movies, All Night Brainstorms'' *Sad Café - '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Beat For You
"A Beat for You" is a song by Australian pop group Pseudo Echo. The song was released in April 1984 as the second single from their debut studio album, ''Autumnal Park'' (1984). The song peaked at number 12 on the Australian Kent Music Report. A slightly updated version of the song appeared as the leadoff track on the North American release of the group's follow-up album, ''Love an Adventure''. Referring to this version, AllMusic said, "driving hard rock riffs puncture Pierre Gigliotti and James Leigh's wall of synthesizers. Vocalist Brian Canham has a darkly erotic voice that only new wave groups seem to breed -- imagine a cross between Jim Kerr of Simple Minds and Midge Ure." Track listing 7" (EMI-1252) *Side A "A Beat for You" – 3:43 *Side B "Autumnal Park" – 4:10 12" (EMI – ED 81) *Side A "A Beat for You" (extended) – 7:36 *Side B "Autumnal Park" – 4:10 *Side B "A Beat for You" (single) – 3:43 Charts Weekly charts Year-end charts References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stranger In Me
"Stranger in Me" is a song by Australian pop group Pseudo Echo. The song was released in November 1984 as the fourth and final single from their debut studio album, '' Autumnal Park'' (1984). The song peaked at number 58 on the Australian Kent Music Report in December 1984. Track listing 7" (EMI-1390) *Side A "Stranger in Me" - 4:19 *Side B "Turning The Pages" - 4:50 12" (EMI - ED 96) *Side A "Stranger in Me" - 6:04 *Side A "Listening Listening is the act of attention, paying attention to sounds. It includes listening to the sounds of Natural environment, nature, listening to music, and perhaps most importantly, Interpersonal communication, interpersonal listening, i.e. liste ..." - 5:35 *Side B "Stranger in Me" (Instrumental) - 5:33 *Side B "Destination Unknown" - 5:48 Charts References 1984 songs 1984 singles Pseudo Echo songs Song recordings produced by John Punter {{1980s-pop-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Ives, New South Wales
St Ives is a suburb on the Upper North Shore of Sydney in the state of New South Wales, Australia 18 kilometres north of the Sydney Central Business District in the local government area of Ku-ring-gai Council. St Ives Chase is a separate adjacent area, designated suburb, to the west and north. History The St Ives area was first explored by Governor Arthur Phillip and a party of men in 1788 where they set up a campsite at Bungaroo which is close to what is now Hunter Avenue. The area produced a small-scale timber felling industry. There are still some examples of the thirty-metre and higher trees in nearby Pymble in the Dalrymple-Hay Nature Reserve and near Canisius College. Native turpentine trees were also once abundant and provided useful timber for cabinet making. It was once known for its apple orchards, but due to residential demand, there is no longer any commercial fruit growing in the area. During the Second World War, there were significant numbers of tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival Records (Australia), Festival, Sony Music, CBS, Bertelsmann Music Group, RCA, Warner Music Group, WEA and PolyGram, Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties. The association has more than 190 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a board of directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
