Carnaval De Antaño
''Carnaval de antaño'' is a 1940 Argentine film directed by Manuel Romero during the Golden Age of Argentine cinema. Cast * Florencio Parravicini * Sofía Bozán * Sabina Olmos *Charlo *Enrique Roldán Enrique Roldán (1901–1954) was an Argentine stage and film actor.Finkielman p.222 He appeared in twenty four films during his career which spanned the Golden Age of Argentine Cinema. Roldán often played villains, particularly in the films of ... *El Cachafaz *Fernando Campos * Warly Ceriani References External links * 1940 films 1940s Spanish-language films Argentine black-and-white films Argentine musical comedy films 1940 musical comedy films 1940s Argentine films {{1940s-Argentina-film-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Manuel Romero (director)
Manuel Romeo (September 21, 1891 – October 3, 1954 in Buenos Aires) was an Argentina, Argentine film director, screenwriter, dramatist and score composer, one of the most important figures of the Golden Age of Argentine cinema. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several. He was a pioneer of Variety Theatre, and one of the few tango lyrical writers that has reached timeless classical success. When he was a teenager, he began his journalist job in the Magacine Fray Mochoy, and in the newspapers Crítica y Última Hora. His first play, "Teatro breve" is from 1919 with the collaboration of Ivo Pelay. He wrote 180 more. In 1922 the most famous, "El bailarín del cabaret", was staged with the César Ratti's company, where Corsini triunfó (had a success) with "Patotero sentimental". In 1923 he travelled to Europe with Luis Bayón Herrera. In Paris, where he acted on several plays, he met Carlos Gardel and the id ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Argentine
Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being Argentine. Argentina is a multiethnic society, home to people of various ethnic, racial, religious, denomination, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigrant destinations such as Canada, Brazil and Australia. Ethnic groups Overvi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Film
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Golden Age Of Argentine Cinema
The Golden Age of Argentine cinema (Spanish language, Spanish: ''Época de Oro del cine argentino'' or other equivalent names), sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: ''período clásico-industrial''), is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s or 1950s, depending on the definition, during which national Film industry, film production underwent a process of industrialization and standardization that involved the emergence of mass production, the establishment of the Studio system, studio, Film genre, genre and Star system (filmmaking), star systems, and the adoption of the institutional mode of representation (MRI) that was mainly—though not exclusively—spread by Cinema of the United States, Hollywood, quickly becoming one of the most popular film industries across Latin America and the Spanish-speaking world. Argentine industrial cinema arose in 1933 wi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Florencio Parravicini
Florencio Parravicini (24 August 1876 – 25 March 1941) was an Argentine actor who primarily worked during the Golden Age of Argentine Cinema, performing on both stage and in films. From an aristocratic family, he was a relative of the artist Benjamín Solari Parravicini (1898-1974). He began his career singing ''música criolla'', a Latino folk genre of music that exists in many countries throughout Latin America. He appeared in more than three hundred theatrical works and films, becoming one of the leading figures of Argentine entertainment. Facing cancer, Parravicini committed suicide in 1941. Biography Florencio Bartolomé Parravicini Romero Cazón was born on 24 August 1876 in Buenos Aires, Argentina. His father, Col. Reinaldo Parravicini, was the director of the penitentiary and his grandfather had been an Italian marquis who owned a large landed estate. At fourteen, he was destined for the priesthood, but abandoned the vocation for a life that was branded eccentric, geniu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sofía Bozán
Sofía Bozán (5 November 1904 – 9 July 1958) was an Argentine film actress and tango performer of the 1930s and 1940s, one of the most popular figures of the Golden Age of Argentine cinema. She made almost 30 appearances in film between 1937 and 1959. She began her career in acting in 1931 and appeared in films such as '' Puerto nuevo'' (1936), '' Loco lindo'' (1937) and '' Muchachas que estudian'' (1939). She also appeared in the tango film '' Arriba el telón o el patio de la morocha'' (1951) as herself. She was the sister of Elena Bozán and Haydée Bozán. Sofia Bozán died of cancer aged 53 in 1958. Filmography *''La Calle del pecado'' (1954) *''Campeón à la fuerza'' (1950) *''Rodríguez, supernumerario'' (1948) *''Elvira Fernández, vendedora de tiendas'' (1942) *'' Isabelita'' (1940) .... Elena *''Carnaval de antaño'' (1940) *''Los Muchachos se divierten'' (1940) *'' Muchachas que estudian'' (1939) .... Luisa *'' Loco lindo'' (1937) * '' Puerto nuevo'' (1936 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sabina Olmos
Rosa Herminia Gómez Ramos (1913–1999), known by the stage name of Sabina Olmos, was an Argentine film actress of the Golden Age of Argentine cinema. She began her career as a radio singer of folklore and tango. Later, she developed a long film career with Lumiton studies, where she made a series of films directed by Manuel Romero and Francisco Mugica, like '' La rubia del camino'', '' Mujeres que trabajan'' and '' La vida es un tango''. "Felicia", her role in the 1939 film '' Así es la vida'' created a genre known as "Argentine suffering" throughout Latin America, because all the characters were either suffering severe angst or crying in equal measure throughout the films. In the 1940s, she participated in several dramatic roles, particularly '' Historia de una noche'', '' La gata'', '' Albéniz'' and ''Tierra del Fuego'', which earned her Best Actress and Best Supporting Actress awards. After the Liberating Revolution, Olmos and her husband, tango singer , were exiled ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Enrique Roldán
Enrique Roldán (1901–1954) was an Argentine stage and film actor.Finkielman p.222 He appeared in twenty four films during his career which spanned the Golden Age of Argentine Cinema. Roldán often played villains, particularly in the films of Manuel Romero. Selected filmography * '' Isabelita'' (1940) * '' Honeymoon in Rio'' (1940) * '' I Want to Be a Chorus Girl'' (1941) * '' You Are My Love'' (1941) * ''The Three Musketeers ''The Three Musketeers'' () is a French historical adventure novel written and published in 1844 by French author Alexandre Dumas. It is the first of the author's three d'Artagnan Romances. As with some of his other works, he wrote it in col ...'' (1946) * '' Valentina'' (1950) References Bibliography * Finkielman, Jorge. ''The Film Industry in Argentina: An Illustrated Cultural History''. McFarland, 24 Dec 2003. External links * 1901 births 1954 deaths Argentine male film actors Argentine male stage actors 20th-century Argentin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Warly Ceriani
Warly Ceriani (1903 – 3 May 1983 in Buenos Aires) was a classic Argentine actor who appeared in major Argentine films from 1938 to 1959. Ceriani made almost 50 film appearances in Argentina from 1938 to 1959, appearing in films such as Julio Irigoyen Julio Irigoyen (1 July 1894 – 29 August 1967 Buenos Aires) was an Argentina, Argentine film director notable for his work during the Golden Age of Argentine cinema. Irigoyen began directing in 1923 in film, 1923. His first film was De Nuestras ...'s '' Academia El Tango Argentino'' (1942). Filmography External links * 1903 births 1983 deaths Male actors from Buenos Aires 20th-century Argentine male actors Argentine male film actors {{Argentina-actor-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1940 Films
Year 194 ( CXCIV) was a common year starting on Tuesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Septimius and Septimius (or, less frequently, year 947 ''Ab urbe condita''). The denomination 194 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Decimus Clodius Septimius Albinus Caesar became a Roman Consul. * Battle of Issus: Septimius Severus marches with his army (12 legions) to Cilicia, and defeats Pescennius Niger, Roman governor of Syria. Pescennius retreats to Antioch, and is executed by Severus' troops. * Septimius Severus besieges Byzantium (194–196); the city walls suffer extensive damage. Asia * Battle of Yan Province: Warlords Cao Cao and Lü Bu fight for control over Yan Province; the battle lasts for over 100 days. * First year of the ''Xingping'' era during the Han Dynast ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Argentine Black-and-white Films
Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being Argentine. Argentina is a multiethnic society, multiethnic society, home to people of various Ethnicity, ethnic, Race (human categorization), racial, Religion, religious, Religious denomination, denomination, and Nationality, national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |