Manuel Romero (director)
   HOME

TheInfoList



OR:

Manuel Romeo (September 21, 1891 – October 3, 1954 in
Buenos Aires Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− glob ...
) was an
Argentine Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their ...
film director A film director or filmmaker is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfillment of that Goal, vision. The director has a key role ...
,
screenwriter A screenwriter (also called scriptwriter, scribe, or scenarist) is a person who practices the craft of writing for visual mass media, known as screenwriting. These can include short films, feature-length films, television programs, television ...
,
dramatist A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than just reading. Ben Jonson coined the term "playwri ...
and
score composer A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to ...
, one of the most important figures of the
Golden Age of Argentine cinema The Golden Age of Argentine cinema (Spanish language, Spanish: ''Época de Oro del cine argentino'' or other equivalent names), sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: ''período clásico- ...
. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several. He was a pioneer of Variety Theatre, and one of the few tango lyrical writers that has reached timeless classical success. When he was a teenager, he began his journalist job in the Magacine Fray Mochoy, and in the newspapers Crítica y Última Hora. His first play, "Teatro breve" is from 1919 with the collaboration of
Ivo Pelay Ivo Pelay (May 5, 1893 – August 28, 1959) was one of Argentina's most prolific playwrights of the early 20th century. Born Guillermo Juan Robustiano Pichot in Buenos Aires, Pelay wrote over 200 plays in his lifetime, beginning with ''La Mala Vida ...
. He wrote 180 more. In 1922 the most famous, "El bailarín del cabaret", was staged with the César Ratti's company, where Corsini triunfó (had a success) with "Patotero sentimental". In 1923 he travelled to
Europe Europe is a continent located entirely in the Northern Hemisphere and mostly in the Eastern Hemisphere. It is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, the Mediterranean Sea to the south, and Asia to the east ...
with
Luis Bayón Herrera Luis Bayón Herrera (23 September 1889 – 30 March 1956) was a Spanish film director and screenwriter who worked in Argentine film of the 1940s and 1950s. He was "one of the most important directors of the Golden Age of Argentine cinema". Herr ...
. In
Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of ci ...
, where he acted on several plays, he met
Carlos Gardel Carlos Gardel (born Charles Romuald Gardès; 11 December 1890 – 24 June 1935) was a French-born Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango. He was one of the most influential inter ...
and the idea of filmmaking was born. He wrote the plot and songs for "Luces de Buenos Aires", directed by Adelqui Millar. It starred
Gloria Guzmán Gloria Guzmán (1902–1979) was a Spanish-born Argentine vedette and actress who performed in the early Argentine theater. Biography Gloria Guzmán was born on 15 April 1902 (or possibly 1894) in Vitoria, Alava, Spain. She arrived in Argentina ...
,
Sofía Bozán Sofía Bozán (5 November 1904 – 9 July 1958) was an Argentine film actress and tango performer of the 1930s and 1940s, one of the most popular figures of the Golden Age of Argentine cinema. She made almost 30 appearances in film between 1937 an ...
,
Pedro Quartucci Pedro Quartucci (July 30, 1905 in Buenos Aires – April 20, 1983 in Buenos Aires) was an Argentine boxer and actor. Boxing career As a featherweight professional boxer who competed in the 1920s, he won a bronze medal in Boxing at the 1924 Summe ...
and the
Julio De Caro Julio de Caro (December 11, 1899March 11, 1980) was an Argentine composer, musician, and conductor prominent in the Tango genre. Life and work His father opened a conservatory in the San Telmo district, in 1913, soon becoming one of the city's ...
musical group. He returned to
Buenos Aires Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− glob ...
, where he introduced the new ideas taken from music hall and varieties shows. He started to work at the Lumitón cinema company, with Enrique Telémaco Susini . With that film company, released in February 1935, "Noches de Buenos Aires", written and directed by Romero, his cinema career began. The film starred
Tita Merello Laura Ana "Tita" Merello (11 October 1904 – 24 December 2002) was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine cinema. In her six decades in Argentine entertainment, at the time of her death, she had filme ...
,
Irma Córdoba Irma Córdoba (July 20, 1913 – May 18, 2008) was an Argentine film actress of the Golden Age of Argentine cinema. She entered the film industry in 1932 and appeared in over 30 films, spanning 65 years of Argentine film. She appeared in films su ...
,
Enrique Serrano Enrique Serrano (1891–1965) was an Argentine actor and comedian notable for his work during the Golden Age of Argentine cinema. He appeared in many films of the 1940s and 1950s including '' Muchachas que estudian'', '' Asi es la vida'' (1939 ...
and
Fernando Ochoa Fernando César Ochoa (also called Goyo Godoy; 29 November 1905 – 23 March 1974) was an actor from Argentina who appeared on radio, in films and on TV. Life Fernando César Ochoa was born in La Plata, Buenos Aires, on 29 November 1905. His par ...
. He filmed very quickly, he only wanted to have it finished as soon as possible and achieve a good box office outcome. His films were rejected by critics and intellectuals as a result, but ordinary people liked his style because they knew him from radio of variety shows. He directed films such as ''
Adiós pampa mía ''Adiós pampa mía'' is a 1946 Argentine romantic drama Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion (emotion), passion, emotion, and the affectionate r ...
'' in 1946.


Filmography

* 1931 ''
The Pure Truth ''The Pure Truth'' () is a 1931 American comedy film directed by Florián Rey and Manuel Romero and starring José Isbert, Enriqueta Serrano and Manuel Russell. It was made at the Joinville Studios in Paris by Paramount Pictures, as the Span ...
'' * 1932 '' When Do You Commit Suicide?'' * 1935 ''
Buenos Aires Nights ''Buenos Aires Nights'' (Spanish:''Noches de Buenos Aires'') is a 1935 Argentine romantic musical film directed and written by Manuel Romero with Luis Bayón Herrera. It is a tango film from the Golden Age of Argentine cinema and was edited by ...
'' * 1935 '' The Favorite'' * 1936 ''
Don Quijote del altillo ''Don Quijote del altillo'' is a 1936 Argentine comedy film of the Golden Age of Argentine cinema The Golden Age of Argentine cinema (Spanish language, Spanish: ''Época de Oro del cine argentino'' or other equivalent names), sometimes known ...
'' * 1936 ''
La muchachada de a bordo ''La muchachada de a bordo'' (English language:''Boys on Board'') is a 1936 Argentine comedy film directed and written by Manuel Romero during the Golden Age of Argentine cinema. The film starred Luis Sandrini and Tito Lusiardo. The film ...
'' * 1936 ''
Radio Bar ''Radio Bar'' is a 1936 Argentine musical film directed and written by Manuel Romero during the Golden Age of Argentine cinema. It is a tango Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, ...
'' * 1937 ''El cañonero de Giles'' * 1937 '' La muchacha del circo'' * 1937 ''La vuelta de Rocha'' * 1937 '' Outside the Law'' * 1937 '' The Boys Didn't Wear Hair Gel Before'' * 1938 '' La rubia del camino'' * 1938 ''
Three Argentines in Paris ''Three Argentines in Paris'' (Spanish:''Tres anclados en París'') is a 1938 Argentine musical comedy film of the Golden Age of Argentine cinema directed by Manuel Romero and starring Florencio Parravicini, Tito Lusiardo and Irma Córdoba.Bethel ...
'' * 1938 '' Women Who Work'' * 1939 ''
Gente bien ''Gente bien'' is a 1939 Argentine musical film of the Golden Age directed by Manuel Romero. The tango film premiered in Buenos Aires on June 28, 1939 and the United States on October 8, 1939 and starred Hugo del Carril, Tito Lusiardo and Del ...
'' (''Affluent People'') * 1939 '' Muchachas que estudian'' (''College Girls'') * 1939 '' Divorce in Montevideo'' * 1939 ''
La vida es un tango ''La Vida es un tango'' (Life is a Tango) is a 1939 Argentine musical film directed by Manuel Romero during the Golden Age of Argentine cinema. The tango Tango is a partner dance and social dance that originated in the 1880s along the Río ...
'' * 1939 '' The Model and the Star'' * 1940 ''
Carnaval de antaño ''Carnaval de antaño'' is a 1940 Argentine film directed by Manuel Romero during the Golden Age of Argentine cinema. Cast * Florencio Parravicini * Sofía Bozán * Sabina Olmos *Charlo *Enrique Roldán Enrique Roldán (1901–1954) was an Ar ...
'' * 1940 '' Isabelita'' * 1940 ''Los muchachos se divierten'' * 1940 ''
Honeymoon in Rio ''Honeymoon in Rio'' (Spanish: ''Luna de miel en Río'') is a 1940 Argentine comedy film of the Golden Age of Argentine cinema, directed by Manuel Romero and starring Niní Marshall, Tito Lusiardo and Enrique Serrano.Rist p.393 The film's art d ...
'' * 1940 ''
Marriage in Buenos Aires ''Marriage in Buenos Aires'' () is a 1940 Argentine comedy film directed by Manuel Romero during the Golden Age of Argentine cinema. Cast The cast includes: * Niní Marshall * Enrique Serrano Enrique Serrano (1891–1965) was an Argenti ...
'' * 1941 ''
El tesoro de la isla Maciel ''El tesoro de la isla Maciel'' (''The Treasure of Maciel Island'') is a 1941 Argentine comedy film directed by Manuel Romero during the Golden Age of Argentine cinema. Production The 73-minute black and white Lumiton film was directed and writt ...
'' * 1941 ''
I Want to Be a Chorus Girl ''I Want to Be a Chorus Girl'' (Spanish:''Yo quiero ser bataclana'') is a 1941 Argentine musical comedy film of the Golden Age of Argentine cinema, directed by Manuel Romero and starring Niní Marshall, Juan Carlos Thorry and Alicia Barrié.Mel ...
'' * 1941 ''
Un bebé de París ''Un bebé de París'' (Spanish for "A Baby from Paris") is a 1941 Argentine comedy film written and directed by Manuel Romero and starring Paulina Singerman and Enrique Serrano. Produced by Lumiton during the Golden Age of Argentine cinema, it is ...
'' * 1941 '' You Are My Love'' * 1942 '' A Light in the Window'' * 1942 ''
Elvira Fernández, vendedora de tiendas ''Elvira Fernández, vendedora de tiendas'' is a 1942 Argentine comedy film directed by Manuel Romero during the Golden Age of Argentine cinema. It stars Paulina Singerman, Juan Carlos Thorry, Tito Lusiardo and Sofía Bozán. The film is about ...
'' * 1942 ''
Historia de crímenes ''Historia de crímenes'' is a 1942 Argentine thriller film written and directed by Manuel Romero during the Golden Age of Argentine cinema. It follows the story of a banker who, upon falling in love with a dancer, is driven to commit several murd ...
'' (''Tale of Crimes'') * 1942 ''
Ven mi corazón te llama ''Ven mi corazón te llama'' is a 1942 Argentine film directed by Manuel Romero during the Golden Age of Argentine cinema The Golden Age of Argentine cinema (Spanish language, Spanish: ''Época de Oro del cine argentino'' or other equivalent ...
'' (''When My Heart Calls'') * 1943 ''El fabricante de estrellas'' * 1943 ''La calle Corrientes'' * 1944 ''Hay que casar a Paulina'' * 1946 ''
Adiós pampa mía ''Adiós pampa mía'' is a 1946 Argentine romantic drama Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion (emotion), passion, emotion, and the affectionate r ...
'' * 1946 ''El diablo andaba en los choclos'' * 1947 ''
Christmas with the Poor ''Christmas with the Poor'' or ''The Poor People's Christmas'' (Spanish:''Navidad de los pobres)'' is a 1947 Argentine comedy film of the Argentine classical cinema, classical era of Argentine cinema, directed by Manuel Romero (director), Manuel Ro ...
'' * 1948 ''El rey del cabaret'' * 1948 ''La rubia Mireya'' * 1948 ''Porteña de corazón'' * 1948 ''
The Tango Returns to Paris ''The Tango Returns to Paris'' (Spanish:''El tango vuelve a París'') is a 1948 Argentine musical comedy film of the classical era of Argentine cinema, written and directed by Manuel Romero. It was premiered on January 16, 1948. The film's plot ...
'' * 1949 ''Morir en su ley'' * 1949 ''Mujeres que bailan'' * 1949 ''La historia del tango'' (''The Story of the Tango'') * 1949 ''Un tropezón cualquiera da en la vida'' * 1950 ''
Juan Mondiola ''Juan Mondiola'' is a 1950 Argentine comedy film of the classical era of Argentine cinema, directed by Manuel Romero and starring Juan José Miguez, Elina Colomer and Laura Hidalgo.Maranghello p.138 The film's sets were designed by Álvaro ...
'' * 1950 '' Valentina'' * 1951 ''
Arriba el telón o el patio de la morocha ''El Patio de la Morocha'' (English language: ''The Patio of the Brunette'', also known in Spanish as ''Arriba el Telón'') is a 1951 Argentine musical drama film of the classical era of Argentine cinema, directed by Manuel Romero and written b ...
'' * 1951 ''Derecho viejo'' * 1951 '' The Fan'' * 1953 '' Ue... paisano!''


External links

* {{DEFAULTSORT:Romero, Manuel 1891 births 1954 deaths Argentine film directors Argentine male screenwriters Argentine film score composers Argentine male film score composers Film people from Buenos Aires Tango film directors 20th-century Argentine composers 20th-century Argentine male musicians 20th-century Argentine screenwriters 20th-century Argentine male writers