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Brevitas
Brevitas is a rhetorical style ''Rhetorica ad Herennium'' calls "the expressing of an idea by the very minimum of essential words". By implying more than is said, it is distinguished from tautology and understatement. Brevitas is related to concision, parataxis, sprezzatura and elliptic style. It contrasts with periphrasis In linguistics and literature, periphrasis () is the use of a larger number of words, with an implicit comparison to the possibility of using fewer. The comparison may be within a language or between languages. For example, "more happy" is periph ..., aureation and pleonasm. References {{reflist Rhetorical techniques ...
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Rhetoric
Rhetoric is the art of persuasion. It is one of the three ancient arts of discourse ( trivium) along with grammar and logic/ dialectic. As an academic discipline within the humanities, rhetoric aims to study the techniques that speakers or writers use to inform, persuade, and motivate their audiences. Rhetoric also provides heuristics for understanding, discovering, and developing arguments for particular situations. Aristotle defined rhetoric as "the faculty of observing in any given case the available means of persuasion", and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he called it "a combination of the science of logic and of the ethical branch of politics". Aristotle also identified three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric, or phases of developing a persuasive speech, were first codified in classical Rome: i ...
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Rhetorica Ad Herennium
The ''Rhetorica ad Herennium'' (''Rhetoric for Herennius'') is the oldest surviving Latin book on rhetoric, dating from the late 80s BC. It was formerly attributed to Cicero or Cornificius, but is in fact of unknown authorship, sometimes ascribed to an unnamed doctor. Overview The ''Rhetorica ad Herennium'' was addressed to Gaius Herennius (otherwise unknown). The ''Rhetorica'' remained the most popular book on rhetoric during the Middle Ages and the Renaissance. It was commonly used, along with Cicero's '' De Inventione'', to teach rhetoric, and over one hundred manuscripts are extant. It was also translated extensively into European vernacular languages and continued to serve as the standard schoolbook text on rhetoric during the Renaissance. The work focuses on the practical applications and examples of rhetoric. It is also the first book to teach rhetoric in a highly structured and disciplined form. Its discussion of ''elocutio'' (style) is the oldest surviving systematic ...
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Tautology (rhetoric)
In literary criticism and rhetoric, a tautology is a statement that repeats an idea using near-synonymous morphemes, words or phrases, effectively "saying the same thing twice". Tautology and pleonasm are not consistently differentiated in literature. Like pleonasm, tautology is often considered a fault of style when unintentional. Intentional repetition may emphasize a thought or help the listener or reader understand a point. Sometimes logical tautologies like "Boys will be boys" are conflated with language tautologies, but a language tautology is not inherently true, while a logical tautology always is. Etymology The word was coined in Koine Greek from ('the same') plus ('word' or 'idea'), and transmitted through 3rd-century Latin and French . It first appeared in English in the 16th century. The use of the term logical tautology was introduced in English by Wittgenstein Ludwig Josef Johann Wittgenstein ( ; ; 26 April 1889 – 29 April 1951) was an Austrian philos ...
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Understatement
Understatement is an expression of lesser strength than what the speaker or writer actually means or than what is normally expected. It is the opposite of embellishment or exaggeration, and is used for emphasis, irony, hedging, or humor. A particular form of understatement using negative syntax is called litotes. This is not to be confused with euphemism, where a polite phrase is used in place of a harsher or more offensive expression. Understatement may also be called underexaggeration to denote lesser enthusiasm. Understatement also merges the comic with the ironic, as in Mark Twain’s comment, “The reports of my death are greatly exaggerated.” Use by the English Understatement is often used rhetorically to emphasize a point. It is a staple of humour in English-speaking cultures. For example, in ''Monty Python's The Meaning of Life'', an Army officer has just lost his leg. When asked how he feels, he looks down at his bloody stump and responds, "Stings a bit." The well ...
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Concision
In common usage and linguistics, concision (also called conciseness, succinctness, terseness, brevity, or laconicism) is a communication principle of eliminating redundancy (linguistics), redundancy,UNT Writing Lab. "Concision, Clarity, and Cohesion." Accessed June 19, 2012Link./ref> generally achieved by using as few words as possible in a Sentence (linguistics), sentence while preserving its semantics, meaning. More generally, it is achieved through the omission of parts that impart information that was already given, that is obvious or that is irrelevant. Outside of linguistics, a message may be similarly "dense" in other forms of communication. For example, a sentence of "It is a fact that most arguments must try to convince readers, that is the audience, that the arguments are true." may be expressed more concisely as "Most arguments must demonstrate their truth to readers." the observations that the statement is a fact and that readers are its audience are redundant, and it ...
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Parataxis
Parataxis (from , "act of placing side by side"; from παρα, ''para'' "beside" + τάξις, ''táxis'' "arrangement") is a literary technique in writing or speaking that favors short, simple sentences without conjunctions, or sentences coordinated without the use of subordinating conjunctions. It contrasts with syntaxis and hypotaxis. It is also used to describe a technique in poetry in which two images or fragments, usually starkly dissimilar images or fragments, are juxtaposed without a clear connection. Readers are then left to make their own connections implied by the paratactic syntax. Ezra Pound, in his adaptation of Chinese and Japanese poetry, made the stark juxtaposition of images an important part of English-language poetry. Etymology Edward Parmelee Morris wrote in 1901 that the term was introduced into linguistics by Friedrich Thiersch in his ''Greek Grammar'' (1831). The term has remained unchanged, but the concept of parataxis has expanded.. History T ...
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Sprezzatura
''Sprezzatura'' () is an Italian word that refers to a kind of effortless grace, the art of making something difficult look easy, or maintaining a nonchalant demeanor while performing complex tasks. The term is used in the context of fashion, where classical outfits are purposefully worn in a way that seem a bit off, as if the pieces of clothing were put on while in a hurry. The term "sprezzatura" first appeared in Baldassare Castiglione's 1528 ''The Book of the Courtier'', where it is defined by the author as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". It is the ability of the courtier to display "an easy facility in accomplishing difficult actions which hides the conscious effort that went into them". ''Sprezzatura'' has also been described "as a form of defensive irony: the ability to disguise what one really desires, feels, thinks, and means or intends behind a mask o ...
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Ellipsis (linguistics)
In linguistics, ellipsis () or an elliptical construction is the omission from a clause of one or more words that are nevertheless understood in the context of the remaining elements. There are numerous distinct types of ellipsis acknowledged in theoretical syntax. Theoretical accounts of ellipsis seek to explain its syntactic and semantic factors, the means by which the elided elements are recovered, and the status of the elided elements. Background Varieties of ellipsis have long formed a basis of linguistic theory that addresses basic questions of form–meaning correspondence: in particular, how the usual mechanisms of grasping a meaning from a form may be bypassed or supplanted via elliptical structures. In generative linguistics, the term ''ellipsis'' has been applied to a range of syntax in which a perceived interpretation is fuller than that which would be expected based solely on the presence of linguistic forms. One trait that many types and instances of ellipsis h ...
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Brill Publishers
Brill Academic Publishers () is a Dutch international academic publisher of books, academic journals, and Bibliographic database, databases founded in 1683, making it one of the oldest publishing houses in the Netherlands. Founded in the South Holland city of Leiden, it maintains its headquarters there, while also operating offices in Boston, Paderborn, Vienna, Singapore, and Beijing. Since 1896, Brill has been a public limited company (). Brill is especially known for its work in subject areas such as Oriental studies, classics, religious studies, Jewish studies, Islamic studies, Asian studies, international law, and human rights. The publisher offers traditional print books, academic journals, primary source materials online, and publications on microform. In recent decades, Brill has expanded to Electronic publishing, digital publishing with ebooks and online resources including databases and specialty collections varying by discipline. History Founding by Luchtmans, 16 ...
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Periphrasis
In linguistics and literature, periphrasis () is the use of a larger number of words, with an implicit comparison to the possibility of using fewer. The comparison may be within a language or between languages. For example, "more happy" is periphrastic in comparison to "happier", and English "I will eat" is periphrastic in comparison to Spanish . The term originates from the Greek worπεριφράζομαι 'talking around', and was originally used for examples that came up in ancient Greek. In epic poetry, it was common to use periphrasis in examples such as "the sons of the Achaeans" (meaning the Achaeans), or "How did such words escape the fence of your teeth?" (adding a layer of poetic imagery to "your teeth"). Sometimes periphrastic forms were used for verbs that would otherwise be unpronounceable. For example, the verb δείκνυμι 'to show', has a hypothetical form * , which has the disallowed consonant cluster , so one would instead say , using a periphrasis with a ...
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Aureation
Aureation ("to make golden", from ) is a device in arts of rhetoric that involves the " gilding" (or supposed heightening) of diction in one language by the introduction of terms from another, typically a classical language considered to be more prestigious. Aureation commonly involves other mannered rhetorical features in diction; for example circumlocution, which bears a relation to more native literary devices such as the kenning. It can be seen as analogous to Gothic schools of ornamentation in carving, painting, or ceremonial armoury. In terms of prosody it stands in direct contrast to plain language and its use is sometimes regarded, by current standards of literary taste, as overblown and exaggerated. But aureated expression does not necessarily mean loss of precision or authenticity in poetry when handled by good practitioners. Loanwords and neologisms In the context of language development, aureation can be seen as an extension of processes in which historically ...
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Pleonasm
Pleonasm (; , ) is redundancy in linguistic expression, such as "black darkness", "burning fire", "the man he said", or "vibrating with motion". It is a manifestation of tautology by traditional rhetorical criteria. Pleonasm may also be used for emphasis, or because the phrase has become established in a certain form. Tautology and pleonasm are not consistently differentiated in literature. Usage Most often, ''pleonasm'' is understood to mean a word or phrase which is useless, clichéd, or repetitive, but a pleonasm can also be simply an unremarkable use of idiom. It can aid in achieving a specific linguistic effect, be it social, poetic or literary. Pleonasm sometimes serves the same function as rhetorical repetition—it can be used to reinforce an idea, contention or question, rendering writing clearer and easier to understand. Pleonasm can serve as a redundancy check; if a word is unknown, misunderstood, misheard, or if the medium of communication is poor—a static-fille ...
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