Aureation ("to make
gold
Gold is a chemical element; it has chemical symbol Au (from Latin ) and atomic number 79. In its pure form, it is a brightness, bright, slightly orange-yellow, dense, soft, malleable, and ductile metal. Chemically, gold is a transition metal ...
en", from ) is a device in arts of
rhetoric that involves the "
gilding" (or supposed heightening) of
diction in one language by the introduction of terms from another, typically a
classical language considered to be more prestigious. Aureation commonly involves other mannered rhetorical features in diction; for example
circumlocution, which bears a relation to more native literary devices such as the
kenning. It can be seen as analogous to
Gothic schools of ornamentation in carving,
painting, or
ceremonial armoury.
In terms of
prosody it stands in direct contrast to
plain language and its use is sometimes regarded, by current standards of literary taste, as overblown and exaggerated. But aureated expression does not necessarily mean loss of precision or authenticity in poetry when handled by good practitioners.
Loanwords and neologisms
In the context of language development, aureation can be seen as an extension of processes in which historically
vernacular languages are expanded through
loan word
A loanword (also a loan word, loan-word) is a word at least partly assimilated from one language (the donor language) into another language (the recipient or target language), through the process of borrowing (linguistics), borrowing. Borrowing ...
s. In Europe this usually meant borrowings from Latin and
Greek. The medieval and renaissance periods were a fertile time for such borrowings and in
Germanic language
The Germanic languages are a branch of the Indo-European language family spoken natively by a population of about 515 million people mainly in Europe, North America, Oceania, and Southern Africa. The most widely spoken Germanic language, ...
s, such as
English and
Scots, Greek and Latinate
coinages were particularly highlighted (see
classical compounds especially), though this has sometimes been decried as pretentious, these coinages being criticized as
inkhorn terms. While many classically derived loan words become useful new terms in the host language, some more mannered or
polysyllabic aureations may tend to remain experimental and decorative curiosities. Words such as , , or are examples in
Scots.
In the
British Isles, aureation has often been most associated with
Scottish renaissance
makars, especially
William Dunbar or
Gavin Douglas, who commonly drew on the rhetoric and diction of
classical antiquity
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural History of Europe, European history between the 8th century BC and the 5th century AD comprising the inter ...
in their work. After Europe's colonial era widened the orbits of cultural contact, aureation could in theory draw on other ancient languages such as
Sanskrit
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural ...
.
Example
An example of considered diction with an aureate inflection occurs in the Scots couplet
, and are aureate words. Aureate diction occurs in the
noun phrase ''golden candle
matutine'', a
circumlocution which stands for ''
sun''. The couplet can thus be translated as: ''up rose the sun with clear pure crystal light''.
Dunbar himself uses the term later in the same poem in a passage that employs the ''limits to expression
topos''. It occurs as part of a
dream vision in which the
makar is describing the army of
goddesses he has witnessed alighting upon the earth:
In simple modern English, this means: "I would (attempt to) describe (the scene), but who could satisfactorily frame in verse the way in which all the fields were radiantly adorned by those white lilies'' (the landing army) ''that shone upwards into the sky? Not you, Homer, sublime as you were in writing, for all your faultlessly ornate diction; nor you, Cicero, whose sweet lips were so consistently lucid in rhetoric: your aureate tongues both
he Greek and the Romanwere not adequate to describe that vision in full."
See also
References
Sources
*Fowler, Alastair. ''The History of English Literature'',
Harvard University Press,
Cambridge, MA (1989)
*Kinsley, James. ''William Dunbar: Poems'',
Oxford Clarendon Press, (1958)
External links
*{{Wiktionary-inline
Literary concepts
Rhetorical techniques
Stylistics