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Bitextual Work
Bitextual work (or bi-textual work) is a form of writing where the same text can have different meanings due to the multiple meanings of the words in the text. It is something in the form of a pun but at a higher intellectual level. This form of literary creations was most popular among Sanskrit writers and, due to the influence of Sanskrit literature, it was also popular among writers of other regional languages in India. In Sanskrit it is known as ''śleṣa'' the literal meaning of which is "embrace'. It had its origins in the sixth century CE and it flourished in India until the colonial times. In modern times, the writing of bi-textual poems is looked down upon and is considered as an inferior literary activity. The term "bitextual work", or more specifically "bitextual poetry", should not be confused with the term " bidirectional poetry". The latter is a genre of poetry in Sanskrit in which each stanza can be read both from left to right and from right to left, the two readin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan languages# ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāmakṛṣṇavilomakāvyaṃ
Rāmakṛṣṇavilomakāvyaṃ (रामकृष्णविलोमाकाव्यं) is a short Sanskrit poem in 36 verses in the genre of ''vilomakāvya'' composed by Sūryadasa (born 1508), also known as Sūrya Daivajña or Sūrya Paṇḑita, from Pārthapura. A ''vilomakāvya'' (called "bi-directional poetry" in English) is a poem composed in such a way that the ''śloka''-s or stanzas of the poem can be read in both directions, that is from left to right which the normal mode of reading the poem, and also in the opposite direction, that is, from right to left. Readings in both directions produce meaningful texts and these meanings create a continuous narration. In the case of ''Rāmakṛṣṇavilomakāvyaṃ'', the reading in the left to right direction narrates the story of Rāma in Rāmāyaṇa and the reading in the opposite direction narrates the story of Kṛṣṇa in Mahābhārata. A Hindi translation of the work with detailed commentary is available, but n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daṇḍin
Daṇḍi or Daṇḍin (Sanskrit: दण्डिन्) () was an Indian Sanskrit grammarian and author of prose romances. He is one of the best-known writers in Indian history. Life Daṇḍin's account of his life in ''Avantisundari-katha-sara'' states that he was a great-grandson of Dāmodara, a court poet from Achalapura who served, among others, the Pallava king Siṃhaviṣṇu of Tamil Nadu and the Ganga king Durvinīta of Karnataka. ''Avanti-sundari-katha-sara'' is the verse version of ''Avanti-sundari-katha'', a prose text attributed to Daṇḍin: it is mostly faithful to the original text, but the original text states that Damodara was a distinct poet, whom Bharavi introduced to prince Vishnuvardhana. Yigal Bronner, a scholar of Sanskrit poetry, concludes that 'These details all suggest that Daṇḍin’s active career took place around 680–720 CE under the auspices of Narasiṃhavarman II. Daṇḍin was widely praised as a poet by Sanskrit commentato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kavyadarsha
The Kavyadarsha (, ) by Dandin is the earliest surviving systematic treatment of poetics in Sanskrit. Contents This work is divided into 3 ''pariccheda''s (chapters) in most of the printed editions, except one, where the third chapter of the other editions is further divided into two. Most of the printed editions have 660 verses, except one, which has 663. In ''Kāvyādarśa'', Daṇḍin argued that a poem's beauty derived from its use of rhetorical devices – of which he distinguished thirty-six types. He was the main proponent of ''gunaprasthana'', the view that poetry needed qualities or virtues such as ''shleshha'' (punning), ''prasaada'' (favour), ''samataa'' (sameness), ''maadhurya'' (beauty), ''arthavyakti'' (interpretation), and ''ojah'' (vigour). Poetry consisted in the presence of one of these qualities or a combination of them. Influence The ''Kavyadarsha'' was in ancient times translated into Kannada, Sinhala, Pali, Tamil and Tibetan, and perhaps even influenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valmiki
Valmiki (; , ) was a legendary poet who is celebrated as the traditional author of the epic ''Ramayana'', based on the attribution in the text itself. He is revered as ''Ādi Kavi'', the first poet, author of ''Ramayana'', the first epic poem. The ''Ramayana'', originally written by Valmiki, consists of 24,000 shlokas and seven cantos (kaṇḍas). The is composed of about 480,002 words, being a quarter of the length of the full text of the ''Mahabharata'' or about four times the length of the ''Iliad''. The ''Ramayana'' tells the story of a prince, Rama of the city of Ayodhya (Ramayana), Ayodhya in the Kosala, Kingdom of Kosala, whose wife Sita is abducted by Ravana, the demon-king (Rakshasa) of Lanka. The scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE, although original date of composition is unknown. As with many traditional epics, it has gone through a process of interp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics of Hinduism known as the ''Itihasas'', the other being the ''Mahabharata''. The epic narrates the life of Rama, the seventh ''avatar'' of the Hindu deity Vishnu, who is a prince of Ayodhya (Ramayana), Ayodhya in the kingdom of Kosala. The epic follows Exile of Lord Rama, his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya (Ramayana), Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration. Scholarly estimates for the earliest stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aśvaghoṣa
, also Devanagari transliteration, transliterated Ashvaghosha (, ; lit. "Having a Horse-Voice"; ; ) ( Common Era, CE), was a Buddhist philosopher, dramatist, poet, musician, and orator from India. He was born in Saketa, today known as Ayodhya. He is believed to have been the first Sanskrit dramatist, and is considered the greatest Indian poet prior to Kālidāsa. It seems probable that he was the contemporary and spiritual adviser of Kanishka in the first century of our era. He was the most famous in a group of Buddhist court writers, whose epics rivaled the contemporary ''Ramayana.'' Whereas much of Buddhist literature prior to the time of Aśvaghoṣa had been composed in Pāli and Prakrit, Aśvaghoṣa wrote in Classical Sanskrit. He may have been associated with the Sarvāstivāda or the Mahasanghika schools. Life He is said to have been born in Ayodhya. His original (lay) name is unknown, Aśvaghosa being a later nickname only. According to the traditional biography of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidasa
Kālidāsa (, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his '' Kumārasambhavam'', the display of his love for Ujjain in '' Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharavi
Bharavi () was a 6th century Indian poet known for his epic poem '' Kirātārjunīya'', one of the six '' mahakavyas'' in classical Sanskrit. Date According to multiple grant inscriptions of the Ganga dynasty, such as the Gummareddipura inscription, the Ganga king Durvinita wrote a Kannada-language commentary on the Canto 15 of Bharavi's '' Kirātārjunīya''. The date of the Gummareddipura inscription is debated among scholars, but the end of Durvinita's reign is dated to c. 580 CE, which means that Bharavi lived around or before this time. ''Avanti-sundara-katha'' of Dandin (7th-8th century) suggests that Bharavi was a contemporary of the kings Simha-vishnu, Vishnu-vardhana, and Durvinita; he was also a contemporary of Dandin's fourth-generation ancestor Damodara (see Biography below). Based on this account, Sanskrit scholar G. Harihara Sastri theorizes prince Kubja Vishnuvardhana of Chalukya family was a patron of Bharavi, before he became the Eastern Chalukya king ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasavadatta
:''Vasavadatta is also a character in the Svapnavasavadatta and the Vina-Vasavadatta'' ''Vasavadatta'' (, ) is a classical Sanskrit romantic tale (''akhyayika'') written in an ornate style by Subandhu, whose time period isn't precisely known. He is generally taken to have written the work in the second quarter of the seventh century.Keith, Arthur Berriedale (1993). ''A History of Sanskrit Literature'', Delhi: Motilal Banarsidass, , p.308 However, scholar Maan Singh has stated that he was a courtier of the Gupta emperors Kumaragupta I (414-455) and Skandagupta (455-467), dating him between 385 and 465 AD.Singh, Maan (1993). ''Subandhu'', New Delhi: Sahitya Akademi, , pp. 9-11. The work's style has been described as "developed, elaborate, ornate and pedantic" and has influenced later prose writers. The ''Kanchanadarpana'' of Sivarama Tripathin (18th century) and the ''Tattvadipini'' of Jagaddhara are two significant works of criticism and commentary on the ''Vasavadatta.'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
