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Ayodhyecha Raja
''Ayodhyecha Raja'', literally "The King of Ayodhya", was the first Marathi talkie, released in 1932, directed by Shantaram Rajaram Vankudre. It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, ''Ramayana''. The film was also made as a double-version, ''Ayodhya Ka Raja'' (1932) in Hindi, making it the first double version talkie of Indian cinema, wherein Munshi Ismail Farogh wrote the Hindi dialogue, while screenwriter N.V. Kulkarni also did Marathi dialogue. India's first full-length feature film, ''Raja Harishchandra'' (1913), was also made on the same storyline. Significance The film was not just Prabhat Film Company's first talkie film, but also for its director, V. Shantaram. In its time, it was a leap not just in sound, song and dialogue quality and became a hit. Eventually, it turned out to be a social leap as well for the film industry, as the entry of Durga Khote, who belonged to an u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prabhat Film Company
Prabhat Film Company (popularly known as Prabhat Films) was an Indian film production company and film studios founded in 1929 by the noted film director V.Shantaram and his friends. It was formed in Kolhapur, Maharashtra, India in 1929, towards the end of silent films' era, by the noted film director V. Shantaram, along with V.G. Damle, Keshav Rao Dhaibar, S. Fatelal and S.V. Kulkarni. The company moved to Pune in 1933, where it established its own studio and produced a total of 45 films in both Marathi and Hindi over 27 years, including are ''Kunku'' (''Duniya Na Mane'' in Hindi), ''Swarajyacha Toran'' also called ''Udaykal'', based on Shivaji's life, ''Dharmatma'' on life of saint Eknath, ''Sant Tukaram'', based on the saint-poet and social reformer, ''Shejari'' also called ''Padosi'', on communal harmony, ''Manoos'' (a.k.a. '' Aadmi'') about alcoholism and ''Amar Jyoti'' about woman's emancipation. While several companies such as, Imperial Film Company, Krishna Cinetone, E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Cinema
The Cinema of India consists of motion pictures produced in India, which had a large effect on world cinema since the late 20th century. Major centers of film production across the country include Mumbai, Chennai, Hyderabad, Visakhapatnam, Kochi, Kolkata, Bangalore, Bhubaneswar-Cuttack and Guwahati. For a number of years the Indian film industry has ranked first in the world in terms of annual film output. In terms of box office it ranked third in 2019, with total gross of around (US$2.7 billion). Indian cinema is composed of multilingual and multi-ethnic film art. In 2019, Hindi cinema represented 44% of box office revenue, followed by Telugu and Tamil film industries, each representing 13%, Malayalam and Kannada film industries, each representing 5%.Other prominent languages in the Indian film industry include Bengali, Marathi, Odia, Punjabi, Gujarati and Bhojpuri. As of 2020, the combined revenue of all other language film industries has surpassed that of the Mumbai-b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishvamitra
Vishvamitra ( sa, विश्वामित्र, ) is one of the most venerated rishis or sages of ancient India. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra. The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāś and Śutudrī rivers (modern Beas and Sut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rohitashva
Rohitashva or Lohithashva is a mythologicalHenk W Wagenaar and S S Parikh. "Rohitashva" in ''Allied Chambers Transliterated Hindi-Hindi-English Dictionary''. Allied Publishers. 1993Page 1018/ref> prince in Hinduism Hinduism () is an Indian religion or ''dharma'', a religious and universal order or way of life by which followers abide. As a religion, it is the world's third-largest, with over 1.2–1.35 billion followers, or 15–16% of the global po .... His father was Harishchandra. References *The Ananda-Vana of Indian mythology Art: Dr. Anand Krishna Felicitation Volume. Indica Books. 2004. Pages 345 and 346Google Books Characters in Hindu mythology {{Hinduism-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taramati
Taramati is one of two peaks on Harishchandragad. This is the Sixth Highest Peak in Maharashtra State (1431 m/ 4695 ft above sea level) and is ranked just after Salher Salher is a place located near Waghamba in Satana tehsil in Nashik district of Maharashtra, India.The old name of Salher was Gavalgarh, which was based on the name of the local Bhil king named Gaval Bhil, he was the discoverer of this place. .... Located atop the Harishchandragad Plateau, this place offers a great trekking experience for both amateurs and experts because of its sheer beauty. However, there is another very popular personality by name Taramati known to people of Hyderabad, India. Taramati was a famous singer in courts of Qutub Shahi rulers in 14the Century. Taramti Baradhari is a tourist spot in Hyderabad city. Mountains of Maharashtra Ahmednagar district taramati {{Asia-mountain-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ministry Of Information And Broadcasting (India)
Ministry of Information and Broadcasting (Ministry of I&B) is a ministerial level agency of the Government of India responsible for the formulation and administration of rules, regulations and laws in the areas of information, broadcasting, the press and the Cinema of India. The Ministry is responsible for the administration of Prasar Bharati, the broadcasting arm of the Indian Government. The Central Board of Film Certification is the other important statutory body under this ministry being responsible for the regulation of motion pictures broadcast in India. Organisation * Broadcasting ** Conditional Access System (CAS) ** Community Radio Stations ** Prasar Bharati ** Doordarshan ** Akashvani (All India Radio) ** Broadcast Engineering Consultants India Limited ** Uplinking / Downlinking of TV Channels ** Content Regulation on Private TV Channels ** Direct to Home (DTH) ** Internet Protocol Television (IPTV) ** Headend-in-the-Sky (HITS) ** Digital television transitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Directorate Of Film Festivals
The Directorate of Film Festivals in India was an organisation that initiated and presented the International Film Festival of India, the National Film Awards and the Indian Panorama. Although the Directorate helped appoint members of the jury panels each year, it had no input on which films are selected for consideration and which films ultimately win awards at the various functions it initiates. The Directorate set up by Ministry of Information and Broadcasting, Govt of India,Directorate of Film Festivals . Ministry of Information and Broadcasting. Govt of India Of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alam Ara
''Alam Ara'' () is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves on a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a ''fakir'' (Muhammad Wazir Khan) tells the king that the former wife will give birth to a boy, later named Qamar ( Master Vithal), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the '' senapati'' Adil (Prithviraj Kapoor), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara ( Zubeida). Irani was inspired to make ''Alam Ara'', after watching the 1929 American part-talkie ''Show Boat''. The story was adapted from the Bombay-based dramatist Joseph David's play of the same name. Made on a budget of , principal photography was handled by Adi M. Irani within four months in Bombay (present-day Mumbai). Because the studio was lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pune
Pune (; ; also known as Poona, ( the official name from 1818 until 1978) is one of the most important industrial and educational hubs of India, with an estimated population of 7.4 million As of 2021, Pune Metropolitan Region is the largest in Maharashtra by area, with a geographical area of 7,256 sq km. It has been ranked "the most liveable city in India" several times. Pune is also considered to be the cultural and educational capital of Maharashtra. Along with the municipal corporation area of PCMC, PMC and the three cantonment towns of Camp, Khadki, and Dehu Road, Pune forms the urban core of the eponymous Pune Metropolitan Region (PMR). Situated {{convert, 560, m, 0, abbr=off above sea level on the Deccan plateau, on the right bank of the Mutha river,{{cite web , last=Nalawade , first=S.B. , url=http://www.ranwa.org/punealive/pageog.htm , title=Geography of Pune Urban Area , publisher=Ranwa , access-date=4 April 2008 , archive-url=https://web.archive.org/web/20071 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Archives Of India
The National Archives of India (NAI) is a repository of the non-current records of the Government of India and holds them in trust for the use of administrators and scholars. Originally established as the Imperial Record Department in 1891, in Calcutta, the capital of British India, the NAI is situated at the intersection of Janpath and Rajpath, in Delhi. It functions as an Attached Office of the Department of Culture under the Ministry of Culture, Government of India. History The Imperial Record Department was set up on 11 March 1891 in Calcutta (Kolkata). G. W. Forrest was named as department head..The Imperial Records Department was charged with aggregating, appraising, and managing the documents of all departments of the British Government. It was headed by the Keeper of Records. After independence, the post was renamed Director of Archives. In 1911 the Department was transferred to the new capital, New Delhi, and in 1926 it was shifted into its new building. This was one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duniya Na Mane
Duniya may refer to: Arts and entertainment * ''Duniya'' (1968 film), a Hindi romantic thriller * ''Duniya'' (1984 film), a Hindi film * ''Duniya'' (2007 film), an Indian Kannada-language film * ''Duniya'' (album), a 1997 album by Raageshwari Loomba. * '' Duniya (The Intrinsic Passion of Mysterious Joy)'', a 1994 album by Loop Guru People * Duniya Soori, Indian film director * Duniya Vijay (born 1974), Indian actor See also * Dunia (other) * Dunya (other) * Dunja (other) {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests ( purohit, pandit, or pujari) and religious teachers (guru or acharya). The other three varnas are the Kshatriya, Vaishya and Shudra. The traditional occupation of Brahmins is that of priesthood at the Hindu temples or at socio-religious ceremonies, and rite of passage rituals such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, the Brahmins are accorded the highest ritual status of the four social classes. Their livelihood is prescribed to be one of strict austerity and voluntary poverty ("A Brahmin should acquire what just suffices for the time, what he earns he should spend all that the same day"). In practice, Indian texts suggest that some Brahmins hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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