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Arch Of Severus
The Arch of Septimius Severus () at the northwestern end of the Roman Forum is a white marble triumphal arch dedicated in 203 AD to commemorate the Roman–Parthian Wars, Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Publius Septimius Geta, Geta, in the two campaigns against the Parthian Empire, Parthians of 194-195 and 197–199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint Emperors. Caracalla had Geta assassinated in Rome; in the practice now known as ''damnatio memoriae'', Geta's memorials were destroyed and all images or mentions of him were removed from street buildings and monuments. Accordingly, Geta's image and inscriptions referring to him were removed from the arch. The Severan dynasty were avid builders of triumphal or honorary arches, especially in the Roman Empire; the Arch of Septimius Severus (Leptis Magna), Arch of Septimius Severus in the emperor's hometown of Leptis Magna, Libya was built ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regio VIII Forum Romanum
The Regio VIII Forum Romanum Magnum is the eighth 14 regions of Augustan Rome, regio of imperial Rome, under Augustus's administrative reform. Regio VIII took its name from the Roman Forum, the political centre of Ancient Rome. Geographic extent and important features Regio VIII was the central region of Rome, both geographically and politically. In extent, the region was bordered by the Servian Wall to its northeast and the Palatine Hill to the southeast, while the western outcrop of the Quirinal Hill and the Via Sacra formed its eastern boundaries. It therefore included the Capitoline Hill, the valley between the Palatine and the Capitoline hills (where the Roman Forum is nestled), and the area between Velian Hill and the Palatine just before the point where the Arch of Titus straddles the Via Sacra. A measurement taken at the end of the 4th century recorded that the perimeter of the region was 13,067 Roman feet (approximately 3.86 km). The region was dominated by the mas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coffer
A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. A series of these sunken panels was often used as decoration for a ceiling or a vault, also called ''caissons'' ("boxes"), or ''lacunaria'' ("spaces, openings"), so that a coffered ceiling can be called a ''lacunar'' ceiling: the strength of the structure is in the framework of the coffers. History The stone coffers of the ancient Greeks and Romans are the earliest surviving examples, but a seventh-century BC Etruscan chamber tomb in the necropolis of San Giuliano, which is cut in soft tufa-like stone reproduces a ceiling with beams and cross-beams lying on them, with flat panels filling the ''lacunae''. For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. In 2012, however, archaeologists working under the Packa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Brilliant
Richard Brilliant (November 20, 1929 – August 8, 2024) was an American art historian, academic, and writer, who specialized in ancient Greek and Roman art focusing on overarching themes such as semiotics, portraiture, narrative, and historiography. He was a professor at Columbia University in New York City. Early life and education Brilliant was born in Boston, Massachusetts, on November 20, 1929. He attended Boston Latin School (1941–1947), and graduated from Yale College in 1951 with a B.A. in classical civilization. He then attended Harvard Law School, receiving his LL.B. in 1954. He was admitted to the Massachusetts Bar the same year. He was awarded an M.A. in 1956, and a Ph.D. in 1960. Brilliant’s dissertation was titled as ''Gesture and Rank in Roman Art: The Use of Gestures to Denote Status in Roman Sculpture and Coinage'' and published in 1963. Career Brilliant began his teaching career at the University of Pennsylvania in 1963. He became a full professor in 1969 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Architecture
Classical architecture typically refers to architecture consciously derived from the principles of Ancient Greek architecture, Greek and Ancient Roman architecture, Roman architecture of classical antiquity, or more specifically, from ''De architectura'' (c. 10 AD) by the Roman architect Vitruvius. Variations of classical architecture have arguably existed since the Carolingian Renaissance, and became especially prominent during the Italian Renaissance and the later period known as neoclassical architecture or Classical revival. While classical styles of architecture can vary, they generally share a common "vocabulary" of decorative and structural elements. Across much of the Western world, classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to influence contemporary architects. The term ''classical architecture'' can also refer to any architectural tradition that has evolved to a highl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative Moulding (decorative), moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves, and rain gutter, gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Column
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a '' post''. Supports with a rectangular or other non-round section are usually called '' piers''. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadriga
A quadriga is a car or chariot drawn by four horses abreast and favoured for chariot racing in classical antiquity and the Roman Empire. The word derives from the Latin , a contraction of , from ': four, and ': yoke. In Latin the word is almost always used in the plural and usually refers to the team of four horses rather than the chariot they pull. In Greek, a four-horse chariot was known as . The four-horse abreast arrangement in a ''quadriga'' is distinct from the more common four-in-hand array of two horses in the front plus two horses behind those. ''Quadrigae'' were raced in the Ancient Olympic Games and other contests. They are represented in profile pulling the chariot of gods and heroes on Greek vases and in bas-relief. During the festival of the Halieia, the ancient Rhodians would sacrifice a ''quadriga''-chariot by throwing it into the sea. The ''quadriga'' was adopted in ancient Roman chariot racing. ''Quadrigas'' were emblems of triumph. Victory or Fame ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staircase
A stairwell or stair room is a room in a building where a stair is located, and is used to connect walkways between floors so that one can move in height. Collectively, a set of stairs and a stairwell is referred to as a staircase or stairway. In buildings with several housing units, a stairway can be a necessary common area for getting to and from apartments. Staircases provide vertical access to connected floors in a multi-story building, and are a functional part of it. Stairwells are often used to place several staircases vertically, one above the other. The entrance to elevators is often located in the stairwell. Sometimes the stairwell goes around the lift shaft, other times it is placed next to it. A ''landing'' platform area is generally provided at both ends of a staircase, rather than having a long series of steps that directly leads to a doorway without a flat area between the steps and the door. Minimum requirements for landing platforms are typically establish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spandrel
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame, between the tops of two adjacent arches, or one of the four spaces between a circle within a square. They are frequently filled with decorative elements. Meaning There are four or five accepted and cognate meanings of the term ''spandrel'' in architecture, architectural and art history, mostly relating to the space between a curved figure and a rectangular boundary – such as the space between the curve of an arch and a rectilinear bounding moulding, or the wallspace bounded by adjacent arches in an arcade and the stringcourse or moulding above them, or the space between the central medallion of a carpet and its rectangular corners, or the space between the circular face of a clock and the corners of the square revealed by its hood. Also included is the space under a flight of stairs, if it is not occupied by another flight of stairs. In a building with more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria (mythology)
In ancient Roman religion Victoria was the deified personification of victory. She first appeared during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia. Thereafter she comes to symbolise Rome's eventual hegemony and right to rule. She is a deified abstraction, entitled to a cult. But unlike Nike, she has virtually no mythology of her own. History and iconography Victoria first appears during the first Punic War, as a translation or renaming of Nike, the Greek goddess of victory in peace or war. Nike would have become familiar to the Roman military as a goddess of Rome's Greek allies in the Punic Wars. She was worshipped in Magna Graecia and mainland Greece, and was a subject of Greek myth. Around this time, various Roman war-deities begin to receive the epithet ''victor'' (conqueror) or ''invictus'' (unconquered). By the late republican and early imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedestal
A pedestal or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called ''basement''. The minimum height of the plinth is usually kept as 45 cm (for buildings). It transmits loads from superstructure to the substructure and acts as the retaining wall for the filling inside the plinth or raised floor. In sculpting, the terms base, plinth, and pedestal are defined according to their subtle differences. A base is defined as a large mass that supports the sculpture from below. A plinth is defined as a flat and planar support which separates the sculpture from the environment. A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. An elevated pedestal or plinth that bears a statue, and which is raised from the substructure supporting it (typically roofs or corniches), is some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composite Order
The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order.Henig, Martin (ed.), ''A Handbook of Roman Art'', p. 50, Phaidon, 1983, In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital. The Composite order is not found in ancient Greek architecture and until the Renaissance was not ranked as a separate order. Instead it was considered as an imperial Roman form of the Corinthian order. Though the Arch of Titus, in the forum in Rome and built in 82 AD, is sometimes cited as the first prominent surviving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
