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After Dinner At Ornans
''After Dinner at Ornans'' (French: ''L'Après-dînée à Ornans'') is an oil-on-canvas painting by the French Realist artist Gustave Courbet, painted in winter 1848–1849 in Ornans. It is now in the Palais des Beaux-Arts de Lille. Its dimensions are 195 by 257 cm. It was the first of Courbet's imposing paintings of Ornans subjects; others include '' The Stone Breakers'' and '' A Burial at Ornans''.Faunce, Sarah; Nochlin, Linda (1988). ''Courbet Reconsidered''. Brooklyn, NY: Brooklyn Museum. p. 83. . ''After Dinner at Ornans'' shows the influence of earlier French masters of genre painting such as Le Nain and Chardin. Courbet exhibited it in the Salon of 1849, where it won a medal and was purchased by the state. One of the first major paintings by Pierre-Auguste Renoir Pierre-Auguste Renoir (; ; 25 February 1841 – 3 December 1919) was a French people, French artist who was a leading painter in the development of the Impressionism, Impressionist style. As a c ...
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Gustave Courbet 031
Gustav, Gustaf or Gustave may refer to: *Gustav (name), a male given name of Old Swedish origin Art, entertainment, and media * ''Primeval'' (film), a 2007 American horror film * ''Gustav'' (film series), a Hungarian series of animated short cartoons * Gustav (''Zoids''), a transportation mecha in the ''Zoids'' fictional universe *Gustav, a character in ''Sesamstraße'' *Monsieur Gustav H., a leading character in ''The Grand Budapest Hotel'' * Gustaf, an American art punk band from Brooklyn, New York. Weapons *Carl Gustav recoilless rifle, dubbed "the Gustav" by US soldiers *Schwerer Gustav, 800-mm German siege cannon used during World War II Other uses *Gustav (pigeon), a pigeon of the RAF pigeon service in WWII *Gustave (crocodile), a large male Nile crocodile in Burundi *Gustave, South Dakota *Hurricane Gustav (other), a name used for several tropical cyclones and storms *Gustav, a streetwear clothing brand See also *Gustav of Sweden (other) *Gustav Adolf (d ...
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Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ...
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Gustave Courbet
Jean Désiré Gustave Courbet ( ; ; ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet w ...
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Ornans
Ornans () is a commune in the Doubs department in the Bourgogne-Franche-Comté region in eastern France. On 1 January 2016 the former commune Bonnevaux-le-Prieuré was merged into Ornans.Arrêté préfectoral
6 November 2015
Ornans is a cultural and tourist centre located in the heart of the first of the in the Loue valley. The town offers tourists a wide range of outdoor activities thanks to the presence of the river and the surrounding cliffs, making it ideal for
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Palais Des Beaux-Arts De Lille
The Palais des Beaux-Arts de Lille (''Lille Palace of Fine Arts'') is a municipal museum dedicated to fine arts, modern art, and antiquities located in Lille. It is one of the largest art museums in France. It was one of the first museums built in France, established under the instructions of Napoleon I at the beginning of the 19th century as part of the popularisation of art. Jean-Antoine Chaptal's decree of 1801 selected fifteen French cities (among them Lille) to receive the works seized from churches and from the European territories occupied by the armies of Revolutionary France. The painters Louis Joseph Watteau and François Watteau, known as the "Watteau of Lille", were heavily involved in the museum's beginnings - Louis Joseph Watteau made in 1795 the first inventory of the paintings confiscated during the Revolution, whilst his son François was deputy curator of the museum from 1808 to 1823. The museum opened in 1809 and was initially housed in a church confiscated fr ...
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The Stone Breakers
''The Stone Breakers'' (), also known as ''Stonebreakers'', was an 1849 oil painting on canvas by the French painter Gustave Courbet. Now destroyed, the image remains an often-cited example of the artistic movement Realism. The painting was exhibited at the 1850 Paris Salon where it was criticized by for its depiction of a subject that was not considered proper for high art. Some critics disliked Courbet's application of very thick paint and the poor lighting in the image. Conversely, social theorist Pierre-Joseph Proudhon praised the work and saw it as a successful socialist painting. He called the composition "a masterpiece in its genre". By 1915, it was considered to be a very "important work". Courbet produced two versions of the painting. The version displayed at the 1850 Paris Salon was in the collection of the Gemäldegalerie Alte Meister in Dresden. At the time of its acquisition by the museum, the painting was referred to as "Courbet's monumental masterpiece". It h ...
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A Burial At Ornans
''A Burial at Ornans'' (, also known as ''A Funeral at Ornans'') is a painting of 1849–50 by Gustave Courbet. It is widely regarded as a major turning point in 19th-century French art. The painting records a funeral in Courbet's birthplace, the small town of Ornans. It treats an ordinary, provincial funeral with frank realism, and on the grand scale traditionally reserved for the heroic or religious scenes of history painting. Its exhibition at the 1850–51 Paris Salon created an "explosive reaction" and brought Courbet instant fame.Mack, Gerstle (1989). ''Gustave Courbet''. Da Capo. p. 88-93. . It is currently displayed at the Musée d'Orsay in Paris, France Background Creation Courbet likely drew inspiration from two different types of sources. One is seventeenth-century Dutch group portraits, such as ''Banquet of Captain Bicker'' (1648), ''Company of Captain Allaert Cloek'' (1632), or '' Meagre Company'' (1637).Fried, Michael. “The Structure of Beholding in Courbet's � ...
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Genre Art
Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, genre scenes, or genre views) may be realistic, imagined, or romanticized by the artist. Some variations of the term ''genre art'' specify the medium or type of visual work, as in ''genre painting'', ''genre prints'', ''genre photographs'', and so on. The following concentrates on painting, but genre motifs were also extremely popular in many forms of the decorative arts, especially from the Rococo of the early 18th century onwards. Single figures or small groups decorated a huge variety of objects such as porcelain, furniture, wallpaper, and textiles. Genre painting ''Genre painting'', also called ''genre scene'' or ''petit genre'', depicts aspects of everyday life by portraying ordinary people engaged in common activities. One commo ...
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Le Nain
The three Le Nain brothers were painters in 17th-century France: Antoine Le Nain (c.1600–1648), Louis Le Nain (c.1603–1648), and Mathieu Le Nain (1607–1677). They produced genre works, portraits and portrait miniatures. Lives and work The brothers were born in or near Laon, in Picardy, in northern France. Mathieu was born in 1607; Antoine and Louis were originally believed to have been born in 1588 and 1593, respectively, but are now thought to have been born later; the National Gallery gives them birth dates of "c. 1600? and c. 1603?". By 1630, all three lived in Paris, where they shared the studio founded by Antoine, who was admitted to the Paris painters' guild, enabling his two brothers to train under him without paying fees. Within a few years they were receiving important commissions, Antoine painting a group portrait of the aldermen of Paris in 1632. The early paintings of the Le Nains were religious, and varied in style as the brothers passed through brief perio ...
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Jean Siméon Chardin
Jean Siméon Chardin (; November 2, 1699 – December 6, 1779) was an 18th-century France, French List of painters, painter. He is considered a master of still life, and is also noted for his genre works, genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Life Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Rive Gauche, Left Bank near Église Saint-Sulpice, Paris, Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731.Rosenberg p. 179. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Académie de Saint-Luc. According to one nineteenth-century writer, at a time when it ...
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Salon Of 1849
The Salon of 1849 was an art exhibition held in Paris. It was the first to be located at the Tuileries Palace, rather than the traditional venue of the Salon at the Louvre. It was staged during the French Republic which had been established following the Revolution of 1848. The Tuileries were a historic royal residence, and had before the revolution belonged to the now deposed Louis Philippe I. The rules of submission were made more open to artists. A major beneficiary of this was the realist painter Gustave Courbet whose '' After Dinner at Ornans'' won a gold medal. Under the July Monarchy Salon juries had rejected all but three of his twenty two submissions. The young Pierre-Charles Comte exhibited a history painting '' The Coronation of Inês de Castro in 1361'' featuring the fourteenth century Portuguese queen Inês de Castro. Rosa Bonheur displayed a rural scene ''Ploughing in the Nivernais''. Another realist painter François Bonvin submitted three painting. The landscap ...
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Pierre-Auguste Renoir
Pierre-Auguste Renoir (; ; 25 February 1841 – 3 December 1919) was a French people, French artist who was a leading painter in the development of the Impressionism, Impressionist style. As a celebrator of beauty and especially femininity, feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Peter Paul Rubens, Rubens to Antoine Watteau, Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d'Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the yo ...
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