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Jean Siméon Chardin
Jean Siméon Chardin (; November 2, 1699 – December 6, 1779) was an 18th-century France, French List of painters, painter. He is considered a master of still life, and is also noted for his genre works, genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Life Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Rive Gauche, Left Bank near Église Saint-Sulpice, Paris, Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731.Rosenberg p. 179. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Académie de Saint-Luc. According to one nineteenth-century writer, at a time when it ...
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Saying Grace (Chardin)
''Saying Grace'' or ''The Prayer Before a Meal'' () is the title of several paintings by French artist Jean Simeon Chardin, one of which was given as a gift to Louis XV of France, Louis XV. The subject of the painting, a middle-class French family saying grace (prayer), grace before a meal, is one of everyday Bourgeoisie, bourgeois tranquillity – Chardin's area of interest – with an uncharacteristic touch of sentimentality. History Chardin, who had made his fame painting still life, had at this point in his career started also to include human figures in his works. He painted several versions of ''Le Bénédicité'', three of which were exhibited at the Salon (Paris), Salon, in 1740, 1746 and Salon of 1761, 1761.Rand and Bianco, p. 128. The original, from 1740, was given as a gift to the King. The painting fell into oblivion ten years after the death of Louis XV, but was rediscovered in 1845. Another version was kept by the artist throughout his life, and eventually ended up ...
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Rue De Seine
The Rue de Seine () is a street in the 6th arrondissement of Paris. It is one of the most sought after streets in Paris due to its history and very close proximity to the Louvre and other famous Parisian landmarks. The Rue de Seine and surrounding streets are host to the highest concentration of art galleries and antique dealers in the world. Other nearby famous landmarks include the Café de Flore, Les Deux Magots and the Jardin du Luxembourg. The neighbourhood of the Rue de Seine also includes famous fashion houses, such as Dior, Yves Saint Laurent and Hugo Boss. In popular culture * The Hotel La Louisiane at 60 rue de Seine is famous for having accommodated many notable jazz musicians and writers, including Miles Davis, Chet Baker, John Coltrane, Ernest Hemingway, Jean-Paul Sartre and Simone de Beauvoir. * ''Rue de Seine'' is the title of a 2006 album by Martial Solal and Dave Douglas. * In the French novel '' La Duchesse de Langeais'' by Honoré de Balzac, the aristocrati ...
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Genre Works
Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, genre scenes, or genre views) may be realistic, imagined, or romanticized by the artist. Some variations of the term ''genre art'' specify the medium or type of visual work, as in ''genre painting'', ''genre prints'', ''genre photographs'', and so on. The following concentrates on painting, but genre motifs were also extremely popular in many forms of the decorative arts, especially from the Rococo of the early 18th century onwards. Single figures or small groups decorated a huge variety of objects such as porcelain, furniture, wallpaper, and textiles. Genre painting ''Genre painting'', also called ''genre scene'' or ''petit genre'', depicts aspects of everyday life by portraying ordinary people engaged in common activities. One commo ...
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Salon (Paris)
The Salon (), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it was managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at l ...
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Fontainebleau
Fontainebleau ( , , ) is a Communes of France, commune in the Functional area (France), metropolitan area of Paris, France. It is located south-southeast of the Kilometre zero#France, centre of Paris. Fontainebleau is a Subprefectures in France, sub-prefecture of the Seine-et-Marne Departments of France, department, and it is the seat of the Arrondissement of Fontainebleau, ''arrondissement'' of Fontainebleau. The commune has the largest land area in the Île-de-France region; it is the only one to cover a larger area than Paris itself. The commune is closest to Seine-et-Marne Prefecture Melun. Fontainebleau, together with the neighbouring commune of Avon, Seine-et-Marne, Avon and three other smaller communes, form an urban area of 36,724 inhabitants (2018). This urban area is a satellite of Paris. Fontainebleau is renowned for the large and scenic Forest of Fontainebleau, a favourite weekend getaway for Parisians, as well as for the historic Palace of Fontainebleau, Château ...
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Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ...
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National Gallery Of Art
The National Gallery of Art is an art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Samuel Henry Kress#Biography, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder. The Gallery's campus includes the ...
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The Buffet (Chardin)
''The Buffet'' is an oil-on-canvas still life painting executed in 1728 by Jean Siméon Chardin. It and '' The Ray'' were Chardin's reception pieces to the Académie royale de peinture et de sculpture; both are now in the Louvre The Louvre ( ), or the Louvre Museum ( ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Rive Droite, Right Bank of the Seine in the city's 1st arrondissement of Paris, 1st arron .... References {{DEFAULTSORT:Buffet, The 1728 paintings Paintings by Jean-Baptiste-Siméon Chardin Paintings in the Louvre by French artists Paintings of dogs Still life paintings ...
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Self Portrait At An Easel (ca
In philosophy, the self is an individual's own being, knowledge, and values, and the relationship between these attributes. The first-person perspective distinguishes selfhood from personal identity. Whereas "identity" is (literally) sameness and may involve categorization and labeling, selfhood implies a first-person perspective and suggests potential uniqueness. Conversely, "person" is used as a third-person reference. Personal identity can be impaired in late-stage Alzheimer's disease and in other neurodegenerative diseases. Finally, the self is distinguishable from "others". Including the distinction between sameness and otherness, the self versus other is a research topic in contemporary philosophy and contemporary phenomenology (see also psychological phenomenology), psychology, psychiatry, neurology, and neuroscience. Although subjective experience is central to selfhood, the privacy of this experience is only one of many problems in the philosophy of self and scie ...
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Jean-Baptiste Van Loo
Jean-Baptiste van Loo (14 January 1684 – 19 December 1745) was a French people, French subject and portrait painter. Life and career He was born in Aix-en-Provence, and was instructed in art by his father Louis-Abraham van Loo, son of Jacob van Loo. Having at an early age executed several pictures for the decoration of the church and public buildings at Aix, he was employed on similar work at Toulon, which he was obliged to leave during the Siege of Toulon (1707), siege of 1707. He was patronized by Emmanuel Philibert, Prince of Carignano, who sent him to Rome, where he studied under Benedetto Luti. He was much employed painting for churches in Rome, and in particular executed a greatly praised ''Scourging of Christ'' for the church of Santa Maria in Monticelli. At Turin he painted Charles Emmanuel II, Duke of Savoy and several members of his court. Then, moving to Paris, where he was elected a member of the ''Académie royale de peinture et de sculpture'', he executed var ...
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Pont Neuf
The Pont Neuf (, "New Bridge") is the oldest standing bridge across the river Seine in Paris, France. It stands by the western (downstream) point of the Île de la Cité, the island in the middle of the river that was, between 250 and 225 BC, the birthplace of Paris, then known as Lutetia and, during the medieval period, the heart of the city. The bridge is composed of two separate spans, one of five arches joining the left bank to the ''Île de la Cité'', another of seven joining the island to the right bank. Old engraved maps of Paris show that the newly built bridge just grazed the downstream tip of the ''Île de la Cité''; since then, the natural sandbar building of a mid-river island, aided by stone-faced embankments called '' quais'', has extended the island. Today the tip of the island is the location of the ''Square du Vert-Galant'', a small public park named in honour of Henry IV, nicknamed the "Green Gallant". The name ''Pont Neuf'' was given to distinguish it f ...
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Place Dauphine
The Place Dauphine () is a public square located near the western end of the Île de la Cité in the 1st arrondissement of Paris, first arrondissement of Paris. It was initiated by Henry IV of France, Henry IV in 1607, the second of his projects for public squares in Paris, the first being the Place Royale (now the Place des Vosges). He named it for his son, the Dauphin of France and future Louis XIII of France, Louis XIII, who had been born in 1601. From the "square", actually triangular in shape, one can access the middle of the Pont Neuf, a bridge which connects the left and right banks of the Seine by passing over the Île de la Cité. A street called, since 1948, Rue Henri-Robert, forty metres long, connects the Place Dauphine and the bridge. Where they meet, there are two other named places, the Place du Pont-Neuf and the Square du Vert-Galant. History The Place Dauphine was laid out in 1607–10, when the Place Royale was still under construction. It was among the earlies ...
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