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A Burial At Ornans
''A Burial at Ornans'' (, also known as ''A Funeral at Ornans'') is a painting of 1849–50 by Gustave Courbet. It is widely regarded as a major turning point in 19th-century French art. The painting records a funeral in Courbet's birthplace, the small town of Ornans. It treats an ordinary, provincial funeral with frank realism, and on the grand scale traditionally reserved for the heroic or religious scenes of history painting. Its exhibition at the 1850–51 Paris Salon created an "explosive reaction" and brought Courbet instant fame.Mack, Gerstle (1989). ''Gustave Courbet''. Da Capo. p. 88-93. . It is currently displayed at the Musée d'Orsay in Paris, France Background Creation Courbet likely drew inspiration from two different types of sources. One is seventeenth-century Dutch group portraits, such as ''Banquet of Captain Bicker'' (1648), ''Company of Captain Allaert Cloek'' (1632), or '' Meagre Company'' (1637).Fried, Michael. “The Structure of Beholding in Courbet's � ...
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Gustave Courbet
Jean Désiré Gustave Courbet ( ; ; ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet w ...
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Champfleury
Jules François Felix Fleury-Husson (17 September 1821, in Laon, Aisne – 6 December 1889, in Sèvres), who wrote under the name Champfleury (), was a French art critic and novelist, a prominent supporter of the Realist movement in painting and fiction. In 1843 Fleury-Husson moved to Paris. He met Charles Baudelaire and the next year started writing art criticism under the pen-name "Champfleury" for the journal ''L'Artiste''. He was one of the first to promote the work of Gustave Courbet, in an article appearing in an issue of '' Le Pamphlet'' in 1848. In 1856, during a time when the Spanish school was still largely ignored, he advocated the work of El Greco. He wrote about the Le Nain brothers and Maurice Quentin de La Tour. He also had a brief affair in 1851 with Eveline Hańska, the widow of his friend Honoré de Balzac.Robb, Graham. Balzac: A Biography. New York: W. W. Norton &x Company, 1994. . p. 414. He edited the periodical '' Le réalisme'' in 1856 and 1857. H ...
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Religious Paintings
Religion is a range of social-cultural systems, including designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relate humanity to supernatural, transcendental, and spiritual elements—although there is no scholarly consensus over what precisely constitutes a religion. It is an essentially contested concept. Different religions may or may not contain various elements ranging from the divine, sacredness, faith,Tillich, P. (1957) ''Dynamics of faith''. Harper Perennial; (p. 1). and a supernatural being or beings. The origin of religious belief is an open question, with possible explanations including awareness of individual death, a sense of community, and dreams. Religions have sacred histories, narratives, and mythologies, preserved in oral traditions, sacred texts, symbols, and holy places, that may attempt to explain the origin of life, the universe, and other phenomena. Religious pra ...
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Paintings Of Dogs
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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Paintings About Death
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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1850 Paintings
Year 185 (Roman numerals, CLXXXV) was a common year starting on Friday of the Julian calendar. At the time, it was known as the Year of the Consulship of Lascivius and Atilius (or, less frequently, year 938 ''Ab urbe condita''). The denomination 185 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Nobles of Britain demand that Emperor Commodus rescind all power given to Tigidius Perennis, who is eventually executed. * Pertinax, Publius Helvius Pertinax is made governor of Britain and quells a mutiny of the Roman Britain, British Roman legions who wanted him to become emperor. The disgruntled usurpers go on to attempt to assassinate the governor. * Tigidius Perennis, his family and many others are executed for conspiring against Commodus. * Commodus drains Ancient Rome, Rome's treasury to put on gladiatorial spectacles and confiscates pr ...
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Paintings In The Musée D'Orsay
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Painting ...
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Paintings By Gustave Courbet
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual arts), composition, gestural pa ...
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Artistic Scandal
Scandals in art occur when members of the public are shocked or offended by a work of art at the time of its first exhibition or publication, (e.g. visual art, literature, scenic design or music). The provocativeness of the scandal may relate to a controversial subject or style, being context-sensitive, according to the personality of the artist, along with transient political, religious, social, and moral factors. ''The Gleaners'' by Jean-François Millet seems innocuous today, but the large size of a painting, generally reserved for religious and mythological subjects, depicting the rural poor was seen by the upper class as an endorsement of the type of grievances that had erupted in the revolutionary violence of 1848, just 9 years earlier. In contrast, the 90 cans of ''Artist's Shit'' (Italian: ''Merda d'artista'', 1961), each labeled as containing 30 grams of feces of the artist Piero Manzoni, were regarded as social commentary rather than scandal. Collectors began buying th ...
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Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ...
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Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ...
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Insurrection Of 31 May – 2 June 1793
The insurrection of 31 May – 2 June 1793 (, ) during the French Revolution started after the Paris commune demanded that 22 Girondin deputies and members of the Commission of Twelve be brought before the Revolutionary Tribunal. Jean-Paul Marat led the attack on the representatives in the National Convention, who in January had voted against the execution of King Louis XVI and since then had paralyzed the convention. It ended after thousands of armed citizens surrounded the convention to force it to deliver the deputies denounced by the Commune. The insurrection resulted in the fall of 29 Girondins and two ministers under pressure of the ''sans-culottes'', Jacobins, and Montagnards. Because of its impact and importance, the insurrection stands as one of the three great popular insurrections of the French Revolution, following the storming of the Bastille and the insurrection of 10 August 1792. The principal conspirators were the Enragés: Claude-Emmanuel Dobsen and Jean-F ...
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